Raymond Avila
Andy García
Amy Wallace
Laurie Metcalf
Kathleen Avila
Nancy Travis
Van Stretch
William Baldwin
Dorian Fletcher
Michael Beach
Steven Arrocas
John Kapelos
Tova Arrocas
Katherine Borowitz
Heather Peck
Annabella Sciorra
Rudy Mohr
Xander Berkeley
Chief Healy
John Capodice
Sgt. Trafficante
Tyde Kierney
Cousin Gregory
Julio Oscar Mechoso
Megan Peck
Heather Lauren Olson
Capt. Riordan
Arlen Dean Snyder
Party Guest
Domingo Adkins
Surfer Chick
Camilla Bergstrom
Honor Guard Sergeant
Mark A. Cuttin
Latino Driver
Justin De Rosa
Dinner Guest
Geoffrey Grider
Surgeon
Waldemar Kalinowski
Radio Cop
Frank Mancuso Jr.
Marksman
Richard B. Whitaker
Busboy
Brian Eric Johnson
Director of Photography
John A. Alonzo
First Assistant Editor
Tracy Granger
Original Music Composer
Mike Figgis
Executive Producer
Pierre David
Sound Re-Recording Mixer
Greg P. Russell
Costume Design
Rudy Dillon
Production Design
Waldemar Kalinowski
Original Music Composer
Anthony Marinelli
Orchestrator
Anthony Marinelli
Producer
Frank Mancuso Jr.
Executive Producer
René Malo
Stunt Coordinator
Gary Hymes
Second Unit Director
Gary Hymes
Sound Mixer
David Brownlow
Property Master
Robert J. Visciglia Sr.
Second Assistant Director
Chris Auer
Foley Artist
Jeffrey Wilhoit
Second Assistant Director
Cellin Gluck
Set Decoration
Florence Fellman
Makeup Artist
Julie Purcell
Sound Editor
Pieter Hubbard
First Assistant Camera
Horace Jordan
Set Designer
Clare Scarpulla
Transportation Coordinator
Perry Husman
Music Editor
Christopher Kennedy
Sound Re-Recording Mixer
Donald O. Mitchell
Sound Re-Recording Mixer
Bob Beemer
Assistant Chief Lighting Technician
Mark A. Shelton
Script Supervisor
Sharron Reynolds-Enriquez
Supervising Sound Editor
Gary S. Gerlich
Sound Editor
Elliott Koretz
ADR Supervisor
Devon Heffley Curry
Second Unit Director of Photography
Michael Ferris
Camera Operator
Pernell Youngblood Tyus
Costume Supervisor
Libby Jacobs
Hairstylist
Nina Paskowitz
Second Assistant Camera
Gregory W. Smith
Production Supervisor
Vikki Williams
Sound Editor
Chester Slomka
Still Photographer
Luke Wynne
Best Boy Electric
Jesse Tango
Assistant Costume Designer
Beverly Kline
First Assistant Director
J. Stephen Buck
Art Direction
Nicholas T. Preovolos
Post Production Coordinator
Jon Kuyper
Assistant Sound Editor
Bruce Foster
Leadman
Ronald E. Hairston
Best Boy Grip
Ric Urbauer
First Assistant Camera
Gary D. Scott
Rigging Grip
Darrell B. Sheldon
Art Direction
Michael Costanza
Assistant Editor
Craig Galloway
Assistant Hairstylist
Chris Rubel
Associate Producer
Pam O'Har
Associate Producer
Mara Trafficante
Assistant Hairstylist
Lelis A. Arroyo
Unit Production Manager
Lisa Hackett
Property Master
Glenn M. Carrere
Construction Coordinator
Patrick H. Finnegan
Scenic Artist
Genevieve M. Lorick
Assistant Property Master
Jean Visciglia
Boom Operator
Glenn E. James
Electrician
James Reischling
Electrician
Jesus J. Tango Jr.
Location Manager
David L. Wolfson
Assistant Location Manager
Les Godwin
Production Coordinator
Harlan M. Freedman
Transportation Captain
Jon Reeves
John Chard
Like a big baby with buttons all over. I push the buttons.
Internal Affairs is directed by Mike Figgis and written by Henry Bean. It stars Richard Gere, Andy Garcia, Nancy Travis, William Baldwin and Laurie Metcalf. Music is jointly produced by Figgis, Brian Banks and Anthony Marinelli and cinematography is by John A. Alonzo.
Stylish neo-noir that has Gere as Dennis Peck, a crooked cop under investigation by IAD operatives Garcia and Metcalf.
Peck is a master manipulator, a devious bastard who has his fingers in so many mud pies he could start his own bakery. Gere is on fire with the role, imbuing Peck with a menacing nastiness that’s a constant throughout the entire play.
Once Figgis and Bean have laid the character foundations, the plot turns into a psychological battle of wills and skills between Peck and Raymond Avila (Garcia), with Peck always one step ahead because he knows where Avila’s weakness is.
Figgis slow burns the tension with great aplomb, then unleashes the beasts for the thriller aspects of Bean’s screenplay. The look and feel of the piece is that of doom, deftly positing Peck’s vileness within a city awash with crooks, hookers and hitmen for hire. 8/10
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