Досконала журба


Досконала журба

Огляд:

Молодий поп-ідол (поп-співачка, в Японії не "зірки", а "ідоли", з усіма наслідками значення слова) Кірігое Міма, намагається перейти зі світу музики в індустрію ТБ-серіалів і реалізуватись як акторка. Але, схоже, не всім її прихильникам стало до вподоби таке її рішення, тож — почалося: дивний телефонний дзвінок, факс, лист з "сюрпризом". Та ще й в додачу, в древньому інтернеті часів Нетскейп Навігатора знайшлася її дивна персональна сторінка. Але співачка твердо вирішила йти до своєї мети, чого б це їй не вартувало.

Голосів 851 (8,2/10)

Час роботи: 80 хвилин

Дата випуску 1997-07-25

Доходи: $112,536.00

Компанія-виробник:

  • Rex Entertainment
  • Madhouse
  • Tokyo Laboratory

Виробництво країна:

  • Japan

Жанри:

  • Мультфільм
  • Трилер

Трейлер

Більш детальна інформація

Mima Kirigoe
Junko Iwao
Junko Iwao
Rumi
Rica Matsumoto
Rica Matsumoto
Tadokoro
Shinpachi Tsuji
Shinpachi Tsuji
Uchida the fan
Masaaki Ōkura
Masaaki Ōkura
Tejima
Yōsuke Akimoto
Yōsuke Akimoto
Shibuya
Yoku Shioya
Yoku Shioya
Sakuragi
Hideyuki Hori
Hideyuki Hori
Eri Ochiai
Emi Shinohara
Emi Shinohara
Kantoku
Kiyoyuki Yanada
Kiyoyuki Yanada
Yada
Tōru Furusawa
Tōru Furusawa
Rei
Shiho Niiyama
Shiho Niiyama
Yukiko
Emiko Furukawa
Emiko Furukawa
Mima's Mother
Aya Hara
Aya Hara
Taku
Shin-ichiro Miki
Shin-ichiro Miki
Child
Megumi Tano
Megumi Tano
Reader
Akio Suyama
Akio Suyama
Company Employee
Osamu Hosoi
Osamu Hosoi
Red
Kôichi Tôchika
Kôichi Tôchika
Child
Emi Motoi
Emi Motoi
Blue
Kishou Taniyama
Kishou Taniyama
Shikaisha / Kankyaku-tachi
Shokkâ Ôno
Shokkâ Ôno
Kankyaku-tachi
Rofuto Purasu Wan Burazâzu
Rofuto Purasu Wan Burazâzu
Reporter
Makoto Kitano
Makoto Kitano
Green
Soichiro Hoshi
Soichiro Hoshi
Murano (voice)
Masashi Ebara
Masashi Ebara
Director of Photography
Hisao Shirai
Hisao Shirai
Director
Satoshi Kon
Satoshi Kon
Art Direction
Nobutaka Ike
Nobutaka Ike
Screenplay
Sadayuki Murai
Sadayuki Murai
Producer
Hiroaki Inoue
Hiroaki Inoue
Novel
Yoshikazu Takeuchi
Yoshikazu Takeuchi
Music
Masahiro Ikumi
Masahiro Ikumi
Editor
Harutoshi Ogata
Harutoshi Ogata
Background Designer
Nizou Yamamoto
Nizou Yamamoto
Background Designer
Sachiko Kato
Sachiko Kato

Marr 🇳🇱

Just seen this on All Hallows' Eve. It's a bit old, but gold! I definitely have to rewatch this, because you just got to pay attention to 'know' what is happening and follow the story. I think you'd better understand/follow the story and that it will make more sense when you watch it a second time. The whole movie experience was pretty much like every time you think you got it all figured out, you learn something new and turn out to be all wrong. I loved all those twists and turns and the is-it-real-or-not feeling like, is it really REALLY happening? Is it really acting for her job as a actress, or is it all just a trick of the mind...

The Movie Diorama

Perfect Blue perfectly blends psychologically disturbed fantasy with grounded reality. Mima Kirigoe. A pop-idol. An actress. An X-rated model. Public image and its personifying echoes circulate around the world, adhering to the desires of endearing fans alike. But when their inspirational idol haphazardly shifts career, from pop sensation to dramatic actress, the psychosis of the modern consumer society ultimately changes with her. Saddened, angered and crazed. Mima’s abrupt persona altering career move may have developed maddened stalkers, including her fantastically imagined past self haunting the newly suppressed version. The late Satoshi Kon was known for seamlessly blending fantasy with reality. Depicting an opaque blurred line between delusions and actualities. None more so, than in his exaggerated psychologically disturbed work in Perfect Blue. For many the art form of Japanese animation, commonly titled as “anime”, is cited as “childish”. “Anime is for losers” tweeted kickboxer Andrew Tate. Well, if like Mr. Tate you believe anime to be childish, I implore you to watch Perfect Blue. Without illustrating the voyeuristic nature of Murai’s narrative, it is the most accessibly invigorating piece of psychological stimulation, that is strictly aimed towards adults, to ever be constructed from this art form. The complete metamorphosis of a character that questions her own perceived identity through inquisitional explicit acts of graphic nature. Exploring the psychosis of shared delusional disorder and the acute harassment of an obsessive stalker. Kon establishes a murder mystery whilst inciting the emasculation of a vulnerable female’s world. Male controllers, likened to manipulative deities of authoritative powers, are gradually weakened by a mysterious individual. Culminating into a twistingly fragmented climax that grants Mima the independence that she was repressed from. Kon’s intelligence in foreshadowing, the drama series ‘Double Bind’ essentially replicating Mima’s regressive state of mind, allows the audience to question several aspects. He smartly manages to maintain the central mystery without deterring from Mima’s mental instability. He doesn’t stop there though. Kon refuses to relinquish thematic presence in every frame. Exploring the fragility of a rape victim and the traumatisation of such an explicitly heightened ordeal. The dangers of online anonymity and the tarnishing of existing careers. Challenging the extremities of art in all its mediums. The realism of Perfect Blue is what forces its story to be so utterly terrifying. It’s not just a psychological thriller. It’s horror. Kon’s signature animation style is gloriously vibrant as always, with attentive detail towards realistic environments. The grotesque facial features of “Me-Mania”, only possible in this art form, heighten the natural malformed detest we have for him. Ikumi’s audacious score enables the heart to palpitate more frequently with its sharp tones and ethereal voices. And, as rare as this is, the English dub is surprisingly decent. The reality is that Perfect Blue transcends the medium that it is presented in. It stimulates through Kon’s trademark visceral style, allowing the dangers of early Internet culture to produce a thrilling psychologically adept feature that blurs fantasy with reality. I mean, for a film to make me stand up, clap my hands and utter the words “perfection”, it has to be something special right?. Well, Perfect Blue is special, because it is perfect. And yes, with that said it does indeed garner the perfect rating. Quite possibly the best anime feature to ever be released.

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