Il racconto dei racconti - Tale of Tales


Il racconto dei racconti - Tale of Tales

Trama:

Nel 1600 una regina non riesce più a sorridere, consumata dal desiderio di quel figlio che non arriva. Due anziane sorelle fanno leva su un equivoco per attirare le attenzioni di un re erotomane sempre affamato di carne fresca. Un sovrano organizza quindi un torneo per dare in sposa la figlia, contando sul fatto che nessuno dei pretendenti supererà la prova da lui ideata, così la figlia non lascerà il suo fianco e i confini angusti del loro castello.

Voti 986 (6,3/10)

Durata: 125 minuti

Data uscita 14/05/2015

True

Budget: $12,000,000.00

Sito web: Link

Prodotto da:

  • Amer
  • Archimede
  • Le Pacte
  • Rai Cinema
  • HanWay Films
  • New Sparta Films
  • Recorded Picture Company
  • Fonds Eurimages du Conseil de l'Europe
  • Apulia Film Commission
  • Regione Lazio
  • Gamenet
  • Banca Popolare di Vicenza
  • Morato Pane & Idee
  • Ministero per i Beni e le Attività Culturali
  • 01 Distribution

Paesi:

  • United Kingdom
  • Italy
  • France

Genere:

  • Romance
  • Fantasy
  • Horror

Trailer

Ulteriori Informazioni

Queen of Longtrellis
Salma Hayek
Salma Hayek
King of Strongcliff
Vincent Cassel
Vincent Cassel
King of Highhills
Toby Jones
Toby Jones
Imma
Shirley Henderson
Shirley Henderson
Dora
Hayley Carmichael
Hayley Carmichael
Violet
Bebe Cave
Bebe Cave
Young Dora
Stacy Martin
Stacy Martin
Elias
Christian Lees
Christian Lees
Jonah
Jonah Lees
Jonah Lees
Ogre
Guillaume Delaunay
Guillaume Delaunay
Mother Circus Performer
Alba Rohrwacher
Alba Rohrwacher
Father Circus Performer
Massimo Ceccherini
Massimo Ceccherini
King of Longtrellis
John C. Reilly
John C. Reilly
Jonah's Mother
Laura Pizzirani
Laura Pizzirani
Necromancer
Franco Pistoni
Franco Pistoni
Fenizia
Jessie Cave
Jessie Cave
1st Circus Boy
Michael Martini
Michael Martini
2nd Circus Boy
Alessandro Campagna
Alessandro Campagna
Contortionist
Lorenzo Bernardi
Lorenzo Bernardi
Lady-in-Waiting
Giselda Volodi
Giselda Volodi
Lady-in-Waiting
Giuseppina Cervizzi
Giuseppina Cervizzi
Lady-in-Waiting
Luisa Ragusa
Luisa Ragusa
Court Knights
Giovanni Calcagno
Giovanni Calcagno
Court Cardinal
Stefano Strufaldi
Stefano Strufaldi
Court Astrologer
Giuseppe Carnemolla
Giuseppe Carnemolla
Baby Elias
Diego Parenti
Diego Parenti
Baby Elias
Gherardo Toccafondi
Gherardo Toccafondi
Baby Jonah
Lorenzo Mastronardi
Lorenzo Mastronardi
Court Jester
Paolo Risi
Paolo Risi
Court Jester
Giuliano Del Taglia
Giuliano Del Taglia
Court Jester
Betty La Padula
Betty La Padula
Witch
Kathryn Hunter
Kathryn Hunter
Lackey
Ryan McParland
Ryan McParland
Knife Sharpener
Kenneth Collard
Kenneth Collard
Barber
Renato Scarpa
Renato Scarpa
1st Maid of Honour
Guenda Goria
Guenda Goria
2nd Maid of Honour
Catrinel Marlon
Catrinel Marlon
Courtesan
Talita Bartoli
Talita Bartoli
Courtesan
Cristiana Vaccaro
Cristiana Vaccaro
Courtesan
Elizabeth Kinnear
Elizabeth Kinnear
Courtesan
Andrea Rodriguez
Andrea Rodriguez
Courtesan
Sabrina La Torre
Sabrina La Torre
Doctor
Eric MacLennan
Eric MacLennan
Violet's Handmaiden
Nicola Sloane
Nicola Sloane
Circus Performer
Davide Campagna
Davide Campagna
Circus Performer
Giulio Beranek
Giulio Beranek
Circus Performer
Vincenzo Nemolato
Vincenzo Nemolato
Young Violet
Martina Laticignola
Martina Laticignola
Tightrope Walker
Andrea Loreni
Andrea Loreni
Suitor
Vincenzo Pellegrini
Vincenzo Pellegrini
Suitor
Francesco Lo Mascolo
Francesco Lo Mascolo
Suitor
Maxence Dinat
Maxence Dinat
Director of Photography
Peter Suschitzky
Peter Suschitzky
Casting Director
Jina Jay
Jina Jay
Original Music Composer
Alexandre Desplat
Alexandre Desplat
Producer
Jeremy Thomas
Jeremy Thomas
Sound Designer
Leslie Shatz
Leslie Shatz
Sound Mixer
Leslie Shatz
Leslie Shatz
Production Design
Dimitri Capuani
Dimitri Capuani
Producer
Jean Labadie
Jean Labadie
Screenplay
Matteo Garrone
Matteo Garrone
Director
Matteo Garrone
Matteo Garrone
Producer
Matteo Garrone
Matteo Garrone
Story
Matteo Garrone
Matteo Garrone
Screenplay
Ugo Chiti
Ugo Chiti
Story
Ugo Chiti
Ugo Chiti
Editor
Marco Spoletini
Marco Spoletini
Makeup Artist
Diego Prestopino
Diego Prestopino
Executive Producer
Peter Watson
Peter Watson
Screenplay
Massimo Gaudioso
Massimo Gaudioso
Story
Massimo Gaudioso
Massimo Gaudioso
Costume Design
Massimo Cantini Parrini
Massimo Cantini Parrini
Casting
Chiara Polizzi
Chiara Polizzi
Foley Mixer
Ryan Collison
Ryan Collison
First Assistant Director
Nicola Deorsola
Nicola Deorsola
Foley Artist
Leslie Bloome
Leslie Bloome
Camera Operator
Alessandro Brambilla
Alessandro Brambilla
Visual Effects Supervisor
Nicola Sganga
Nicola Sganga
Book
Giambattista Basile
Giambattista Basile
Screenplay
Edoardo Albinati
Edoardo Albinati
Story
Edoardo Albinati
Edoardo Albinati
Supervising Art Director
Gianpaolo Rifino
Gianpaolo Rifino
Property Master
Sebastiano Murer
Sebastiano Murer
Art Direction
Marco Furbatto
Marco Furbatto
Art Direction
Massimo Pauletto
Massimo Pauletto
Set Decoration
Alessia Anfuso
Alessia Anfuso
Post Production Supervisor
Monica Verzolini
Monica Verzolini
Visual Effects Supervisor
Bruno Albi Marini
Bruno Albi Marini
Executive Producer
Anne Sheehan
Anne Sheehan
Executive Producer
Alessio Lazzareschi
Alessio Lazzareschi
Executive Producer
Nicki Hattingh
Nicki Hattingh
Executive Producer
Sheryl Crown
Sheryl Crown
Makeup Designer
Gino Tamagnini
Gino Tamagnini
Sound Engineer
Marco Streccioni
Marco Streccioni
Sound Effects Editor
Jon Flores
Jon Flores
VFX Supervisor
Leonardo Cruciano
Leonardo Cruciano
Special Effects Supervisor
Leonardo Cruciano
Leonardo Cruciano
Assistant Costume Designer
Patrizia Barbera
Patrizia Barbera
Seamstress
Marina Angela Ruiz
Marina Angela Ruiz
Seamstress
Veronica Spadaro
Veronica Spadaro
First Assistant Camera
Eleonora Patriarca
Eleonora Patriarca
Animation
Alessandro Contenta
Alessandro Contenta
Visual Effects Coordinator
Amedeo Califano
Amedeo Califano
Sound Recordist
Maricetta Lombardo
Maricetta Lombardo
Hair Designer
Francesco Pegoretti
Francesco Pegoretti
Makeup Artist
Novella Borghi
Novella Borghi
Makeup Artist
Biasi Pierangela
Biasi Pierangela
Prosthetic Supervisor
Valter Casotto
Valter Casotto
Foley Artist
Joanna Fang
Joanna Fang
Sound Editor
Alessandro Feletti
Alessandro Feletti
Sound Editor
Marta Billingsley
Marta Billingsley
Music Coordinator
Xavier Forcioli
Xavier Forcioli
Foley Editor
Daniel Ward
Daniel Ward
First Assistant Director
Andrea Tagliaferri
Andrea Tagliaferri
Producer
Anne-Laure Labadie
Anne-Laure Labadie
Unit Production Manager
Michela Rossi
Michela Rossi
First Assistant Director
Paolo Trotta
Paolo Trotta
Boom Operator
Davide D'Onofrio
Davide D'Onofrio
Line Producer
Gian Luca Chiaretti
Gian Luca Chiaretti
Other
Nunzia De Stefano
Nunzia De Stefano
Location Manager
Gennaro Aquino
Gennaro Aquino
Title Designer
Francesca Di Giamberardino
Francesca Di Giamberardino
Title Graphics
Stefano Pajetta
Stefano Pajetta

Reno

**The flea, the flay and an offspring.** It's shocking to find how much this film was underrated. Certainly it is not a fairytale like from the Disney production. That mean not for the children, but for the adults. Based on the collections of tales by some 17th century Italian poet. All the tales blended together so well, You won't even feel the familiarity with the original tale, because the modifications were at its best. So I appreciate the writer first, and then the director, followed by the actors. Since the film has a multiple story narrative layer, like three, the opening and the ending was common to all. But soon after the initiative, the tales go separate ways with its own twists and turns and conclusion, till again falling back in the line to finish it off the film. First a royal couple tend to do anything to have their own child. After many years, having no luck with the pregnancy, they now follow the instruction given by a necromancer. The result is most certain, but not without a negative effect. The desperate couple sacrifices greater to have a child. The remaining story takes place in the few years later where a royal born child and his mother have differences. A fresh complication arises that puts the mother again in a tight spot. How it is going to be solved narrated in the following parts. In the second story, the king of a hill castle is obsessed with his new insect pet. That leads him to neglect his own daughter who is dreaming of getting married and have a great life. But the things are not going well between father and daughter with her mother's absence. When the king comes to realise that, he comes with an agenda to achieve two things in one shot. That does not please his daughter, and soon she ends up in the hands of an ogre. The remaining is to tell us what happens to her in a thrilling way. This is the story of a father's responsibility. If his wife was alive, their daughter would have been taken care at best. Compared to the others, this tale gets more exciting and edgy, even the locations. Of course they have used blue/green screens, but still beautiful like the one from the top of the castle scene. I liked the casting for this, particularly the princess part. > "The equilibrium of the world must be maintained." The third tale is about a lustful king. One day when he hears a woman singing in a beautiful voice, the next minutes he lands on her home's front door, not knowing the woman is aged and has the wrinkle skin. But she and her sisters play along hiding behind the door and asks for a favour in order to win them back, I mean one of them. So how the rest of the story develops and who gets what, followed by a twist, it comes to an end. It is a spectacular film. But not visually as the fairy tales told in the present Hollywood films. Particularly, it minimised the computer related special effects. So it was more realistic, yet you will get that fantasy feel with how the tales shape up. It's a black comedy, and that's an absolutely well done part. You know designing the dark humours are not an easy task and this film has three layers, though not all of them has them. The conclusions were so perfect, reminds us the happy and sad are the parts of our life. Over two hours long film, there's no drag in the narration. The length is because of the three tales and each one was narrated with a pretty good pace. But still it gives the impression the film is slow and that's for being silent like less background score in the most of the parts. From Salma Hayek to Toby Jones, Vincent Cassel, all were so good. The casting was the advantage for the film to shape up well. Since it is an international project, that will help the global audience to their comfort. The director's first English language film and I think I'm going to keep an eye on his future projects. Certainly I have not seen such film like this, not in the todays cinema. The film was like in the old days. It does not deliver a couple of quick jokes and/or breathtaking visual effects, but the depth of the tale was good. The writers, director did not hesitate to add extra minutes to get what they wanted. I would have liked it if another layer of the tale was included and extended for another 30 or more minutes. For the grown ups, I suggest it not to miss, you won' get a film like this often. _8/10_

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