30 jours de nuit


30 jours de nuit

Vue d’ensemble :

Alaska, de nos jours. Au coeur de l'hiver, les habitants de la paisible ville de Barrow s'apprêtent à passer, comme tous les ans, un mois sans soleil. À la suite d'une série d'évènements étranges, Eben et Stella, les deux shérifs locaux, vont découvrir l'invraisemblable vérité. Un gang de vampires a investi la ville pour l'éradiquer de tous ses habitants. Eben, Stella et un petit groupe de survivants vont alors tenter de survivre jusqu'à l'aube...

Votes 1749 (6,3/10)

Duree : 113 minutes

Date de sortie 09/01/2008

True

Budget : $30,000,000.00

Chiffre d’affaires : $75,505,973.00

Site Internet : Link

Slogan : Ils viennent!

Société de production :

  • HorrorFlix
  • Columbia Pictures
  • Ghost House Pictures
  • Dark Horse Entertainment

Pays de production :

  • New Zealand
  • United States of America

Genres :

  • Horreur
  • Thriller

Remorque

Plus d’informations

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Josh Hartnett
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Stella Oleson
Melissa George
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Ben Foster
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Marlow
Danny Huston
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Beau Brower
Mark Boone Junior
Mark Boone Junior
Wilson Bulosan
Craig Hall
Craig Hall
Isaac Bulosan
Chic Littlewood
Chic Littlewood
Billy
Manu Bennett
Manu Bennett
Carter Davies
Nathaniel Lees
Nathaniel Lees
Lucy Ikos
Elizabeth Hawthorne
Elizabeth Hawthorne
Doug Hertz
Joel Tobeck
Joel Tobeck
Dawn
Kate Elliott
Kate Elliott
Kirsten Toomey
Camille Keenan
Camille Keenan
John Riis
Peter Feeney
Peter Feeney
Malekai Hamm
Pua Magasiva
Pua Magasiva
Jake Oleson
Mark Rendall
Mark Rendall
Denise
Amber Sainsbury
Amber Sainsbury
Iris
Megan Franich
Megan Franich
Aaron
Jared Turner
Jared Turner
Gabe
Kelson Henderson
Kelson Henderson
Adam Colletta
John Wraight
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Michelle Robbins
Kate Butler
Kate Butler
Larry Robbins
Thomas Newman
Thomas Newman
Frank Robbins
Patrick Kake
Patrick Kake
Gail Robbins
Rachel Maitland-Smith
Rachel Maitland-Smith
Ally Riis
Min Windle
Min Windle
Peter Toomey
Jack Walley
Jack Walley
Helen Munson
Elizabeth McRae
Elizabeth McRae
Tom Melanson
Joe Dekkers-Reihana
Joe Dekkers-Reihana
Gus Lambert
Grant Tilly
Grant Tilly
Zurial
John Rawls
John Rawls
Kali
Melissa Billington
Melissa Billington
Seth
Jacob Tomuri
Jacob Tomuri
Inika
Kate O'Rourke
Kate O'Rourke
Heron
Ben Fransham
Ben Fransham
Arvin
Andrew Stehlin
Andrew Stehlin
Archibald
Tim McLachlan
Tim McLachlan
Edgar
Jarrod Martin
Jarrod Martin
Khan
Allan Smith
Allan Smith
Cicero
Aaron Cortesi
Aaron Cortesi
Little Girl Vampire
Abbey-May Wakefield
Abbey-May Wakefield
Jeannie Colletta
Dayna Grant
Dayna Grant
Screenplay
Stuart Beattie
Stuart Beattie
Art Direction
Mark Robins
Mark Robins
Casting
Liz Mullane
Liz Mullane
Casting
Mary Vernieu
Mary Vernieu
Set Decoration
Jaro Dick
Jaro Dick
Supervising Dialogue Editor
Ray Beentjes
Ray Beentjes
Producer
Sam Raimi
Sam Raimi
Producer
Robert Tapert
Robert Tapert
Executive Producer
Mike Richardson
Mike Richardson
Producer
Joseph Drake
Joseph Drake
Executive Producer
Nathan Kahane
Nathan Kahane
Director
David Slade
David Slade
Screenplay
Brian Nelson
Brian Nelson
Director of Photography
Jo Willems
Jo Willems
Editor
Art Jones
Art Jones
Screenplay
Steve Niles
Steve Niles
Novel
Steve Niles
Steve Niles
Executive Producer
Aubrey Henderson
Aubrey Henderson
Production Design
Paul D. Austerberry
Paul D. Austerberry
Costume Design
Jane Holland
Jane Holland
Original Music Composer
Brian Reitzell
Brian Reitzell
Music Supervisor
Brian Reitzell
Brian Reitzell
Casting Associate
Venus Kanani
Venus Kanani
Assistant Chief Lighting Technician
John Enright
John Enright
Gaffer
Sean O'Neill
Sean O'Neill
Chief Lighting Technician
Sean O'Neill
Sean O'Neill
Leadman
Milton Candish
Milton Candish
Stunt Coordinator
Allan Poppleton
Allan Poppleton
First Assistant "A" Camera
Ulric Raymond
Ulric Raymond
Costumer
Jenny Rushton
Jenny Rushton
Unit Production Manager
Annie Dodman
Annie Dodman
Production Coordinator
Lyn Willis
Lyn Willis
Second Unit Director
Charlie Haskell
Charlie Haskell
Casting Assistant
Lindsay Graham
Lindsay Graham
Production Coordinator
Sarah Spurway
Sarah Spurway
Costume Supervisor
Jaindra Watson
Jaindra Watson
Sound Designer
Tim Prebble
Tim Prebble
Supervising Sound Editor
Tim Prebble
Tim Prebble
Casting Assistant
Victoria Beynon-Cole
Victoria Beynon-Cole
Visual Effects Editor
Jochen Fitzherbert
Jochen Fitzherbert
Art Direction
Nigel Churcher
Nigel Churcher
Script Supervisor
Kathleen Thomas
Kathleen Thomas
Assistant Art Director
Robert Bavin
Robert Bavin
Key Hair Stylist
Jacqui Leung
Jacqui Leung
Still Photographer
Steve Unwin
Steve Unwin
Set Designer
Nick Connor
Nick Connor
Set Designer
Simon Elsley
Simon Elsley
Art Department Coordinator
Birgitta Nilsson
Birgitta Nilsson
Property Master
Matt Cornelius
Matt Cornelius
Dialogue Editor
Chris Todd
Chris Todd
Visual Effects Producer
Rebecca Downes
Rebecca Downes
Visual Effects Producer
Fiona Webb
Fiona Webb
Visual Effects Supervisor
George Port
George Port
Visual Effects Supervisor
Dan Lemmon
Dan Lemmon
Still Photographer
Kirsty Griffin
Kirsty Griffin
Camera Operator
Cameron McLean
Cameron McLean
Camera Operator
Rob Marsh
Rob Marsh
Music Editor
Richard Jory
Richard Jory
ADR Editor
Polly McKinnon
Polly McKinnon
Makeup Artist
Claire Rutledge
Claire Rutledge
First Assistant "B" Camera
Andrew McGeorge
Andrew McGeorge
Modeling
Matsune Suzuki
Matsune Suzuki
Stunts
Sean Button
Sean Button
Visual Effects
Hugo Dominguez
Hugo Dominguez
Script Supervisor
Dianne Moffatt
Dianne Moffatt
Lighting Technician
Kerry Peck
Kerry Peck
Special Effects
Hauk Olafsson
Hauk Olafsson
Hair Designer
Jane O'Kane
Jane O'Kane
Makeup Designer
Jane O'Kane
Jane O'Kane
Second Assistant "A" Camera
Ben Rowsell
Ben Rowsell
Steadicam Operator
Grant Adams
Grant Adams
First Assistant "B" Camera
Todd Bilton
Todd Bilton
Hair Supervisor
Vanessa Hurley
Vanessa Hurley
Camera Operator
Ian McCarroll
Ian McCarroll
Dolly Grip
Simon Jones
Simon Jones
Makeup & Hair
Michael Krehl
Michael Krehl
Second Assistant "B" Camera
Brenden Holster
Brenden Holster
Key Grip
Simon Hawkins
Simon Hawkins
Production Coordinator
Steven Darancette
Steven Darancette
Title Designer
Nic Benns
Nic Benns
Key Grip
Jay Munro
Jay Munro
Stunts
Dayna Grant
Dayna Grant
Production Manager
Moira Grant
Moira Grant
Machinist
Lachlan Mayclair
Lachlan Mayclair
Rigging Grip
Dominic Connor
Dominic Connor
Assistant Camera
Alys Rowe
Alys Rowe
Second Assistant "B" Camera
Natacha Lee
Natacha Lee
Foley
Carrie McLaughlin
Carrie McLaughlin
Makeup & Hair
Anita Aggrey
Anita Aggrey
Makeup & Hair
Maya Lewis
Maya Lewis
Assistant Chief Lighting Technician
Michael Lougheed
Michael Lougheed
Assistant Chief Lighting Technician
David Sargison
David Sargison
Assistant Chief Lighting Technician
Steve Cook
Steve Cook
Chief Lighting Technician
Tony Blackwood
Tony Blackwood
Lighting Technician
Dion Anderson
Dion Anderson
Lighting Technician
Chris McAllister
Chris McAllister
Lighting Technician
Marcus Upton
Marcus Upton
Rigging Supervisor
Scott Anderson
Scott Anderson
Second Assistant Camera
James Rua
James Rua
Costume Assistant
Clara Lill
Clara Lill
Ager/Dyer
Claudia Watson
Claudia Watson
Costumer
Hayley May
Hayley May
Costumer
Joan Wilson
Joan Wilson
Costumer
Sarah Jones
Sarah Jones
Costumer
Melody Newton
Melody Newton
Dialogue Coach
Helen Charters
Helen Charters
Production Coordinator
Rebecca Hutton
Rebecca Hutton
Production Coordinator
Tara Landry
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Production Coordinator
Jane McCurdy
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Production Coordinator
Robyn Younie
Robyn Younie
Production Supervisor
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Gimly

**The following is a long form review that I originally wrote in 2010.** A new-age, brilliant vampire movie that never got the acclaim it rightfully deserved. _30 Days of Night_ is one of the few films I like that I can never understand why other people don’t. Though I do prefer other movies like _Revolver, Doomsday and Donnie Darko_ to it, with those I can always understand when people don’t see in them what I do. With _30 Days of Night_, if you don’t have a problem with gore, then you shouldn’t have a problem with the film. And yet I have personal friends as well as people I’ve heard from online who totally dig horror, gore, vampires etc. and yet don’t like _30 Days of Night_, which confuses me all to Hell, let me tell you. Though I was mildly aggravated by the inconstancies in the number of vampires around, other than that I can find virtually nothing bad to say about _30 Days of Night_. Firstly you have Josh Hartnett (_The Faculty_) as Sheriff Eben, protagonist, secondly you have Danny Huston (_The Proposition_) as Marlow, leader of the vampires, who attack Alaska during the winter period of 30 days without sun (which in and of itself is an awesome concept, and thirdly there’s Ben Foster (_Pandorum_) as the vampire’s human lapdog, all of whom are personal favourites of mine. That’s not even mentioning the fact that Eben’s wife is played by Australian Melissa George (_Triangle_), who was born in my hometown, so even if she wasn’t a great actor, she’d get auto-points. Basically every point in which _30 Days of Night_ differentiates from the comic it’s based on is an improvement to the story, which is (gasp, shock, horror) a mildly realistic Vampire film. God forbid. I love the vampires in this. Though they’re not quite as sexy and well-dressed as they are in _Underworld _or as demonic as they are in _Buffy the Vampire Slayer_, they bring a totally new brutality to the vampire class. They wear what you’d expect late 30-ish people living in 2007 to wear, they’re stronger than the average human, but not impossibly so, they hunt in packs and give off bloodcurdling, atavistic shrieks (of which I give quite a good impression; sidenote) they’re unrelenting an animalistic but just as intelligent as a regular person, they’re quick, dark and deadly. There’s no camp to be found here, not always a good thing, but in _30 Days of Night_, it is. I honestly cannot recommend this one enough, despite its intense gore and general panning, I implore you to at the very least give it a go, and decide for yourself. Both the human survivors and the vampire invaders are there simply trying to stay alive, the vamps through their sadistic, systematic hunting of the local populace for their food-source, blood, and the people by trying to both hide, and fight back, but mostly the former. Ironically, it’s the “humanity” of the humans that causes every one of their downfalls, while they’re leached from above by a far superior race, who goes so far as to call humans a “plague” and invent a new language all for themselves, just so as to not have to speak the same filthy way we lower-beings do (and I mean, if your choice was between that and having to put up with American-English, wouldn’t you?). 86% -_Gimly_

David

Barrow, Alaska. The most northern town in the United States, where for 30 days every year it is has no sunlight. This is the perfect opportunity for a gang of merciless, & blood-thirsty vampires to feed on the remaining inhabitants of this small town, after most leave for the month of darkness. As people are leaving, and others are making preparations for their time of hibernation, mysterious occurrences are uncovered; mobile phones stolen, and destroyed, an entire team of sled dogs butchered. The ground work for the impending doom of a malevolent force. Once the killings and feedings begin there is no let up. I have watched my share of vampire films, and frankly this is definitely one of the best made, its stripped back, bare, and unromanticized. This group of vampires, led by the visceral Marlow (Houston) take no pity on the town of Barrow as they tear it apart looking for their prey, and using people as bait to lure hiding survivors out into the cold and snowed out streets of the isolated mining town. The second half of the film becomes a tale of survival, as town Sheriff Eben Olemun (Hartnett) and his soon to be ex-wife Stella (George), lead a group of survivors who manage to hide themselves away by staying in an attic, scared and cold they realize that it is only a matter of time before they are discovered and killed. Even though this is a film that does involve a fair amount of blood and gore, the film's real heart lies in the way it scares you with what it doesn't show in the lead up to the early killings, this for me is true horror, show me next to nothing, and build the most amount of tension, then deliver the shock, and you'll have me pissing my pants every time. There is also a fair amount of brutality shown, not only in how the vampires kill their prey, but also how they are dispensed by Eben and the others. On an interesting note, this is a film based on a graphic novel written by Steve Niles, who co-wrote the screenplay to the film. Niles had actually pitched the original idea as a film some years before, but reworked it to graphic novel after being knocked back by several producers, it was then picked up afterwards by one of those producers to make this film we have now.

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