Apuesta con la muerte


Apuesta con la muerte

Trama:

Trama non disponibile in questa lingua.

Voti 1 (7/10)

Durata: 71 minuti

Data uscita 1989-01-01

Prodotto da:

  • Mexcinema Corporation
  • Cineproducciones Irvsa de Mexico S.A.

Paesi:

  • Mexico

Genere:

  • Azione
  • Crime
  • Dramma

Ulteriori Informazioni

Mario Almada
Mario Almada
Lorena Velázquez
Lorena Velázquez
Roxana Chávez
Roxana Chávez
Mario
Sebastian Ligarde
Sebastian Ligarde
Cuitláhuac Rodríguez
Cuitláhuac Rodríguez
Julio Aldama Jr.
Julio Aldama Jr.
Sergio
Roberto Montiel
Roberto Montiel
Ingrid Deneken
Ingrid Deneken
América Gabriel
América Gabriel
Carlos Riquelme
Carlos Riquelme
Martha Elena Cervantes
Martha Elena Cervantes
Edgardo Gazcón
Edgardo Gazcón
Thanks
Eduardo Martinez
Eduardo Martinez
Screenplay
José Loza
José Loza
Screenplay
Jorge Manrique
Jorge Manrique
Grip
Manuel Peña
Manuel Peña
Stunts
Fidel Abrego
Fidel Abrego
Cinematography
Febronio Tepozte
Febronio Tepozte
Sound Effects
Gonzalo Gavira
Gonzalo Gavira
Screenplay
Ismael Rodríguez Jr.
Ismael Rodríguez Jr.
Director
Ismael Rodríguez Jr.
Ismael Rodríguez Jr.
Producer
Ismael Rodríguez Jr.
Ismael Rodríguez Jr.
Story
Ismael Rodríguez Jr.
Ismael Rodríguez Jr.
Boom Operator
Eduardo Valverde
Eduardo Valverde
Location Manager
Federico Rivera
Federico Rivera
Special Effects
Francisco Rodríguez
Francisco Rodríguez
Sound Recordist
René Ruiz Cerón
René Ruiz Cerón
Assistant Director
Román Hernández
Román Hernández
Hairstylist
Nélida Alamillo
Nélida Alamillo
Makeup Artist
María Eugenia Luna
María Eugenia Luna
Executive Producer
Tizoc Rodríguez
Tizoc Rodríguez
Editor
Antonio López Zepeda
Antonio López Zepeda
Negative Cutter
Tere Moreno
Tere Moreno
Camera Operator
Alejandro Chilpa
Alejandro Chilpa
Title Designer
Fernando M. Haáz
Fernando M. Haáz
Music
Tino Geiser
Tino Geiser
Casting
María de la Luz Álvarez
María de la Luz Álvarez
Production Design
Fabián Sánchez
Fabián Sánchez
Makeup Artist
Guillermina Oropeza
Guillermina Oropeza
Production Coordinator
Fernanda L. de Rodríguez
Fernanda L. de Rodríguez
Production Coordinator
Gloria Hernández de Cravioto
Gloria Hernández de Cravioto
Production Manager
Xanath Rodríguez
Xanath Rodríguez
Property Master
Bernardo Jiménez
Bernardo Jiménez
Assistant Production Manager
Aristeo Ruiz
Aristeo Ruiz
Sound Engineer
Víctor Rojo
Víctor Rojo
Special Effects
Abel Contreras
Abel Contreras
Special Effects
Arturo Godínez
Arturo Godínez
Stunts
Bernabé Palma
Bernabé Palma
Camera Operator
Francisco Contreras
Francisco Contreras
Electrician
Julián Contreras
Julián Contreras
Still Photographer
Adonay Somoza
Adonay Somoza
Wardrobe Supervisor
Francisco Aguilar Pelegrino
Francisco Aguilar Pelegrino
Color Designer
Javier Aguilar
Javier Aguilar
Script Supervisor
Javier Novoa
Javier Novoa
Thanks
Enrique Arevalo
Enrique Arevalo
Thanks
Marianne Bauer
Marianne Bauer
Thanks
Blanquita Gongora
Blanquita Gongora
Thanks
Iñaki Ispizua
Iñaki Ispizua
Thanks
Elvira Peralta
Elvira Peralta
Thanks
Luis Peralta
Luis Peralta
Thanks
Lupita Hoyo S.
Lupita Hoyo S.

MonsterVision99

_Note: I am about to review the 71 min. version of the film, this version was edited for TV, so it's likely that it has some scenes missing, which may cause damage to the films pacing or story, so until there's another version that I can see, this is what I am reviewing._ "Apuesta Contra La Muerte" also known as "Apuesta Con La Muerte" it's a mexploitation film about a young man named Juan, who tries to get away from his dysfunctional family, a father who lives in mediocrity, and an alcoholic mother, so he moves to live with his best friend since school, Mario, a rich boy who lives a life of excess and sleaze, at first, things go well for Juan and Mario, but he will soon find out just how reckless his friend is, and that he will be stuck in a life of crime and danger. The film it's directed by Ismael Rodríguez Jr. the very talented son of legendary filmmaker Ismael Rodríguez, his father always said that what really matters in a film it's the story, if you don't have a good story to hold your film, everything else will fall apart, and it looks like his son listened to him because in everyone of his films you find yourself engaged and invested, and this film it's no exception. For whatever flaws that this film may have, it seems pretty clear that it has a very good script, as you will find the characters to be very likable and you will also understand their frustrations and their motives, when the film starts you think you will be able to tell the spirit of the film, a basic melodrama with a few sleaze scenes, but as the film goes on, you realize that you are actually invested in the film, not many exploitation films do that, as the movie goes on, it get's darker and ends with a very depressing ending that may not be very well executed but it's still quite interesting. The acting in this film by our two main leads it's quite good, Juan (played by Edgardo Gazcón) it's quite a generous character who is just trying to get away from the troubles in his family, he is pushed to the limit by his friend, Mario (played by Sebastian Ligardo) who is always getting them in trouble, whether it is by playing Russian roulette with another man, racing in the opposite side of the freeway, or beating and abusing "his" women. The great Mario Almada is in this film, he doesn't really do much, he's just a father who wants his wife to stop drinking, he's average here, there isn't much to say about his performance, but it's nice to see him here, Lorena Velázquez does a good job at incarnating a lonely woman who becomes an alcoholic, she does a really good performance. This is a film about consequences, about how everything that you do in life affects someone else's life, whether it is in a good way or a bad way, it will affect someone, we see the concerned parents of the boy who dies in the Russian roulette bet, in one scene, Mario breaks the camera of a photographer in prison, and we see the aftermath of his actions, in a very intense scene, that leads to the climax, Juan's girlfriend says to a taxi driver "if you don't hurry, many peoples lives will be affected" (it doesn't sound as absurd in the film, it's actually quite compelling) that makes the movie more interesting as opposed to just showing violence on the screen, a very subtle script from the three writers of the film. Overall, I am willing to recommend the film if you can look past a few clunky scenes or an awkward ending, it's quite good for what it is.

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