Interstellar


Interstellar

Overview:

Interstellar chronicles the adventures of a group of explorers who make use of a newly discovered wormhole to surpass the limitations on human space travel and conquer the vast distances involved in an interstellar voyage.

Votes 10685 (8.1/10)

Runtime: 169 minutes

Release Date 2014-11-05

Budget: $165,000,000.00

Revenue: $675,120,017.00

Website: Link

Tagline: Mankind was born on Earth. It was never meant to die here.

Production company:

  • Paramount Pictures
  • Legendary Pictures
  • Warner Bros.
  • Syncopy
  • Lynda Obst Productions

Production country:

  • Canada
  • United States of America
  • United Kingdom

Genres:

  • Adventure
  • Drama
  • Science Fiction

Trailer

Further Information

Joseph Cooper
Matthew McConaughey
Matthew McConaughey
Murph Cooper
Jessica Chastain
Jessica Chastain
Dr. Amelia Brand
Anne Hathaway
Anne Hathaway
Professor John Brand
Michael Caine
Michael Caine
Tom Cooper
Casey Affleck
Casey Affleck
Young Murph Cooper
Mackenzie Foy
Mackenzie Foy
Young Tom Cooper
Timothée Chalamet
Timothée Chalamet
TARS (voice)
Bill Irwin
Bill Irwin
Dr. Mann
Matt Damon
Matt Damon
Old Murph Cooper
Ellen Burstyn
Ellen Burstyn
Donald
John Lithgow
John Lithgow
Dr. Doyle
Wes Bentley
Wes Bentley
Getty
Topher Grace
Topher Grace
Principal
David Oyelowo
David Oyelowo
Dr. Romilly
David Gyasi
David Gyasi
NASA Board Member
William Devane
William Devane
CASE (voice)
Josh Stewart
Josh Stewart
Ms. Kelly
Collette Wolfe
Collette Wolfe
Lois Cooper
Leah Cairns
Leah Cairns
Crew Chief
Russ Fega
Russ Fega
Nurse Practitioner
Lena Georgas
Lena Georgas
Doctor
Jeff Hephner
Jeff Hephner
Administrator
Elyes Gabel
Elyes Gabel
Nurse
Brooke Smith
Brooke Smith
Coop
Liam Dickinson
Liam Dickinson
Boots
Francis X. McCarthy
Francis X. McCarthy
Smith
Andrew Borba
Andrew Borba
Girl on Truck
Flora Nolan
Flora Nolan
NASA Employee (uncredited)
William Patrick Brown
William Patrick Brown
NASA Scientist (uncredited)
Cici Leah Campbell
Cici Leah Campbell
Scientist (uncredited)
Kristian Van der Heyden
Kristian Van der Heyden
NASA Inspector (uncredited)
Mark Casimir Dyniewicz
Mark Casimir Dyniewicz
Astronaut (uncredited)
Joseph Oliveira
Joseph Oliveira
Popcorn Seller (uncredited)
Ryan Irving
Ryan Irving
Construction Boss (uncredited)
Alexander Michael Helisek
Alexander Michael Helisek
NASA Scientist (uncredited)
Benjamin Hardy
Benjamin Hardy
Original Music Composer
Hans Zimmer
Hans Zimmer
Director
Christopher Nolan
Christopher Nolan
Producer
Christopher Nolan
Christopher Nolan
Writer
Christopher Nolan
Christopher Nolan
Writer
Jonathan Nolan
Jonathan Nolan
Producer
Emma Thomas
Emma Thomas
Casting
John Papsidera
John Papsidera
Producer
Lynda Obst
Lynda Obst
Editor
Lee Smith
Lee Smith
Costume Design
Mary Zophres
Mary Zophres
Set Designer
Robert Woodruff
Robert Woodruff
Art Direction
David F. Klassen
David F. Klassen
Production Design
Nathan Crowley
Nathan Crowley
Production Manager
Casey Grant
Casey Grant
Art Direction
Gary Kosko
Gary Kosko
Set Designer
Sally Thornton
Sally Thornton
Executive Producer
Jake Myers
Jake Myers
ADR & Dubbing
R.J. Kizer
R.J. Kizer
Dialogue Editor
R.J. Kizer
R.J. Kizer
Executive Producer
Thomas Tull
Thomas Tull
Set Decoration
Gary Fettis
Gary Fettis
Orchestrator
Kevin Kaska
Kevin Kaska
Director of Photography
Hoyte van Hoytema
Hoyte van Hoytema
Executive Producer
Jordan Goldberg
Jordan Goldberg
Set Designer
Paul Sonski
Paul Sonski
Sculptor
Todd Rex
Todd Rex
Sound Re-Recording Mixer
Gary Rizzo
Gary Rizzo
Orchestrator
Bruce Fowler
Bruce Fowler
Supervising Art Director
Dean Wolcott
Dean Wolcott
Art Direction
Eric Sundahl
Eric Sundahl
Set Designer
Eric Sundahl
Eric Sundahl
Casting Associate
Deanna Brigidi
Deanna Brigidi
Art Direction
Eggert Ketilsson
Eggert Ketilsson
Dialogue Editor
Hugo Weng
Hugo Weng
Stunt Coordinator
George Cottle
George Cottle
Foley
John Roesch
John Roesch
Executive Producer
Kip Thorne
Kip Thorne
Makeup Department Head
Luisa Abel
Luisa Abel
Still Photographer
Melinda Sue Gordon
Melinda Sue Gordon
Art Direction
Kendelle Elliott
Kendelle Elliott
Costume Supervisor
Lynda Foote
Lynda Foote
Art Direction
Josh Lusby
Josh Lusby
Supervising Sound Editor
Richard King
Richard King
Sound Re-Recording Mixer
Gregg Landaker
Gregg Landaker
Location Manager
Mandi Dillin
Mandi Dillin
Sculptor
Cuitlahuac Morales Velazquez
Cuitlahuac Morales Velazquez
Special Effects Coordinator
Scott R. Fisher
Scott R. Fisher
Camera Operator
P. Scott Sakamoto
P. Scott Sakamoto
Transportation Coordinator
Denny Caira
Denny Caira
Set Designer
Noelle King
Noelle King
Sound Effects Editor
Michael W. Mitchell
Michael W. Mitchell
Sound Effects Editor
Ken J. Johnson
Ken J. Johnson
Special Effects Coordinator
James Paradis
James Paradis
Set Designer
Martha Johnston
Martha Johnston
Art Department Coordinator
Jenne Lee
Jenne Lee
Foley
Alyson Dee Moore
Alyson Dee Moore
Helicopter Camera
Hans Bjerno
Hans Bjerno
Set Designer
Ernie Avila
Ernie Avila
Set Designer
Andrew Birdzell
Andrew Birdzell
Production Supervisor
Michelle Brattson
Michelle Brattson
Sculptor
Dan Engle
Dan Engle
Set Costumer
Sahar Halabi
Sahar Halabi
Music Editor
Alex Gibson
Alex Gibson
Makeup Artist
Jay Wejebe
Jay Wejebe
Visual Effects Producer
Ann Podlozny
Ann Podlozny
Greensman
Christopher Morente
Christopher Morente
Hairstylist
Patricia DeHaney
Patricia DeHaney
Sound Effects Editor
Jeff Sawyer
Jeff Sawyer
Visual Effects Editor
Steve Miller
Steve Miller
Visual Effects Supervisor
Andrew Lockley
Andrew Lockley
Camera Technician
Dane Bjerno
Dane Bjerno
Animation
Andrew McEvoy
Andrew McEvoy
First Assistant Editor
Eric A. Lewy
Eric A. Lewy
Music Editor
Ryan Rubin
Ryan Rubin
Hairstylist
Jose Zamora
Jose Zamora
Costume Supervisor
Heather Moore
Heather Moore
Construction Coordinator
Craig Henderson
Craig Henderson
Assistant Art Director
Lauren Abiouness
Lauren Abiouness
Construction Coordinator
Brian Walker
Brian Walker
Set Decoration
Paul Healy
Paul Healy
Set Costumer
Tom Cummins
Tom Cummins
Color Timer
Mato
Mato
Rigging Gaffer
Sean Oxenbury
Sean Oxenbury
Assistant Editor
Donald Likovich
Donald Likovich
Dialect Coach
Rick Lipton
Rick Lipton
Art Department Coordinator
Joel Tobman
Joel Tobman
Assistant Art Director
Travis Witkowski
Travis Witkowski
Greensman
Nathan Davey
Nathan Davey
Greensman
Steven Hanks
Steven Hanks
Greensman
Darryl Stogre
Darryl Stogre
Leadman
Mark Weissenfluh
Mark Weissenfluh
Property Master
Ritchie Kremer
Ritchie Kremer
First Assistant Sound Editor
Andrew Bock
Andrew Bock
First Assistant Sound Editor
Linda Yeaney
Linda Yeaney
CG Supervisor
Dan Neal
Dan Neal
CG Supervisor
Eugénie von Tunzelmann
Eugénie von Tunzelmann
Sequence Supervisor
Fabio Zangla
Fabio Zangla
Sequence Supervisor
Seth Dubieniec
Seth Dubieniec
Animation
Evan Clover
Evan Clover
Animation
Trystan James
Trystan James
Visual Effects Editor
Tom Barrett
Tom Barrett
Animation
Lai Lok Chau
Lai Lok Chau
Animation
Dorian Knapp
Dorian Knapp
Animation
Gábor Kiss
Gábor Kiss
Visual Effects Editor
Crystal Hadcroft
Crystal Hadcroft
Visual Effects Producer
Graeme Puttock
Graeme Puttock
Visual Effects Producer
Jenny Basen
Jenny Basen
Visual Effects Producer
Harrison Goldstein
Harrison Goldstein
Gaffer
Harold Skinner
Harold Skinner
Gaffer
Martin Keough
Martin Keough
Set Costumer
Mark Avery
Mark Avery
Set Costumer
Leigh Bell
Leigh Bell
Set Costumer
Kelly Porter
Kelly Porter
Location Manager
Bruce L. Brownstein
Bruce L. Brownstein
Music
Frank Macchia
Frank Macchia
Casting
Dixie Webster
Dixie Webster
Executive In Charge Of Production
Mark Scoon
Mark Scoon
Post Production Supervisor
David E. Hall
David E. Hall
Production Office Assistant
Frank Reina
Frank Reina
Orchestrator
Andrew Kinney
Andrew Kinney

Reno

Well, one off from two of this year's most expected movies alongside 'The Battle of Five Armies'. Like all the Chris Nolan fans, I was equally excited to see the movie on the opening day opening show. But I slightly disappointed that it was not a digital 3D film. I agree, this science-fiction was more dramatized than usual space travel stories does with an adventure-thriller. Almost a 3 hour long stretch movie did not waste much time to take us to the core of the story. Get prepared for this extremely rare voyage into the space with a logical explanation for everything you see on the screen. Well done research for the most matured and intelligent writing. All the credit must go to Nolan brothers. A good sign from Jonathan Nolan, who can make big in the entertainment industry in a future like his brother. As we know many had liked 'Inception', to me that was a simple multi-layered action movie, that's all. But the same stuffs that used in this film makes sense. In fact, you have to have a little knowledge over how the universe works, so then it will be easy to catch the scene and situations while watching the movie. Totally like a documentary style concept, but with the additional stuffs like characters and its emotions add flavor that gives a movie look. An educational movie, though it also can work for those who wants just entertainment. Only the slow movie pace would test their patience. It all begins like Shyamalan's 'Signs' movie with a family living surrounded by corn field. Then switches to 'The Astronaut Farmer' and going through 'Gravity', finally meets the 'Inception'. It was just a reference to call the movie setting that brings constant change for every half an hour. Like the opening scene and the end scene had over a 100 years difference. As I earlier said it was the story of a family alongside the future of humankind and decoding universal mysteries through travelling in space and time. This movie would a reasonable for those who thought '2001: A Space Odyssey' is a boring piece, Cleverly written cinematic piece especially for science geeks. I don't know how perfect the movie to the actual present astrophysics, but will justify for the common people's capacity of understanding with an encourageable amount of commercial elements in it to entertain as well. The first three quarters of the movie was well made. It puts me in a unblinkable position like a story was narrated by Brian Cox in a television series. Like I said, lots of astrophysics involved in it, but strangely human emotions were also exhibited equally that I never expected one from Nolan film. It was not an ordinary sentiment, but was strong enough to make a man cry for happy and sad situations in the movie. I liked science and emotion coming together. In fact, it saved the movie, otherwise it would have been a science documentary straight from NASA production through Nolan direction. There are many surprise elements in the movie and of course there is a twist at the end. We can call it a series of twists like the layers. Compared to last quarter of the movie to the rest, it completely detaches which opens broadly to the different directions. And that happens so fast rushing towards the other end. Which give an impression of the movie 'Inception'. In a perfect way to say the first 75% was 'The Tree of Life' and the remains are 'Inception'. ‘‘This world's a treasure, but it's been telling us to leave for a while now.’’ All the actors were so good. Matthew McConaughey steals the show as he dominates the majority of the screen space in the story presentation. There's no ruling out the fine performance executions from Anne Hathaway and the young star from the Twilight movie, Mackenzie Foy. The remaining cast was having less scope which were like the guest appearances that was widened a little broader, but was perfectly fitted for the story. Especially Matt Damon's was the crucial one. Remember the movie 'Contact', a lovely movie, which was ruined by its fictional ending. Something like that happened in this film as well. The story was initiated with a realistic approach with actual scientific contents as per the present understanding about the universe. But the end was let me down with the layered contents that kind of impossible to agree with it. As a cinematic theme it worked, yeah, a good solution for this wonderfully written story. We know that the time can't run backwards, so that's the trouble. Anyway, this movie defines in a new way, I mean scientifically the existence of ghost. It was not a horror movie, but I liked supernatural force that merged with this science fiction theme. That explains and gives vast ideas to expand our physics beyond something and somewhere yet to reach. Hats off to the director, because he was not thinking of making money here. His idea was to implement what the humans are understood so far about the cosmos. And he very nicely transformed those into the silver screen with the blend of human emotions. In my opinion, this will replace '2001: A Space Odyssey' for sometime till another one make this way. I could have not asked a better space travel drama than this, especially when I heard Nolan doing a science-fiction I believed he gonna rock it. He was so true to the science and the human feelings in this film. If you had seen enough movies before like this one, you can recall your memories like the Tom Hanks parts from 'Cloud Atlas'. But still independently stands strong and falls in a never seen before category. ‘‘Maybe we've spent too long trying to figure all this out with theory.’’ The end scene leaves a hint of a possible sequel. I would be happy if that happen in a near future, but definitely that would be a completely different cinema as per how this one ended. I know his fans want that to happen and so am I. The visuals were not that great, but simply very good. To see those in digital 3D would have given us a different experience, sadly Nolan was not in favor of that technology. Hoping this movie would get as many as the Oscars nod. Especially not getting into the best motion picture shortlist would be a shame. Like I said I'm no one fan, I just love watching everyone's every movie. I would have went to see it again if it was converted into digital 3D, since I'm modern tech geek when it comes to the films. It will become a talk of the week, perhaps month all over the world, so don't leave behind when your friends talk about it. What I gonna say is it is a must see asap if you are a movie fanatic like me otherwise Nolan movies does not need anyone's recommendation because his movies usually sell itself like the hot samosa.

decovision

People seem to think that if you enjoy a Christopher Nolan movie, you are a fanboy and the film couldn't really be that good. That is not true. He has never made a bad movie, Insomnia is probably his worst and it is still an excellent movie. Interstellar is up there in his top 3, with The Dark Knight being number 1 and Inception in number 2. I don't think he will ever make a better movie than The Dark Knight, it is without a doubt a masterpiece of cinema in my opinion. It can be enjoyed on so many levels. I remember seeing Interstellar in the movie theater and being on the edge of my seat the whole time. It was breathtaking but the end left me confused so i walked out disappointed. Since then i have watched it many times but it only took a second viewing to realize what a great ending it is and here is why. How many people discuss the end, was the wormhole open or closed for him to make it to Brand, what happens next, is there a sequel. I discuss this with people who hate the movie and the debate will still last a good 30 minutes if not more without getting heated. It is a wonderful story told through the eyes of a genius film maker who deserves more than he receives, an oscar would be nice start. I read hat his next movie is to be released in July 2017, I can't wait to find out everything about it like i have since he began. If you're unsure about Christopher Nolan, watch his career from the beginning starting with Doodlebug.

Andres Gomez

Another grandiloquent movie from Christoper Nolan. The cast is good, and McConaughey performs a role made for himself. The photography is very nice but the movie commits all the same mistakes than previous Nolan's movies. I think mistakes but it may be that they are the points Nolan fans enjoy the most ... * The story makes you believe it is a realy deeply thought plot but, in the end, it has so basic mistakes and stupidities that make it nonsensical. * There is a general ambience of every moment being epic; deep, solemn and smart dialogues but, at some point our highly trained engineer and pilot behaves really stupidly. * To keep the mentioned constant feeling of being in an epic moment, Nolan uses a thumping and insistent soundtrack. As it is not a moment, but a 3h movie, it is really tiresome. All in all, the movie is OK but you can only think this is a great movie if you are a real Nolan fan.

Asadullah Khan

"Man kind was born on earth, it was never meant to die here." IT has been two days since I watched it and I still can't get it out of my head. I can safely say that it has been a long LONG time since a movie had this much effect on me after watching it. And the only thing I can think of now is to somehow Re-Watch it again. This movie was surprisingly different from Christopher Nolan's recent works because they had been great cinematic entertainment pieces catered to a wider audience with a blockbuster approach, this certainly didn't felt like that and hence the polarizing response it got. It is an ambitious project that is not meant to merely entertain, walk into it knowing that. I'll say this though, If it works for you, you'll be in heaven. The premise of the movie is that Earth is no longer capable of supporting humans on it, we must find a new home to avoid extinction. This scenario is told from a very personal perspective and not from a Global scale like some sort of apocalyptic catastrophe disaster film. At the core of the movie is the Father-Daughter relationship. The movie takes its sweet time to develop it too. Mathew McConaughey, not surprisingly, gives an amazing performance as the main lead. He really carries the film, some scenes were very emotional due to his great performance. The rest of the cast does a great job as well, especially the Daughter played by Meckenzie Foy. The One character that I never expected to be great was the robot TARS. He also acted as the source of the humor in the movie, well executed, timely and grounded. Interstellar tackles a lot of themes, Survival, Humankind, Love, Time etc, out of which 'Time' had the biggest impact on me. With relativity being a big part in the film, the whole sequence about it just struck me very deeply and I found new respect for Time. I'm actually at a loss of words to describe it. Also, there is a lot science in it so it can be confusing for many and in Nolan's tradition, it also has twists and mind numbing ending, where the more you think about it, the more numbing it gets. The visuals of this movie are breathtaking. Great cinematography and CGI. The depiction of wormholes and blackholes and other space entities were the best I have ever seen. They just suck you into the movie. Along with that, you get to listen to one of Hans Zimmer's best scores. The score not only felt personal, going perfectly with the movie, but also different from his recent works. There were times where combination of epic photography and soundtrack made the scenes timeless, like I was completely sucked into it and didn't had a clue about my surroundings. I didn't want those scenes to end. Alas, the movie was not perfect. My biggest gripe with it is that the pacing and editing was off at times. Some scenes dragged on while others were cut far shorter. The beautiful views of space could have definitely benefited from a few seconds longer onscreen time. Also, I wished there was more space exploration in it. With all the remakes, rehashes, reboots and sequels we are getting in these times, it is great to see original gems like these. This movie is definitely one of this year's best, one of Nolan's best work and one of the best movie I have seen in recent years. 9.5/10

shaunfrombklyn

This was my most anticipated film of 2014, and I was not disappointed. The story was slightly difficult to follow on the first watch, but that was to be expected in a film dealing with complicated fields such as astrophysics and time dilation. Many didn't find its overall message - that love is the most powerful force in the universe which transcends space and time - to be very appealing, but I thought it was an interesting take on special relativity and how two people can be bound by a common feeling, even when they're in different parts of the universe at different times. I also thought the acting was believable, for the most part, and I didn't think anyone was miscast. I enjoyed the surprise appearance from a certain famous actor about halfway through. But what really blew me away were the visuals and the soundtrack. I believe it was Quentin Tarantino who once said movies and music go hand in hand; that a moving image complimented by the right piece of music can create art. Well, the visuals in this film, which took my breath away, and the score, which perfectly captured the 'feel' of the cosmos and all its wonder, proved him right. I think this was Hans Zimmer's best work yet, and although I'm not Christopher Nolan's biggest fan, I will continue to follow his work if he can pull off more movies like this. My only regret was not seeing this film in IMAX. 10/10

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