Poltergeist


Poltergeist

Overzicht:

Het gezin Bowen verhuist naar een andere stad nadat Eric Bowen, de vader van het gezin, zijn baan verliest. Maar al snel blijkt dat het nieuwe huis bezeten is door kwade geesten. De aanvallen van de angstaanjagende geesten escaleren al gauw en ze ontvoeren de jongste dochter van het gezin.

Stemmen 1830 (5,2/10)

Runtime: 93 minuten

Releasedatum 21-5-2015

True

Begroting: $35,000,000.00

Inkomsten: $95,437,994.00

Productiemaatschappij:

  • TSG Entertainment
  • Ghost House Pictures
  • Vertigo Entertainment
  • Metro-Goldwyn-Mayer

Land van productie:

  • United States of America

Genres:

  • Horror
  • Thriller

Aanhangwagen

Verdere informatie

Eric Bowen
Sam Rockwell
Sam Rockwell
Amy Bowen
Rosemarie DeWitt
Rosemarie DeWitt
Kendra Bowen
Saxon Sharbino
Saxon Sharbino
Griffin Bowen
Kyle Catlett
Kyle Catlett
Madison Bowen
Kennedi Clements
Kennedi Clements
Carrigan Burke
Jared Harris
Jared Harris
Boyd
Nicholas Braun
Nicholas Braun
Dr. Claire Powell
Jane Adams
Jane Adams
Sophie
Susan Heyward
Susan Heyward
Mrs. Stoller
Karen Ivany
Karen Ivany
Mr. Stoller
Patrick Garrow
Patrick Garrow
Lauren
Soma Bhatia
Soma Bhatia
Cashier
L.A. Lopes
L.A. Lopes
Older Gentleman
Doug MacLeod
Doug MacLeod
Older Woman
Eve Crawford
Eve Crawford
Angry Man
John Stoneham Jr.
John Stoneham Jr.
Realtor
Kathryn Greenwood
Kathryn Greenwood
Young Realtor
Molly Kidder
Molly Kidder
Post Production Supervisor
John A. Amicarella
John A. Amicarella
Director of Photography
Javier Aguirresarobe
Javier Aguirresarobe
Story
Steven Spielberg
Steven Spielberg
Casting
Victoria Burrows
Victoria Burrows
Producer
Sam Raimi
Sam Raimi
Editor
Bob Murawski
Bob Murawski
Stunts
Marco Bianco
Marco Bianco
Producer
Robert Tapert
Robert Tapert
Production Design
Kalina Ivanov
Kalina Ivanov
Costume Design
Delphine White
Delphine White
Key Makeup Artist
Burton J. LeBlanc
Burton J. LeBlanc
Special Effects Coordinator
Laird McMurray
Laird McMurray
Stunt Coordinator
John Stoneham Jr.
John Stoneham Jr.
Second Unit Director
John Stoneham Jr.
John Stoneham Jr.
Music Editor
Ellen Segal
Ellen Segal
Editor
Jeff Betancourt
Jeff Betancourt
Producer
Roy Lee
Roy Lee
Producer
Nathan Kahane
Nathan Kahane
Screenplay
David Lindsay-Abaire
David Lindsay-Abaire
Casting
Scot Boland
Scot Boland
Executive Producer
Becki Cross Trujillo
Becki Cross Trujillo
Unit Production Manager
Becki Cross Trujillo
Becki Cross Trujillo
Director
Gil Kenan
Gil Kenan
Original Music Composer
Marc Streitenfeld
Marc Streitenfeld
Set Decoration Buyer
Alexandra Hooper
Alexandra Hooper
Executive Producer
J.R. Young
J.R. Young
Supervising Sound Editor
Jussi Tegelman
Jussi Tegelman
Drone Operator
Ele Bardha
Ele Bardha
Sound Re-Recording Mixer
Chris M. Jacobson
Chris M. Jacobson
Third Assistant Director
Yari Azzopardi
Yari Azzopardi
Graphic Designer
Jeremy Gillespie
Jeremy Gillespie
Music Editor
Del Spiva
Del Spiva
Stunts
Lisa Chandler
Lisa Chandler
First Assistant Editor
Harold Parker
Harold Parker
Still Photographer
Kerry Hayes
Kerry Hayes
Dialogue Editor
David Williams
David Williams
Executive Producer
John Powers Middleton
John Powers Middleton
Makeup Department Head
Leslie A. Sebert
Leslie A. Sebert
Storyboard
Kurt Van Der Basch
Kurt Van Der Basch
Art Direction
Martin Gendron
Martin Gendron
Visual Effects Supervisor
Bryan Godwin
Bryan Godwin
Sound Re-Recording Mixer
Marti D. Humphrey
Marti D. Humphrey
Visual Effects Producer
Sarah Swick
Sarah Swick
Stunts
Emily Brobst
Emily Brobst
Prop Maker
Daniel Lee
Daniel Lee
Foley Editor
Willard Overstreet
Willard Overstreet
Script Supervisor
Shane B. Scott
Shane B. Scott
Visual Effects Editor
Samuel Craven
Samuel Craven
Sound Designer
Steve Tushar
Steve Tushar
Visual Effects Supervisor
Ariel Velasco-Shaw
Ariel Velasco-Shaw
Steadicam Operator
Angelo Colavecchia
Angelo Colavecchia
Visual Effects Editor
Lars Vinther
Lars Vinther
Camera Operator
Michael Carella
Michael Carella
Prosthetics
Chris Bridges
Chris Bridges
Lead Painter
Miro Dziwik
Miro Dziwik
Set Decoration
Patricia Larman
Patricia Larman
First Assistant Editor
Jackson Yu
Jackson Yu
Supervising ADR Editor
Russell Farmarco
Russell Farmarco
Supervising Dialogue Editor
Russell Farmarco
Russell Farmarco
Third Assistant Director
Greg Sigurdson
Greg Sigurdson
Gaffer
Michael Galbraith
Michael Galbraith
Rigging Gaffer
Tom Starnes
Tom Starnes
Dialogue Editor
Cameron Steenhagen
Cameron Steenhagen
Construction Coordinator
Duncan Campbell
Duncan Campbell
Hair Department Head
Vincent Sullivan
Vincent Sullivan
Key Hair Stylist
Carol Hartwick
Carol Hartwick
Visual Effects Supervisor
Nicolas Hernandez
Nicolas Hernandez
Unit Production Manager
Lyn Lucibello
Lyn Lucibello
Post Production Supervisor
Andrea Wertheim
Andrea Wertheim
First Assistant Director
Myron Hoffert
Myron Hoffert
Second Assistant Director
Grant Lucibello
Grant Lucibello
Assistant Director
Helga Rossi
Helga Rossi
Assistant Director
Barbara Szeman
Barbara Szeman
Storyboard
Simeon Wilkins
Simeon Wilkins
Special Effects
Michael Innanen
Michael Innanen
Special Effects
Mark Lawton
Mark Lawton
Special Effects
Drew Longland
Drew Longland
Special Effects
Skyler Wilson
Skyler Wilson
Animation
Ross Norcross
Ross Norcross
Stunts
Alex Armbruster
Alex Armbruster
Visual Effects
James Baker
James Baker
Visual Effects
Burcu Gorun
Burcu Gorun
Compositors
Owen Carroll
Owen Carroll
Compositors
Charles Baden
Charles Baden
Visual Effects Editor
Kerry Joseph Blackman
Kerry Joseph Blackman
Leadman
Ken Clark
Ken Clark
Visual Effects Editor
Martin Allan Kloner
Martin Allan Kloner
Visual Effects Coordinator
Karina Benesh
Karina Benesh
Production Sound Mixer
Glen Gauthier
Glen Gauthier
Visual Effects Coordinator
Nicholas Elwell
Nicholas Elwell
Visual Effects Producer
Alison O'Brien
Alison O'Brien
Visual Effects Supervisor
Dean Wright
Dean Wright
Production Coordinator
Vair Macphee
Vair Macphee
Boom Operator
Steve Switzer
Steve Switzer
Location Manager
Keith Large
Keith Large
Construction Coordinator
John Mackenzie
John Mackenzie
Key Grip
Richard Emerson
Richard Emerson
Conceptual Illustrator
Sebastian Meyer
Sebastian Meyer
Modeling
Jon Veal
Jon Veal
Set Designer
Sorin Popescu
Sorin Popescu
Carpenter
Brian van de Valk
Brian van de Valk
Property Master
Vic Rigler
Vic Rigler
Makeup Artist
Krista Burbidge
Krista Burbidge
Production Coordinator
Rebecca Field
Rebecca Field
Prop Maker
Tim McElcheran
Tim McElcheran
Carpenter
Roy Obermeier
Roy Obermeier
Art Department Coordinator
Corinna Schmitt-Porsia
Corinna Schmitt-Porsia
Leadman
Dan Wladyka
Dan Wladyka
Boom Operator
Pat Cassin
Pat Cassin
Modeling
Greg Winhall
Greg Winhall
Visual Effects Coordinator
Angèle Buffin
Angèle Buffin
Modeling
Adam Burnett
Adam Burnett
Visual Effects Editor
Tony Haspel
Tony Haspel
Production Coordinator
Jennifer Renaud
Jennifer Renaud
Visual Effects Coordinator
Violaine Roussel-Bongiovanni
Violaine Roussel-Bongiovanni
Visual Effects Coordinator
Christina Wise
Christina Wise
Rigging Grip
Mongo Andrews
Mongo Andrews
Dolly Grip
Robert Cochrane
Robert Cochrane
Rigging Grip
Christian Drennan
Christian Drennan
Dolly Grip
Glen Goodchild
Glen Goodchild
Rigging Grip
Jason Hurst
Jason Hurst
Drone Operator
Nick Spadafora
Nick Spadafora
Costume Supervisor
Roslyn Hanchard
Roslyn Hanchard
Orchestrator
Everton Nelson
Everton Nelson

Zevi Wolmark

It’s not the worst remake of all time, but it’s just ordinary. It’s bland, lifeless, vanilla, and feels like what the Lifetime Channel in America would do to a remake of the Tobe Spielberg classic haunting film. I think the only reason Gil Kenan was hired for this movie was because the movie is based around a monster house and he depicted a monster so well in his last film that the job only seemed like a no brainer. The problem is Kenan forgets to produce likable characters and interesting scares during the process of producing an evil possessed house. - _Zevi Wolmark_

Reno

> Would have been a better film if it was an original. Unnecessary to compare this with the original and I tried, but impossible to avoid it since it's an official remake. Everything, from the house to frame by frame, all the scenes looked the same, except the cast and it's set in the present world with the daily life's modern gadgets. If you had not seen the 80s film, then there's a little chance you might like it. Though it was not a serious horror movie, or a scary movie to consider, still quite enjoyable like a dark comedy in parts. But I recommend the old one. Really? Sam Rockwell? He did not fit in the role, just okay though. And the kids, did not impress me as like the original movie. The only upgrade in this new version was the technology, CRT monitors to LED kind of stuffs. I expected a major, at least a bit alteration in the story or the screenplay that sets in a different circumstances and the location. That could have been a lot better. Disappoints for those who loved the first version. However, that movie deserved to be remade, and I did not think it would end like this. Hoping for a better sequel, but I'm already feeling that would end in the hands of the second string cast and crew which could be a cheap horror-thrill. 5/10

talisencrw

I had huge reservations about watching this remake, which I felt was completely unnecessary. It wasn't as bad as I had anticipated, and that the bad reviews at the time gave me the impression I should fear or avoid watching it. The special effects were pretty good, and Sam Rockwell, Jared Harris and Jane Adams (how wonderful it was to see her again, after her exceptional work in 'Happiness'!) sold the film for me. I knew what to expect after liking, but not loving, director Gil Kenan's earlier animated 'Monster House', but I was intrigued how his energetic directing would transfer to live-action work. I think they could have made it more suspenseful and scary, but I'm not really sure that was their intention. I think they were going for a family experience with some thrills, chills and laughs...such as the recent 'Ghostbusters' remake was going for. If that was the case, then in that regard it was quite successful. I'm looking forward to re-watching this eventually with my 13-year-old son, horror-film aficionado, Julian, who like me adored the original. If I was to make the perfect 'Poltergeist' film, I would have taken the same exact Steven Spielberg script and simply updated the special effects. I think that would have been a more successful approach.

Per Gunnar Jonsson

The movie blurb is written by some 20th Century Fox representative. I would guess that the person in question has not even watched the original movie. “Legendary film makers”? What a load of bull! These people have not produced anything really worth watching and this movie certainly do not improve on that score. I mean, how dumb are these people from 20th Century Fox? I certainly hope the audience are not dumb enough to fall for this obvious lie. Judging from the, well deserved mediocre score on various review sites I guess they did not. Anyway, as for the movie. It is a bleak (cheap) shadow of the original. It has absolutely zero of the charm that the original movie had and, most importantly, none of the characters had anything of the charisma that the original characters had. The father is a total dumbass and an irresponsible at that. The mother could by just any Hollywood style housewife. When you finally think that something interesting would happen, that is when the ghost hunter enters the scene, it just falls flat again. He is just totally lacking in appeal. He is neither a bad ass nor is he mysterious or anything else that makes him worth watching. There are just so much things wrong with the story as well. How can this guy afford and get a one for a house when he apparently do not seem to have a job? He even manages to go for another house in the end after his original one apparently got shredded. How bloody dumb is the script writer? In the original it was a new neighbourhood which explained the “troubles”. In this one it is not which means that the script writer obviously had zero understanding of the original plot which brings us back to the same question again. What the f…? There are some half decent CGI scenes in this movie but the same can be said for a lot of things coming out of the movie industry nowadays (well with the exception of SyFy productions of course). I would say that as a TV-movie it would have been above average. As a remake of a classic it totally falls flat. I am happy that I watched it at home and did not spend time going to a theatre watching it.

r96sk

Lame horror. <em>'Poltergeist'</em> offers nothing. It may not be an absolutely awful watch, but there's nothing about this that's good unfortunately. The story is largely predictable and plain, none of the cast give anything close to a performance that's worth remembering. There aren't many, if any, scares either - not great for a film in this genre. As for the onscreen talent, it's slim pickings... not even Jared Harris' late appearance could save things. If I had to pick a standout, away from Harris, it would be Sam Rockwell. The two youngest kids, Kyle Catlett and Kennedi Clements, aren't terrible in fairness. Not one I'll be revisiting. Yawnful.

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