L'Homme De l'Arizona


L'Homme De l'Arizona

Vue d’ensemble :

Les aventures d'un fermier de l'Ouest, genre héros taciturne qui fait ce qu'il veut et n'est pas marié avec la mort. Retenue en otage avec une jeune femme, il va venir à bout d'un terrible gang...

Votes 49 (7,3/10)

Duree : 78 minutes

Date de sortie 1957-04-02

Société de production :

  • Columbia Pictures

Pays de production :

  • United States of America

Genres :

  • Thriller
  • Western

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Plus d’informations

Pat Brennan
Randolph Scott
Randolph Scott
Frank Usher
Richard Boone
Richard Boone
Doretta Mims
Maureen O'Sullivan
Maureen O'Sullivan
Ed Rintoon
Arthur Hunnicutt
Arthur Hunnicutt
Billy Jack
Skip Homeier
Skip Homeier
Chink
Henry Silva
Henry Silva
Willard Mims
John Hubbard
John Hubbard
Tenvoorde
Robert Burton
Robert Burton
Jace (uncredited)
Robert Anderson
Robert Anderson
Townsman (uncredited)
Dick Johnstone
Dick Johnstone
Townswoman (uncredited)
Ann Kunde
Ann Kunde
Jeff (uncredited)
Christopher Olsen
Christopher Olsen
Hank Parker (uncredited)
Fred Sherman
Fred Sherman
Producer
Randolph Scott
Randolph Scott
Story
Elmore Leonard
Elmore Leonard
Producer
Harry Joe Brown
Harry Joe Brown
Director
Budd Boetticher
Budd Boetticher
Director of Photography
Charles Lawton Jr.
Charles Lawton Jr.
Screenplay
Burt Kennedy
Burt Kennedy
Set Decoration
Frank Tuttle
Frank Tuttle
Original Music Composer
Heinz Roemheld
Heinz Roemheld
Art Direction
George Brooks
George Brooks
Editor
Al Clark
Al Clark

talisencrw

This had both an excellent cast and was exciting from start to finish. I was curious about it when I saw it at #55 in my highly recommended copy of 'The Editors of American Cowboy Magazine's The Top 100 Western Movies of All Time'. Before I saw this, I had only seen a few of the Westerns Boetticher made with Randolph Scott; I had no other experience with the director. But this is marvelous--top-tier alongside the similarly great 'Buchanan Rides Alone'. I noticed in the comments section that others noted the short running time, and that there wasn't an ounce of fat on the film. They're right. The vast majority of filmmakers today could easily learn a thing or two from watching these fine collaborations. It was very weird for me, after seeing the gorgeous Maureen O'Sullivan star in the daringly sexually provocative pre-Code 'Tarzan and His Mate' be considered by her co-stars here, 23 years later, a very plain-looking old maid, and it was both bizarre (since when I have seen him in these 50's Westerns, he hasn't really been the romancing type) and awesome seeing Randolph Scott take a shining to her on her wedding night (to another man, lol!). Oh, to be alive and make films in that fine filmmaking era!

John Chard

T for Taut! Pat Brennan loses his horse in a bet and is forced to hit the trail on foot. Thinking his luck has turned, he manages to hitch a ride on a stagecoach carrying newlyweds, the Mims'. However, his luck is short lived as the stagecoach is held up by three hot headed outlaws who are surprised to find that this isn't the stagecoach they were hoping to rob. Things take a dastardly turn when the thieves learn that Doretta Mims is the daughter of a wealthy copper mine owner, sensing an opportunity for ransom the thieves start to make plans, but do they really think Brennan is going to sit by and watch this happen? And can he outwit three deadly men all on his own? Based on the Elmore Leonard story, The Captive, The Tall T is a smashing and suspenseful Western brought to us by the excellent director/actor team of Budd Boetticher and Randolph Scott. Not without humour either, it's however a serious psychological piece that looks at the complexities of the good and bad characters struggling amidst the sprawling Western backdrop. What sticks out here as a real positive is that Brennan is clearly not the stronger man as opposed to his captors, led by the fearsome Usher (a wonderful Richard Boone), the trio of outlaws are leaner and more devil may care, but have they got the wits that Brennan possesses? This is the key issue in this picture, and it certainly begs for more scrutiny. The Tall T has garnered something of a cult following over the years, since Clint Eastwood's Unforgiven reignited interest in "Adult Westerns", it has thankfully been reappraised by critics and Western fans alike, the result is a resounding thumbs up. 8.5/10

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