Michèle Leblanc
Isabelle Huppert
Richard Leblanc
Charles Berling
Irène Leblanc
Judith Magre
Infirmière maternité
Jina Djemba
Agent immobilier
Nicolas Beaucaire
Maître d'hôtel
Jean-Noël Martin
Voix off documentaire (voice)
Dominique Plaideau
Invitée soirée (uncredited)
Jean-Yves Freyburger
Philipp Kwan
Hugo Conzelmann
Médecin laboratoire
Raphaël Kahn
Journaliste news
Florent Peiffer
Infirmière
Olivia Gotanègre
Gardien de prison
Laurent Orry
Femme cafétéria
Marie Berto
Jeune femme
Caroline Breton
Voix off vétérinaire (voice)
Oury Milshtein
Voix off journaliste (voice)
Lahouassa Elise
Invité soirée
Jean Douchet
Painter
Vincent Launay-Franceschini
Directeur adjoint
Hugues Martel
Director of Photography
Stéphane Fontaine
Costume Design
Nathalie Raoul
Casting
Constance Demontoy
Script Supervisor
Bénédicte Darblay
Original Music Composer
Anne Dudley
Adaptation
Harold Manning
Co-Producer
François Touwaide
Production Director
Sebastian Schelenz
Co-Producer
Thanassis Karathanos
Line Producer
Martin Hampel
Co-Producer
Sébastien Delloye
Associate Producer
Kevin Chneiweiss
Associate Producer
Sarah Borch-Jacobsen
Production Design
Laurent Ott
Set Decoration
Cecile Vatelot
Makeup Artist
Anne Caramagnol
Key Makeup Artist
Sophie Farsat
Production Coordinator
Sarah Blanc
Assistant Production Manager
Loris Camacho
Assistant Production Manager
Costia Dufour
Post Production Supervisor
Abraham Goldblat
Post Production Supervisor
Morgane Le Gallic
Assistant Production Manager
Manon Messiant
Unit Manager
Karine Petite
Production Manager
Oury Milshtein
Post Production Assistant
Thibault Ruslet
Third Assistant Director
Morand Coline
Third Assistant Director
Lahouassa Elise
Third Assistant Director
Hugo Fié
Third Assistant Director
Dali Mansour
Assistant Director
Carole Reinhard
Location Scout
Carole Reinhard
Second Assistant Director
Quentin Janssen
First Assistant Director
Brieuc Vanderswalm
Boom Operator
Jonathan Acbard
Sound Design Assistant
Morgane Annic-Nony
Assistant Sound Editor
Louis Bart
ADR Supervisor
Katia Boutin
Dialogue Editor
Katia Boutin
Sound Engineer
Guillaume Couturier
Sound Re-Recording Mixer
Alessandro Checcacci
Sound Editor
Gwennolé Le Borgne
Sound Re-Recording Mixer
Cyril Holtz
Sound Re-Recording Mixer
Damien Lazzerini
Boom Operator
Damien Luquet
Sound Mixer
Jean-Paul Mugel
Supervising Sound Editor
Alexis Place
Special Effects
Clément Wintz
Visual Effects Producer
Sophie Denize
Visual Effects Coordinator
Simon Descamps
Visual Effects Coordinator
Nicolas Rey
Visual Effects Supervisor
Hugues Namur
Visual Effects Supervisor
Marc Jouveneau
Stunt Coordinator
Emmanuel Lanzi
Still Photographer
Guy Ferrandis
First Assistant Camera
Alexis Robin
Camera Technician
Fabien Perniceni
Casting Assistant
Lahouassa Elise
Local Casting
Valérie Trajanovski
Costume Design
Delphine Capossela
Assistant Editor
Niels Koopman
Location Scout
Danae Delbos
Music Supervisor
Elise Luguern
Script Supervisor
Elise Camurat
Post Production Assistant
Camille Cariou
Production Accountant
Adrien Overlot
Reno
**Sometimes the crime decides its own fate.**
I had no thought before the watch, but while watching it, I felt it was overrated. That's for a moment, once I finished watching it, realised it's a better film. I mean I changed my stance, after over and over thinking about the film. So its the patience you need, wait till the film to end to decide how much you liked it. It was too long, but every space was filled up with the best parts. It took time to understand the characters, and with multiple angle events in one woman's life. Isabelle Huppert was amazing. Despite so many characters in the film, she ruled it. One of her best films I have seen.
The film focused on the boss of a video game designing firm. It opens with as she's been sexually assaulted in her home by an intruder. Followed by one of her employees morphed her face to an animated character as a sexual explicit material for the game they are working in. So she begins her investigation to find both the culprit who might be the same person. This is where the suspense comes into play to develop interest in us. Besides, facing family troubles takes some extra development. Subsequently, all the mysteries will be solved and to know how it ends, you should watch it.
> "Michele to her cat: You did not have to claw his eyes out, but scratch him at least."
It is official French submission to the 89th American Academy Awards. But as per the latest news bulletin, this film is out of the Oscars race, despite made into the Golden Globes. From the director of the original 'Total Recall' and his first French film. Based on the book named 'Oh...'. But I felt it was developed from a small part of 'The Little Death'. Basically, there's an understanding being it is the story of the adults, despite the sexual violences and that's how this story was built. So you must compromise on a few things that is shown in it if you really want to enjoy it.
I did not like it all the sudden, though looking back all the film events and joining them together made me see the film was decent. Especially that final line said by a woman who was evacuating her house makes whole thing sense. Maybe that's the real twist in the tale. Initially I did not think to write a review, but surely it deserved one from me, so I wrote this short and quick. This is the film for the grown ups, but not for all the grown ups. So I hope it will meet your expectation if you decide to try, but according to me definitely it is worth.
_7/10_
Svumpukkel85
Ass-wiping-piece-of-crap-movie glamorizing rape, violence, mutilation, stalking... It is not doing any good for anybody! NO woman (with brains) would ever find this movie sexy! The first and the last 10 minutes was the only thing realistic in this movie.... YUCK! The director and the whole movie team should be ashamed to encourage violence against women! There are some sick twisted fucks out there, who is totally going to misunderstand this movie...
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