Byzantium


Byzantium

Trama:

Eleanor è una ragazza precoce a cui piace scrivere per raccontare storie. Di carattere introverso, preferisce trascorrere il tempo a mettere nero su bianco le sue riflessioni più intime. Sua 'sorella' Clara è l'esatto opposto: estroversa e appariscente, va in giro fasciata in abiti stretti e sui suoi tacchi alti, attirando lo sguardo degli uomini, ovunque lei vada. Sia Eleanor che Clara hanno dei segreti che appartengono al loro passato - un passato molto lungo: e così si scopre che ai tempi delle guerre Napoleoniche, Clara era coinvolta in una storia passionale, mentre Eleanor era una bambina abbandonata. Ai giorni nostri, entrambe cercano di tenere nascosti i loro segreti ai nuovi compagni, che non sospettano nulla. Eleanor si innamora di un ragazzo molto dolce che lavora come cameriere, mentre Clara frequenta un uomo che non sospetta nulla di lei e che ha appena ereditato il Byzantium Hotel, che ha visto giorni migliori.

Voti 524 (6,3/10)

Durata: 118 minuti

Data uscita 2012-09-09

Budget: $10,000,000.00

Incassi: $89,237.00

Tagline: Irresistibile. Immorale. Immortale.

Prodotto da:

  • WestEnd Films
  • Demarest Films
  • Lipsync Productions
  • Number 9 Films
  • Parallel Films
  • Screen Ireland

Paesi:

  • Ireland
  • United Kingdom
  • United States of America

Genere:

  • Dramma
  • Fantasy
  • Thriller

Trailer

Ulteriori Informazioni

Clara Webb
Gemma Arterton
Gemma Arterton
Eleanor Webb
Saoirse Ronan
Saoirse Ronan
Darvell
Sam Riley
Sam Riley
Ruthven
Jonny Lee Miller
Jonny Lee Miller
Noel
Daniel Mays
Daniel Mays
Gabi
Kate Ashfield
Kate Ashfield
Morag
Maria Doyle Kennedy
Maria Doyle Kennedy
Savella
Uri Gavriel
Uri Gavriel
Werner
Thure Lindhardt
Thure Lindhardt
Frank
Caleb Landry Jones
Caleb Landry Jones
Robert Fowlds
Barry Cassin
Barry Cassin
Lap Dancing Client
David Heap
David Heap
Gareth
Warren Brown
Warren Brown
Wendy
Ruby Snape
Ruby Snape
Barmaid
Jenny Kavanagh
Jenny Kavanagh
Steve
Glenn Doherty
Glenn Doherty
Nadia
Edyta Budnik
Edyta Budnik
Anya
Gabriela Marcinková
Gabriela Marcinková
Young Clara
Caroline Johns
Caroline Johns
Mrs. Strange
Christine Marzano
Christine Marzano
Mark
Jeff Mash
Jeff Mash
Old Lady in Hospital
Ronnie Masterson
Ronnie Masterson
Old Lady in Hotel
Patricia Loveland
Patricia Loveland
Kevin
Tom Hollander
Tom Hollander
Art Direction
Crispian Sallis
Crispian Sallis
Casting
Susie Figgis
Susie Figgis
Producer
Stephen Woolley
Stephen Woolley
Co-Producer
Redmond Morris
Redmond Morris
Director
Neil Jordan
Neil Jordan
Editor
Tony Lawson
Tony Lawson
Costume Design
Consolata Boyle
Consolata Boyle
Supervising Sound Editor
Mark Auguste
Mark Auguste
Original Music Composer
Javier Navarrete
Javier Navarrete
Supervising Art Director
Bill Crutcher
Bill Crutcher
Executive Producer
Sharon Harel
Sharon Harel
Production Manager
Mary Alleguen
Mary Alleguen
Director of Photography
Sean Bobbitt
Sean Bobbitt
Camera Operator
Sean Bobbitt
Sean Bobbitt
Executive Producer
Norman Merry
Norman Merry
Steadicam Operator
Paul Edwards
Paul Edwards
Producer
Alan Moloney
Alan Moloney
Screenplay
Moira Buffini
Moira Buffini
Theatre Play
Moira Buffini
Moira Buffini
Visual Effects Supervisor
Mark Nelmes
Mark Nelmes
Stunts
Heather Phillips
Heather Phillips
Producer
Elizabeth Karlsen
Elizabeth Karlsen
Producer
Sam Englebardt
Sam Englebardt
Production Design
Simon Elliott
Simon Elliott
Stunt Coordinator
Donal O'Farrell
Donal O'Farrell
Producer
William D. Johnson
William D. Johnson
Executive Producer
Ted O'Neal
Ted O'Neal
Costume Supervisor
Marion Weise
Marion Weise
Art Direction
Martin Goulding
Martin Goulding
Property Master
Paul Hedges
Paul Hedges
Sound Re-Recording Mixer
Paul Cotterell
Paul Cotterell
Visual Effects Producer
Ilona Blyth
Ilona Blyth
Wigmaker
Alex Rouse
Alex Rouse
Executive Producer
Danny Perkins
Danny Perkins
Visual Effects Producer
Lucy Tanner
Lucy Tanner
Dialogue Editor
Sam Auguste
Sam Auguste
Music Editor
Michael Connell
Michael Connell
Key Hairdresser
Lorraine Glynn
Lorraine Glynn
Key Hairdresser
Orla Carrol
Orla Carrol
Key Makeup Artist
Lynn Johnson
Lynn Johnson
Production Manager
Rachel Neale
Rachel Neale
Assistant Art Director
Louise Mathews
Louise Mathews
Sculptor
Edwin Ryan
Edwin Ryan
Sculptor
Graeme Bird
Graeme Bird
Sound Recordist
Brendan Deasy
Brendan Deasy
ADR Editor
Colin Ritchie
Colin Ritchie
Special Effects Coordinator
Kevin Byrne
Kevin Byrne
Visual Effects Editor
Cian O'Laoi
Cian O'Laoi
Gaffer
Brian Beaumont
Brian Beaumont
Camera Operator
Fionn Comerford
Fionn Comerford
Gaffer
Noel Cullen
Noel Cullen
Still Photographer
Christopher Raphael
Christopher Raphael
Still Photographer
Patrick Redmond
Patrick Redmond
Video Assist Operator
James Starr
James Starr
Video Assist Operator
Conor Lynch
Conor Lynch
First Assistant Editor
Jamie Turpin
Jamie Turpin
Location Manager
Maria O'Connor
Maria O'Connor
Location Manager
Colm Nolan
Colm Nolan
Location Manager
Casper Mills
Casper Mills
Unit Publicist
Vicky Grayson
Vicky Grayson
Line Producer
Patrick O'Donoghue
Patrick O'Donoghue
Visual Effects Supervisor
Tom Wood
Tom Wood
Post Production Supervisor
Lucie Graves
Lucie Graves
First Assistant Director
Tony Aherne
Tony Aherne
Stunts
Sian Milne
Sian Milne
Stunts
Belinda McGinley
Belinda McGinley
Executive Producer
Marc C. Manuel
Marc C. Manuel
Production Accountant
Niall Delaney
Niall Delaney

Reno

> The way I wanted like the old days, great! An Irish vampire movie, thus back to where the vampires were originated. There are no good vampire movies these days, all those are teen target products which are simply a fantasy flick. In the old days, its horror and terrifying ugly giant beasts, the werewolves were, but in the todays movies they are adorable giant wolves. It's either vampire movie or werewolf, the result is same. 'Twilight' or 'Vampire Academy' and others, just not my type, though watch them for entertainment and to keep up-to-date. The reason I watched it is for Saoirse Ronan, because I like her. But Gemma Arterton has been so good like always. To me this is what called a vampire movie. Of course, themes should vary from a movie to another, that does not mean one can completely abandon the basic theory. Neo-gothic is one of that, the present filmmakers forgets, because that kind of set-up gives Dracula effect. This film has been just like everything I wanted, so I enjoyed every bit. It is always great to see a movie that portrays the world over the span of 100 or more years. As usual survival and hiding the identity is the main intention for the concept. But from who (other than humans) and why is the suspense that reveals formally at the right time. If you like 'We're the Nights', then this is the right one to pick. But not great as 'Interview with the Vampire' was, in fact, it was directed by the same director. 7.5/10

Tiffany Lynn

With it's beautiful cinematography, steady pace, and understated acting, <i>Byzantium</i> is solid modern Gothic vampire tale. A bit reminiscent of <i>Interview with the Vampire</i> and <i>The Moth Diaries</i>, we see mother and daughter vampire in current day and through flashbacks and storytelling are told of how they came to be and the loneliness of their existence. <i>Byzantium</i> is a slow burn and never takes any drastic chances. It forgoes the cheese of many vampire films and remains melancholy throughout. This certainly won't be for everyone, yet there is definitely something worthy here.

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