Beatrix 'The Bride' Kiddo
Uma Thurman
Vernita Green
Vivica A. Fox
Sofie Fatale
Julie Dreyfus
Gogo Yubari
Chiaki Kuriyama
Hattori Hanzo
Sonny Chiba
Johnny Mo
Gordon Liu Chia-Hui
Earl McGraw
Michael Parks
Bald Guy (Sushi Shop)
Kenji Ohba
Proprietor
Yuki Kazamatsuri
Charlie Brown
Sakichi Satô
Trucker
Jonathan Loughran
Tokyo Business Man
Yoshiyuki Morishita
Crazy 88 #1 (Miki)
Tetsuro Shimaguchi
Crazy 88 #6 (Girl)
Julie Manase
Boss Orgami
Zhang Jin Zhan
Young 88 (Spanked Boy)
Hu Xiaohui
Nikki Bell
Ambrosia Kelley
The 5, 6, 7, 8's
Sachiko Fujii
Okinawa Airline Ticket Agent
Shu Lan Tuan
O-Ren (anime sequence) (voice)
Ai Maeda
Boss Matsumoto (anime sequence) (voice)
Naomi Kusumi
Pretty Riki (anime sequence) (voice)
Hikaru Midorikawa
Director
Quentin Tarantino
Director of Photography
Robert Richardson
Sound Designer
Harry Cohen
Costume Design
Kumiko Ogawa
Costume Design
Catherine Marie Thomas
Production Design
Yohei Taneda
Production Design
David Wasco
Art Direction
Daniel Bradford
Art Direction
Juiping Cao
Art Direction
Hidefumi Hanatani
Art Direction
Minoru Nishida
Set Decoration
Yoshihito Akatsuka
Set Decoration
Sandy Reynolds-Wasco
Makeup Department Head
Heba Thorisdottir
Set Designer
Peter Davidson
Set Designer
Mary Saisselin
Set Designer
Takashi Sasaki
Art Department Coordinator
Gretchen Engel
Dialogue Editor
Michael Hertlein
Dialogue Editor
Katrina Siegmund
Dialogue Editor
Frederick H. Stahly
Sound Designer
Peter Michael Sullivan
Supervising Sound Editor
Wylie Stateman
Supervising Sound Editor
Scott Martin Gershin
Special Effects Coordinator
John Hartigan
Special Effects Coordinator
Corey Pritchett
Visual Effects Supervisor
Frankie Chung
Visual Effects Supervisor
Tommy Tom
Stunt Coordinator
Keith Adams
Still Photographer
Andrew Cooper
Steadicam Operator
Larry McConkey
Costume Supervisor
Daniel Grant North
Music Editor
Jay B. Richardson
Transportation Coordinator
Derek Raser
Location Manager
Douglas Dresser
Location Manager
Akira Morii
Animation Director
Katsuhito Ishii
Animation
Toshio Ishizaki
Animation
Yasunori Miyazawa
Animation Manager
Yutaka Sakamoto
Animation
Keiichi Sasajima
Art Department Manager
Shou Tajima
Animation
Hideki Takahashi
Animation
Junichi Uematsu
Animation
Takaaki Yamashita
Associate Producer
Koko Maeda
Associate Producer
Dede Nickerson
Associate Producer
Kwame Parker
Executive Producer
Erica Steinberg
Executive Producer
E. Bennett Walsh
Executive Producer
Bob Weinstein
Executive Producer
Harvey Weinstein
Original Music Composer
RZA
Electrician
Khan Griffith
Characters
Quentin Tarantino
Producer
Katsuji Morishita
Executive Producer
Mitsuhisa Ishikawa
Sound Effects Editor
Dino Dimuro
Costume Design
Mark Zunino
Costume Design
Alexander AD
Art Department Assistant
Eriko Miyagawa
Assistant Art Director
Satoko Saito
Construction Coordinator
John Stone
Construction Foreman
Jeff Plauster
Lead Painter
Laurel Pickering
Location Scout
Marie Healy
Painter
Michael Spitaletto
Production Illustrator
Ayako Sakahara
Standby Painter
Elizabeth Norton
First Assistant Camera
Jamie Felz
Key Hair Stylist
Emanuel Millar
Makeup Designer
Scott Patton
Additional Music
D.A. Young
Armorer
Vincent Joseph Flaherty
Craft Service
Paul Abraham
Driver
Robert aaron Brown
Makeup Effects
Howard Berger
Picture Car Coordinator
Don Feeney
Post Production Assistant
Ian Elias
Post Production Supervisor
Peter Mavromates
Property Master
Steve Joyner
Scenic Artist
Jennifer A. Bolitho
Second Unit Cinematographer
Toshihiko Nishikubo
Set Production Assistant
Stephen Dudycha
Stand In
Leslie Yeransian
Transportation Co-Captain
Bruce Callahan
Unit Production Manager
Arturo del Río
Unit Publicist
Will Casey
Video Assist Operator
Glenn Cannon
Digital Intermediate
Jennifer Hall Lee
First Assistant Editor
Joan Sobel
Best Boy Electric
Greg Fausak
Lighting Technician
Preston A. Adams
Rigging Gaffer
John R. Manocchia
Rigging Grip
Carlos Escobar
Casting Associate
Julie Dreyfus
Production Accountant
Katsumi Furuhashi
Production Coordinator
Jennifer S. Deayton
Production Manager
Motoki Ishida
Music Supervisor
Michelle Kuznetsky
Production Sound Mixer
Mark Ulano
Sound Engineer
John Bires
Sound Re-Recording Mixer
Michael Minkler
Digital Compositors
Kelly Bumbarger
Special Effects Supervisor
Jason Gustafson
Music Supervisor
Mary Ramos
Makeup Effects
Gregory Nicotero
Unit Production Manager
Cornelia Ryan
Costume Supervisor
Helen Monaghan
Location Manager
Carlos A. Aragon
Camera Loader
Julie Helton
Key Makeup Artist
Debbie Zoller
ADR Supervisor
Hugh Waddell
Assistant Sound Editor
Mike Hurst
Hairstylist
Noriko Watanabe
Assistant Property Master
Edward J. Borasch Jr
Dolly Grip
Antonio V. Garrido
Makeup Artist
Ilona Herman
Fight Choreographer
Rob Moses
First Assistant Director
Kennedy Taylor
Second Assistant Director
Jonathan Tex Levitt
Third Assistant Director
Texas Dave
Negative Cutter
Aaron Denenberg
Assistant Production Coordinator
Rachael Lin Gallaghan
Assistant Production Manager
Rui Kuroki
Casting Assistant
Jerome Ro Brooks
Foley Editor
Craig S. Jaeger
Utility Sound
Adam Blantz
Character Designer
Shou Tajima
Manwithnoname123
This is the movie he made after Jackie Brown. I thought I might just point that out. A big budget, larger scale action blockbuster. This is the one that would change the direction of Tarantino's films. And honestly, it might be my favorite besides Pulp Fiction.
This movie oozes with style and beautifully choreographed action. This movie has an anime section akin to Japanese anime. That's some cool stuff. Even the non-action parts are some really good stuff. Like the guy from the old Street Fighter movies as Hatori Hanzo and making the Bride's sword. And the fantastic soundtrack. The great opening scene where the Bride gets shot and then the somber "Bang Bang" by Nancy Sinatra plays.
But of course, the amazingly choreographed action makes this movie. A lot of it is showcased in the Crazy 88 fight and the few fights before it. It has some brilliant uses of the style. Of course, there's black and white which was actually used to avoid an NC-17, but works very effectively. And the beautifully shot battle between the Bride and O-Ren. No music really adds a lot to it. It's quiet and oh so effective compared to the loud blood fest of the Crazy 88.
But there's also the opening hand to hand fight scene with Vernita Green which is also very well edited. Very surprising scene as it is interrupted by Green's daughter coming home and then they talk. And it starts back again as quickly as it began and then ends once again with a knife to Vernita's chest. What a brilliant tension filled scene.
The movie also never takes itself too seriously. That's for the sequel. But the fun action and style leads the whole way. Also along with Buck, and other fun scenes. Lest we forget other great scenes like the whistle scene as Elle Driver comes to kill the Bride in her sleep. Or interrogating Sophie. "These will be things you will miss." I love it.
Honestly, it might be the best action movie of the 2000s, at least for me. And Tarantino has a lot of my favorite movies. Maybe I enjoy his movies a bit too much. But even with that, it's one of the my favorites. Kill Bill Vol 1 gets a 10/10
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