Nos anos 30, o órfão semi abandonado Rick Martin (Kirk Douglas) é criado por sua irmã, sem qualquer cuidado ou amor. Um dia, ele ouve uma canção em um templo e como tem ouvido absoluto, é capaz de reproduzi-la no piano. Quando ele vê um trompete em uma casa de penhores, ele se apaixona pelo instrumento e trabalha para arranjar o dinheiro necessário para comprá-lo. Então ele se encontra com o lendário trompetista Art Hazzard (Juano Hernandez) e Rick se torna seu protegido. Art ensina como tocar trompete e Rick se torna um trompetista bem sucedido mas rebelde. Ao longo de sua carreira, os amigos de Rick Martin são Art Hazzard, o pianista Willie 'Smoke' Willoughby (Hoagy Carmichael) e a cantora Jo Jordan (Doris Day) e acaba se tornando a estrela de sua orquestra. Quando Jo apresenta sua amiga Amy North (Lauren Bacall), que é um estudante de medicina que gosta de experimentar novas sensações, Rick acaba se apaixona por ela, bem no início de sua queda.
Tempo de execução: 112 minutos
Data de lançamento 1950-03-01
Slogan: Um Drama Incandescente sobre um Exímio Jazzman!
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This trumpet is part of me, the best part! Young Man With A Horn is inspired by the sad life of jazz musician Bix Beiderbecke, a sad life because Bix would succumb to alcoholism and pass away at the age of 28. Rick Martin (Kirk Douglas) is the fictional character of the piece, the film is told in flashbacks of Martin's life through the nostalgic reminiscence of pianist Smoke Willoughby (Hoagy Carmichael). Young Man With A Horn is very much a film of three parts, the first half firmly establishes Rick's love of music from an early age, his tutelage under mentor Art Hazzard (Juan Hernandez) is fully formed and completely fleshes out Rick's character. We are then privy to the middle part of his life as he forms a bond with Smoke and band singer Jo Jordon (an ebullient and charming Doris Day), Rick is happy, his love of music taking priority over outside interests, but then Amy North (a swishing Lauren Bacall) enters his life, and here the film switches firmly into a melodramatic piece, it's a switch that pays off as the end credit looms large. The directing from Michael Curtiz is as you would expect very tight to the drama, and the photography from Ted McCord captures the smoke filled nature of jazz clubs perfectly. The acting from the cast principals is never less than above average. Some may find it hard to accept Kirk Douglas in the leading role, and certainly at first glance he looks oddly out of place with a trumpet at his lips, but he studied under trumpeter Larry Sullivan and convinces as a viable trumpet player (the actual music is dubbed by Harry James). The music of course is excellent, and as long as one is prepared for the melodramatic turn of events, this is a very rewarding piece. The proviso though is that you remember that this is far from being a true biographical story of the tragic Bix Beiderbecke. 8/10