The Leech Woman


The Leech Woman

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Votos 28 (4,6/10)

Tiempo de ejecución: 77 minutos

Fecha de lanzamiento 1960-05-01

Productora:

  • Universal International Pictures

País de producción:

  • United States of America

Géneros:

  • Terror
  • Ciencia ficción

Trailer

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June Talbot
Coleen Gray
Coleen Gray
Neil Foster
Grant Williams
Grant Williams
Dr. Paul Talbot
Phillip Terry
Phillip Terry
Sally Howard
Gloria Talbott
Gloria Talbott
David Garvay (listed as "Bertram" in end credits but called "David" in the film)
John van Dreelen
John van Dreelen
Old Malla
Estelle Hemsley
Estelle Hemsley
Young Malla
Kim Hamilton
Kim Hamilton
Jerry Lando
Arthur Batanides
Arthur Batanides
Editor
Milton Carruth
Milton Carruth
Art Direction
Robert Clatworthy
Robert Clatworthy
Art Direction
Alexander Golitzen
Alexander Golitzen
Costume Design
Bill Thomas
Bill Thomas
Screenplay
David Duncan
David Duncan
Original Music Composer
Hans J. Salter
Hans J. Salter
Original Music Composer
Henry Vars
Henry Vars
Director
Edward Dein
Edward Dein
Original Music Composer
Irving Gertz
Irving Gertz
Director of Photography
Ellis W. Carter
Ellis W. Carter
Story
Francis Rosenwald
Francis Rosenwald
Producer
Joseph Gershenson
Joseph Gershenson
Story
Ben Pivar
Ben Pivar

John Chard

Old women always give me the creeps! What do you expect from a film called The Leech Woman? It is by definition one of those sci-fi "B" movies strung together as a support feature that played whilst theatre patrons were still necking, chatting and eating etc. Plot follows in the tradition of something like The Wasp Woman (1959), that plays on the theme of a woman striving to stay young as the advent of time catches up with her. Cue bonkers science, where here it involves a trek to the jungles of Africa to unearth the secret of eternal youth. Naturally things get very bent out of shape and pain and misery are sure to follow. Thematically it has mixed messages, on one hand it dares to say, unappealingly so, that a woman is only viable for love and happiness by being young and beautiful. On the other hand it is possibly having caustic observations on the dangers of vanity? The makers intentions are not clear so really the viewers are left to their own devices on that one. It's never scary and some of the latex effects work is poor and befitting the minuscule budget. While the first half hour feels awfully padded out. But all things considered it's not a bottom feeder of the genre, and actually would make a nice companion piece with The Wasp Woman. 5/10

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