Star Trek: First Contact


Star Trek: First Contact

கண்ணோட்டம்:

இந்த மொழியில் மேலோட்டப் பார்வை கிடைக்கப்பெறவில்லை.

வாக்குகள் 1179 (7.2/10)

இயக்க: 111 நிமிடங்கள்

வெளியீட்டு தேதி 1996-11-22

பட்ஜெட்: $46,000,000.00

வருவாய்: $150,000,000.00

இணையத்தளம்: Link

தயாரிப்பு நிறுவனம்:

  • Paramount

உற்பத்தி நாடு:

  • United States of America

வகைகள்:

  • Science Fiction
  • Action
  • Adventure
  • Thriller

முன்னோட்டம்

மேலும் தகவல்கள்

Captain Jean-Luc Picard
Patrick Stewart
Patrick Stewart
Commander William T. Riker
Jonathan Frakes
Jonathan Frakes
Lt. Commander Data
Brent Spiner
Brent Spiner
Commander Geordi La Forge
LeVar Burton
LeVar Burton
Lieutenant Commander Worf
Michael Dorn
Michael Dorn
Commander Beverly Crusher
Gates McFadden
Gates McFadden
Counselor Deanna Troi
Marina Sirtis
Marina Sirtis
Dr. Zefram Cochrane
James Cromwell
James Cromwell
Lily Sloane
Alfre Woodard
Alfre Woodard
Borg Queen
Alice Krige
Alice Krige
Lieutenant Hawk
Neal McDonough
Neal McDonough
Lt. Barclay
Dwight Schultz
Dwight Schultz
Ensign Kellogg
Cameron Oppenheimer
Cameron Oppenheimer
Enterprise EMH
Robert Picardo
Robert Picardo
Defiant Con Officer
Adam Scott
Adam Scott
Sound Effects Editor
Doug Jackson
Doug Jackson
Set Decoration
John M. Dwyer
John M. Dwyer
Original Music Composer
Jerry Goldsmith
Jerry Goldsmith
Production Design
Herman F. Zimmerman
Herman F. Zimmerman
Producer
Peter Lauritson
Peter Lauritson
Screenplay
Ronald D. Moore
Ronald D. Moore
Story
Ronald D. Moore
Ronald D. Moore
Screenplay
Brannon Braga
Brannon Braga
Story
Brannon Braga
Brannon Braga
Director
Jonathan Frakes
Jonathan Frakes
Costume Design
Robert Blackman
Robert Blackman
Casting
Junie Lowry-Johnson
Junie Lowry-Johnson
Casting
Ron Surma
Ron Surma
Executive Producer
Marty Hornstein
Marty Hornstein
Director of Photography
Matthew F. Leonetti
Matthew F. Leonetti
Editor
Anastasia Emmons
Anastasia Emmons
Editor
John W. Wheeler
John W. Wheeler
Art Direction
Ron Wilkinson
Ron Wilkinson
Special Effects Assistant
Logan Frazee
Logan Frazee
Sound Effects Editor
Scott G.G. Haller
Scott G.G. Haller
Music Editor
Kenneth Hall
Kenneth Hall
Special Effects Coordinator
Terry D. Frazee
Terry D. Frazee
Makeup Designer
Michael Westmore
Michael Westmore
Makeup Supervisor
Michael Westmore
Michael Westmore
Stunts
Jimmy Nickerson
Jimmy Nickerson
Music Editor
Lee Scott
Lee Scott
Costume Design
Deborah Everton
Deborah Everton
Additional Photography
Lowell Peterson
Lowell Peterson
Set Designer
Les Gobruegge
Les Gobruegge
Foley Editor
Scott Curtis
Scott Curtis
Set Designer
William Hawkins
William Hawkins
Sound Effects Editor
Jeff Clark
Jeff Clark
Boom Operator
Joseph F. Brennan
Joseph F. Brennan
Orchestrator
Arthur Morton
Arthur Morton
Electrician
Norman G. Langley
Norman G. Langley
Visual Effects Editor
Michael McGovern
Michael McGovern
Makeup Artist
Camille Calvet
Camille Calvet
Orchestrator
Jeff Atmajian
Jeff Atmajian
Makeup Artist
Monty Westmore
Monty Westmore
Mechanical Designer
John Deall
John Deall
Hairstylist
Barbara Ronci
Barbara Ronci
Additional Editor
Tim Board
Tim Board
Foley Artist
David Lee Fein
David Lee Fein
First Assistant Camera
Michael Condro
Michael Condro
Special Effects Makeup Artist
Jake Garber
Jake Garber
Producer
Rick Berman
Rick Berman
Story
Rick Berman
Rick Berman
Foley
Robin Harlan
Robin Harlan
Foley Mixer
Randy Singer
Randy Singer
Prosthetic Makeup Artist
James MacKinnon
James MacKinnon
Special Effects Makeup Artist
Jane Galli
Jane Galli
Costume Supervisor
Sarah Shawe
Sarah Shawe
Makeup Artist
Scott Wheeler
Scott Wheeler
Makeup Artist
Natalie Wood
Natalie Wood
Foley Editor
Linda Di Franco
Linda Di Franco
Property Master
Dean Wilson
Dean Wilson
Foley Artist
Ken Dufva
Ken Dufva
Sound Editor
Anthony Milch
Anthony Milch
Music Editor
Cliff Kohlweck
Cliff Kohlweck
Makeup Artist
Ellis Burman Jr.
Ellis Burman Jr.
Foley Artist
Sarah Monat
Sarah Monat
Steadicam Operator
David Luckenbach
David Luckenbach
Sound Re-Recording Mixer
Steve Pederson
Steve Pederson
Visual Effects Supervisor
Adam Howard
Adam Howard
Supervising Dialogue Editor
Mike Szakmeister
Mike Szakmeister
Set Designer
Martha Johnston
Martha Johnston
Visual Effects Supervisor
Craig Barron
Craig Barron
Camera Operator
William D. Barber
William D. Barber
Art Department Coordinator
Penny Smartt-Juday
Penny Smartt-Juday
Sound Re-Recording Mixer
Brad Sherman
Brad Sherman
Foley Editor
Ed Callahan
Ed Callahan
Visual Effects Producer
Krystyna Demkowicz
Krystyna Demkowicz
Visual Effects Editor
Michael Gleason
Michael Gleason
Visual Effects Supervisor
John Knoll
John Knoll
Visual Effects Art Director
Alex Jaeger
Alex Jaeger
Extras Casting
Jennifer Bender
Jennifer Bender
ADR Editor
Zack Davis
Zack Davis
ADR Editor
Kerry Dean Williams
Kerry Dean Williams
Script Supervisor
Judi Brown
Judi Brown
Costumer
Joe Diaz
Joe Diaz
Dialogue Editor
Richard Corwin
Richard Corwin
Sound Effects Editor
David F. Van Slyke
David F. Van Slyke
Assistant Chief Lighting Technician
Tim Marshall
Tim Marshall
Property Master
Roger L. King
Roger L. King
Painter
Joe Colwell
Joe Colwell
Supervising Sound Editor
Cameron Frankley
Cameron Frankley
Visual Effects Producer
Jeff Olson
Jeff Olson
CG Animator
Todd Boyce
Todd Boyce
Second Unit Director of Photography
Henryk Cymerman
Henryk Cymerman
Special Effects Makeup Artist
Joe Podnar
Joe Podnar
Camera Operator
Randy Feemster
Randy Feemster
Hairstylist
Lee Ann Brittenham
Lee Ann Brittenham
Costumer
Leah Brown
Leah Brown
Chief Lighting Technician
Pat Blymyer
Pat Blymyer
Hairstylist
Chris McBee
Chris McBee
Sound Mixer
Thomas Causey
Thomas Causey
Foley Editor
Tammy Fearing
Tammy Fearing
Sound Re-Recording Mixer
Tom Perry
Tom Perry
Supervising ADR Editor
Robert Ulrich
Robert Ulrich
Music Programmer
Nick Vidar
Nick Vidar
First Assistant Sound Editor
Anne Couk
Anne Couk
Assistant Sound Editor
Robert Morrisey
Robert Morrisey
Construction Foreman
Clete Cetrone
Clete Cetrone
Music Editor
Bruce Botnick
Bruce Botnick
Visual Effects Producer
John McCunn
John McCunn
Sound Recordist
Philip Rogers
Philip Rogers
Set Designer
Linda A. King
Linda A. King
Makeup Artist
Mark Bussan
Mark Bussan
Chief Lighting Technician
Mike Weathers
Mike Weathers
Makeup Artist
Belinda Bryant
Belinda Bryant
Storyboard Artist
John Mann
John Mann
Color Timer
Mike Milliken
Mike Milliken
Colorist
Bryan McMahan
Bryan McMahan
Makeup Artist
June Westmore
June Westmore
Video Assist Operator
Wayne Tidwell
Wayne Tidwell
First Assistant Camera
Michael D. Weldon
Michael D. Weldon
Techno Crane Operator
Bogdan Iofciulescu
Bogdan Iofciulescu
Dolly Grip
Alan Shultz
Alan Shultz
Construction Coordinator
Thomas J. Arp
Thomas J. Arp
Set Dresser
Larry D. Koszakovszky
Larry D. Koszakovszky
Foley
Pamela Bentkowski
Pamela Bentkowski
Negative Cutter
Theresa Repola Mohammed
Theresa Repola Mohammed
Hairstylist
Danny Valencia
Danny Valencia
Painter
Gary Metzen
Gary Metzen
Makeup Artist
Brad Look
Brad Look
CG Animator
Carl Hooper
Carl Hooper
First Assistant Camera
Mark Santoni
Mark Santoni
Makeup Artist
Mary Kay Morse
Mary Kay Morse
Makeup Artist
Tina Hoffman
Tina Hoffman
Set Costumer
Yvette Ammon
Yvette Ammon
ADR Mixer
Bob Baron
Bob Baron
Sequence Supervisor
Dennis Turner
Dennis Turner
Makeup Artist
Gilbert A. Mosko
Gilbert A. Mosko
Makeup Artist
R. Stephen Weber
R. Stephen Weber
Special Effects Makeup Artist
Toby Lamm
Toby Lamm
Special Effects Makeup Artist
Derik Wingo
Derik Wingo
Assistant Property Master
Glen R. Feldman
Glen R. Feldman
Construction Foreman
Curt Jones
Curt Jones
Construction Foreman
Frank Leasure
Frank Leasure
Greensman
Barry Tugendhaft
Barry Tugendhaft
Leadman
Brent W. Bell
Brent W. Bell
Set Dresser
Elijah Bryant
Elijah Bryant
Set Dresser
Philip Calhoun
Philip Calhoun
Set Dresser
Jerry Wax
Jerry Wax
Assistant Camera
Christian H. Burton
Christian H. Burton
Assistant Chief Lighting Technician
Francis X. Valdez III
Francis X. Valdez III
Best Boy Grip
J. Chuck Biagio
J. Chuck Biagio
Camera Loader
John Young
John Young
Key Grip
Tom Keefer
Tom Keefer
Lighting Technician
Gregory Shummon
Gregory Shummon
Rigging Grip
John D. Babin
John D. Babin
Costume Illustrator
Gina DeDomenico Flanagan
Gina DeDomenico Flanagan
Costumer
Sonny Merritt
Sonny Merritt
Costumer
Heidi Odum Strasburg
Heidi Odum Strasburg
Key Costumer
Christine Heinz
Christine Heinz
Key Costumer
Matthew A. Hoffman
Matthew A. Hoffman
Assistant Sound Editor
Roger Fearing
Roger Fearing
Cableman
John Agalsoff Jr.
John Agalsoff Jr.
Supervising Sound Editor
James Wolvington
James Wolvington
Special Effects Technician
Thomas D. Bacho Jr.
Thomas D. Bacho Jr.
Special Effects Technician
Jason Bardis
Jason Bardis
Special Effects Assistant
Donald T. Black
Donald T. Black
Special Effects Assistant
Andy Evans
Andy Evans
Special Effects Assistant
Ralph Winiger
Ralph Winiger
Special Effects Assistant
Samuel E. Price
Samuel E. Price
Special Effects Assistant
Scott Lingard
Scott Lingard
CG Artist
Jeffery Yost
Jeffery Yost
CG Supervisor
Habib Zargarpour
Habib Zargarpour
Still Photographer
David Owen
David Owen
Visual Effects Supervisor
David Takemura
David Takemura

Wuchak

_**Solid Next Generation Trek film with The Borg**_ Released in 1996 and directed by Jonathan Frakes, "Star Trek: First Contact" features The Next Generation characters taking on the Borg, a collection of species that have been turned into cybernetic organisms functioning as drones in a hive-mind called the Collective. In order to escape imminent destruction by the Federation, a Borg mini-ship flees back in time to 2063 to prevent the renowned Zefram Cochrane (James Cromwell) from accomplishing the initial warp drive and the subsequent first contact with an alien race, which later paved the way for the Federation of Planets. Alfre Woodard has a key role as a colleague of Cochrane. The Borg are an excellent villain and one of the greatest contributions of The Next Generation TV series, along with all its elaboration on Klingon culture. Here the Borg are augmented by the introduction of a Queen (Alice Krige), which some feel detracted from the impersonal and eerie race while others think enhanced them. It makes no difference to me personally, but it fits the parallel of a queen bee in a honey bee colony. Besides, why wouldn’t there be a central intelligence? There are some gems to mine from the proceedings, like Cochrane's revelation of his carnal motivations for developing warp drive and Picard's hell-bent desire to annihilate the Borg. Speaking of Picard, Patrick Stewart carries the film with his unique star power, which is very different from Shatner, but just as effective. Interestingly, The Next Generation TV series never developed a prominent triumvirate like Kirk/Spock/McCoy, but rather a dyad, Picard and Data. Whereas this duo was core to the previous TNG film, "Generations" (1994) and the last one, "Nemesis" (2002), it's not as evident here until the last act when Picard attempts to rescue the charismatic android, but that's only because they get separated early on and Data ends up hanging out with the Borg Queen. By the way, Picard's self-sacrificial desire to save Data reveals a weakness in the script: After the Enterprise is set to self-destruct, Picard only has 15 MINUTES to rescue Data and escape the ship, but Picard is shown having a meaningful discussion with Lily (Woodard). Why sure! Another gem of the film is the revelation of the alien race at the end, which prompts a "Wow" reaction to fans of Star Trek (although erudite Trekkers undoubtedly knew what was coming). There are other flaws, like the jarring, contrived excuse for going back in time and the questionable fiery confrontation between Picard and Lily. I say "questionable" because something about the sequence renders it somewhat shaky; it may be the acting, the writing or some combination, but they needed to work out the kinks. Still, that scene has some good aspects, like Picard's line: "The line must be drawn HERE!" and the build-up to it. While I favor 1994's "Generations" to "First Contact" because of the fascinating story elements, e.g. the Nexus, and the potent subtext (see my review), and even marginally prefer the underrated "Nemesis" (2002), this doesn't take away from the fact that "First Contact" is a quality installment in the series, which gets better with repeat viewings despite its weaknesses. The movie runs almost 111 minutes and was shot in the studio with location shooting at Angeles National Forest and Green Valley, Arizona (substituting for Montana). GRADE: B

Kamurai

Good watch, could watch again, and can recommend (at least for dedicated "Star Trek" fans). My favorites aspects of all of "Star Trek" are The Borg, and the artificial entities like Data. This movie potentially ruins both of them, depending on who you ask. Also, time travel is the worst. I would have been much happier if we hadn't bothered with time travel as that creates a lot of other questions about why The Borg haven't utilized it before if they had such technology. The investigation of humanity in The Borg and Data are pretty interesting though, seeing Data find what it is to FEEL is a great, but seeing The Borg personified into a single entity to which one can converse is odd, at best. Seeing the Enterprise defend against Borg assault was fun, but none of the "First Contact" stuff was compelling at all.

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