Wonder Woman / Diana Prince
Gal Gadot
General Antiope
Robin Wright
General Erich Ludendorff
Danny Huston
Sir Patrick Morgan
David Thewlis
Queen Hippolyta
Connie Nielsen
Dr. Isabel Maru
Elena Anaya
Young Diana (8)
Lilly Aspell
Young Diana (12)
Emily Carey
Menalippe
Lisa Loven Kongsli
Orana (uncredited)
Mayling Ng
Senator Acantha
Florence Kasumba
Senator Timandra
Danielle Lewis
FIeld Marshall Haig
James Cosmo
Kaiser Wilhelm II
Martin Bishop
Colonel Darnell
Steffan Rhodri
Fausta Grables
Rachel Pickup
Von Hindenberg
Rainer Bock
Amazon Townsfolk
Rekha Luther
Amazon Townsfolk
Zinnia Kumar
Trench Officer - Belgian
Philippe Spall
Young Wife (Station)
Jennie Eggleton
Scottish Regiment Soldier
Lee Neville
Trench Officer - British
Edward Wolstenholme
Turkish Slave
Frank Allen Forbes
German Soldier in Boat
Marko Leht
Suited Man
Dominic Kinnaird
German Lieutenant
Alexander Mercury
Turkish Worker (uncredited)
Sofia Abbasi
Amazon Warrior (uncredited)
Georgina Armstrong
Chateau Dancer (uncredited)
Annarie Boor
Jazz Musician (uncredited)
Harry Brewis
Indian Regiment Soldier (uncredited)
Bern Collaco
German Officer (uncredited)
Steve Doyle
Turkish Soldier (uncredited)
Dino Fazzani
Factory Worker (uncredited)
Flor Ferraco
German Pilot (uncredited)
Sternkiker François
Turkish Soldier (uncredited)
David Georgiou
Returning Amputee Soldier (uncredited)
Roman Green
German Soldier (uncredited)
Shane Griffin
German Soldier (uncredited)
Steve Healey
German Soldier (uncredited)
Karl Fredrick Hiemeyer
Upper Class Customer (uncredited)
Kornelia Horvath
Cafe Owner (uncredited)
Kevin Hudson
British soldier (uncredited)
Tim Ingall
WWI Soldier (uncredited)
Ben Kelleher
Village Pharmacist (uncredited)
John Kinory
Hollywood Walker (uncredited)
Dario A. Lee
British Soldier (uncredited)
Christopher Marsh
Belgium Peasant (uncredited)
Lora Moss
Clerk (uncredited)
James M.L. Muller
Turkish Worker (uncredited)
Ekran Mustafa
Pub Man (uncredited)
Shaun Newnham
German Soldier (uncredited)
Yves O'Hara
Soldier (uncredited)
Rajeev Pahuja
Turkish Worker (uncredited)
Jag Patel
Wounded British Soldier (uncredited)
Richard Price
Turkish soldier (uncredited)
Anthony J. Sacco
Worker (uncredited)
Adam Sef
British Soldier (uncredited)
Mick Slaney
U.S. Soldier (uncredited)
Zack Snyder
Turkish Worker (uncredited)
Fran Targ
Pub Bruiser (uncredited)
Roy Taylor
German Navy General (uncredited)
Roy Martin Thorn
War Office Politician (uncredited)
Phil Tillott
Returning Wounded Soldier (uncredited)
Matt Townsend
Amazonian Warrior (uncredited)
Andrea Vasiliou
British Soldier (uncredited)
Ray Whelan
Belgian Butcher (uncredited)
Tom Whelehan
Passerby (uncredited)
Zac Whitehead
German Airplane Mechanic (uncredited)
Miroslav Zaruba
Amazon Army
Kattreya Scheurer-Smith
Executive Producer
Geoff Johns
Director of Photography
Matthew Jensen
Special Effects
Taylor Brown
Costume Design
Lindy Hemming
Music
Rupert Gregson-Williams
Executive Producer
Wesley Coller
Executive Producer
Stephen Jones
Production Design
Aline Bonetto
Art Direction
Steve Carter
Art Direction
James Collins
Art Direction
Phil Harvey
Art Direction
Stuart Kearns
Art Direction
Dominic Masters
Art Direction
Domenico Sica
Set Decoration
Anna Lynch-Robinson
Set Decoration Buyer
Janice Macrae
Makeup Department Head
Christine Blundell
Makeup Artist
Kirsty Mcqueen
Production Supervisor
Damian Anderson
Assistant Art Director
Patrick Harris
Sound Effects Editor
Samir Foco
Dialogue Editor
Rob Killick
Assistant Sound Editor
David Mackie
Supervising Sound Editor
James Mather
Co-Producer
Tommy Gormley
Executive Producer
Rebecca Steel Roven
Music Editor
Dominick Certo
Music Editor
Simon Changer
Music Supervisor
Karen Elliott
Screenplay
Allan Heinberg
Comic Book
William Moulton Marston
Creator
William Moulton Marston
Makeup Artist
Chloe Meddings
Makeup Artist
Claire Matthews
Hairstylist
Andrea Cracknell
Makeup Artist
Nuria Mbomio
Makeup Artist
Linda Zirkus
Unit Manager
Andrea Alunni
Unit Manager
Daniele Di Biasio
Unit Manager
Marco Milani
Production Manager
Lulu Morgan
Unit Production Manager
Mark Mostyn
Unit Manager
Michele Ottaggio
Unit Production Manager
Erik Paoletti
Production Supervisor
Carmen Pepelea
Production Manager
Roxanne Pinheiro
Unit Manager
Massimiliano Sisti
Unit Manager
Elisabetta Tomasso
Unit Manager
Carrick Welsh
Assistant Art Director
Simon Elsley
Draughtsman
Clara Gomez del Moral
Assistant Art Director
Kevin J. J. Hill
Set Dresser
Roberto Oliveri
Assistant Art Director
Irene Orru
Sound Effects Editor
Jed Loughran
Additional Photography
Thomas Kennedy
Sound Design Assistant
Thomas Kennedy
ADR & Dubbing
Jason Oliver
Technical Supervisor
Luke Gray
Stunt Coordinator
Damon Caro
Stunts
Antonio Oña Sánchez
Stunt Coordinator
Lee Sheward
Additional Photography
Lee Sheward
Stunts
Justin A. Williams
Additional Photography
Sarah Lawrence
First Assistant Camera
Rene Adefarasin
Camera Operator
Ben Adefarasin
Drone Operator
Peter Ayriss
Camera Operator
Peter Batten
Still Photographer
Alex Bailey
Additional Photography
Jack Bentley
Additional Photography
Carlos De Carvalho
Still Photographer
Clay Enos
Additional Photography
Mike Farr
Additional Photography
Alex Finlayson
Additional Photography
Freddie Hall
Still Photographer
Steve Minett
First Assistant Camera
David Penfold
First Assistant Camera
Spencer Murray
Additional Photography
Lorenzo Senatore
Second Unit Director of Photography
Lorenzo Senatore
Camera Operator
Stamos Triantafyllos
Camera Operator
Ben Wilson
Casting Associate
Jeanette Benzie
Casting Assistant
Bex Reynolds
Casting Associate
Kate Ringsell
Casting Assistant
Leigh Ann Smith
Casting Associate
Natasha Vincent
Set Costumer
Lucy Donowho
Assistant Editor
Katrina Annan
Assistant Editor
Fred Brown II
First Assistant Editor
Nick Davis
Production Design
Todd Kleparski
Associate Editor
Matthew Tucker
Assistant Editor
Kieran Waller
Location Manager
Fabio Ferrante
Location Manager
Leonardo Cellai
Location Manager
Duncan Broadfoot
Additional Photography
Duncan Broadfoot
Location Manager
Jacob McIntyre
Location Manager
Steve Mortimore
Location Manager
Georgette Turner
Location Scout
Asha Sharma
Location Scout
Gianluca Barra
Orchestrator
David Butterworth
Music Editor
Melissa Muik
Orchestrator
Alec Roberts
Production Coordinator
Marco Calabrese
Choreographer
Isabel Baquero
Dialect Coach
Jo Cameron Brown
Production Sound Mixer
Chris Munro
Script Supervisor
Patty Jenkins
Gimly
I'd just like to thank Patty Jenkins for making a DCIThoughtSheWasWithUniverse movie that wasn't fucking garbage.
If I'm being completely honest, the two people I went to the cinema to watch _Wonder Woman_ with and I did spend the next two hours after coming out of our screening discussing the various problems with the movie, but we also all agreed on one thing: We still loved it.
Maybe it's just the rose-coloured glasses of comparison, but I had an excellent time with _Wonder Woman_, and I'm excited to go back to the cinema and watch it, at least one more time.
It's the first time I've said that about a DC movie since _The Dark Knight Rises_.
_Final rating:★★★½ - I strongly recommend you make the time._
Movie Queen41
**The First Great DCEU Film**
This film is the origin story of Diana Prince/Wonder Woman (Gal Gadot), who was first introduced in Batman v. Superman last year. She is born and trained on Themyscira, the hidden island where the powerful warrior women known as the Amazons live. One day, Steve Trevor (Chris Pine), an American World War I spy, crashes off the coast of Themyscira and is rescued by Diana and the two team up to take down Ares, the God of War, and the Germans, who are developing a very deadly form of mustard gas. There are fantastic action sequences in this film, especially by Gal Gadot. It's amazing to see her single-handedly storm the German front, inspiring the Allies to fight with her. Gadot takes over from the legendary Linda Carter and makes the role her own. She has great chemistry with Pine. They are complete equals in this film. It's refreshing to see the female lead in a superhero film not be the love interest. The only negative part of the film are the lackluster villains. Hopefully, Wonder Woman will have more formidable foes in future films.
in_the_crease
**DC Hits A...Bunt. But compared to the strikeouts, a bunt seems impressive.**
Wonder Woman had some things working for it--things other comic book movies have faltered on. But it had a lot of things not working for it too. The result is an average median between what works and what doesn't. While the film is spectacular within the struggling DCEU, as a stand alone film it's mediocre at best.
Diana's origin story--how she came to be and how she came to be a super hero was refreshing. It showcased the world of the Amazon warriors. It was unique in the often cookie-cutter super hero origin stories. Patty Jenkins did a good job of framing it, but I think the character's origin story dating back to the comics has always been unique in comparison to other super heroes.
The result is that the first third or so of the movie is satisfying--despite dull performances from Gal Gadot and Chris Pine (who had zero chemistry as a couple). But once we leave the confines of the island and enter the real world, the movie becomes hit or miss. WWI (that's right, WWI now, not WWII. The reason for the change in setting is never apparent) London is portrayed in a way that is almost a distraction. Yes, the world isn't white washed; diversity is a thing--a wonderful thing at that. But DC's version of Captain America's Howling Commandos consist of an Arab and an American Indian. Diversity for diversity's sake becomes distracting--especially when paired with a low-rent Simon Pegg whose soul function is being a deadly sniper who never fires his weapon (that's helpful on a top-secret mission behind enemy lines).
It's almost as if the movie telegraphs all of these unnecessary plot hiccups to remind you that this is a super hero film, and no matter how much the mortal humans fail, it will all be okay because the super hero will save the day.
The dialogue can be clichéd at times, and the final theme of the movie--one of love conquering all and the acknowledgement that, overall, mankind is good, is laughable in it's amateur preachiness.
But what the film lacks in substance and script, it makes up for in the visuals. I found the action sequences to be great fun. Heavily stylized "Matrix-style" fight scenes seem right at home in a film about super hero Gods. The freeze frames worked too--as fight sequences froze in over-the-top super hero poses that harkened back to the source material's comic book roots.
The final confrontation between Wonder Woman and Ares--while dragging on a little long--was well done, being one of the few super hero movie climaxes that delivered.
While aspects of the movie were so similar (Hell! Identical!) to Captain America: The First Avenger, I actually felt embarrassed for the filmmakers, I did come away thinking this was the movie Captain America should have been. It succeeded in places where Captain America failed miserably.
The movie is entertainment--pure, fun, pop-corn-gobbling entertainment. In that realm, it succeeds and succeeds well. But as a piece of cinematic art, it falls flat on its face with too many plot holes, script inconsistencies, clichés and mediocre acting. Wonder Woman will be an important movie for both the DCEU and the summer of 2017. But it lacks the magic and staying power of Nolan and Donner's contributions to DC comics' films.
Law
I like the portrayal of the Greek/Amazonian myth; the part where Chris Pine is naked; the part where Wonder Woman overturns the tank; and the post-battle dance scene with her and Steve Trevor, and that's it.
This could be mistaken for a mediocre, melodramatic, cheesy TV movie. Visually, it's less interesting than any of the other nu-DC fare; I never thought I'd miss Zach Snyder's sensibility but I did in this flick. Storywise, it may be a step up from the rest of the DCEU, but it still barely rivals the worst of the Marvel movies. Gal Gadot can't act, and Chris Pine couldn't make the clunky dialogue sound not ridiculous.
Wonder Woman is tolerable. That's more than can be said for the other nu-DC movies but it's not a compliment.
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