جوخه انتحار


جوخه انتحار

بررسی اجمالی:

یک سازمان دولتی مخفی چندین ضد قهرمان با قدرت‌های خارق‌العاده را به کار می‌گیرد تا مأموریتی خطرناک را در ازای کوتاه شدن دوره حبسشان، انجام دهند...

رای 14892 (5/9/10)

زمان اجرا: 123 دقیقه

تاریخ انتشار 2016-08-03

بودجه: $176,000,000.00

درآمد: $745,600,054.00

وب سایت: Link

تولید شرکت:

  • DC Entertainment
  • Dune Entertainment
  • Warner Bros. Pictures
  • Atlas Entertainment
  • DC Comics
  • DC Films

تولید کشور:

  • United States of America

نوعهای:

  • Action
  • Adventure
  • Crime
  • Fantasy
  • Science Fiction

تریلر

اطلاعات بیشتر

Floyd Lawton / Deadshot
Will Smith
Will Smith
Harleen Quinzel / Harley Quinn
Margot Robbie
Margot Robbie
Rick Flag
Joel Kinnaman
Joel Kinnaman
Amanda Waller
Viola Davis
Viola Davis
The Joker
Jared Leto
Jared Leto
George 'Digger' Harkness / Boomerang
Jai Courtney
Jai Courtney
Chato Santana / El Diablo
Jay Hernandez
Jay Hernandez
Waylon Jones / Killer Croc
Adewale Akinnuoye-Agbaje
Adewale Akinnuoye-Agbaje
June Moone / Enchantress
Cara Delevingne
Cara Delevingne
Tatsu Yamashiro / Katana
Karen Fukuhara
Karen Fukuhara
Christopher Weiss / Slipknot
Adam Beach
Adam Beach
Keith Griggs
Ike Barinholtz
Ike Barinholtz
Lieutenant GQ Edwards
Scott Eastwood
Scott Eastwood
Monster T
Common
Common
Dexter Tolliver
David Harbour
David Harbour
Jonny Frost
Jim Parrack
Jim Parrack
Gomez - Seal Team A
Alex Meraz
Alex Meraz
Grace Santana
Corina Calderon
Corina Calderon
Angelo
Robin Atkin Downes
Robin Atkin Downes
Zoe Lawton
Shailyn Pierre-Dixon
Shailyn Pierre-Dixon
Dr. Van Criss
Matt Baram
Matt Baram
Gerard Davis / Incubus
Alain Chanoine
Alain Chanoine
Admiral Olsen
Ted Whittall
Ted Whittall
Admiral Burns
Michael Murray
Michael Murray
Sergeant Ames Bravo 14
Jaime FitzSimons
Jaime FitzSimons
Bruce Wayne / Batman (uncredited)
Ben Affleck
Ben Affleck
Barry Alan / The Flash (Uncredited)
Ezra Miller
Ezra Miller
Missing Hand Guard
Christopher Dyson
Christopher Dyson
T-Shirt Vendor
Bambadjan Bamba
Bambadjan Bamba
U.S. Marshal
Robert B. Kennedy
Robert B. Kennedy
Mafia Snitch
Billy Otis
Billy Otis
Panda Man
James McGowan
James McGowan
Psych Patient
Derek Perks
Derek Perks
Chairman
Aidan Devine
Aidan Devine
Navy One-Star Admiral
Andrew Bee
Andrew Bee
Air Force Two-Star General
Clive McLean
Clive McLean
Army One-Star General
Frank J. Zupancic
Frank J. Zupancic
National Security Council
Kent Sheridan
Kent Sheridan
National Security Council
Roger Shank
Roger Shank
National Security Council
Dwight Ireland
Dwight Ireland
National Security Council
Amanda Brugel
Amanda Brugel
National Security Council
Peter Tufford Kennedy
Peter Tufford Kennedy
Hot Girl Patron
Rosemary De Los Santos
Rosemary De Los Santos
Casino Boss
Kevin Hanchard
Kevin Hanchard
Cop At Rail Terminal
Joel Lacoursiere
Joel Lacoursiere
Doctor At Rail Terminal
Jameson Kraemer
Jameson Kraemer
Gate Guard
Ho Chow
Ho Chow
Dr. Van Criss' Wife
Birgitte Solem
Birgitte Solem
Kowalski - Seal Team A
Kevin Vance
Kevin Vance
Grey - Seal Team Member
Tyler Grey
Tyler Grey
Seal Team A #1 Member
Nathan Brown
Nathan Brown
Yakuza Boss
Kenneth Choi
Kenneth Choi
Technician
Nicolas Van Burek
Nicolas Van Burek
Technician 2
Agueda Cardenas
Agueda Cardenas
Diablo's Daughter
Daniela Uruena
Daniela Uruena
Diablo's Son
Nicolas Uruena
Nicolas Uruena
Supermodel (uncredited)
Ariane Bellamar
Ariane Bellamar
Navy SEAL (uncredited)
Murray Urquhart
Murray Urquhart
Hispanic Woman (uncredited)
Alyssa Veniece
Alyssa Veniece
U.S. Marshal
Tim Ajro
Tim Ajro
Bystander
Devlin Anderson
Devlin Anderson
Dancer
Briana Andrade-Gomes
Briana Andrade-Gomes
Bystander
Raffi Atamian
Raffi Atamian
Air Force General Williams
John Byers
John Byers
Injured Civilian
Heather Byrne
Heather Byrne
Wounded Civilian
Corey Chainey
Corey Chainey
US Ranger
Shak Chaudhry
Shak Chaudhry
Ranger
James Chilli Chillingworth
James Chilli Chillingworth
Marine
Andrew Christie
Andrew Christie
Van Criss Employee
Alex Chung
Alex Chung
MP Soldier
Gavin R. Downes
Gavin R. Downes
Club Goer
Reid Eastwood
Reid Eastwood
Distressed Civilian
Scott Edgecombe
Scott Edgecombe
Car Passenger
Brendan Egan
Brendan Egan
US Marshal
Jeff Ellenberger
Jeff Ellenberger
Tatiana - Russian Girl
Tatyana Figueiredo
Tatyana Figueiredo
Navy SEAL Combat Medic - Bravo Team
Gary 'Si-Jo' Foo
Gary 'Si-Jo' Foo
US Marshal
Tazito Garcia
Tazito Garcia
Operations Tech
Brianna Goldie
Brianna Goldie
Secret Service Agent
Ryan Groves
Ryan Groves
Secret Service Agent
William Hainsworth
William Hainsworth
Navy SEAL Howard
Shawn J. Hamilton
Shawn J. Hamilton
SWAT Officer
Shane Harbinson
Shane Harbinson
LAPD Sergeant
Fatimah Hassan
Fatimah Hassan
Fighter Pilot
Dexter Howe
Dexter Howe
Bystander
Melanie Hubert
Melanie Hubert
FEMA Official
David Ingram
David Ingram
US Marshal / Military Escort
Shane Clinton Jarvis
Shane Clinton Jarvis
Hispanic Man
Sergio Kato
Sergio Kato
Prisoner
Kevin Kent
Kevin Kent
Bystander
Martin Kessler
Martin Kessler
Lieutenant Colonel Doctor
Melissa Lem
Melissa Lem
Arkham Guard Stewart
John MacDonald
John MacDonald
EA Dancer
Stephanie Manchulenko
Stephanie Manchulenko
Marine
Matthew Mease
Matthew Mease
Hispanic Man
Christopher Meneses
Christopher Meneses
Agent Bartoni
Valiant Michael
Valiant Michael
Naughty Waitress
Sabine Mondestin
Sabine Mondestin
Admiral's Staff
Justin Moses
Justin Moses
Blackwater
Drew Moss
Drew Moss
Gotham Police
Afsheen Olyaie
Afsheen Olyaie
Anvil
Dan Petronijevic
Dan Petronijevic
Executive Assistant
Alisha Phillips
Alisha Phillips
EA Dancer
Tamina Pollack-Paris
Tamina Pollack-Paris
Firefighter
Michael Prather
Michael Prather
Cop Photographer
Dennisha Pratt
Dennisha Pratt
Military Guard
Asad Que
Asad Que
US Ranger
Mark Quigley
Mark Quigley
Big Ugly Navy SEAL
Darryl Quon
Darryl Quon
American Hostage
Hugh Scott
Hugh Scott
Military Officer
Jasmine Sean
Jasmine Sean
Special Forces Escort
Attila Sebesy
Attila Sebesy
Arresting Officer
Rick Silver
Rick Silver
Graham - SEAL Team A
Connor Skific
Connor Skific
Janes - Navy SEAL
Amos Stern
Amos Stern
Navy SEAL Clark
Goran Stjepanovic
Goran Stjepanovic
Club Patron
Vivienne Taylor
Vivienne Taylor
EA Dancer
Jasmine Renée Thomas
Jasmine Renée Thomas
Firefighter
Alen Toric
Alen Toric
Helicopter Pilot
Dallas Wade
Dallas Wade
Club Patron
Joe Warshaw
Joe Warshaw
Bystander
Tony Watt
Tony Watt
US Army Ranger
James Weicht
James Weicht
Club Patron
Taylor Whittaker
Taylor Whittaker
FBI Agent Max Bidwell
Robert L. Wilson
Robert L. Wilson
Producer
Charles Roven
Charles Roven
Casting
Mary Vernieu
Mary Vernieu
Supervising Art Director
Brad Ricker
Brad Ricker
Production Design
Oliver Scholl
Oliver Scholl
Foley
Catherine Harper
Catherine Harper
Costume Supervisor
Alex Kavanagh
Alex Kavanagh
Director
David Ayer
David Ayer
Writer
David Ayer
David Ayer
Original Music Composer
Steven Price
Steven Price
Supervising Art Director
Brandt Gordon
Brandt Gordon
Visual Effects Supervisor
Jerome Chen
Jerome Chen
Hairstylist
Pierce Austin
Pierce Austin
Producer
Richard Suckle
Richard Suckle
Art Direction
Aleksandra Marinkovich
Aleksandra Marinkovich
Camera Operator
Steve Adcock
Steve Adcock
Editor
John Gilroy
John Gilroy
Underwater Camera
Peter Zuccarini
Peter Zuccarini
ADR & Dubbing
David Bach
David Bach
Stunts
Michelle Lee
Michelle Lee
Director of Photography
Roman Vasyanov
Roman Vasyanov
Sound Re-Recording Mixer
Gary Rizzo
Gary Rizzo
Sound Re-Recording Mixer
Michael Keller
Michael Keller
Executive Producer
Geoff Johns
Geoff Johns
Costume Design
Kate Hawley
Kate Hawley
Wig Designer
Giorgio Gregorini
Giorgio Gregorini
Art Direction
Greg Berry
Greg Berry
Casting
Lindsay Graham
Lindsay Graham
Stunts
Amy Johnston
Amy Johnston
Gaffer
Terry Banting
Terry Banting
Costume Supervisor
Leslie Kavanagh
Leslie Kavanagh
Makeup Artist
Leslie A. Sebert
Leslie A. Sebert
Makeup Designer
Alessandro Bertolazzi
Alessandro Bertolazzi
Set Costumer
Anthony Almaraz
Anthony Almaraz
Property Master
Dan Sissons
Dan Sissons
Sound Designer
Richard King
Richard King
Supervising Sound Editor
Richard King
Richard King
Camera Operator
John Holosko
John Holosko
Music Editor
Sam Zeines
Sam Zeines
Art Direction
Ravi Bansal
Ravi Bansal
Art Department Coordinator
Carol Kiefer
Carol Kiefer
Art Direction
Clint Wallace
Clint Wallace
Special Effects Coordinator
Scott R. Fisher
Scott R. Fisher
Makeup Department Head
Jo-Ann MacNeil
Jo-Ann MacNeil
Set Designer
Randall D. Wilkins
Randall D. Wilkins
Foley
Gregg Barbanell
Gregg Barbanell
Sound Effects Editor
Michael W. Mitchell
Michael W. Mitchell
Visual Effects Editor
Mark Carr
Mark Carr
Script Supervisor
Shane B. Scott
Shane B. Scott
Still Photographer
Clay Enos
Clay Enos
Set Costumer
Mustapha Mimis
Mustapha Mimis
Steadicam Operator
Peter Rosenfeld
Peter Rosenfeld
Set Costumer
Ashley Ellsworth
Ashley Ellsworth
Second Unit Director of Photography
Josh Bleibtreu
Josh Bleibtreu
Helicopter Camera
David B. Nowell
David B. Nowell
Rigging Gaffer
Gary Deneault
Gary Deneault
Dialogue Editor
Thomas Jones
Thomas Jones
Helicopter Camera
Steve Koster
Steve Koster
Still Photographer
Michael Gibson
Michael Gibson
Dialogue Editor
Russell Farmarco
Russell Farmarco
ADR Editor
Russell Farmarco
Russell Farmarco
VFX Editor
Roxanne Dorman
Roxanne Dorman
Prosthetic Supervisor
Neil Morrill
Neil Morrill
Hair Department Head
Vincent Sullivan
Vincent Sullivan
Key Hair Stylist
Carol Hartwick
Carol Hartwick
Art Department Coordinator
Dusty Reeves
Dusty Reeves
Special Effects Supervisor
Michael Innanen
Michael Innanen
Visual Effects Editor
Mark S. Wright
Mark S. Wright
Set Costumer
John Voght
John Voght
Helicopter Camera
Richard Roles
Richard Roles
First Assistant Editor
Diane Brunjes
Diane Brunjes
Music Supervisor
Season Kent
Season Kent
Music Supervisor
Gabe Hilfer
Gabe Hilfer
Assistant Costume Designer
Renee Fontana
Renee Fontana
Makeup Artist
Lisa Rocco
Lisa Rocco
Video Assist Operator
Jeffrey Cassidy
Jeffrey Cassidy
Gaffer
Rick Thomas
Rick Thomas
Seamstress
Sylvie Bonniere
Sylvie Bonniere
Visual Effects Editor
Athena Han
Athena Han
First Assistant Camera
Mark Cyre
Mark Cyre
First Assistant Camera
Joseph Micomonaco
Joseph Micomonaco
Casting Associate
Marisol Roncali
Marisol Roncali
Digital Intermediate
Billy Hobson
Billy Hobson
VFX Editor
Lei Zhang
Lei Zhang
Visual Effects Editor
Katrina Taylor
Katrina Taylor
Conceptual Design
Christian Scheurer
Christian Scheurer
VFX Editor
Shenyan Liu
Shenyan Liu
Art Direction
Eric Víquez
Eric Víquez
Art Direction
Colin Woods
Colin Woods
Construction Coordinator
John Mackenzie
John Mackenzie
Casting Associate
Jeanette Benzie
Jeanette Benzie
Seamstress
Beverly Law
Beverly Law
Set Costumer
Erin Daprato
Erin Daprato
Set Costumer
Joan Frame
Joan Frame
Set Costumer
Natasha Gale
Natasha Gale
Set Costumer
Michael Issa
Michael Issa
Camera Operator
Tim Dolan
Tim Dolan
Gaffer
R. Scott Phillips
R. Scott Phillips
Animation Supervisor
David Crispino
David Crispino
VFX Production Coordinator
Romel Catap
Romel Catap
VFX Supervisor
Max Wood
Max Wood
Visual Effects Editor
Marco Abraham
Marco Abraham
Visual Effects Editor
Holly Pavlik
Holly Pavlik
Sound Effects Editor
Randy Torres
Randy Torres
Makeup Artist
Ashley Dawn Szabadi
Ashley Dawn Szabadi
Digital Intermediate
Sadie D. Johnson
Sadie D. Johnson
First Assistant Editor
Kimberly Boritz
Kimberly Boritz
First Assistant Camera
Colin Akoon
Colin Akoon
Thanks
Lew Schwartz
Lew Schwartz
Stunts
Daniel Hargrave
Daniel Hargrave
Stunts
Alicia Turner
Alicia Turner
Makeup Supervisor
Christopher Allen Nelson
Christopher Allen Nelson
Property Master
Kevin Lise
Kevin Lise
Thanks
Robert Kanigher
Robert Kanigher
Thanks
Don Newton
Don Newton
Stunts
Brent Jones
Brent Jones

Frank Ochieng

Summertime 2016 has not been very kind to DC Comics-based personalities looking to shine consistently like their big screen Marvel Comics counterparts. Following the super-sized dud that was _Batman v. Superman: Dawn of Justice_ released a few months ago must really put some major pressure on Warner Bros. to gamble on ensuring that the presence of **Suicide Squad** does not meet the same kind of indifferent reception. Well, it turns out that although the anticipation was high for writer-director David Ayer's supervillain saga involving high-powered imprisoned rogues recruited as U.S. governmental operatives out to stop other skillful baddies (as it was for Zack Ryder's aforementioned "Dawn of Justice") the concoction of **Suicide Squad** feels like a colorful mishmash of collective misfits laboriously taking up space in a disjointed eye candy-coated spectacle that never manages to match its intended sizzle. One would think that the premise for **Suicide Squad** would tap into the intriguing naughtiness with more robust gumption given the collection of super-powered oddballs asked to be immediate anti-heroes in this toothless jamboree of renegade rejects. Strangely, the grim and brooding presentation of **Suicide Squad** is more of an erratic downer than a hyperactive high-wire act as intended at the creative hands of Ayer. There is no reason why this lively group of adventurous agitators should appear so flat and inconsequential in a boisterous blockbuster that sporadically limps. Given the twisted members that comprise this elite team of terrorizing tools it is very disappointing to see how **Suicide Squad** struggles with its so-called subversive themes. Sadly, this splattered mess never firmly grasps its bid for distinctive irreverence or off-balance exploitation. Instead, **Squad** feels strained in its execution and we are never really invested in entirely watching these treasured troublemakers find redemption because the story is soggy and uninspired. Furthermore, not all of the **Squad** participants are fleshed out satisfyingly for us to get behind with thirsty cynicism. The headlining leads in Will Smith's Floyd Lawton/Deadshot, Oscar-winner Jared Leto's green-haired Joker and Australian beauty Margot Robbie's Harleen Quinzel/Harley Quinn get the meaty standout parts while the lesser known supporting cast get stuck with chewing on the thankless remaining bone while seemingly acting as background furniture to the bigger names. Naturally, desperation has set in for the U.S. government as they need to safeguard national security against advanced sinister forces that threaten the fiber of American self-interests everywhere. What better way to hire gifted protection than to consider employing the world's most incarcerated corruptible, cutthroat cretins to perform the dirty work in unforgivable mission ops that require death-defying determination. Enter U.S. Intelligence agent Amanda Waller (Oscar nominee Viola Davis). Waller's duties are to assemble the ragtag team known as the Suicide Squad--ominous (yet talented) jailbirds tapped to step in and assume superhero status (especially when the real superheroes are tied up in other crime-stopping affairs) while helping out for the greater good of our vulnerable society. In exchange for the Suicide Squad's sacrifice in turning from hell-bent heels to reluctant heralded heroes they are promised commuted prison sentences should they effectively defend and destroy the deadly foes out to promote heavy-handed havoc across the board. Conveniently, bureaucratic bigwig Waller (through voiceover) introduces the Suicide Squad and describes what beneficial assets they bring to the turbulent table. Among the naughty notables include the well-known ace sniper Floyd Lawton/Deadshot as well as legendary lethal joy-boy Joker and his better (or perhaps worst half) in girlfriend Harley Quinn. The other toxic tag-a-longs along for the thrill ride of becoming rebellious rescuers include George Harkness/Boomerang (Jai Courtney), Chato Santana/El Diablo (Jay Hernandez), Waylon Jones/Killer Croc (Adewale Akinnuoye-Agbaje), Tatsu Yamashiro/Katana, Enchantress (Cara Delevingne) and Rick Flag (Joel Kinnaman). Overall, **Suicide Squad** is surprisingly depressing and goes through the proverbial motions without so much as taking advantage of its surrealistic makeup. The movie never realizes its excitable potential and drifts into yet another superhero yarn that is more patchy than pronounced. Smith's Deadshot is out in the forefront but for the most part feels restrained and not as spry and savvy as one would imagine. Leto's Joker obviously pales in comparison to the brilliant and mesmerizing psychotic take on the role that earned the late Heath Ledger his posthumous Oscar statuette. In all fairness, nobody could inhabit the Clown Prince of Crime as Ledger uncannily did with committed concentration. Still, Leto's Joker--although viciously off-balance--felt recycled and furiously empty at times. Robbie's turn as Joker's misguided main squeeze merely comes off as a bratty Barbie Doll with synthetic edginess. The other **Squad** participants settle for the back burner more or less which is a crying shame because they should have been more engaged than the tepid material allowed them to be initially. Woefully sketchy and missing the fueled opulence that one would expect emerging from this cockeyed costume caper **Suicide Squad** is a detonating dud for the missing explosive DC Comics movie brand that needs to step up the pace if they expect to make a consistent and challenging impression on the devoted fanboys at the box office looking to move beyond the sardonic fantasy-based realm of another redundant serving of a _Batman/Superman_ entry. **Suicide Squad** (2016) Warner Bros. 2 hrs. 3 mins. Starring: Will Smith, Jared Leto, Margo Robbie, Viola Davis, Joel Kinnaman, Jay Hernandez, Jai Courtney, Scott Eastwood, Adewale Akinnuoye-Agbaje, Ike Barinholtz, Common, Cara Delevinge, Karen Fukuhara, Adam Beach Directed and Written by: David Ayer MPPA Rating: PG-13 Genre: Superheroes Saga/Action & Adventure/Comic Book Fantasy Critic's rating: ** stars (out of 4 stars) (c) **Frank Ochieng** (2016)

Asadullah Khan

Suicide Squad is the third and latest entry into the DCEU, and is about a bunch of bad guys that are rounded up to fight for someone else. And just like this year's BvS, this movie received overwhelmingly negative reviews by the critics and was divided among the fans. I was super curious to watch it because unlike many, I actually enjoyed the DCEU till this point. Enjoyed both Man of Steel and BvS. But unfortunately, this one's a mess. The majority of the movie just feels choppy, editing was all over the place. Like they had a final product but because of disagreements, they took out a lot of scenes, shorten the runtime, and added others, making a giant choppy mess in the end. Scenes don't properly flow, including the flashbacks. Some scenes feel like they were added later (Probably the re-shoots) and they definitely didn't fit, particularly the elevator scene with Harley. The songs were all over the place as well. Some worked with their respective scenes, but most of them didn't, and again it felt like something added later, to give the movie a more jolly feel. And difference between development given to each member of the squad is astounding. Some were completely left in the dust, while some got a bit of line here and there, while some got a lot more development. Basically, to me it felt like that the movie reeked of studio involvement. Also, the focus was just off. Movie is called Suicide Squad yet there is a whole lot of other stuff that gets way too much screentime. The whole end of the world plot was totally generic, uninteresting and unnecessary. The villain wasn't good, and the movements were weird, and not in a good way. Joker-Harley romance was also something padded on, and could have been removed in exchange for more screentime with the squad. Speaking of the Joker, he and his whole weird mafia/gangster lord type vibe didn't work for me. Jared Leto felt like he was trying too hard at times. There were moments where I saw the Joker I wanted in him, but those moments were swiftly followed by over the top feel that he gave most of the time. And that laugh....Yeah NOPE!! Even the action was mostly OK, apart from a couple of good scenes. There was no proper thrill, no proper buildup. Too many cuts. Say what you want about Snyder, but you have to admit that the dude can atleast direct amazing action sequences. And all of that sucks because there is stuff in the movie that works, like the main squad. Will Smith as Deadshot was great. He played his usual cool self and it worked. Margot Robbie as Harley Quinn was sexy and mostly good, because there were few instances where her dialogues gave me cringe. These two had a good chemistry together too. Also liked other members like El Diablo, Killer Croc, and captain Boomerang, all of whom were likable, had some fun moments etc. Plus, among all the mediocrity, there were glimpses of what the movie could have been like. Fun moments between the squad, some touchy moments, rare cool action sequences, full group scenes or rather a scene, the bar scene and such. Ultimately, The movie is like a mediocre cake covered with a thin layer of good frosting. The overall taste isn't bad, but it isn't good either. You enjoy the good frosting for a short while, and then have to deal with a whole lot of mediocre tasting body of the cake. I was disappointed. I really REALLY wanted to like this film. Pushed back all the negative or positive criticism and went in with an open mind. I'm not too hopeful what the extended cut will improve as 13 mins of footage isn't much, and I'm guessing it is Joker footage mostly. It's funny that after watching this, I respect MCU more now considering what they were able to do with the more risky project: Guardians of the Galaxy. 6/10 Blog Post Link: http://reviewsreactor.blogspot.com/2016/10/suicide-squad-2016-movie-review.html

Gimly

Some semi-interesting visuals and a few characters I'd like to get to know, but an absolute mess of a movie. The thing feels like a trailer, or a clipshow, or a music video or some other sort of two-hour long promotional material for the actual _Suicide Squad_ that comes out later. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._

Reno

**They are not superheroes, they are supervillains.** It's nothing against DC, but overall I'm starting to think the todays cinema is getting crowded with the lots of superheroes. Just like any pollution or the over population on the earth's surface. It needs stability, but nobody cares about it other than money making agenda. I also think it's going to last for only a few more years, when this trend going to end like that happened in the 70s, 80s and the 90s. And the space travel era to begin which is already kick- started. So DC or Marvel and others, they should be careful, for far they could take their products. Like the title say, it's not just about the film characters, the film itself a suicidal. I'm not saying the film was unnecessary, but the plot was dragged too much. There are too many pauses, or you can call time wasting moments. I could not take another blowing up city concept. And that swirling thing in the sky, I don't know how long they are going to use it in the superhero films. I did not like the supernatural concept which is supposed to be a pure science fiction action adventure. At least Thor was from another planet, more like he's an alien, but the witch in this film, ruined my appetite. The actors were not bad and so the graphics, including the stunt sequences. The story was very familiar. It was more or less, same as the animated flick 'Monsters vs Aliens'. It can be watched for entertainment purpose, the majority won't say it's their favourite or one of the best of the year. But surely there are people who would love it. It was a massive box office hit and I don't see any hurdle for its sequel, but all I hope is it to get better in the follow-up. So finally, it's not a bad film or boring, but it just did not have the midas touch that all the superhero films had. That means a watchable film, only for once. _5/10_

ColinJ

Aka NEEDLE DROP: THE MOVIE SUICIDE SQUAD is a mess. But an entertaining, well-cast mess.

in_the_crease

*** This review may contain spoilers *** Suicide Squad has a horrible script. First, there was the story--such as it was--itself: A super villain with the power to end the world goes to work in a universe that has established Batman and Wonder Woman. So what do the authorities do? Call up Batman and Wonder Woman? Of course not! Hire a bunch of criminals to save the world. It would be like if the U.S. was invaded by China, and we went and got the Taliban to protect us. So, from the very bones of the story, the movie fails. Add in a tell-and-don't-show approach to characterization, and horrendous dialogue, and this film was doomed before it got off the printed page. I really wanted to like this film, but I just couldn't. So, let's go back to the tell-and-don't-show approach to the characters. Instead of seeing and experiencing anything, we're told what such-and-such is all about. It's an incredibly boring and lazy style of writing. Look at he scene where the principal characters all sit around and tell stories while they have a drink. But that's the thing: They shouldn't be telling us anything. Everything that is told to us as if we're a classroom of elementary school students instead of adults who can put two and two together, should be revealed through each character's dialogue and actions. But that would require some actual writing. This movie seems like it simply filmed the first draft of the screenplay. And then there's the dialogue itself. "I've already killed one family; I won't kill another." Who wrote this? A high school kid who thought he was being deep? Flagg refers to the love of his life as the girl he "was sleeping with." Serious? You're risking your life to save some broad you're banging? And then after two hours of watching Harley pine for Joker and reject the rest of the members of her "squad", she's finally given the chance to be with the Joker and live happily ever after. Well, despite everything we've seen for the past two hours alluding to the fact that that is exactly what she wants, she rejects that for "her friends." She's never shown any sort of friendship so far in this movie. But, dialogue. It's typical fill-in-the-blank writing. So, Harley didn't show any love for her "friends" but did for Joker. And then chose her "friends" over the Joker. So, I guess it's up to the audience to "fill in the blank" and decide what Harley's change of heart was all about? It shouldn't be the audience's responsibility to do the writer's job. The characters themselves were boring and uninteresting. Despite wasting the first 20 or so minutes on the film trying to make us love the psychotic Harley Quinn and mass murdering Deadshot, I didn't care. I just couldn't care for anyone or anything happening. It was like there was an invisible barrier between me and the screen. I just couldn't get into the movie. And since no one other than Harley, Deadshot, and Flagg got a pointless backstory introduction, the audience feels, subconsciously, that these are the characters that will carry the story. They don't. The only character that was even remotely interesting was Katana. And despite a few flashes here and there of decent martial arts and kenjutsu action, the character is wasted. And speaking of wasted characters, let's talk Joker. Jared Leto was upset how much of the Joker was cut from the film. If you can cut such a big name and charismatic character down to the point where the actor playing him complains, and still get away with a finished film, the problems with the script become apparent. Joker was wasted in this film. You cut him out entirely, the overall story doesn't change. So, why include him in the first place? Because shared universe...maybe? Or something? I don't know. And neither do the filmmakers. And while I know almost everyone on the planet--including those who despise the movie--praise Margot Robbie's Harley, I found her shtick getting old rather quickly. And then to top that off, she reneges on her established motive, thus making her a totally pointless character. And, before we move on from the topic of bad characterization, what was with Amanda Waller (a good guy...I guess?) executing FBI agents? I feel like I missed the most important scene in the movie--the one that shows something that makes the entire movie make sense. But then again, Amanda Waller doesn't make good choices. She has a folder, inside of which is a list of the upcoming DCEU characters: Aquaman, Flash, Cyborg, etc. She actually has dinner with Batman. But she puts the world's fate in the hands of Diablo, Boomerang, Harley Quinn and Deadshot. It's like calling the police because of a problem, and then scouring death row for the people who will actually solve this problem. Yeah, I'm confused too. But let's go to the ending. Because the ending shows us one thing: That the Suicide Squad's involvement in all of this was totally pointless. Simple bombs end up saving the day. Bombs. Man made, average, everyday bombs. Satchel charges. Any idiot in a uniform can detonate a bomb. So, why let out a bunch of mass murderers to save the world, if saving the world only involves setting off satchel charges? I mean, why not call the Air Force in, have them drop a couple of bombs, and send a guaranteed-to-be-disappointed-audience-anyway home early? One phone call to the Pentagon, and the ENTIRE MOVIE is UNNECESSARY. But, DC. In the end, this movie was a total disaster.

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