Underworld: Blood Wars


Underworld: Blood Wars

Overview:

Vampire death dealer Selene fends off brutal attacks from both the Lycan clan and the Vampire faction that betrayed her. With her only allies, David and his father Thomas, she must stop the eternal war between Lycans and Vampires, even if it means she has to make the ultimate sacrifice.

Votes 1584 (5.2/10)

Runtime: 91 minutes

Release Date 2016-11-28

Budget: $35,000,000.00

Revenue: $81,093,313.00

Website: Link

Tagline: Protect the Bloodline

Production company:

  • Lakeshore Entertainment
  • Screen Gems
  • Sketch Films

Production country:

  • United States of America

Genres:

  • Action
  • Fantasy
  • Horror

Trailer

Further Information

Selene
Kate Beckinsale
Kate Beckinsale
David
Theo James
Theo James
Semira
Lara Pulver
Lara Pulver
Marius
Tobias Menzies
Tobias Menzies
Thomas
Charles Dance
Charles Dance
Varga
Bradley James
Bradley James
Cassius
James Faulkner
James Faulkner
Alexia
Daisy Head
Daisy Head
Vidar
Peter Andersson
Peter Andersson
Lena
Clementine Nicholson
Clementine Nicholson
Eve
India Eisley
India Eisley
Hajna
Brian Caspe
Brian Caspe
Gregor
Oliver Stark
Oliver Stark
Amelia
Sveta Driga
Sveta Driga
Vampire Council #1
Zuzana Stivínová
Zuzana Stivínová
Vampire Council #2
Brian Caspe
Brian Caspe
Vampire Council #3
Jan Nemejovský
Jan Nemejovský
Lycan Pack Leader #1
Dan Bradford
Dan Bradford
Lycan Pack Leader #2
David Bowles
David Bowles
Safehouse Lycan
Alicia Vela-Bailey
Alicia Vela-Bailey
Tech Lycan
Eva Larvoire
Eva Larvoire
Lead Death Dealer
Jordan Haj
Jordan Haj
Black Lycan Sidekick
Marielle Tepper
Marielle Tepper
Lycan Underling
Jiri N. Jelinek
Jiri N. Jelinek
Death Dealer
Daniel Pietrucha
Daniel Pietrucha
Vampire Cadet
Sára Arnsteinová
Sára Arnsteinová
Hybrid Michael (uncredited)
Trent Garrett
Trent Garrett
Director
Anna Foerster
Anna Foerster
Characters
Kevin Grevioux
Kevin Grevioux
Characters
Danny McBride
Danny McBride
Characters
Len Wiseman
Len Wiseman
Story
Kyle Ward
Kyle Ward
Executive Producer
Anna Foerster
Anna Foerster
Executive Producer
Skip Williamson
Skip Williamson
Producer
David Kern
David Kern
Producer
Gary Lucchesi
Gary Lucchesi
Producer
Tom Rosenberg
Tom Rosenberg
Producer
Len Wiseman
Len Wiseman
Producer
Richard S. Wright
Richard S. Wright
Music
Michael Wandmacher
Michael Wandmacher
Editor
Peter Amundson
Peter Amundson
Casting
Julie Hutchinson
Julie Hutchinson
Director of Photography
Karl Walter Lindenlaub
Karl Walter Lindenlaub
Casting
Maya Kvetny
Maya Kvetny
Casting
Suzanne Smith
Suzanne Smith
Casting Associate
Laura Windows
Laura Windows
Music Editor
Nevin Seus
Nevin Seus
Music Supervisor
Brian McNelis
Brian McNelis
Music Supervisor
Eric Craig
Eric Craig
Production Design
Ondrej Nekvasil
Ondrej Nekvasil
Art Direction
Bryce Tibbey
Bryce Tibbey
Art Department Coordinator
Katerina van Gemundova
Katerina van Gemundova
Supervising Art Director
Martin Vackár
Martin Vackár
Costume Design
Bojana Nikitovic
Bojana Nikitovic
Costume Supervisor
Sarka Zazvorkova
Sarka Zazvorkova
Set Costumer
Nina Moravcova
Nina Moravcova
Set Costumer
Jirí Trier
Jirí Trier
Camera Operator
Jaromir Sedina
Jaromir Sedina
Still Photographer
Larry D. Horricks
Larry D. Horricks
Additional Camera
Alex Kornreich
Alex Kornreich
First Assistant Camera
Dan Balzer
Dan Balzer
Gaffer
Gary Winter
Gary Winter
Animation
Matt Weaver
Matt Weaver
Animation
Justin Brunett
Justin Brunett
Animation
Ngan Chung
Ngan Chung
Animation
Meghan Grube
Meghan Grube
Animation
Fraser Page
Fraser Page
Animation
Jaco Pretorius
Jaco Pretorius
Animation
Erica Robinson
Erica Robinson
Creature Design
Jared Krichevsky
Jared Krichevsky
CG Supervisor
Paul Janssen
Paul Janssen
CG Supervisor
Andrew Zink
Andrew Zink
VFX Supervisor
Josh Simmonds
Josh Simmonds
Visual Effects Coordinator
Eva Peschkes
Eva Peschkes
Visual Effects Coordinator
Ludek Vomacka
Ludek Vomacka
Visual Effects Editor
Michael Gilbert
Michael Gilbert
Visual Effects Producer
Holger Hummel
Holger Hummel
Visual Effects Supervisor
James McQuaide
James McQuaide
Visual Effects Supervisor
Jamie Hallett
Jamie Hallett
Visual Effects Supervisor
Michael Landgrebe
Michael Landgrebe
Dialogue Editor
Vanessa Lapato
Vanessa Lapato
ADR & Dubbing
Lauren Hadaway
Lauren Hadaway
Sound Recordist
Michal Holubec
Michal Holubec
Sound Designer
Christopher S. Aud
Christopher S. Aud
Sound Effects Editor
Chris Diebold
Chris Diebold
Sound Effects Editor
Jeff Sawyer
Jeff Sawyer
Sound Re-Recording Mixer
Michael Babcock
Michael Babcock
Sound Re-Recording Mixer
Tony Lamberti
Tony Lamberti
Supervising Sound Editor
Michael Babcock
Michael Babcock
Hairstylist
Jaime Leigh McIntosh
Jaime Leigh McIntosh
Makeup Artist
Natasha Lees
Natasha Lees
Makeup Artist
Chase Aston
Chase Aston
Makeup Designer
Davina Lamont
Davina Lamont
Digital Intermediate
Siggy Ferstl
Siggy Ferstl
Screenplay
Cory Goodman
Cory Goodman
Story
Cory Goodman
Cory Goodman
Property Master
Petr Richter
Petr Richter
Russian Arm Operator
Bart de Haan
Bart de Haan
Camera Operator
Karel Fairaisl
Karel Fairaisl
Costume Coordinator
Luka Antonic
Luka Antonic
Key Costumer
Veronika Metzova
Veronika Metzova
Script Supervisor
Monika Hlavatá
Monika Hlavatá
2D Supervisor
Alexandre Cancado
Alexandre Cancado

Gimly

Visually has a lot of the things _Underworld_ is known for, but in terms of quality? Well if you liked _Awakening_, you'll like this. Because they're basically the same film. I for one liked neither. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._

Frank Ochieng

Some things will never change within the tedious and surprisingly long-running sci-fi/horror saga **Underworld** film franchise. The vampires will still feature sharp fangs that can pierce a hardened leather sofa with one bite and the werewolves will be hairier than the local women’s wig shop. Of course the curvaceous heroine of this Gothic gumball machine of a flick–_Love & Friendship’s_ Kate Beckinsale–will predictably wear leather-clad attire that will cling to her shapely body tighter than a preschooler hanging on to his mother’s leg because he is scared to enter the classroom for the very first time. What also is expected not to change anytime soon is the sluggish intrigue, overblown supernatural creatures acting more obnoxious than your drunk Uncle Jake wearing a bra at the family cookout and Beckinsale’s womanly warrior Selene acting as the badass bloodsucking babe out to mediate the conflicting forces that persist. Yes folks…you heard correctly that this is the fifth installment of the **Underworld** universe that sits there and makes its presence known with all the force and feisty relevance of unwanted luggage left at the airport. First-time feature director Anna Foerster (from TV’s “Outlander”) takes a crack at instilling some frolicking freshness in the turgid, cheesy **Underworld: Blood Wars**–a banal B-movie confection that Dracula would refuse to acknowledge even if there was a free showing at the local blood bank. Relentlessly flat, unimaginative and woefully recycled, **Blood Wars** offers nothing inviting or challenging for its aforementioned fifth time around the block and should have resisted the need to go beyond its 2003 Len Wiseman-directed release nearly fourteen years ago. Nevertheless, the devoted fanboys gave battleground beauty Beckinsale a theatrical movie gig (along with the rising popularity of the vampires/werewolves craze in cinema) that has lasted for an impressive long time as inexplicable as that sounds. However, lasting power does not necessarily mean a hill of beans with the one-note notion of a former orphaned vampire gal transforming into a beastly butt-kicking wrecking ball as the fatal feuding between the Lycans (a.k.a. “lycanthrope” or werewolves) and vampires escalates to a new level of chaos. Sure, Selene is not exactly as convincingly clever or calculating as Aliens’ Ripley (then again who is, right?) but she certainly is cut out of the same generic cloth as _Resident Evil’s_ Alice (for which pre-dates the **Underworld** experience as well as offering a longer string of sequels). Foerster assures that **Underworld: Blood Wars** wastes no time in getting to the punchy antics of its silly-minded action sequences–some mired in empty-headed fun while other takes are needlessly monotonous. Screenwriters Cory Goodman and Kyle Ward stock up on the fluffy cliches of this toothless tease of a frivolous fable as the thin plot flies every which way more than Beckinsale’s golden locks during a heated scuffle. Sophomoric dialogue, formulaic confrontations and the dullness of opposing fierce factions set aside **Blood Wars** does make reasonable usage of its lethal leather-wearing lass Selene/Beckinsale in eye-rolling combat and the CGI visuals are engaging when not looking choppy in some instances. The fact that Selene has to negotiate some compromise for either side does introduce some slight sense of tension amid the roguish warfare and Beckinsale sells this quite accordingly to a certain degree. However, **Blood Wars** will definitely serve as comfort junk food for those legions of followers that have familiarized themselves with Selene’s jolting journey as she maneuvers through the manic mess that involves her blood-thirsty species taking on the hellish hairballs that are the defiant Lycans. For first-time **Underworld** viewers or the casual crowd they will witness an under-cooked, ridiculously trite terror tale of an actioner that is sure to leave **Blood Wars** as nothing more than a false sense of second-hand stimulation. A generic exercise in the making, Foerster’s brooding bombshell in Beckinsale’s Selene is serviceable for a fifth go-around but that is really not saying too much given that the material never seems to revolve her from some of her past misadventures through the four previous **Underworld** entries. The supporting players–such as Charles Dance’s elder vampire Thomas, Theo James’s David (the male Selene perhaps?), Lara Pulver’s Semira and Tobias Menzies’s Marius–are accomplished performers in their own right but they add little atmosphere to the hackneyed hedonism that toils within this supernatural stupor. No need to put the stake through the heart of these returning vampires and werewolves because they have proven time in and time out over again that the sultry Selene and her creature feature bickering buddies are not budging anytime soon after almost fifteen years of conjuring up surreal nonsense. Kinda makes you consider putting a stake through your own chest, huh? **Underworld: Blood Wars** (2017) Lakeshore Entertainment 1 hr. 31 mins. Starring: Kate Beckinsale, Theo James, Charles Dance, Tobias Menzies, Lara Pulver, James Faulkner, Clementine Nicholson, Peter Andersson Directed by: Anna Foerster MPAA Rating: R Genre: Sci-Fi/Horror/Action & Adventure/Fantasy Critic’s rating: * 1/2 stars (out of 4 stars) (c) **Frank Ochieng** (2016)

ColinJ

You know what to expect by now. This series has been going on so long now that this movie almost comes across as a throwback, since it's still drenched in all the post-MATRIX visual cliches. Beckinsale is as remarkably photogenic as ever, but the camera never lingers on her face for more than about two seconds. The running time is as tight as her costume, and it feels rushed. We have a few decent fight scenes but the gunplay is just a mush of noise with very little in the way of cool choreography. Still, there's fun to be had watching the gore and all the scenery-chewing that's going on.

StbMDB

This franchise was a thing back then when the Matrix phenomenon was at force but now a days they should let it rest, otherwise a cluster of nonsense, much like the Resident Evil movie franchise, it is sure to become. In other words the movie ain't that bad but this entry is just franchise milking at this point. I wouldn't mind if it would be made a video game franchise though.

Per Gunnar Jonsson

I think it is fairly safe to say that if you did not like any of the other installments in the Underworld movie series then you will not like this one. As usual with these kind of movies it is one where you preferably switch of most higher brain functions before watching and just sit down and enjoy the show. The movie is certainly not a masterpiece when it comes to story and script. Actually the script is, at times, fairly crappy. There are for example a sequence were the Lycans are attacking the stronghold castle of the Vampires and the script writer taught it was a good idea to just let them drive straight into the center of the castle and breach the door before they got challenged. What the f…? On the whole the script is a typical Hollywood B-movie concoction that holds little merit. If this would have been the first movie in the series I think there would never had been a series made at all. So why did I like it then? Well, even if the script is nothing to write home about it is not a total disaster and it serves as an excuse to provide 90 minutes of good entertaining Vampire vs Lycan action. Plain and simple. Of course Kate Beckinsale is a good reason for liking the movie as well. Her moving around in her intimidating (and good looking) skintight clothes slashing up Lycans in various creative ways makes up for some of the not so stellar script. I probably pissed of a bunch of feminists there but it is not really like a care about that. The action and the CGI is reasonably well done and another reason to like the movie. Actually, come to think about it, Kate Beckinsale, the action and the CGI is pretty much the reasons I liked this movie. They could have selected a more charismatic bad guy though. For most of the movie I felt Marcus was bland and even a bit dull. It is not the best movie in the series but it does not exactly shame the series either. For me, I have to rate my enjoyment of it as above average compared to movies in general.

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