Al calare delle tenebre


Al calare delle tenebre

Trama:

Centocinquant'anni fa, a Darkness Falls, Mathilda Dixon, una gentile vecchina nota anche come "la fatina dei denti caduti" perché donava regali ad ogni bimbo cui cadevano i primi dentini, viene ingiustamente accusata della sparizione di due bambini e brutalmente massacrata dalla folla. Il suo spirito, però, non smette di aleggiare sulla cittadina, e promette una vendetta che sarà perpetrata sui discendenti dei suoi giustizieri. Kyle ritiene di aver visto da bambino il fantasma della Dixon, la notte in cui fu uccisa misteriosamente sua madre: non sa ancora se sia stata un'allucinazione, ma da allora non riesce più a rimanere da solo al buio, anche se ha lasciato da tempo Darkness Falls. La sua fidanzatina di allora, Caitlin, gli chiede di ritornare, poiché il fratellino Michael è preda anch'egli di allucinazioni simili. Dopo qualche esitazione, Kyle accetta, e si rende conto che il fantasma di Mathilda Dixon gira davvero per Darkness Falls, e che lui dovrà affrontarlo.

Voti 289 (5,2/10)

Durata: 86 minuti

Data uscita 18/07/2003

True

Prodotto da:

  • Revolution Studios
  • Distant Corners Entertainment Group Inc.
  • Blue Star Productions
  • Village Roadshow Pictures
  • Morningstar Films

Paesi:

  • Australia
  • United States of America

Genere:

  • Thriller
  • Horror

Trailer

Ulteriori Informazioni

Kyle Walsh
Chaney Kley
Chaney Kley
Caitlin Greene
Emma Caulfield
Emma Caulfield
Michael Greene
Lee Cormie
Lee Cormie
Larry Fleishman
Grant Piro
Grant Piro
Officer Matt Henry
Sullivan Stapleton
Sullivan Stapleton
Young Caitlin Greene
Emily Browning
Emily Browning
Dr. Peter Murphy
Steve Mouzakis
Steve Mouzakis
Dr. Travis
Peter Curtin
Peter Curtin
Nurse Lauren
Kestie Morassi
Kestie Morassi
Nurse Alexandra
Jenny Lovell
Jenny Lovell
Original Music Composer
Brian Tyler
Brian Tyler
Editor
Steven Mirkovich
Steven Mirkovich
Foley Artist
Vincent Guisetti
Vincent Guisetti
Executive Producer
Derek Dauchy
Derek Dauchy
Special Effects Supervisor
Keith Marbory
Keith Marbory
Screenplay
James Vanderbilt
James Vanderbilt
Sound Designer
Randy Thom
Randy Thom
Sound Re-Recording Mixer
Randy Thom
Randy Thom
Visual Effects Producer
Debbie Denise
Debbie Denise
Executive Visual Effects Producer
Debbie Denise
Debbie Denise
Production Design
George Liddle
George Liddle
Director of Photography
Dan Laustsen
Dan Laustsen
Additional Photography
Stephen F. Windon
Stephen F. Windon
Producer
William Sherak
William Sherak
Executive Producer
Lou Arkoff
Lou Arkoff
Producer
Jason Shuman
Jason Shuman
Assistant Editor
Tim Mirkovich
Tim Mirkovich
Art Direction
Tom Nursey
Tom Nursey
Visual Effects Producer
Victoria Alonso
Victoria Alonso
Editor
Timothy Alverson
Timothy Alverson
Screenplay
John Fasano
John Fasano
Producer
John Fasano
John Fasano
Director
Jonathan Liebesman
Jonathan Liebesman
Screenplay
Joe Harris
Joe Harris
Producer
John Hegeman
John Hegeman
Chief Lighting Technician
Karl Engeler
Karl Engeler
Set Decoration
Rebecca Cohen
Rebecca Cohen
Stunt Coordinator
Glenn Ruehland
Glenn Ruehland
Costume Design
Anna Borghesi
Anna Borghesi
Assistant Property Master
Janie Parker
Janie Parker
Third Assistant Director
Miranda Colman
Miranda Colman
Music Editor
Gary Krause
Gary Krause
Sound Re-Recording Mixer
Gary Rizzo
Gary Rizzo
Digital Color Timer
Anthony Harris
Anthony Harris
Casting
Maura Fay
Maura Fay
In Memory Of
Shirley Jaffe
Shirley Jaffe
Casting
Lynne Ruthven
Lynne Ruthven
Costume Design
Judy Bunn
Judy Bunn
Costume Design
Shane Phillips
Shane Phillips
Costume Design
Jane Summer-Eve
Jane Summer-Eve
Armorer
John Fox
John Fox
Property Master
Rolland Pike
Rolland Pike
Supervising Sound Editor
Frank E. Eulner
Frank E. Eulner
Music Editor
Joe Lisanti
Joe Lisanti
Set Designer
Paula Whiteway
Paula Whiteway
Supervising Sound Editor
Steven Ticknor
Steven Ticknor
Visual Effects Supervisor
Dan Schmit
Dan Schmit
Sound
Lisa K. Fowle
Lisa K. Fowle
Art Department Coordinator
Diana Freeman
Diana Freeman
Sound Editor
Ken Fischer
Ken Fischer
Foley
Pamela Kahn
Pamela Kahn
Sound Effects Editor
Jason W. Jennings
Jason W. Jennings
Unit Publicist
Fiona Searson
Fiona Searson
Supervising ADR Editor
Michael J. Benavente
Michael J. Benavente
Sound Effects Editor
Scott Guitteau
Scott Guitteau
Production Sound Mixer
John Schiefelbein
John Schiefelbein
Key Hair Stylist
Cheryl Williams
Cheryl Williams
Makeup Artist
Erica Wells
Erica Wells
Makeup Effects
Todd Tucker
Todd Tucker
Assistant Art Director
Tony Williams
Tony Williams
Construction Coordinator
Fergus Leese
Fergus Leese
Greensman
Reece Cliff
Reece Cliff
Greensman
Mario Peraic
Mario Peraic
Greensman
Gregg Thomas
Gregg Thomas
Scenic Artist
Martin Bruveris
Martin Bruveris
Set Designer
Jenny Hitchcock
Jenny Hitchcock
Dialogue Editor
Alison Fisher
Alison Fisher
Special Effects Coordinator
Lisa Wang
Lisa Wang
Animation
Damien Gray
Damien Gray
Animation
Bernadette Hayes
Bernadette Hayes
Visual Effects Producer
Murray Pope
Murray Pope
Visual Effects Supervisor
Belinda Bennetts
Belinda Bennetts
Visual Effects Editor
Kevin J. Jolly
Kevin J. Jolly
Camera Operator
Harry Panagiotidis
Harry Panagiotidis
Steadicam Operator
Harry Panagiotidis
Harry Panagiotidis
Second Unit Cinematographer
Martin Turner
Martin Turner
Still Photographer
Suzy Wood
Suzy Wood
Additional Still Photographer
Mark Rogers
Mark Rogers
Rigging Gaffer
Gillian Huxley
Gillian Huxley
Costume Supervisor
Keryn Ribbands
Keryn Ribbands
Production Accountant
Lyn Jones
Lyn Jones
Script Supervisor
Jo Weeks
Jo Weeks
Location Manager
Alistair Reilly
Alistair Reilly
Foley Mixer
Kyle Rochlin
Kyle Rochlin
ADR Mixer
Howard London
Howard London
Orchestrator
Robert Elhai
Robert Elhai
Assistant Sound Editor
Lisa Chino
Lisa Chino
Makeup Designer
Vivien Mepham
Vivien Mepham
ADR Recordist
Chris Navarro
Chris Navarro
Visual Effects Supervisor
Richard R. Hoover
Richard R. Hoover
Visual Effects Compositor
Todd Mesher
Todd Mesher
Digital Compositors
Christian Boudman
Christian Boudman
Stand In
Luke Green
Luke Green
Associate Producer
Lauren Kisilevsky
Lauren Kisilevsky
Line Producer
Irene Dobson
Irene Dobson
Art Department Assistant
Brianna Seale
Brianna Seale
Set Painter
Liala Allain
Liala Allain
Production Illustrator
Rain Hart
Rain Hart
First Assistant Camera
Tov Belling
Tov Belling
Key Grip
Rob Hansford
Rob Hansford
Set Dresser
Monica Cogan
Monica Cogan
Carpenter
Lance Beriman
Lance Beriman
Post Production Supervisor
Jim Conrads
Jim Conrads
Unit Production Manager
Laura May Alcock
Laura May Alcock
Video Assist Operator
James Kalisch
James Kalisch
First Assistant Director
Jamie Crooks
Jamie Crooks
Electrician
Bradley Galgon
Bradley Galgon
Key Rigging Grip
Grant Kennelly
Grant Kennelly
Production Coordinator
Suzanne Evans-Booth
Suzanne Evans-Booth
Boom Operator
Ben Faiman
Ben Faiman
Scoring Mixer
Jeff Vaughn
Jeff Vaughn
3D Supervisor
Steven Anthony Khoury
Steven Anthony Khoury
Visual Effects
Brandon England
Brandon England
Storyboard Artist
Graeme Callander
Graeme Callander
Editorial Services
David Hunter
David Hunter
Unit Manager
Grayden Le Breton
Grayden Le Breton
Stunt Double
Brett Praed
Brett Praed
Assistant Camera
Andrew Jerram
Andrew Jerram
Negative Cutter
Marlen Hill
Marlen Hill
Grip
Glenn Arrowsmith
Glenn Arrowsmith
Second Assistant Director
Jason Faulkner
Jason Faulkner
First Assistant Sound Editor
Tricia Linklater
Tricia Linklater
Assistant Set Dresser
Lusia Carovola
Lusia Carovola
Title Designer
Ahmet Ahmet
Ahmet Ahmet
Assistant Production Coordinator
Michelle Whitehurst
Michelle Whitehurst
Costumer
Damir Peranovic
Damir Peranovic
Special Effects Technician
Peter Armstrong
Peter Armstrong
Stunts
Amanda Buchanan
Amanda Buchanan
Special Effects Assistant
Hayes Brien
Hayes Brien
Second Assistant Camera
Geoff Skilbeck
Geoff Skilbeck
Assistant Location Manager
Michael Madigan
Michael Madigan
Assistant Accountant
Phillip Gore
Phillip Gore
Extras Casting
Lisa Wright
Lisa Wright
Production Assistant
Devin Bailey
Devin Bailey
Production Secretary
Brianna Mann
Brianna Mann

talisencrw

This was an interesting watch. Though not great, it had moody ambience in spades, and I'm intrigued of what the future holds for director Liebesman. Worth a watch.

John Chard

Life for a tooth. As a young boy, Kyle Walsh (Chaney Kley) claims to have seen the fearsome Tooth Fairy kill his own mother. He also claims that having seen her, she wont stop until she also kills him. Years later, and still haunted by the experience of that night, Kyle must return to Darkness Falls to aid his childhood sweetheart, Caitlin Greene (Emma Caulfield) and her kid brother Michael, the latter of which who seems to be at risk from the Tooth Fairy this time around. Can Kyle confront his fears and end the 150 years of terror that has blighted Darkness Falls? Pretty much despised by the discerning horror-phile, Darkness Falls, to me at least, is a creepy, interesting and totally enjoyable thriller/ghost picture worth reappraisals. From the excellent, and chilling opening credits (where we nicely have a back story to work from), to the final confrontation, Darkness Falls ticks most of the ghostly requisites that is asked of it. Scary demon (troubled children with night terrors should be explored more in cinema I feel), cannon fodder bullies, cannon fodder obnoxious coppers and a constant sense of unease and dread. All of which is provided in Jonathan Liebesman's ("The Texas Chainsaw Massacre: The Beginning") film. It's with the sense of dread that I feel that this deserves a better reputation. Hand on my heart I know the film isn't a scary boo jump picture, something that is unforgivable to many genre supporters, but atmosphere goes a long way to creating a good thriller/ghost story picture. Darkness Falls has it in spades, and it's also a film that is a nice antidote to the blood beast torture sub-genre of film that seep out from the multi-plexes on a seemingly weekly basis. Any expectation of an outright horror film should be quickly extinguished prior to a first time viewing, and if noise annoys and staccato editing bugs you? well stay away. Also don't line up if one demands great acting in a budget restricted piece such as this, since both Kley & Caulfield are only adequate at best. But give it a go if you understand that a preposterous plot, and preposterous set pieces are a pre-requisite for horror films of this type. I say that since I've seen many comments decrying Darkness Falls for the unbelievable elements - only to then search their other comments to find praise for even more ludicrously plotted pieces! Or give it a go knowing it's more about the creeping stalking menace side of horror, or that it's also an action thriller as well as an uneasy story. Maybe just maybe you will enjoy it for what it is? Otherwise I guess you will be looking forward to "Hostel 22" or another "Jason Attacks The Eiffel Tower" movie... 7/10

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