First Knight


First Knight

Pregled:

Pregled je na voljo v tem jeziku.

Glasov 862 (6/10)

Čas predvajanja: 134 minut

Datum izdaje 1995-07-07

Proračun: $55,000,000.00

Prihodkov: $127,600,435.00

Produkcija:

  • First Knight Productions
  • Columbia Pictures

Država proizvodnje:

  • United States of America

Zvrsti:

  • Akcija
  • Avantura
  • Drама
  • Romantika

Priklopnika

Dodatne informacije

King Arthur
Sean Connery
Sean Connery
Lancelot
Richard Gere
Richard Gere
Guinevere
Julia Ormond
Julia Ormond
Prince Malagant
Ben Cross
Ben Cross
Agravaine
Liam Cunningham
Liam Cunningham
Sir Kay
Christopher Villiers
Christopher Villiers
Sir Patrise
Valentine Pelka
Valentine Pelka
Sir Mador
Colin McCormack
Colin McCormack
Ralf
Ralph Ineson
Ralph Ineson
Oswald
John Gielgud
John Gielgud
Peter, King's Stableman
Stuart Bunce
Stuart Bunce
Elise
Jane Robbins
Jane Robbins
Petronella
Jean Marie Coffey
Jean Marie Coffey
Mark
Paul Kynman
Paul Kynman
Sir Sagramore
Tom Lucy
Tom Lucy
Child
Richard Claxton
Richard Claxton
Young Lady in Crowd
Susannah Corbett
Susannah Corbett
Man in Crowd
Rob Brydon
Rob Brydon
Lady in Crowd
Rose Keegan
Rose Keegan
Editor
Walter Murch
Walter Murch
Casting
Mary Selway
Mary Selway
Screenplay
William Nicholson
William Nicholson
Story
William Nicholson
William Nicholson
Original Music Composer
Jerry Goldsmith
Jerry Goldsmith
Director of Photography
Adam Greenberg
Adam Greenberg
Director
Jerry Zucker
Jerry Zucker
Producer
Jerry Zucker
Jerry Zucker
Art Direction
Giles Masters
Giles Masters
Special Effects Supervisor
George Gibbs
George Gibbs
Stunt Coordinator
Greg Powell
Greg Powell
Art Direction
Stephen Scott
Stephen Scott
Set Decoration
Malcolm Stone
Malcolm Stone
Executive Producer
Eric Rattray
Eric Rattray
Production Design
John Box
John Box
Producer
Hunt Lowry
Hunt Lowry
Unit Production Manager
Hunt Lowry
Hunt Lowry
Executive Producer
Gil Netter
Gil Netter
Story
Lorne Cameron
Lorne Cameron
Story
David Hoselton
David Hoselton
Executive Producer
Janet Zucker
Janet Zucker
Script Supervisor
Angela Allen
Angela Allen
Hairdresser
Betty Glasow
Betty Glasow
Second Assistant Director
Richard Whelan
Richard Whelan
Producer
Kathryn J. McDermott
Kathryn J. McDermott
Second Second Assistant Director
Josh Robertson
Josh Robertson
Wardrobe Supervisor
Ken Crouch
Ken Crouch
Second Unit Director
Arthur Wooster
Arthur Wooster
Script Supervisor
June Randall
June Randall
Stunt Coordinator
Dinny Powell
Dinny Powell
Camera Operator
Gordon Hayman
Gordon Hayman
First Assistant Director
Chris Carreras
Chris Carreras
Production Supervisor
Alexander De Grunwald
Alexander De Grunwald
Second Assistant Director
Jamie Christopher
Jamie Christopher
Second Assistant Director
Cliff Lanning
Cliff Lanning
Second Unit First Assistant Director
Terry Madden
Terry Madden
Third Assistant Director
Sara Desmond
Sara Desmond
Boom Operator
John Samworth
John Samworth
Camera Operator
Tim Ross
Tim Ross

Wuchak

***"You have to not care whether you live or die"*** There were three medieval/British Isle films released in 1995 -- "Braveheart," "Rob Roy" and "First Knight." Mel Gibson's "Braveheart" is certainly the most epic of the three at three hours, but I found it overrated; which isn't to say I don't like it, I just don't feel that it's as great as the hype would suggest (only about half of it is worthwhile). I liked "Rob Roy" better than "Braveheart;" it's very adult-oriented, violent, gritty and grim, however. "First Knight" is a believable take on the King Arthur/Camelot legend starring Sean Connery as Arthur, Richard Gere as Lancelot and Julia Ormond as Guinevere. They get tangled up in a bit of a love triangle. Ben Cross plays the villain, ex-knight Malagant. Being a relatively realistic portrayal of the folkloric story, the tone is similar to “Robin Hood: Prince of Thieves” (1991), but without the witch and the campy Alan Rickman. So don’t expect any of that silly magical jive with Merlin, Excalibur, etc. This might explain why so many pan the film, but I don't get their beef. Aren't there enough cinematic depictions of the Camelot tale with supernatural elements for them to enjoy, like 1981’s "Excalibur"? I'll put it this way, "First Knight" is to the Arthur/Lancelot legend what the film "Troy" (2004) is to the Helen of Troy chronicle, although “First Knight” is less gritty. The film caught my fascination right away with the character of Lancelot. He is portrayed as an expert swordsman, drifter, loner and all-around lost soul. The beginning reveals something integral to understanding his character: Lancelot takes on an intimidating dude in a swordfight contest at a village he’s traveling through. After Lancelot prevails, the big guy asks him for advice on how to be as skilled a swordsman. Lancelot tells him that he needs a couple of obvious sword-fighting skills, to which the man confidently replies, "I can do that." Then Lancelot tells him the last quality he needs: "And you have to not care whether you live or die." This is a powerful scene; Gere plays the character very convincingly (in fact, if you hate Gere, this film might give you a new-found respect for him). This character-defining episode reveals HOW Lancelot is the only one able to prevail against an incredible and decidedly deadly weapons gauntlet later in the story, which is a highlight. The rest of the film is just a solid medieval/British Isle adventure with a noble folkloric tone, requisite forest scenes and all. What I mean by “folkloric” can be seen in Lancelot’s heroic rescue of Guinevere in Malagant's cave fortress, which is pretty implausible. But these are larger-than-life figures, right? "First Knight" more than satisfied my hunger for a medieval/British isles flick and surprised me with the intriguing character of the suicidally-brave Lancelot. If one doesn't have hang-ups regarding the absence of Merlin, Excalibur and the magical baggage that goes with 'em, this is an entertaining and classy heroic film. On top of all this, the movie features a fascinating allegorical subtext: King Arthur is God, Camelot is Heaven, Malagant is the fallen Lucifer, his dark, cavernous ‘castle’ is the Underworld, Guinevere represents humanity caught in the epic fight between good (Arthur) and evil (Malagant), and Lancelot represents worldly temptation. The film runs 2 hours, 14 minutes and was shot in Wales & England. GRADE: B

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