Laina
Hanna Mangan Lawrence
Charlie (uncredited)
Martin Palmer
Secretary
Patricia Bethune
Ben's Father (uncredited)
David Garver
Set Designer
Marisa Frantz
Director
Jean-Baptiste Léonetti
Executive Producer
Philip Elway
Co-Producer
Diego Panadisi
Executive Producer
Stephen Susco
Line Producer
Alton Walpole
Associate Producer
Jeremy E. Wilcox
Director of Photography
Russell Carpenter
Production Design
Clark Hunter
Art Direction
James F. Oberlander
Original Music Composer
Dickon Hinchliffe
Costume Design
Lahly Poore
Set Decoration
Edward McLoughlin
Makeup Effects
Corey Welk
Art Department Coordinator
Alicia Castro Chicol
Construction Coordinator
Bill Holmquist
ADR & Dubbing
Nolan Hughes
Sound Designer
Edgar Vidal
Sound Editor
Sandy Gendler
Supervising Sound Editor
Christopher Sheldon
Special Effects Coordinator
Daniel Holt
Visual Effects Producer
Diego Panadisi
Visual Effects Editor
Cristina Sansone
Visual Effects Supervisor
Greg Strasz
Stunt Coordinator
Jimmy Romano
Camera Operator
Will Arnot
Set Costumer
Mara Herdmann
Music Editor
Mikael Sandgren
Music Editor
Chris Tergesen
Script Supervisor
Mamie Mitchell
Hair Department Head
Claudia Breckenridge
Visual Effects Coordinator
Francesca Esposito
First Assistant Camera
Chip Byrd
Casting Associate
Wittney Horton
Digital Intermediate
Natalie Ghariani
Video Assist Operator
Dale Glenn Waseta
Special Effects Supervisor
David Greene
Reno
> When logic and prediction isn't an issue, you'll get a decent thriller.
When the big production houses along with the great filmmakers and young stars turning towards the comic books and dystopian themes, what do you think the yesteryear legends are doing.
It is very sad to see the 70s, 80s and the 90s icons are discarded like a trash, but they're trying their best to keep the star status by doing small scale films from the lower rated and debuting filmmakers. That's the best shot they've got which obviously won't do well at the big screens. So that's where this film too comes in.
As usual Michael Douglas was good, but the story had many possible ways to travel and that's where the viewers raise their voice by saying it should have been like this, like that or why would he do that.
Overall, its a decent entertainment that is kind of closest theme to 'No Country for Old Men'. The entire film revolves around just two men and sets in the desert. So a minimal cast film.
Based on the book 'Deathwatch'. A simple story, but quite interesting film characters. Filled with fairly predictable stuffs yet the performances and very suitable locations are what draws us in.
It's a right kind of project for Michael Douglas for his age, but the 'War Horse' actor was also good in his role. An average film, or maybe just above that. If you skip it, you would miss nothing, but if you give it a try, I think that's not a bad idea too.
6/10
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