매기스 플랜


매기스 플랜

개요:

아이는 갖고 싶지만 결혼은 원치 않는 감성파 뉴요커 매기는 소설가를 꿈꾸는 어른아이 같은 대학 교수 존을 우연히 만나게 된다. 존은 자신을 이해하고 소설을 좋아해주는 사랑스러운 매기와 불 같은 사랑에 빠지게 된다. 존과 결혼을 하고 그토록 원하던 귀여운 딸과 함께 행복한 결혼생활을 원했던 매기. 하지만 시간이 지날수록 존이 변해가는 것을 느끼게 되고, 매기는 뜻밖의 결심을 하게 되는데...

표 264 (5.7/10)

런타임: 98 분

출시 날짜 2016-04-27

수익: $3,351,735.00

태그 행: 우리가 원하는 가장 뉴욕다운 로맨스!

생산 회사:

  • Round Films
  • Rachael Horovitz Productions
  • Black Bear Pictures
  • Freedom Media
  • Hall Monitor
  • Hyperion Media Group
  • Locomotive

생산 국가:

  • United States of America

장르:

  • 드라마
  • 코미디
  • 로맨스

트레일러

추가 정보

Maggie Hardin
Greta Gerwig
Greta Gerwig
John Harding
Ethan Hawke
Ethan Hawke
Georgette Nørgaard
Julianne Moore
Julianne Moore
Tony
Bill Hader
Bill Hader
Guy Childers
Travis Fimmel
Travis Fimmel
Felicia
Maya Rudolph
Maya Rudolph
Kliegler
Wallace Shawn
Wallace Shawn
Al Bentwaithe
Alex Morf
Alex Morf
Paul
Jackson Frazer
Jackson Frazer
Justine
Mina Sundwall
Mina Sundwall
Komiko
Sue Jean Kim
Sue Jean Kim
Max
Monte Greene
Monte Greene
Beverly
Fredi Walker-Browne
Fredi Walker-Browne
Blind Man
George Ashiotis
George Ashiotis
Shakespearean Actor
Brendan Titley
Brendan Titley
Shakespearean Actor's Lover
Stephen Lin
Stephen Lin
Lily
Ida Rohatyn
Ida Rohatyn
Debbie Waserman
Angela Trento
Angela Trento
Québécois Female Singer
Kathleen Hanna
Kathleen Hanna
Québécois Female Singer
Tommy Buck
Tommy Buck
Restaurant Waiter (uncredited)
Leetopher Scott
Leetopher Scott
Thanks
Daniel Day-Lewis
Daniel Day-Lewis
Co-Producer
Alexis Alexanian
Alexis Alexanian
Producer
Rachael Horovitz
Rachael Horovitz
Director
Rebecca Miller
Rebecca Miller
Producer
Rebecca Miller
Rebecca Miller
Writer
Rebecca Miller
Rebecca Miller
Co-Producer
Jonathan Shoemaker
Jonathan Shoemaker
Executive Producer
Lucy Barzun Donnelly
Lucy Barzun Donnelly
Original Music Composer
Michael Rohatyn
Michael Rohatyn
Casting
Cindy Tolan
Cindy Tolan
Editor
Sabine Hoffman
Sabine Hoffman
Director of Photography
Sam Levy
Sam Levy
Executive Producer
Michael J. Mailis
Michael J. Mailis
Costume Design
Malgosia Turzanska
Malgosia Turzanska
Production Design
Alexandra Schaller
Alexandra Schaller
Executive Producer
Alexandra Kerry
Alexandra Kerry
Executive Producer
Phil Stephenson
Phil Stephenson
Executive Producer
Temple Williams
Temple Williams
Executive Producer
Susan Wrubel
Susan Wrubel
Producer
Damon Cardasis
Damon Cardasis
First Assistant Director
Scott Lazar
Scott Lazar
Art Direction
Brian Goodwin
Brian Goodwin
Story
Karen Rinaldi
Karen Rinaldi
Set Decoration
Kendall Anderson
Kendall Anderson
Associate Producer
Saraleah Cogan
Saraleah Cogan
Co-Producer
Glen Mastroberte
Glen Mastroberte

Louisa Moore - Screen Zealots

A SCREEN ZEALOTS REVIEW www.screenzealots.com In the latest indie to set itself out as an ‘intelligent’ alternative to the classic formulaic rom-com, “Maggie’s Plan” aims high, makes a strong effort, but sadly fails. It feels like another one of Woody Allen’s more cleverless films, one that has decent enough writing but struggles to elicit any genuine laughs.(This film is written and directed by Rebecca Miller, adapted from the original Karen Rinaldi story). Everyone’s favorite quirky hipster actress, Greta Gerwig, is perfectly cast at the titular character. Her charming demeanor works and plays well off of Ethan Hawke, who turns in one of his best performances as a professor of ficto-critical anthropology (if you find his title hysterically funny then you, my friend, are the target audience for this movie), and Julianne Moore (as a brilliant yet cold Columbia professor). The cast gives it their all; too bad these actors don’t have a better script to work with. This messy and uneven film can’t seem to make up its mind regarding the overall tone. It’s part screwball comedy, part hipster philosophy and part family dramedy. There’s a huge emphasis on a toddler (the admittedly cute Ida Rohatyn) that was lost on me as a non-parent. I think the kid stuff is just too much and is completely unnecessary to the story. Maya Rudolph and Bill Hader are wasted in unremarkable supporting roles; their characters are never developed and seem to exist solely for a few punchlines (that aren’t very funny). There’s only a shell of a plot and not much ever happens in relation to it. The film is just a bunch of talking and a string of cute incidents that are all (sort of) related to Maggie’s big plan. The film is very strained and the big “twist” ending is something that only a true moron couldn’t see coming from a mile away. **A SCREEN ZEALOTS REVIEW www.screenzealots.com** I didn’t hate this movie but I also can’t figure out who in the world to recommend it to. Maybe it would make a decent rental if you’re a fan of Gerwig or Hawke.

Reno

**Returning a product to the previous owner!** Kind of a refreshing romance-drama on the cheating/divorce theme. Written and directed by Rebecca Miller. A great comeback after the six years of gap, but not a masterstroke. The casting was very impressive, particularly it was Greta Gerwig's typical film. I mean, if you enjoy watching her films, then you would do the same for it. On the other hand, her signature performance kind of bored to me. I mean all her film character was kind of easy-go-lucky soft-touch and comedic girl, I want her to try the different roles and genres. Maybe that's the reason many people had turned it down. Ethan Hawke and Julianne Moore were in the decent supporting roles, but everybody shared enough screen to call its their film too and delivered some good lines. I had a good time with it, because it was better than I anticipated. The story was good and its entire narration they have developed it finely. Unfortunately, it is an R film, otherwise it could have been a film for all. Kind of it reminds us the Woody Allen's style of presentation. Because you know even in the tough times for film characters, they calm and coolly deals it. So that makes it is a stress free film, especially if you just had a bad day, it might help you cool down. But don't expect the loud laughs in the comedy parts, then you should not opt it. The overall film is worth a watch, but don't believe those who are saying it is too bad. It might be bad for them, though definitely not bad to bash it top to bottom. The critics thumbed it up, and if you welcome decent films, then go for it and decide yourself. The film has lots of good qualities, but this could be the last film of Greta I'll be watching if she does not appear in a distinct role in her next, because like I said I already bored of her in the same old. Finally, I feel I want to suggest it, but not to everybody, particularly not the youngster, the grown ups might like it better. _7/10_

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