Elio Perlman
Timothée Chalamet
Mr. Perlman
Michael Stuhlbarg
Annella Perlman
Amira Casar
Art Historian 1
Elena Bucci
Art Historian 2
Marco Sgrosso
Producer
Rodrigo Teixeira
Director of Photography
Sayombhu Mukdeeprom
Production Design
Samuel Deshors
Costume Design
Giulia Piersanti
Executive Producer
Naima Abed
Executive Producer
Margarethe Baillou
Executive Producer
Tom Dolby
Associate Producer
Susanne Filkins
Executive Producer
Sophie Mas
Associate Producer
Abdi Nazemian
Associate Producer
Allan Neuwirth
Executive Producer
Lourenço Sant'Anna
Line Producer
Stella Savino
Associate Producer
Kim Surowicz
Art Direction
Roberta Federico
Set Decoration
Sandro Piccarozzi
Unit Production Manager
Andrea Alunni
Unit Manager
Lucia Guidano
Post Production Supervisor
Sacha Guttenstein
Assistant Director
Manuela D'Ovidio
First Assistant Director
Dominique Delany
Assistant Director
Paolo Sponzilli
Second Assistant Director
Riccardo Zurla
Set Dresser
Adonay Marin Conde
Property Master
Stefano Nagni
Assistant Art Director
Briseide Siciliano
Sound Effects Editor
Paolo Amici
Sound Effects Editor
Federico Amodio
Dialogue Editor
Davide Favargiotti
Boom Operator
Thomas Gastinel
Production Sound Mixer
Yves-Marie Omnes
Sound Effects Editor
Daniele Quadroli
Sound Effects Editor
David Quadroli
Sound Effects Editor
Fabrizio Quadroli
Digital Compositors
Emanuel Bartolozzi
Digital Compositors
Charlotte Brancucci
Digital Compositors
Davide Camposano
Digital Compositors
Fabio Cattaneo
Digital Compositors
Andrea Ceccarelli
Visual Effects Producer
Virginia Cefaly
Digital Compositors
Stefano Di Segni
Digital Compositors
Mattia Fede
Digital Compositors
Claudia Gagliardi
Digital Compositors
Mario Liuzzi
Digital Compositors
Edoardo Ottone
Digital Compositors
Lorenzo Pirri
Digital Compositors
Oriana Pioli Quero
Visual Effects Supervisor
Luca Saviotti
Digital Compositors
Sara Tomarchio
First Assistant Editor
Francesca Addonizio
jessetaylor
Alongside _Weekend_ and _Moonlight_, _Call Me By Your Name_ is the greatest queer film I have seen in the past ten years. It's a gorgeous, quiet masterwork - Luca Guadagnino has given us something truly special here. I'll cherish this one for a long, long time as it's extremely human and very personal. The fact that the legendary James Ivory wrote the screenplay for this shoots this over the top and slam dunks it into the cinematic stratosphere. Truly stunning work that deserves to be remembered, preserved, and celebrated for decades to come.
The performances in this are so mesmerizing. I've never liked Armie Hammer as much as I like him in this. He really embodies his character and it's a lived in, fully realized performance. Timothée Chalamet - who has a great year ahead of him with other big projects - is absolutely captivating as the young lead in this coming-of-age tale. I've seen many a coming-of-age film, but this one is one of the truest portrayals of a gay youth coming to terms with his sexuality, emotions, and his own body.
There are so many phenomenal scenes, but the one that stands out above the rest - and the one that made me cry in a theatre full of festivalgoers - is Michael Stuhlbarg's final monologue. It's one of the most honest and real moments I've seen in any film and one of the best father and son moments too. Crossing my fingers so hard that this becomes a huge critical darling and garners some attention come awards time (specifically for Guadagnino, Ivory, Chalamet, and Stuhlbarg).
Oh, and bonus points for that final shot of Chalamet's face as the credits roll. It's the best of its kind since Glazer's _Birth_ in 2004 when Nicole Kidman shattered all of our souls. Chalamet does the same thing here and it's overwhelmingly stunning.
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