Nữ Quyền


Nữ Quyền

Tổng quan:

Phim kể về nhà hoạt động vì nữ quyền Emmeline Pankhurst, người tổ chức các cuộc biểu tình đòi quyền bầu cử cho phái đẹp vào những năm 1900s. Khi các nhà vận động vì quyền phụ nữ nhận thấy rằng cuộc tranh luận của quốc hội là vô ích trong thời kỳ đầu thế kỷ 20, cách duy nhất để tạo áp lực dẫn đến sự thay đổi chính là tìm đến những hành động ngày càng… bạo lực tại các khu nghỉ dưỡng của những người làm việc chính phủ và chống lại họ.

Lượt đánh giá 1254 (7,3/10)

Thời gian chạy: 106 phút

Ngày phát hành 2015-10-16

Ngân sách: $14,000,000.00

Doanh thu: $16,002,420.00

Công ty sản xuất:

  • Ruby Films
  • Film4 Productions
  • Pathe
  • BFI Film Fund
  • Ingenious Media
  • Canal+
  • Ciné+

Quốc gia sản xuất:

  • United Kingdom

Thể loại:

  • Phim Chính Kịch
  • Phim Lịch Sử

Trailer

Thông tin thêm

Maud Watts
Carey Mulligan
Carey Mulligan
Edith Ellyn
Helena Bonham Carter
Helena Bonham Carter
Arthur Steed
Brendan Gleeson
Brendan Gleeson
Violet Cambridge
Anne-Marie Duff
Anne-Marie Duff
Emmeline Pankhurst
Meryl Streep
Meryl Streep
Sonny Watts
Ben Whishaw
Ben Whishaw
Alice Haughton
Romola Garai
Romola Garai
Benedict Haughton
Samuel West
Samuel West
Norman Taylor
Geoff Bell
Geoff Bell
Emily Davison
Natalie Press
Natalie Press
David Lloyd George
Adrian Schiller
Adrian Schiller
Miss Withers
Amanda Lawrence
Amanda Lawrence
George Watts
Adam Michael Dodd
Adam Michael Dodd
Maggie Miller
Grace Stottor
Grace Stottor
Mrs Coleman
Lorraine Stanley
Lorraine Stanley
Detective Malcolm Walsop
Morgan Watkins
Morgan Watkins
Hugh Ellyn
Finbar Lynch
Finbar Lynch
Government Minister
Nick Hendrix
Nick Hendrix
Miss Samson
Shelley Longworth
Shelley Longworth
Mrs Garston
Sarah Finigan
Sarah Finigan
Male Laundry Worker
Drew Edwards
Drew Edwards
Mr Cummins
Adam Nagaitis
Adam Nagaitis
Police Constable
Lee Nicholas Harris
Lee Nicholas Harris
Female Prison Guard
Joyce Henderson
Joyce Henderson
Landlady
Susie Baxter
Susie Baxter
Executive Producer
Tessa Ross
Tessa Ross
Executive Producer
James Schamus
James Schamus
Original Music Composer
Alexandre Desplat
Alexandre Desplat
Casting
Fiona Weir
Fiona Weir
Executive Producer
Cameron McCracken
Cameron McCracken
Makeup Artist
J. Roy Helland
J. Roy Helland
Hairstylist
J. Roy Helland
J. Roy Helland
Producer
Alison Owen
Alison Owen
Production Design
Alice Normington
Alice Normington
Set Decoration
Barbara Herman-Skelding
Barbara Herman-Skelding
Costume Design
Jane Petrie
Jane Petrie
Editor
Barney Pilling
Barney Pilling
Producer
Faye Ward
Faye Ward
Director
Sarah Gavron
Sarah Gavron
Writer
Abi Morgan
Abi Morgan
Director of Photography
Eduard Grau
Eduard Grau
Special Effects Supervisor
Mark Holt
Mark Holt
First Assistant Editor
Stephen Perkins
Stephen Perkins
Executive Producer
Teresa Moneo
Teresa Moneo
Executive Producer
Rose Garnett
Rose Garnett
Co-Producer
Andy Stebbing
Andy Stebbing
Set Costumer
Jake Collier
Jake Collier
Gaffer
James Plannette
James Plannette
Casting Associate
Alice Searby
Alice Searby
Second Unit Cinematographer
Pau Esteve Birba
Pau Esteve Birba
Hair Designer
Carol Hemming
Carol Hemming
Sound Re-Recording Mixer
Paul Cotterell
Paul Cotterell
Foley
Barnaby Smyth
Barnaby Smyth
Supervising Sound Editor
Andy Shelley
Andy Shelley
Camera Operator
Casper Leaver
Casper Leaver
Supervising Sound Editor
Stephen Griffiths
Stephen Griffiths
Visual Effects Producer
Tim Caplan
Tim Caplan
Visual Effects Producer
Adam Gascoyne
Adam Gascoyne
Script Supervisor
Helene Oosthuizen
Helene Oosthuizen
Digital Intermediate
Rob Farris
Rob Farris
Visual Effects Supervisor
Simon Hughes
Simon Hughes
Executive Producer
Nik Bower
Nik Bower
Digital Intermediate
Patrick Malone
Patrick Malone
Sound Effects Editor
Bernard O'Reilly
Bernard O'Reilly
Hair Designer
Sian Grigg
Sian Grigg
Makeup Designer
Sian Grigg
Sian Grigg
Camera Operator
Marc Gómez del Moral
Marc Gómez del Moral
Hairstylist
Tapio Salmi
Tapio Salmi
Makeup Artist
Charlotte Rogers
Charlotte Rogers
Hairstylist
Charlotte Rogers
Charlotte Rogers
Assistant Costume Designer
Holly Smart
Holly Smart
Art Direction
Choi Ho Man
Choi Ho Man
Art Direction
Jonathan Houlding
Jonathan Houlding
Music Supervisor
Karen Elliott
Karen Elliott
Visual Effects Coordinator
Ines Li
Ines Li
Visual Effects Coordinator
Finola O'Brien
Finola O'Brien
Digital Intermediate
Gemma McKeon
Gemma McKeon
Costume Supervisor
Beth Gillman
Beth Gillman
Researcher
Jo Farrugia
Jo Farrugia
Camera Operator
Gris Jordana
Gris Jordana
Still Photographer
Steffan Hill
Steffan Hill
Gaffer
Andy Lowe
Andy Lowe
First Assistant Camera
Sam Barnes
Sam Barnes
First Assistant Camera
Phill Hardy
Phill Hardy
First Assistant Camera
Jake Marcuson
Jake Marcuson
First Assistant Camera
Chaz Lyon
Chaz Lyon
ADR & Dubbing
Kallis Shamaris
Kallis Shamaris
Art Department Assistant
Emily Connell
Emily Connell
Assistant Art Director
Alice Sutton
Alice Sutton
Co-Producer
Hannah Farrell
Hannah Farrell

Reno

> A revolution that fought within a nation, within a race, within a family. Biographical movies are always fascinating. If it is not something worthy, the movie would have not taken up the shape. It was a very good movie, and a very important historical subject. It has been 100 years since and now the world we live-in is much different and better. I think after thousands of years, now the women got their freedom. I thought I knew this story very well, but it was 'Made in Dagenham' which is quite similar to this which is also based on the real. Both the stories take place 50 years apart, but this one was the beginning of a new era for women, not without sacrifices and sufferings. Great actors, great actings, awesome storytelling, cinematography at its best, direction was amazing and the music was so pleasant, but the method of dealing was a bit gruesome, and sometimes brutal. I thought the terrorism is a new word, but this movie gives a different perspective and meaning to that. You would definitely love this film if you respect women. All women cast movie, including the director, but for everyone. It might have begun in the UK, but the entire planet saw a drastic change and still taking place in some places. I don't see any reason why I should not recommend it to you. 8/10

John Chard

Deeds, not words. It's a telling point in history, that of the Suffragettes, the militant women's organisations in the early 20th century who, under the banner "Votes for Women", fought for the right to vote in public elections. So case in point that any filmic treatments are greatly anticipated - and wanted of course, so here we have Sarah Gavron's film that is written by Abi Morgan and starring Carey Mulligan, Helena Bonham Carter, Brendan Gleeson, Anne-Marie Duff, Ben Whishaw and in cameo Meryl Streep. Right off the bat it should be noted on two crucial points, one is that this is merely a story strand involving a group of Suffragette women, this is not all encompassing, something which is emphasised by the fact that Suffragette leader Emeline Pankhurst is only cameoed here by Streep. Secondly it has to be said that this is a condensed narrative for story telling emotional gain in favour of the Suffragettes, their more serious activities for attention are very much played down. So with that in mind anyone interested in the subject are urged to seek out literary sources for story as facts. Filthy Panks! The gripping story here dramatizes events that builds to the death of Emily Davison at the 1913 Derby. We are privy to the harsh realities of the life of women in this era (period detail superb), the employment pay structures, the treatment at the hands of the authorities, and the home lives that could result in losing ones child on account of poverty. It's potent stuff and ensures that we at least understand the need for change and fully support the women in their ultimate goal, the arguments put forward viable and just. Thankfully the makers are not on a one way mission to portray all men as monsters, there's a nice balance between good and bad. The implications of the women's long road to reckoning is given thought, the social distortion possibility hanging in the air alongside economic murkiness. So although the narrative often gets heavy handed in striving for dramatic impact, the point is well and truly made and begs all to delve further into a cause that ultimately needed winning. Small in scale as regards the Suffrage Movement as a whole, but important as an historical pointer and acted with professional assuredness by the cast, this achieves its goals regardless of condensement gripes. 7/10

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