Sentenza/Angel Eyes
Lee Van Cleef
Alcoholic Union Captain
Aldo Giuffrè
Father Pablo Ramirez
Luigi Pistilli
Jackson/Bill Carson
Antonio Casale
Thomas 'Shorty' Larson (uncredited)
José Terrón
Mexican Peon
Claudio Scarchilli
Mexican Peon
Sandro Scarchilli
Member of Angel Eyes' Gange
Benito Stefanelli
Member of Angel Eyes' Gang
Aldo Sambrell
One-Armed Bounty Hunter
Al Mulock
Blonde Bounty Hunter
Sergio Mendizábal
Capt. Harper
Antonio Molino Rojo
Member of Angel Eyes' Gang
Lorenzo Robledo
Stevens' Wife (uncredited)
Chelo Alonso
1st Sombrero Onlooker at Tuco's 1st Hanging (uncredited)
Fortunato Arena
Bounty Hunter (uncredited)
Román Ariznavarreta
Mexican Girl with Blondie (uncredited)
Silvana Bacci
Bounty Hunter #2 (uncredited)
Frank Braña
2nd Sombrero Onlooker at Tuco's 1st Hanging (uncredited)
Amerigo Castrighella
Bounty Hunter (uncredited)
Saturno Cerra
Member of Angel Eye's Gang (uncredited)
Luigi Ciavarro
Member of Angel Eye's Gang (uncredited)
Romano Puppo
Deputy (uncredited)
Tony Di Mitri
3rd Sombrero Onlooker at Tuco's 1st Hanging (uncredited)
Attilio Dottesio
Bald Onlooker at Tuco's 1st Hanging (uncredited)
Veriano Ginesi
Pardue the Hotel Owner (uncredited)
Jesús Guzmán
Sergeant at Confederate Fort (uncredited)
Víctor Israel
Mexican Bounty Hunter (uncredited)
Nazzareno Natale
Bartender in Socorro (uncredited)
Ricardo Palacios
Stevens' Youngest Son (uncredited)
Antoñito Ruiz
Pistolero Recruited by Tuco in the Cave (uncredited)
Aysanoa Runachagua
Producer
Alberto Grimaldi
Original Music Composer
Ennio Morricone
Director of Photography
Tonino Delli Colli
Costume Design
Carlo Simi
Screenplay
Luciano Vincenzoni
Screenplay
Agenore Incrocci
Screenplay
Furio Scarpelli
Makeup Artist
Rino Carboni
Assistant Art Director
Carlo Leva
Production Design
Carlo Simi
Second Unit
Giancarlo Santi
Special Effects
Eros Bacciucchi
Stunts
Román Ariznavarreta
Special Effects
Giovanni Corridori
Production Supervisor
Aldo Pomilia
Production Manager
José Antonio Pérez Giner
Production Manager
Gray Frederickson
Assistant Director
Fabrizio Gianni
Camera Operator
Franco Di Giacomo
First Assistant Camera
Sergio Salvati
Still Photographer
Angelo Novi
Additional Dialogue
Sergio Donati
Color Timer
Neri Nazzareno
Music Director
Bruno Nicolai
John Chard
I'm looking for the owner of that horse. He's tall, blonde, he smokes a cigar, and he's a pig!
It's debatable of course, since there are legions of fans of the first two films in Sergio Leone's Dollars Trology, but with each film there not only came a longer running time, but also a rise in quality - debatable of course!
Here for the third and final part of the trilogy, Leone adds Eli Wallach to the established pairing of Lee Van Cleef and Clint Eastwood, and brings all his tools of the trade to the party. Plot is slight, the three principals are on a collision course to find some buried gold, with each man having varying degrees of scuzziness, so how will it pan out?
Such is the genius of the narrative, it's a fascinating journey to undertake. The characterisations are ripe and considered, the various traits and peccadilloes beautifully enhanced, and with Leone being Leone, there's no shortage of cruelty and humour. He also brings his style, the close ups, long shots and some outstanding framing of characters in various situations.
The story encompasses The Civil War, which pitches our leads into "The Battle of Branston Bridge", where here we get to see just how great Leone was at constructing full on battle sequences. It's exciting, thrilling and literally dynamite, whilst Aldo Giuffrè as Captain Clinton turns in some memorable support.
The Euro locations pass muster as the Wild West, superbly photographed by Tonino Delli Colli, and then of course there is Ennio Morricone's musical compositions. It's a score that has become as iconic as Eastwood's Man With No Name, a part of pop culture for ever more. It mocks the characters at times, energises them at others, whilst always us the audience are aurally gripped.
There's obviously some daft coincidences, this is after all pasta world, and the near three hour run time could be construed as indulgent. But here's the thing, those who love The Good, The Bad and the Ugly could quite easily stand for another hour of Leone's classic. I mean, more barbed dialogue, brutal violence and fun! Great, surely!
From the sublime arcade game like opening credit sequences, to the legendary cemetery stand-off at the finale, this is a Western deserving of the high standing it is held. 9/10
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