Atomic Blonde


Atomic Blonde

Overview:

An undercover MI6 agent is sent to Berlin during the Cold War to investigate the murder of a fellow agent and recover a missing list of double agents.

Votes 673 (6.1/10)

Runtime: 115 minutes

Release Date 2017-07-26

Budget: $30,000,000.00

Revenue: $90,007,945.00

Website: Link

Production company:

  • Denver and Delilah Productions
  • Film i Väst
  • Focus Features
  • 87Eleven
  • Closed on Mondays Entertainment

Production country:

  • Sweden
  • United States of America
  • Germany

Genres:

  • Action
  • Thriller

Trailer

Further Information

Lorraine Broughton
Charlize Theron
Charlize Theron
David Percival
James McAvoy
James McAvoy
Emmett Kurzfeld
John Goodman
John Goodman
Watchmaker
Til Schweiger
Til Schweiger
Spyglass
Eddie Marsan
Eddie Marsan
Delphine Lasalle
Sofia Boutella
Sofia Boutella
Eric Gray
Toby Jones
Toby Jones
Merkel
Bill Skarsgård
Bill Skarsgård
Chief 'C'
James Faulkner
James Faulkner
Aleksander Bremovych
Roland Møller
Roland Møller
James Gasciogne
Sam Hargrave
Sam Hargrave
Yuri Bakhtin
Jóhannes Haukur Jóhannesson
Jóhannes Haukur Jóhannesson
Helena
Lili Gesler
Lili Gesler
Audrey
Sara Natasa Szonda
Sara Natasa Szonda
Boris
Cale Schultz
Cale Schultz
Coroner
Barbara Sukowa
Barbara Sukowa
East German Guard #1
Attila Árpa
Attila Árpa
East German Guard #2
Martin Angerbauer
Martin Angerbauer
Driver
Declan Hannigan
Declan Hannigan
Gentleman
Balázs Lengyel
Balázs Lengyel
Sniper
Daniel Hargrave
Daniel Hargrave
Spotter
Greg Rementer
Greg Rementer
Soldier
Daniel Bernhardt
Daniel Bernhardt
Director
David Leitch
David Leitch
Screenplay
Kurt Johnstad
Kurt Johnstad
Comic Book
Antony Johnston
Antony Johnston
Executive Producer
Nick Meyer
Nick Meyer
Editor
Elísabet Ronaldsdóttir
Elísabet Ronaldsdóttir
Producer
Charlize Theron
Charlize Theron
Executive Producer
Fredrik Zander
Fredrik Zander
Producer
A.J. Dix
A.J. Dix
Script Supervisor
Susie Jones
Susie Jones
Script Supervisor
Gabriella Winkler
Gabriella Winkler
Original Music Composer
Tyler Bates
Tyler Bates
Director of Photography
Jonathan Sela
Jonathan Sela
Casting
Marisol Roncali
Marisol Roncali
Casting
Mary Vernieu
Mary Vernieu
Production Design
David Scheunemann
David Scheunemann
Art Direction
Tibor Lázár
Tibor Lázár
Art Direction
Wolfgang Metschan
Wolfgang Metschan
Costume Design
Cindy Evans
Cindy Evans
Stunt Coordinator
Monique Ganderton
Monique Ganderton
Stunt Coordinator
Lilla Németh
Lilla Németh
Fight Choreographer
Jon Valera
Jon Valera
Producer
Eric Gitter
Eric Gitter
Executive Producer
David Guillod
David Guillod
Executive Producer
Kurt Johnstad
Kurt Johnstad
Co-Producer
Antony Johnston
Antony Johnston
Co-Producer
Ildikó Kemény
Ildikó Kemény
Producer
Beth Kono
Beth Kono
Producer
Kelly McCormick
Kelly McCormick
Co-Producer
David Minkowski
David Minkowski
Executive Producer
Jeff Morrone
Jeff Morrone
Executive Producer
Joe Nozemack
Joe Nozemack
Executive Producer
Steven V. Scavelli
Steven V. Scavelli
Executive Producer
Marc Schaberg
Marc Schaberg
Producer
Peter Schwerin
Peter Schwerin
Executive Producer
Ethan Smith
Ethan Smith
Associate Producer
Lisa Widén
Lisa Widén
Music
Tyler Bates
Tyler Bates
Set Decoration
Zsuzsa Mihalek
Zsuzsa Mihalek
Set Decoration
Mark Rosinski
Mark Rosinski
Hairstylist
Enzo Angileri
Enzo Angileri
Makeup Artist
Rita Balla
Rita Balla
Hair Supervisor
Csilla Blake-Horváth
Csilla Blake-Horváth
Makeup Supervisor
Csilla Blake-Horváth
Csilla Blake-Horváth
Hairstylist
Krisztina Fehér
Krisztina Fehér
Makeup Artist
Winnie Mattheus
Winnie Mattheus
Makeup Department Head
Paul Pattison
Paul Pattison
Makeup Designer
Paul Pattison
Paul Pattison
Hair Designer
Paul Pattison
Paul Pattison
Makeup Artist
Francesca Tolot
Francesca Tolot
Production Supervisor
Vickie M. Hsieh
Vickie M. Hsieh
Production Manager
Mónika Nagy
Mónika Nagy
Unit Production Manager
Jasmin Torbati
Jasmin Torbati
Second Unit Director of Photography
Sam Hargrave
Sam Hargrave
First Assistant Director
Frank Kusche
Frank Kusche
Second Assistant Director
Rickie-Lee Roberts
Rickie-Lee Roberts
Third Assistant Director
Roxana Szarisz
Roxana Szarisz
First Assistant Director
Lisa C. Satriano
Lisa C. Satriano
Property Master
István Balogh
István Balogh
Property Master
Marcus Haendgen
Marcus Haendgen
Storyboard
Todd Harris
Todd Harris
Art Department Coordinator
Hardy Ilona
Hardy Ilona
Sound Editor
Mattias Eklund
Mattias Eklund
Sound Designer
Jonas Jansson
Jonas Jansson
Boom Operator
György Mihályi
György Mihályi
Sound Recordist
Máté Péterffy
Máté Péterffy
Boom Operator
Norbert Szekeres
Norbert Szekeres
Sound Mixer
Balazs Varga
Balazs Varga
Sound Mixer
Mac Ruth
Mac Ruth
Pyrotechnic Supervisor
Gyula Krasnyánszky
Gyula Krasnyánszky
Stunts
Tímea Bárdi
Tímea Bárdi
Stunts
Jozsef Fodor
Jozsef Fodor
Stunts
Kinga Gavalda
Kinga Gavalda
Stunts
Monique Ganderton
Monique Ganderton
Stunts
Daniel Hargrave
Daniel Hargrave
Stunt Coordinator
Sam Hargrave
Sam Hargrave
Stunt Coordinator
Florian Hotz
Florian Hotz
Stunts
Orsányi Iván
Orsányi Iván
Stunts
Géza Kovács
Géza Kovács
Stunts
Balázs Lengyel
Balázs Lengyel
Stunts
Richard Nagy
Richard Nagy
Stunts
Béla Orsányi
Béla Orsányi
Stunt Coordinator
Domonkos Pardanyi
Domonkos Pardanyi
Stunts
Gábor Piroch
Gábor Piroch
Stunts
Greg Rementer
Greg Rementer
Stunts
Cale Schultz
Cale Schultz
Stunts
Péter Sokorai
Péter Sokorai
Stunts
Gyula Tóth
Gyula Tóth
Wardrobe Supervisor
Frank Bohn
Frank Bohn
Costume Supervisor
Zsoka Hoka
Zsoka Hoka
Location Manager
Bea Beliczai
Bea Beliczai
Location Manager
Klaus Große Darrelmann
Klaus Große Darrelmann
Location Manager
Charlie Hayes
Charlie Hayes
Location Manager
Laszlo Rorariusz
Laszlo Rorariusz
Music Supervisor
John Houlihan
John Houlihan
Stand In
Peter Cseri
Peter Cseri
Stand In
Vanessa Nagy
Vanessa Nagy

Gimly

I have seen it said of _Atomic Blonde_ that it is hollow piece wrapped in an attractive shell. I would respond by saying that "attractive" hardly does the shell justice, it's absolutely fucking gorgeous. Otherwise though that sounds about right. No, in all seriousness, the plot itself is more than fine. Even the absolute worst aspects from any individual part of _Atomic Blonde_, no matter how much you pick them apart, more than pass the litmus test for minimum acceptable standard. It truly is a case of style over substance, and that is something that I can understand the complaint for. But it's style **over** substance, not style **instead of** substance. At no point did I feel that the story was cobbled together as an excuse to get to the next setpiece. The story was what it was (a pretty genuine throwback to the espionage thrillers of the late and post-Cold War era) and the aesthetic, the music, the design, was simply how that story was chosen to be delivered. And a brilliant choice at that. Walking in, I was already certain that I was going to like the film, because even if it was just an extended version of the trailer, then it appealed enough to my personal tastes that I was in for a good time. Walking out, I knew that taking everything beyond those factors into account, I didn’t just like _Atomic Blonde_, I loved it. _Final rating:★★★★ - Very strong appeal. A personal favourite._

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