Lucy Miller
Scarlett Johansson
Professor Samuel Norman
Morgan Freeman
The Limey
Julian Rhind-Tutt
German Mule
Jan Oliver Schroeder
Italian Mule
Luca Angeletti
Professor
Pierre Grammont
Professor
Bertrand Quoniam
Drug Addict
Pascal Loison
Airport Doctor
Pierre Gérard
Airport Nurse
Isabelle Cagnat
Cabin Manager
Frédéric Chau
Flight Attendant
Claire Tran
Business Man Plane
François Legrand
Customs Officer
Bob Martet
Cop Daniel
Cédric Chevalme
Cop Robert
Alexis Rangheard
Cop Sergeant
Tonio Descanvelle
Marco Brezzi
Alessandro Giallocosta
Berlin Custom Officer
Wolfgang Pissors
Chinese Doctor
Sifan Shao
Jang's Lieutenant
Seo Chong-Ju
Jang's Lieutenant
Shin Chang-Soo
Jang's Man
Chou Chung-Wei
Jang's Man
Huan Jhih-Cyuan
Jang's Man
I. Cheng-Sheng
Jang's Man
Tseng Sheng-En
Mahjong Room Man
Liu Hsieh-Min
Prehistoric Lucy
Sandra Abouav
Prehistoric Man
Abel Aboualiten
The Receptionist
Samuel Churin
Regent Hotel Concierge #1
Ken Lin
Regent Hotel Concierge #2
Mason Lee
Warehouse Man Driver
Hao-Hsiang Hsu
Lucy's Mother (voice)
Laura D'Arista
Phone Voice Royal Suite (voice)
Eunyul Hong
Fakir
Mohammad Aslam Ansari
American Native Indian
Kevin Dust
American Native Indian
Diego Llano
American Native Indian
Timothy Reevis
American Native Indian
Jaysson Reyes De La Cruz
American Native Indian
German Tintaya Mamani
Rubik's Cube Boy
Kanneti Sawe Han
Producer
Virginie Besson-Silla
Makeup Effects
Sylvie Ferry
Executive Producer
Marc Shmuger
Production Design
Hugues Tissandier
Art Direction
Gilles Boillot
Art Direction
Dominique Moisan
Art Direction
Stéphane Robuchon
Art Direction
Thierry Zemmour
Set Decoration
Evelyne Tissandier
Costume Design
Olivier Bériot
Sculptor
Christophe Chabenet
Assistant Art Director
Charlie Clerc
Assistant Art Director
Anne-Sophie Delaunay
Assistant Art Director
Paulo Gonçalves
Assistant Art Director
Virginie Irdel
Property Master
Stéphane Linet
Conceptual Design
Ben Mauro
Property Master
Guy Monbillard
Property Master
Olivier Nguyen
Conceptual Design
Eduardo Pena
Supervising Sound Editor
Guillaume Bouchateau
Boom Operator
Régis Boussin
Dialogue Editor
Matthieu Dallaporta
Sound Designer
Aymeric Devoldère
Boom Operator
Lionel Dousset
Sound Designer
Shannon Mills
Sound Recordist
Aiden Ramos
Special Effects Coordinator
Jean-Christophe Magnaud
Visual Effects Supervisor
Kevin Berger
Visual Effects Supervisor
Richard Bluff
Visual Effects Producer
Marie-Cecile Dahan
Visual Effects Producer
Valerie Delahaye
Visual Effects Producer
Simon Descamps
Visual Effects Supervisor
François Dumoulin
Visual Effects Producer
Brice Liesveld
Visual Effects Supervisor
James Pastorius
Music Editor
Samuel Potin
Location Manager
Adrien Adriaco
Script Supervisor
Isabelle Querrioux
Director of Photography
Thierry Arbogast
Original Music Composer
Eric Serra
Makeup Artist
Stéphane Robert
Makeup Artist
Florence Batteault
Makeup Artist
Marie Gombeaud-Antoine
Makeup Artist
Nathalie Regior
Makeup Artist
Marthe Faucouit
Makeup Effects
Frédérique Foglia
Production Manager
Thierry Guilmard
Supervising Sound Editor
Shannon Mills
Sound Designer
Guillaume Bouchateau
Sound Effects Editor
Jeremy Bowker
Sound Effects Editor
Sébastien Jeannot
Sound Re-Recording Mixer
Matthieu Dallaporta
Sound Re-Recording Mixer
Didier Lozahic
Visual Effects Producer
Sophie Leclerc
Visual Effects Producer
Ryan Wiederkehr
CG Supervisor
Daniel Perez Ferreira
Stunt Coordinator
Laurent Demianoff
Camera Operator
Jean-Baptiste Jay
Steadicam Operator
Larry McConkey
Steadicam Operator
Lorenzo Donati
Helicopter Camera
Mark Gerasimenko
Additional Camera
Marion Gaillard
Still Photographer
Jessica Forde
Location Manager
Marc Guidetti
Location Manager
Jérémy Petetin
Production Accountant
Nour Rakotobe
Production Accountant
Todd Spears
Matthew Sanders
There is no excuse for basing a screenplay on taking seriously a well known urban myth and writing it as if the audience believes the myth.
Did no one up the entire production line step out and call bullshit on the discredited 'we only use 10% of our brain,' idea? I am so embarrassed by seeing actors I admire, Scarlett Johansson and Morgan Freeman, deliver solid performances on the basis of an idea at which most people laugh.
Andres Gomez
I've also struggled to appreciate several o Luc Besson's movies but this is is by far the worst one.
A lot of jibber-jabber bullshit with sexy Scarlett Johansson, lots of FX, predictable ending in Paris and a pointless car race on its streets.
Better spend your time on something else ...
John Chard
Ignorance brings chaos, not knowledge.
Lucy is one of those films that brings about furious reactions, it is after all a science fiction type action thriller. They always divide film fans right from the off. It's a film that to all intents and purposes needs to be viewed just as a cinematic experience, as a piece of popcorn fodder that may try to be something more cerebral, but ultimately is a daft - but hugely fun - piece of film.
Luc Besson writes and directs a film that sees Scarlett Johansson duped into being a drug mule, with the transportation of drugs sewn into her abdomen. It's a new drug, boy is it a new drug, and when things go belly up and the drugs are unleashed into Scarlett's system, she's a threat - or hope - to mankind.
It can be, and has been, called pretentious et al, such is the science factor, which is perfectly understandable, so any hope of tight science fiction musings will only end up in a crushing disappointment. Undeniably Besson and his backers thought they had something to say, to open up the film watchers' minds to something deep and probable, to be relevant and viable. But unlike the makers we the viewers didn't have access to donepezil, so we sadly couldn't all turn into Bradley Cooper and be limitless in our viewing capabilities.
Personally, it's a rollicking fun film for two thirds, when it's about Scarlett kicking butt, a revenge driven babe, it grips and shakes all the genre compliant cinematic senses. The ending, the grand finale, infuriated me, and by the looks of Morgan Freeman (coasting for easy money), he was also a little frustrated. But I had fun, yet on the flip side if a
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