FILLIB

Dalsze informacje

Prince Akeem / Clarence / Randy Watson / Saul

Eddie Murphy

Semmi / Extremely Ugly Girl / Morris / Reverend Brown

Arsenio Hall

King Jaffe Joffer

James Earl Jones

Cleo McDowell

John Amos

Lisa McDowell

Shari Headley

Landlord

Frankie Faison

Maurice

Louie Anderson

Darryl Jenks

Eriq La Salle

Patrice McDowell

Allison Dean

Queen Aoleon

Madge Sinclair

Oha

Paul Bates

Robber

Samuel L. Jackson

Randolph Duke / Homeless Man #1

Ralph Bellamy

Mortimer Duke / Homeless Man #2

Don Ameche

Imani Izzi

Vanessa Bell Calloway

Colonel Izzi

Calvin Lockhart

Rose Bearer #3

Garcelle Beauvais

Boy Getting Haircut

Cuba Gooding Jr.

Elderly Passenger

Birdie M. Hale

Basketball Game Vendor

Vondie Curtis-Hall

Soul Glo Man

Clyde Jones

Face on Cutting Room Floor

Jim Abrahams

Story

Eddie Murphy

Producer

Robert D. Wachs

Casting

Jackie Burch

Casting Assistant

Ferne Cassel

Director

John Landis

Original Music Composer

Nile Rodgers

Editor

George Folsey Jr.

Producer

George Folsey Jr.

Costume Design

Deborah Nadoolman

Set Decoration

Cheryal Kearney

Editor

Malcolm Campbell

Special Effects Supervisor

Danny Cangemi

Art Direction

Christopher Nowak

Makeup Effects

Rick Baker

Scenic Artist

Edward Garzero

Unit Production Manager

Michael Tadross

Production Design

Richard Macdonald

Director of Photography

Sol Negrin

Sound Mixer

William B. Kaplan

Unit Publicist

Saul Kahan

Executive Producer

Mark Lipsky

Director of Photography

Woody Omens

Screenplay

David Sheffield

Screenplay

Barry W. Blaustein

Executive Producer

Leslie Belzberg

Production Accountant

Janet L. Wattles

Costume Supervisor

Francine Jamison-Tanchuck

Supervising ADR Editor

James Beshears

Set Designer

R. Gilbert Clayton

Choreographer

Paula Abdul

Assistant Costume Designer

Kelly Kimball

Still Photographer

Bruce McBroom

Assistant Makeup Artist

Marie Carter

Art Direction

Richard B. Lewis

First Assistant Camera

Ken Fisher

Supervising Sound Editor

Paul Timothy Carden

Makeup Artist

Rolf John Keppler

Construction Foreman

William Apperson

Sound Recordist

Frank Graziadei

Electrician

Richie Ford

Chief Lighting Technician

John W. DeBlau

Boom Operator

Louis Sabat

Driver

Patrick Hogan

Music Editor

Daniel Allan Carlin

Second Assistant Director

Richard Patrick

Associate Producer

David Sosna

First Assistant Director

David Sosna

Set Medic

Greg Knapp

Production Coordinator

Terry Ladin

Foley Mixer

Dean Drabin

Stunt Coordinator

John Sherrod

Assistant Sound Editor

Spike Allison Hooper

Sound Editor

Mike Dobie

Assistant Property Master

Stan Cockerell

First Company Grip

Dennis Gamiello

Color Timer

Bob Noland

Utility Stunts

John Ashby

Greensman

Philip C. Hurst

Carpenter

Marc Fambro

Assistant Editor

John Haggar

Set Decoration

Dan von Blomberg

Assistant Art Director

Carole Lee Cole

Construction Coordinator

Jerry Fitzpatrick

Grip

Bruce Atwater

Set Dressing Artist

Gerald DeTitta

Craft Service

Eddie Jones

Property Master

Gregg H. Bilson

Stunts

Lindell Blake

Transportation Coordinator

Cary Kelley

Rigging Grip

Michael T. James

Location Manager

Charles Miller

Wardrobe Supervisor

Bill Christians

Assistant Hairstylist

William Howard

Additional Second Assistant Director

Charles Brescia

Second Second Assistant Director

Tomaz Remec

Swing

Richard Evans

Stunt Double

Carlton Holder

Assistant Camera

Madelyn Most

Dolly Grip

Jon Falkengren

Second Assistant Camera

Joseph Cosko Jr.

Second Company Grip

Brian Fitzsimons

Location Assistant

Chris Schutsky

Assistant Chief Lighting Technician

Ed Cooper

Extras Casting Assistant

Rae Lockett

Generator Operator

Joseph Banks

Production Assistant

Martha Appel

Production Secretary

Ginny Warner

Story Editor

Brian Stewart

Gimly

Hasn't aged flawlessly, made some stylistic decisions that probably would have come across as weird even at the time, and not the sort of thing (American comedy) that typically appeals to me. But I can still absolutely see why _Coming to America_ is remembered as fondly as it is. I liked it by and large more than the most similar offerings of today. _Final rating:★★½ - Not quite for me, but I definitely get the appeal._