Ant-Man


Ant-Man

Overview:

Armed with the astonishing ability to shrink in scale but increase in strength, master thief Scott Lang must embrace his inner-hero and help his mentor, Doctor Hank Pym, protect the secret behind his spectacular Ant-Man suit from a new generation of towering threats. Against seemingly insurmountable obstacles, Pym and Lang must plan and pull off a heist that will save the world.

Votes 5793 (7/10)

Runtime: 117 minutes

Release Date 2015-07-14

Budget: $130,000,000.00

Revenue: $519,311,965.00

Website: Link

Tagline: Heroes don't get any bigger.

Production company:

  • Marvel Studios

Production country:

  • United States of America

Genres:

  • Science Fiction
  • Action
  • Adventure

Trailer

Further Information

Scott Lang / Ant-Man
Paul Rudd
Paul Rudd
Dr. Hank Pym
Michael Douglas
Michael Douglas
Hope van Dyne
Evangeline Lilly
Evangeline Lilly
Darren Cross / Yellowjacket
Corey Stoll
Corey Stoll
Paxton
Bobby Cannavale
Bobby Cannavale
Luis
Michael Peña
Michael Peña
Dave
T.I.
T.I.
Sam Wilson / Falcon
Anthony Mackie
Anthony Mackie
Gale
Wood Harris
Wood Harris
Maggie Lang
Judy Greer
Judy Greer
Cassie Lang
Abby Ryder Fortson
Abby Ryder Fortson
Kurt
David Dastmalchian
David Dastmalchian
Mitchell Carson
Martin Donovan
Martin Donovan
Peggy Carter
Hayley Atwell
Hayley Atwell
Howard Stark
John Slattery
John Slattery
Car Driver
Garrett Morris
Garrett Morris
Dale
Gregg Turkington
Gregg Turkington
Hydra Buyer
Rod Hallett
Rod Hallett
Frank
Joe Chrest
Joe Chrest
Buyer
Joe Bucaro III
Joe Bucaro III
Buyer
Jean Louisa Kelly
Jean Louisa Kelly
Young Pym
Dax Griffin
Dax Griffin
Janet van Dyne / The Wasp
Hayley Lovitt
Hayley Lovitt
Spanish Woman
Norma Alvarez
Norma Alvarez
Young Daughter
Darcie Isabella Cottrell
Darcie Isabella Cottrell
Raver
Teddy Williams
Teddy Williams
Raver
Carol Anne Watts
Carol Anne Watts
Raver
Chuck David Willis
Chuck David Willis
Raver
Diana Chiritescu
Diana Chiritescu
Pool BBQ Dad
Neko Parham
Neko Parham
Pool BBQ Mom
Onira Tares
Onira Tares
Pool BBQ Kid
Kylen Davis
Kylen Davis
Pool BBQ Kid
Zamani Wilder
Zamani Wilder
Pym Tech Gate Guard
Jim R. Coleman
Jim R. Coleman
Pym Tech Security Guard
Desmond Phillips
Desmond Phillips
PYM Tech Security Guard
Aaron Saxton
Aaron Saxton
EMT
Michael A. Cook
Michael A. Cook
Gorgeous Blonde
Ricki Lander
Ricki Lander
Superior Officer
Rus Blackwell
Rus Blackwell
Ice Cream Store Customer
Johnny Pemberton
Johnny Pemberton
Ernesto
Nicholas Barrera
Nicholas Barrera
Carlos
Carlos Aviles
Carlos Aviles
Emily
Lyndsi LaRose
Lyndsi LaRose
Peachy
Robert Crayton
Robert Crayton
Cop on Speaker
Ajani Perkins
Ajani Perkins
Alpha Guard
Jessejames Locorriere
Jessejames Locorriere
Beta Guard
Zack Duhame
Zack Duhame
Vault Guard
Kevin Lacz
Kevin Lacz
Vault Guard
Michael Trisler
Michael Trisler
Armed Guard
Daniel Stevens
Daniel Stevens
Armed Guard
Alex Chansky
Alex Chansky
Armed Guard
Clay Donahue Fontenot
Clay Donahue Fontenot
Armed Guard
Michael Jamorski
Michael Jamorski
Armed Guard
Casey Pieretti
Casey Pieretti
Lab Guard
Antal Kalik
Antal Kalik
Lab Guard
Adam Hart
Adam Hart
Lab Guard
Reuben Langdon
Reuben Langdon
Lab Guard
Todd Schneider
Todd Schneider
Lab Tech
Kevin Buttimer
Kevin Buttimer
Ignacio
Danny Vasquez
Danny Vasquez
Writer
Anna Akana
Anna Akana
Bartender
Stan Lee
Stan Lee
Hideous Rabbit (voice)
Tom Kenny
Tom Kenny
Helicopter Pilot
Rick Avery
Rick Avery
Helicopter Pilot
Erik Betts
Erik Betts
Story
Joe Cornish
Joe Cornish
Director
Peyton Reed
Peyton Reed
Screenplay
Adam McKay
Adam McKay
Editor
Dan Lebental
Dan Lebental
Additional Music
Leo Birenberg
Leo Birenberg
Executive Producer
Louis D'Esposito
Louis D'Esposito
Producer
Kevin Feige
Kevin Feige
Executive Producer
Alan Fine
Alan Fine
Executive Producer
Stan Lee
Stan Lee
Screenplay
Edgar Wright
Edgar Wright
Screenplay
Joe Cornish
Joe Cornish
Comic Book
Stan Lee
Stan Lee
Comic Book
Jack Kirby
Jack Kirby
Comic Book
Larry Lieber
Larry Lieber
Production Design
Shepherd Frankel
Shepherd Frankel
Screenplay
Paul Rudd
Paul Rudd
Story
Edgar Wright
Edgar Wright
Editor
Colby Parker Jr.
Colby Parker Jr.
Compositors
Ross Newton
Ross Newton
Original Music Composer
Christophe Beck
Christophe Beck
Director of Photography
Russell Carpenter
Russell Carpenter
Executive Producer
Edgar Wright
Edgar Wright
Costume Design
Sammy Sheldon
Sammy Sheldon
Music Supervisor
Dave Jordan
Dave Jordan
Music Editor
Tanya Noel Hill
Tanya Noel Hill
Still Photographer
Zade Rosenthal
Zade Rosenthal
Set Decoration
Leslie A. Pope
Leslie A. Pope
Steadicam Operator
Peter Rosenfeld
Peter Rosenfeld
Rigging Gaffer
Dennis J. Lootens
Dennis J. Lootens
Costume Supervisor
Wendy M. Craig
Wendy M. Craig
Executive Producer
Victoria Alonso
Victoria Alonso
Co-Producer
Brad Winderbaum
Brad Winderbaum
Co-Producer
David J. Grant
David J. Grant
Stunt Coordinator
Jeff Habberstad
Jeff Habberstad
Stunt Coordinator
Trevor Habberstad
Trevor Habberstad
Casting
Sarah Finn
Sarah Finn
Executive Producer
Michael Grillo
Michael Grillo
Associate Producer
Lars P. Winther
Lars P. Winther
Casting Associate
Jason B. Stamey
Jason B. Stamey
Assistant Costume Designer
Nicole Young
Nicole Young
Set Costumer
Danny Molaschi
Danny Molaschi
Art Department Coordinator
Dustin Berry
Dustin Berry
Hair Department Head
Janine Rath
Janine Rath
Makeup Department Head
Heba Thorisdottir
Heba Thorisdottir
Makeup Artist
Jacqueline Fernandez
Jacqueline Fernandez
Makeup Artist
Jill Oshry
Jill Oshry
Art Direction
Cameron Beasley
Cameron Beasley
Art Direction
Jann Engel
Jann Engel
Assistant Art Director
Calla Klessig
Calla Klessig
Assistant Art Director
Rachel Block
Rachel Block
Assistant Art Director
Lauren Rosenbloom
Lauren Rosenbloom
Special Effects Supervisor
Daniel Sudick
Daniel Sudick
Visual Effects Coordinator
Kelly Chow
Kelly Chow
Visual Effects Coordinator
Tyler Cordova
Tyler Cordova
Visual Effects Producer
Diana Giorgiutti
Diana Giorgiutti
Gaffer
Dan Riffel
Dan Riffel
Armorer
Larry Zanoff
Larry Zanoff
Armorer
Ron Licari
Ron Licari
Supervising Sound Editor
Daniel Laurie
Daniel Laurie
Supervising Sound Editor
Shannon Mills
Shannon Mills
Sound Re-Recording Mixer
Tom Johnson
Tom Johnson
Sound Re-Recording Mixer
Juan Peralta
Juan Peralta
Sound Effects Editor
Bob Kellough
Bob Kellough
Sound Effects Editor
Jack Whittaker
Jack Whittaker
Sound Effects Editor
Josh Gold
Josh Gold
Sound Effects Editor
Jeremy Bowker
Jeremy Bowker
Sound Designer
David Farmer
David Farmer
Script Supervisor
Kerry Lyn McKissick
Kerry Lyn McKissick
Production Coordinator
Jenny Sandell
Jenny Sandell
Production Supervisor
Jason Tamez
Jason Tamez
Supervising Art Director
David Lazan
David Lazan
Unit Production Manager
JoAnn Perritano
JoAnn Perritano
First Assistant Director
Lars P. Winther
Lars P. Winther
Fight Choreographer
Walter Garcia
Walter Garcia
Art Direction
Austin Gorg
Austin Gorg
Camera Operator
Peter Rosenfeld
Peter Rosenfeld
Camera Operator
Bill O'Drobinak
Bill O'Drobinak
Music Editor
Jim Harrison
Jim Harrison
Visual Effects Coordinator
Scott McPhate
Scott McPhate
Visual Effects Coordinator
Michael Asiman
Michael Asiman
Visual Effects Editor
Kosta Saric
Kosta Saric
Visual Effects Editor
Greg Reed
Greg Reed
Assistant Property Master
Jim Stubblefield
Jim Stubblefield
Sound Mixer
Whit Norris
Whit Norris
Boom Operator
C. Douglas Cameron
C. Douglas Cameron
Key Grip
Jim Shelton
Jim Shelton
Dolly Grip
Richard L. Carden
Richard L. Carden
Dolly Grip
Brad Rea
Brad Rea
Key Costumer
Grace Lambert Pyke
Grace Lambert Pyke
Key Costumer
Branden Marks
Branden Marks
Key Costumer
Edward T. Hanley
Edward T. Hanley
Key Costumer
Heather Sease
Heather Sease
Key Hair Stylist
Yvette Stone
Yvette Stone
Hairstylist
Kerrie Smith
Kerrie Smith
Hairstylist
Michelle Diamantides
Michelle Diamantides
Key Makeup Artist
Greg Funk
Greg Funk
Casting Assistant
Claire Koonce
Claire Koonce
Unit Publicist
John M. Pisani
John M. Pisani
Transportation Captain
Jimmy Ray Pickens
Jimmy Ray Pickens
Transportation Captain
Tyson Weatherford
Tyson Weatherford
Transportation Co-Captain
Rick Chouinard
Rick Chouinard
Picture Car Coordinator
John Armstrong
John Armstrong
Thanks
John Buscema
John Buscema
Thanks
Gene Colan
Gene Colan
Thanks
John Byrne
John Byrne
Thanks
Robert Kirkman
Robert Kirkman
Sound Designer
David C. Hughes
David C. Hughes
Sound Effects Editor
Nia Hansen
Nia Hansen
ADR Editor
Kim Foscato
Kim Foscato
Dialogue Editor
Kim Foscato
Kim Foscato
Dialogue Editor
Chris Gridley
Chris Gridley
Dialogue Editor
Brad Semenoff
Brad Semenoff
Dialogue Editor
Christopher Barnett
Christopher Barnett
Foley Editor
Jim Likowski
Jim Likowski
Foley Editor
Dee Selby
Dee Selby
First Assistant Sound Editor
Ryan J. Frias
Ryan J. Frias
Assistant Sound Editor
Samson Neslund
Samson Neslund
ADR Voice Casting
Barbara Harris
Barbara Harris
Visual Effects Supervisor
Jake Morrison
Jake Morrison
First Assistant Director
Walter Gasparovic
Walter Gasparovic
Second Assistant Director
Brian Avery Galligan
Brian Avery Galligan
Local Casting
Jackie Burch
Jackie Burch
Assistant Art Director
Sarah Contant
Sarah Contant
Set Designer
Josh Lusby
Josh Lusby
Set Designer
John Moredock
John Moredock
Set Designer
Thomas T. Taylor
Thomas T. Taylor
Set Designer
Dean Wolcott
Dean Wolcott
Set Designer
Chad S. Frey
Chad S. Frey
Storyboard Designer
Bryan Andrews
Bryan Andrews
Storyboard Designer
Danelle Davenport
Danelle Davenport
Storyboard Designer
David Krentz
David Krentz
Storyboard Designer
Jim Magdaleno
Jim Magdaleno
Storyboard Designer
James Rothwell
James Rothwell
Storyboard Designer
Jay Oliva
Jay Oliva
First Assistant Camera
Jeffrey N. Civa
Jeffrey N. Civa
First Assistant Camera
Sean Hunter Moe
Sean Hunter Moe
Production Controller
Sheilah Sullivan
Sheilah Sullivan
Production Accountant
Richard Castro
Richard Castro
Post Production Supervisor
Jesse Torres
Jesse Torres
First Assistant Editor
Adam Kimmerlin
Adam Kimmerlin
First Assistant Editor
Dawn Michelle King
Dawn Michelle King
Compositors
Ryan Laney
Ryan Laney
Compositors
Shiloe Swisher
Shiloe Swisher
Compositors
Christopher Grandel
Christopher Grandel
Property Master
Russell Bobbitt
Russell Bobbitt
Chief Lighting Technician
Len Levine
Len Levine
Best Boy Electric
Michael Lowrance
Michael Lowrance
Key Set Costumer
David Butler
David Butler
Key Set Costumer
Bob Moore Jr.
Bob Moore Jr.
Key Set Costumer
Melanie Mascioli
Melanie Mascioli
Leadman
Russell R. Anderson
Russell R. Anderson
Set Decorating Coordinator
Amy Lehman
Amy Lehman
Set Decoration Buyer
Karen Gerbs
Karen Gerbs
Set Decoration Buyer
Helen Kozora
Helen Kozora
Set Decoration Buyer
Samuel J. Tell
Samuel J. Tell
Aerial Director of Photography
David B. Nowell
David B. Nowell
Aerial Director of Photography
Michael Kelem
Michael Kelem
Epk Camera Operator
Sean Ricigliano
Sean Ricigliano
Construction Coordinator
John H. Samson
John H. Samson
Transportation Captain
Joel Marrow
Joel Marrow
Thanks
David Michelinie
David Michelinie
Orchestrator
Kevin Kliesch
Kevin Kliesch
Orchestrator
Tim Davies
Tim Davies
Orchestrator
Dave Metzger
Dave Metzger
Set Designer
Allen Coulter
Allen Coulter

owen333

I loved it it was so much fun and very funny, another marvel masterpiece

Frank Ochieng

When one thinks of a typical super-hero actioner, they imagine the boisterous boundaries that are associated with such an explosive genre: eye-popping special effects, outlandish and grand-standing villains, world domination escapades, complex yet flashy super-heroes that seem unreal and unapologetic and a big scale of unbelievable escapism that is tellingly becoming of a comic book epic on the big screen for the hungry eyes of the giddy moviegoer. Remember, all these described elements are not a bad thing when it comes to larger than life comic book/superhero fantasies. In fact, we almost insist that our volt-minded vehicles have some kinetic kick to its pulsating, pithy adventures. After all, there is certainly nothing wrong with that approach to the cinematic sensationalism of summertime popcorn pleasers and the costumed heroes that take us on that daring, rollicking ride of magical mayhem. However, director Peyton Reed’s ‘Ant-Man’ symbolizes a different texture and tone to the familiar action-packed world of Marvel Comics’ outrageous universe both on the printed pages and in the dark movie theaters. It does not necessarily use the overwrought or ultra-stimulating tactics to sell its percolating product as a super-charged heroic fable of mighty manipulators out to save the planet in the tradition of frantic favorites such as ‘The Avengers’ film franchise for instance. Instead, ‘Ant-Man’ relies on its small and intimate take of quirkiness, introspection, a gentle doomsday message of despair and a measurement of an awkward man that wears his bugged-out wardrobe with a sense of curiosity and conviction. In essence, ‘Ant-Man’ is a costumed caper that is high-spirited in its low-key excitement…something quite refreshing and revered in the wild and wacky world of Marvel Comics’ representation of the super-studs and sasses that invade our cinematic sensibilities in the hazy days of summer. ‘Ant-Man’ lead Paul Rudd, an affable actor that has shown various levels of competence in both comedies and dramas over the years, is the unlikely source to don an ant-oriented attire and let his charm and cheekiness take over as the tiny bugged-eyed avenger of right and might. Rudd plays Scott Lang, a former troubled lawbreaker and gifted engineer whose demons come back to haunt him when he gets involved in the burglary shenanigans with his bad news buddies (T.I. and Michael Pena). The reason for Lang’s lure back to crime: a cockeyed but convenient way to win over the affections of his estranged young daughter. Interestingly, another great analytical mind of mechanics and science in stand-offish Hank Pym (Oscar-winner Michael Douglas) is spotlighted as he too struggles to relate to his daughter as well in the pretty Hope Van Dyne (Evangeline Lilly). Anyhow, Pym has a colorful backstory as it is revealed that he used to save the world from harm as the underrated crime-fighter Ant-Man. There was no glory or special recognition for Pym’s heroics as the buggy super-hero but his devotion to his crime-stopping craft was realized nevertheless. As ANT-MAN Paul Rudd's Scott Lang has plans to stop the criminnal foolishness besides raiding a giant-sized picnic basket in Peyton Reed's modest costume caper. As ANT-MAN Paul Rudd’s Scott Lang has plans to stop the criminal foolishness besides raiding a giant-sized picnic basket in Peyton Reed’s modest costume caper. The conflicted father-daughter tandem of Pym and Hope eventually recruit the beleaguered Lang to climb into the exo-skeletal red-and-black suit and become the current Ant-Man to continue the mission of promoting goodness over evil. In this specific case, Lang’s Ant-Man is asked to foil the nefarious agenda of Pym’s former protege and associate Darren Cross (Corey Stoll) who threatens to expose the revolutionary shrinking technology to anyone sinister that offers him an insane and immediate price for such secretive scientific information that could jeopardize mankind in the long run. Of course, it goes without saying, that Cross has an ominous alter-ego in the vile Yellowjacket whose back-and-forth clashing with Lang’s Ant-Man leads to the calculating and corrosive chess game of one skillful insidious insect trying to outwit and outmaneuver a conscientious one. Some may dismiss ‘Ant-Man’ as being too low-grade, cheesy and incidental in its confrontational canvas of saints versus sinners. Still, Reed’s handling of his Marvel-inspired ‘battle of the bugs’ is a winning formula in simplicity because it does not have to be rooted in a spectacular and showy landscape as the other successful bombastic blockbusters that come out of the frivolous factory of Hollywood. Essentially, ‘Ant-Man’ demonstrates the right kind of personality and prestige for its presentation as a scaled-down comic book actioner steeped in the personalized disillusionment of the characterizations and their assorted psyches. Sure, ‘Ant-Man’ will not let anyone forget its popular competitor in the much glorified and iconic standing of another insect-fighting Marvel mastermind in ‘Spider-Ma’n anytime soon. Yet Scott Lang’s Ant-Man is just as angst-ridden, impish, awkward and devoted as Peter Parker’s resilient web-headed wonder Spidey. The drama unfolds so convincingly in ‘Ant-Man’ not so much because of the dire dilemma of comicbook goodness and badness but because of the examination of deteriorating relations between broken men and their families or more specifically between fathers and daughters. Both Rudd and Douglas are committed to their roles as the Ant-Men that saved the world with ease past and present but could not say the same thing about rescuing the domestic responsibilities that eluded them under their own roofs. As Lang tries to find an opening for forgiveness toward his little girl and remarried ex-wife (Judy Greer), his current adviser Pym struggles to put the pieces together with a disgruntled Hope that blames her father for the neglect of her well-being as well as the death of her beloved late mother known as the Wasp, a super-heroine that shined in her own shadow of accomplishment. ‘Ant-Man’ is a soulfully weird, witty sliced-down spectacle of a comicbook film that is rare in its skin to deliver the message of a connection not just to stamping out the cartoonish crime and chaos that is routinely found in the playful playground of Marvel’s movie machine of high-powered personalities armed with skillful brute and brilliance. It also has something called heart and hope as it tackles the alienation and isolation of fathers and their vulnerable daughters. It will take more than a gigantic can of Raid to destroy the indomitable presence of ‘Ant-Man’ and what his hedonistic heroics, both physical and psychological, bring to the prized picnic table. Ant-Man (2015) Walt Disney Studios 1 hr. 57 mins. Starring: Paul Rudd, Michael Douglas, Evangeline Lilly, Crey Stall, Michael Pena, Tip “T.I.” Harris, Judy Greer, Bobby Cannavale, Wood Harris and Abby Ryder Fortson Directed by: Peyton Reed MPAA Rating: PG-13 Genre: Comic Book Fantasy, Super-heroes, Action and Adventure Critic’s Rating: *** stars (out of 4 stars)

John Chard

The Pocket Rocket. Given the production problems and its long gestation period, Ant-Man is arguably far better than it had right to be. Unsurprisingly with a Marvel Super Hero film, the critical reactions have been mixed, but given it's not as gargantuan as most Marvel pics it proves to have a big entertaining heart. A pic cunningly viewing the Marvel Universe from a different angle, whilst also not over egging the pudding. The effects work is impressive, the origin story narrative engrossing and with it carrying a lightness of touch, and there's a very enjoyable cast enthusiastically buying into the comic book frivolity. Sure, some of it's just plain daft, our hero's powers are hardly blunderbuss stuff, while the family melodramas bubbling away feel tired, but come the glorious finale, pandering to the child in us all, it's another Marvel winner readying itself for further adventures of Ant-Man. 7.5/10

Reno

> Size doesn't matter if he's a superhero who committed to save the world. My confession is I never read 'Ant-man' comics and I never knew such kind of superhero even exist in Marvel till this movie was announced. (But I know Danish film 'Antboy'.) So I'm glad they brought cinematic version of 'Ant-man' and I'm sure he'll return to the next 'Avengers' as they promoted strongly in this film itself to know what would be the audience response. I don't know others, but I definitely welcome the idea. Another CGI magic, another Marvel's wonder. As long as they pick the right cast and crew with a good story, the sci-fi like this continues to rule the cinema world. It was a great team work, that must be appreciated. As usual the top notch visuals as well the performances, even the sidekicks. But I was surprised to see when Paul Rudd was attached to this project. I believed it would be a comedy sci-fi packed with full of action, and I was wrong. It was a simple tale, a heist theme and of course it was fun to watch, but never was a comedy movie. A wonderful beginning, especially for the first film in the series. You know strong foundation is the key to raise a building above. I know the sequels would only get better by progressing and it should be. Because in all the Marvel's superhero flicks, this one was the most family and young kids friendly. That does not mean there were no violence, but from the title to the characters and presentation, all were so casual and can be understood by all. It was so great to see a legend like Michael Douglas to be a part in the modern movie. Now I am eager to see Evangeline Lily as Wasp-girl in the follow-up. It would be like Peter Pan and Tinker Bell, but in a sci-fi version. The extras were very interesting, I enjoyed them as well. If you're are yet to see the film, don't expect anything like Disney's 'Honey' trilogy, after all, if you enjoy the Marvel Cinematic Universe (MCU) then you would do same for it which is the twelfth to follow. 7.5/10

mattwilde123

I like Paul Rudd and was hoping this would be as funny as 'The Guardians of the Galaxy' but it wasn't. It looked good and the direction was solid but I think it suffered from the constant screenplay rewrites that the film underwent by changing the screenwriters (Edgar Wright and Joe Cornish). I also felt it was a bit too long-winded and it was unbalanced. However, the main good feature in this film was the special effects. ★★★

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