Urban Legends: Final Cut


Urban Legends: Final Cut

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Stemmer 277 (4,7/10)

Runtime: 97 minutter

Udgivelsesdato 2000-09-22

Budget: $14,000,000.00

Indtægter: $38,574,362.00

Produktionsselskab:

  • Original Film
  • Phoenix Pictures
  • Canal+ Droits Audiovisuels

Produktion land:

  • Canada
  • United States of America

Genrer:

  • Gyser
  • Mysterium
  • Thriller

Trailer

Yderligere oplysninger

Amy Mayfield
Jennifer Morrison
Jennifer Morrison
Travis Stark
Matthew Davis
Matthew Davis
Reese Wilson
Loretta Devine
Loretta Devine
Professor Solomon
Hart Bochner
Hart Bochner
Stan Washington
Anthony Anderson
Anthony Anderson
Vanessa Valdeon
Eva Mendes
Eva Mendes
Graham Manning
Joey Lawrence
Joey Lawrence
Toby Belcher
Anson Mount
Anson Mount
Sandra Petruzzi
Jessica Cauffiel
Jessica Cauffiel
Dirk Reynolds
Michael Bacall
Michael Bacall
Schorm "Simon" Jabuscko
Marco Hofschneider
Marco Hofschneider
P.A. Kevin
Derek Aasland
Derek Aasland
Lisa
Jacinda Barrett
Jacinda Barrett
Dr. Richard Fain
Peter Millard
Peter Millard
Dean Patterson
Chas Lawther
Chas Lawther
Geek in Plane
Chuck Campbell
Chuck Campbell
Rob
Yani Gellman
Yani Gellman
Libby
Jeannette Sousa
Jeannette Sousa
Brenda Bates
Rebecca Gayheart
Rebecca Gayheart
Supervising Sound Editor
Richard L. Anderson
Richard L. Anderson
Set Decoration
Carol Lavoie
Carol Lavoie
Co-Producer
Michael McDonnell
Michael McDonnell
Director
John Ottman
John Ottman
Editor
John Ottman
John Ottman
Original Music Composer
John Ottman
John Ottman
Orchestrator
John Ottman
John Ottman
Foley Artist
Catherine Harper
Catherine Harper
Producer
Neal H. Moritz
Neal H. Moritz
Foley Mixer
Don Givens
Don Givens
Casting
Randi Hiller
Randi Hiller
Special Effects
Larz Anderson
Larz Anderson
Executive Producer
Nick Osborne
Nick Osborne
Stunt Coordinator
Pat Banta
Pat Banta
Director of Photography
Brian Pearson
Brian Pearson
Screenplay
Scott Derrickson
Scott Derrickson
Screenplay
Paul Harris Boardman
Paul Harris Boardman
Editor
Rob Kobrin
Rob Kobrin
Executive Producer
Brad Luff
Brad Luff
Producer
Gina Matthews
Gina Matthews
Costume Design
Marie-Sylvie Deveau
Marie-Sylvie Deveau
Original Music Composer
Damon Intrabartolo
Damon Intrabartolo
Conductor
Damon Intrabartolo
Damon Intrabartolo
Sound Re-Recording Mixer
David E. Fluhr
David E. Fluhr
Producer
Richard Luke Rothschild
Richard Luke Rothschild
Unit Production Manager
Richard Luke Rothschild
Richard Luke Rothschild
Production Secretary
Janet Ellis
Janet Ellis
Props
Brian Wade
Brian Wade
ADR Voice Casting
Terri Douglas
Terri Douglas
Foley Editor
Rick Mitchell
Rick Mitchell
Production Manager
Christopher J. Danton
Christopher J. Danton
Costume Design
Trysha Bakker
Trysha Bakker
Additional Photography
Susan A. Cabral
Susan A. Cabral
Production Design
Mark Zuelzke
Mark Zuelzke
Music Editor
Amanda Goodpaster
Amanda Goodpaster
Associate Producer
Amanda Goodpaster
Amanda Goodpaster
Chief Lighting Technician
Richard Allen
Richard Allen
Camera Operator
Tony Guerin
Tony Guerin
Visual Effects Supervisor
Mark Savela
Mark Savela
Still Photographer
Michael Gibson
Michael Gibson
ADR Mixer
Greg Steele
Greg Steele
Script Supervisor
Patricia Joyes
Patricia Joyes
Steadicam Operator
Brad Hruboska
Brad Hruboska
Gaffer
John 'Fest' Sandau
John 'Fest' Sandau
Key Hair Stylist
Karola Dirnberger
Karola Dirnberger
Art Direction
Nancey Pankiw
Nancey Pankiw
Digital Compositor
Chris Crowell
Chris Crowell
Set Costumer
Donna Butt
Donna Butt
Production Executive
Vicki Dee Rock
Vicki Dee Rock
Key Makeup Artist
Irene Kent
Irene Kent
Set Designer
Charles L. Dunlop
Charles L. Dunlop
ADR Editor
Elizabeth Kenton
Elizabeth Kenton
Property Master
Ane Christensen
Ane Christensen
Unit Publicist
Stephanie Keating
Stephanie Keating
Casting Associate
Courtney Gross
Courtney Gross
Assistant Editor
Helen Hand
Helen Hand
First Assistant Camera
Kirk Chiswell
Kirk Chiswell
Sound Effects Editor
James Christopher
James Christopher
Production Accountant
Michael Goosen
Michael Goosen
Color Timer
Mike Milliken
Mike Milliken
Visual Effects Coordinator
Tavia Charlton
Tavia Charlton
Second Assistant Director
Tim Singh
Tim Singh
Sound Recordist
Andrea Lakin
Andrea Lakin
Dolly Grip
Patrick King
Patrick King
Casting Assistant
Andrea Kool
Andrea Kool
Third Assistant Director
Tyler Delben
Tyler Delben
Assistant Production Coordinator
Redd Knight
Redd Knight
Boom Operator
Colin Jones
Colin Jones
Key Grip
Robert Daprato
Robert Daprato
Assistant Sound Editor
Ralph Stuart
Ralph Stuart
Stunt Double
Heather Callow
Heather Callow
Special Effects Assistant
Mark Rice
Mark Rice
Grip
Jim Holmes
Jim Holmes
Propmaker
Chris Fix
Chris Fix
Post Production Accountant
Missy Eustermann
Missy Eustermann
First Assistant Director
Michael Zenon
Michael Zenon
Carpenter
Harry Kassardjian
Harry Kassardjian
Construction Coordinator
Henry Ilola
Henry Ilola
Leadman
Hans-Heinrich Piersig
Hans-Heinrich Piersig
Compositor
Sarah Norton
Sarah Norton
Stunts
Leigh Bianco
Leigh Bianco
Best Boy Electric
Roddy Kosub
Roddy Kosub
Lighting Technician
Lux
Lux
Assistant Costume Designer
Gillian Steinhardt
Gillian Steinhardt
Location Manager
Anne Richardson
Anne Richardson
Transportation Captain
Jeff Bell
Jeff Bell
Transportation Co-Captain
Jason Leeking
Jason Leeking
Transportation Coordinator
Wilfred Bell
Wilfred Bell
Production Coordinator
Kristine M. Gilbert
Kristine M. Gilbert
Location Assistant
Rana Morrison
Rana Morrison
Colorist
Chris Lamie
Chris Lamie
Special Effects Technician
Brad Larkin
Brad Larkin
Prosthetic Designer
François Dagenais
François Dagenais
ADR Recordist
Dan Lucas
Dan Lucas
Foley Recordist
Robert Zubia
Robert Zubia
Best Boy Grip
Pete Daprato
Pete Daprato
Second Assistant Camera
Anthony Ellis
Anthony Ellis
Assistant Location Manager
Jen Leonard
Jen Leonard
Location Production Assistant
Carl Bainbridge
Carl Bainbridge
First Assistant Accountant
Sue Sparling
Sue Sparling
Key Scenic Artist
Reet Puhm
Reet Puhm
Production Assistant
Joseph Diaz
Joseph Diaz

slayrrr666

Attempting to finish film school, a director doing her film about a serial killer killing his victims on urban legends starts to realize that a serial killer is running around behind the scenes killing off the crew, and must stop the madman before killing off everyone on the film. This here was a pretty surprising entry. One of the things it does well is that it really features a lot of suspenseful work at times as this makes a hard time of determining if what's being seen is real or just being shot for the movie. It plays the movie-within-a-movie trick to nice effect, since it features enough to make hard to distinguish one from the other including it's wonderful opening sequence that takes a while before realizing after the fact it's been faked, a sequence where the assembled cast watch the dailies only for a strange cut-shot to play where one of the cast is viciously stalked and killed is screened where all but one thinking it to be shot for the film but the other positive that it's real and a later scene where a murder done during the recording of a scream-test loud enough to drown out the victim's own being great scenes. Even going away from that formula, there’s some rather fun stalking here from the bathroom chase featuring the woman trying to escape from the killer out into the alleyway or a thrilling chase through the recording studio and out into the surrounding countryside and pool while an attack at a carnival ride hidden by the darkness and fog comes off rather nice as well. The final confrontation in the movie-set graveyard setting is just fun, being creepy, exciting and all-around a blast with the true revelation and the different twists featured throughout make for a nice time here. The last big feature here is a really nice and healthy mix amongst the kills, which along with the mask worn are the film's rather good parts. This one here only has a few flaws to it. The main one here is that the main explanation for the killing has a lot of ways for how to interpret it, and it feels just too clumsy and unrealistic to be considered as believable. The fact that the violence is toned down from anything that it should have, since, for all the creativity displayed in the kills, it isn't very bloody and with a couple of kills that could've been in here. These are the same thing that really should've fixed by taking more of those and making them more bloody. It would've taken out a mild flaw in the film rather simply. The last flaw in here is the film's maddening ability to switch between the film shoot and the real world. It's fun at times, but there's also the fact that the film tries to be clever with changing around the two and it gets a little harder to defend the longer they go on. These here are the film's flaws. Rated R: Graphic Violence, Graphic Language, Brief Nudity and a sex scene.

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