회사에서 대외 홍보직을 맡고 있는 조 클레이(잭 레몬), 그는 항상 이런 저런 술자리와 파티를 따라다니느라 한시라도 손에서 술이 떠날 날이 없다. 그러던 어느 날 고객의 요청으로 선상 파티에 여자들을 데리고 가는 중에 고객 회사 비서인 크리스틴(리 레믹)을 그런 여자 중 하나로 오인하지만 조의 끈질긴 요청에 저녁 약속을 허락하고 둘은 함께 저녁을 먹으며 즐거운 시간을 보내고 술 한 모금 하지 못하던 크리스틴은 조를 만나면서 서서히 술 맛을 알아가고 이후 둘의 관계는 급진전하여 결혼도 하고 아이도 낳는다. 하지만 결혼 후에도 매일 접대로 늦는 남편 때문에 크리스틴은 외로운 밤을 술로 달래고 남편이 먼 지방으로 좌천되어 서로 떨어져 살게 되자 외로움이 극에 달한 크리스틴은 술에 취해 담배 불을 붙여놓고 잠드는 바람에 아파트에 불을 낸다. 결국 조까지 회사에서 해고되고 조는 문득 술어 쪄들어 망가진 자신과 아내의 모습에 뭔가를 깨닫는다. 이 후 두 사람은 크리스틴의 아버지 농장으로 내려가 술을 끊고 잊었던 일상의 행복을 잠시 느끼지만 어느 날 밤 다시 시작한 술로 인해 알코올 중독자 재활 병원으로 가게 된다. 그러나 조는 알코올 중독자 모임에 나가면서 점차 건강을 회복하는 반면 아내 크리스틴은 자신이 알코올 중독자라는 사실을 인정 못하고 더욱 술에 의존해 간다. 아내를 설득하다가 조 또한 다시 술을 입에 대고 또 다시 병원에 실려 간다. 다시 병원에서 나온 조는 알코올 중독 치료를 거부하는 아내를 끝내 설득하지 못하고 너무도 사랑하지만 어쩔 수 없이 떠나보낸다.
런타임: 117 분
출시 날짜 1962-12-26
생산 회사:
생산 국가:
장르:
It's as true to life as a vodka martini. The above quote is from director Blake Edwards, it's taken from the highly recommended commentary track he provides on the DVD for this excellent and compelling piece of work. Joe is a social drinker but he's social all the time, during one of his arranged parties for a client he meets and falls in love with teetotal Kirsten. They get married and changes start to dominate their marital bliss, he is stressed from work and drinks daily to forget the rigours of the job, she being the loving wife chooses to drink with him to help ease his pain, but soon the joyous days of wine & roses will turn to something dark and terribly turbulent, and this will threaten their own respective sanity. The film begins with Henry Mancini's academy award winning title theme tune, it's a truly beautiful piece of music that perfectly sets the tone of the film for its first third, it lulls you into this couples love, the bond they share is a truly wonderful thing, it really is all sweetness and light, but then the bottle becomes part of this couples life, they become a threesome from which only dark horrors will form. Containing emotionally shattering scenes that once viewed can not be forgotten (witness Joe's soul destroying search for liquor in a greenhouse), Days Of Wine & Roses still manages not to force feed the viewer a moralistic stance, it lays down the facts of alcoholism and the perils of co-dependency with honest appraisal, we as the viewers are left in no doubt that it is us, and us only, that can make of it as we see fit, the ending especially is a particular poser of which we ourselves seek clarity. Wonderfully written by the talented hands of J.P. Miller, Days Of Wine And Roses boasts marvellous direction from Blake Edwards and two academy award nominated performances from Jack Lemmon & Lee Remick, it's a testament to all involved that come the finale the viewer feels drained, yet strangely...not at all thirsty for the amber nectar.
This is an intriguing, heavy drama about the downward spiral into alcoholism, and how it irrevocably tore apart the lives of one man and his wife. I have some respect for Blake Edwards, having seen this, as I previously had a low opinion of him after seeing The Pink Panther, which to this day I do not understand why it was so successful. But I'm not reviewing The Pink Panther, so I'll lay off it for now. In Days of Wine and Roses, Jack Lemmon really is brilliant, and Lee Remick is disturbingly realistic. The film is right up there with The Lost Weekend (1945), and the story carries an important moral lesson, which it delivers with a punch. Would I recommend? Yes. But to the mature viewer, who can really understand and appreciate it.