La peur au ventre


La peur au ventre

Vue d’ensemble :

A sa sortie de prison, le gangster Roy Earle est déjà sur un coup. Mais les acolytes qu'on lui impose sont des amateurs et Roy sent qu'il n'a plus sa place dans cette époque.

Votes 12 (6,1/10)

Duree : 110 minutes

Date de sortie 1955-11-09

Société de production :

  • Warner Bros. Pictures

Pays de production :

  • United States of America

Genres :

  • Thriller
  • Drame
  • Crime

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Plus d’informations

Roy Earle / Roy Collins
Jack Palance
Jack Palance
Marie Garson
Shelley Winters
Shelley Winters
Velma
Lori Nelson
Lori Nelson
Babe Kossuck
Lee Marvin
Lee Marvin
Chico
Pedro Gonzalez Gonzalez
Pedro Gonzalez Gonzalez
Big Mac
Lon Chaney Jr.
Lon Chaney Jr.
Red
Earl Holliman
Earl Holliman
Louis Mendoza
Perry Lopez
Perry Lopez
Lon Preisser
Richard Davalos
Richard Davalos
Doc Banton
Howard St. John
Howard St. John
Ma Goodhue
Olive Carey
Olive Carey
Pa Goodhue
Ralph Moody
Ralph Moody
Jack Kranmer
James Millican
James Millican
Sheriff
Bill Kennedy
Bill Kennedy
Mabel Baughman (uncredited)
Mae Clarke
Mae Clarke
Joe (uncredited)
Dennis Hopper
Dennis Hopper
Ed - Filling Station Attendant (uncredited)
Dub Taylor
Dub Taylor
Producer
Willis Goldbeck
Willis Goldbeck
Director of Photography
Ted D. McCord
Ted D. McCord
Original Music Composer
David Buttolph
David Buttolph
Editor
Clarence Kolster
Clarence Kolster
Screenplay
W.R. Burnett
W.R. Burnett
Novel
W.R. Burnett
W.R. Burnett
Director
Stuart Heisler
Stuart Heisler

John Chard

Famed Bandit, Former No 1 On FBI List, Pardoned After Eight Years. I Died a Thousand Times is directed by Stuart Heisler and adapted to screenplay by W.R. Burnett from his own novel High Sierrra. It stars Jack Palance, Shelley Winters, Lori Nelson, Lee Marvin, Pedro Gonzalez Gonzalez, Lon Chaney Junior and Earl Holliman. A CinemaScope/Warnercolor production, cinematography is by Ted McCord and music by David Buttolph. It will always be debatable if remaking the excellent High Sierra (Raoul Walsh 1941) was needed or wanted by a 1950s audience? Especially since Walsh had himself already remade it as a great Western with 1949 film Colorado Territory, but taken on its own terms, with great production value and Burnett's personal adaptation taken into consideration, it's a very enjoyable film. Set up is simple, it's one last heist for Roy "Mad Dog" Earle (Palance) before going straight, but as his attempts to break free from his emotional loner status fall apart, so does the heist and his future is written in blood right up there in the mountains. Heisler and Burnett put Earle up front for character inspection, easing in sympathetic tones whilst ensuring he remains a big physical threat. The air of fatalism is pungent enough and the finale is excitingly staged by Heisler. Cast performances are more than adequate if not comparing to the likes of Bogart and Lupino, while the Warnercolor is gorgeous and the photography around the Alabama Hills in Lone Pine is superb. While not in the same league as High Sierra or Colorado Territory, that doesn't mean this is a wash out, more so if you haven't seen either of the Walsh movies. If you have, like me (High Sierra is one of my favourite Bogart performances), then comparisons and a feeling of deja vu will obviously infiltrate your viewing experience. That said, there is more than enough here to make it worth your time regardless of comparison and familiarities. 7/10

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