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Jaguar Paw

Rudy Youngblood

Zero Wolf

Raoul Max Trujillo

Middle Eye

Gerardo Taracena

Sky Flower

Iazua Larios

Chilam

Antonio Monroy

Mother in Law

María Isabel Díaz

Seven

Dalia Hernández

Blunted

Jonathan Brewer

Flint Sky

Morris Birdyellowhead

Turtles Run

Carlos Emilio Báez

Curl Nose

Amilcar Ramírez

Smoke Frog

Israel Contreras

Cocoa Leaf

Israel Ríos

Old Story Teller

Espiridion Acosta Cache

Young Woman

Mayra Serbulo

Snake Ink

Rodolfo Palacios

Village Girl

Lorena Heranandez

Wife

Itandehui Gutierrez

Eldest Daughter

Sayuri Gutierrez

Fish Hunter

Hiram Soto

First Temple Sacrifice

José Suárez

Hanging Moss

Ariel Galvan

Drunkards Four

Bernardo Ruiz

Cut Rock

Ricardo Diaz Mendoza

Ten Peccary

Richard Can

Monkey Jaw

Carlos Ramos

Buzzard Hook

Ammel Rodrigo Mendoza

Speaking Wind

Marco Antonio Argueta

Vicious Holcane

Javier Escobar

High Priest

Fernando Hernandez

Oracle Girl

Maria Isidra Hoil

Oracle Girl

Aquetzali García

Laughing Man

Abel Woolrich

Man on Temple Top

Nicolás Jasso

Slave Auctioneer

Ronaldo Eknal

Woman Auctioneer

Miriam Tun

King

Rafael Velez

Queen

Diana Botello

Head Chac

Joaquin Rendon

Director

Mel Gibson

Producer

Mel Gibson

Producer

Bruce Davey

Original Music Composer

James Horner

Director of Photography

Dean Semler

Editor

John Wright

Casting

Carla Hool

Production Design

Thomas E. Sanders

Costume Design

Mayes C. Rubeo

Art Direction

Roberto Bonelli

Art Direction

Naaman Marshall

Executive Producer

Ned Dowd

Executive Producer

Vicki Christianson

Stunts Coordinator

Gerardo Albarrán

Makeup Artist

Aldo Signoretti

Makeup Artist

Vittorio Sodano

Visual Effects Supervisor

Ted Rae

Animatronic and Prosthetic Effects

Keith VanderLaan

Post-Production Manager

Rajeev Malhotra

Stunt Coordinator

Mic Rodgers

Writer

Mel Gibson

Writer

Farhad Safinia

Sound mixer

Kevin O'Connell

Sound mixer

Greg P. Russell

Dialogue Editor

Scott G.G. Haller

Camera Operator

Ian Fox

Unit Production Manager

Ned Dowd

Costume Supervisor

Ismael Jardon

Set Designer

Carlos Benassini

Set Designer

Erick Monroy

Sculptor

Antonio Gómez Capetillo

Sculptor

Antonio Gómez

Sculptor

Juan José Martínez

Construction Coordinator

Jose Luis Mendez Ramirez

Scenic Artist

Alan Scott

Supervising Sound Effects Editor

Benjamin L. Cook

Sound Designer

Benjamin L. Cook

Sound Recordist

Martin Schloemer

Dolby Consultant

James Wright

Sound Recordist

Matthew T. Duncan

Foley

Dawn Lunsford

Foley

Alicia Stevenson

Supervising Sound Editor

Sean McCormack

Supervising Sound Editor

Kami Asgar

Visual Effects Producer

Kimberly Adams

Visual Effects Producer

Anthony Huljev

Visual Effects Producer

Ian Noe

Visual Effects Producer

Eric W. Shamlin

Visual Effects Producer

Jamie Venable

Additional Camera

Mark O'Kane

Camera Operator

Guillermo Rosas

Camera Operator

Eduardo Flores Torres

Underwater Camera

Maryan Zurek

Steadicam Operator

Andrew Rowlands

Steadicam Operator

Chad Rivetti

Steadicam Operator

Alan Kelvin Contreras

Still Photographer

Andrew Cooper

Gaffer

James J. Gilson

Best Boy Electric

Joseph Martens

Set Costumer

Javier Delgado

Set Costumer

Mariana Mechoulam

Set Costumer

Jose Luis Montero

Set Costumer

Africa Zayas

Digital Intermediate

Amy Pawlowski

Music Editor

Dick Bernstein

Music Editor

Jim Henrikson

Transportation Coordinator

Arturo Curiel

Transportation Coordinator

Derek Raser

Choreographer

Rulan Tangen

Location Manager

Fernando Uriegas

Publicist

Blaise Noto

Supervising Art Director

Theresa Wachter

Co-Producer

Farhad Safinia

Wigmaker

Teresa Hinton

Hairstylist

Orla Carrol

Assistant Director

Adrian Grunberg

Prosthetic Supervisor

Roberto Ortiz

Location Manager

Horacio Rodríguez

Michael

„Apocalypto“ hat es nicht geschafft mich zu begeistern. Mel Gibson spendiert seinem Film zwar einige fantastische Bilder und auch die ein oder andere drastische Szene, wirklich gepackt hat mich sein Film dennoch nicht. Mir fehlt es einfach an einer fesselenden Geschichte. Manchmal reicht ein unverbrauchtes Setting eben nicht aus um einen guten Film zu erschaffen und leider ist es bei „Apocalypto“ so, dass die Geschichte an sich dann doch zu sehr austauschbar ist. Für mich ist „Apocalypto“ der typische Film, den man sich anschauen kann, aber danach genau weiß, dass man nichts verpasst hat, wenn man ihn nicht gesehen hat. Gut genug um ihn nicht abschalten zu wollen, aber nicht gut genug um wirklich in Erinnerung zu bleiben. [Sneakfilm.de]