Pineapple Express


Pineapple Express

بررسی اجمالی:

بررسی اجمالی در این زبان در دسترس است.

رای 2728 (6/6/10)

زمان اجرا: 111 دقیقه

تاریخ انتشار 2008-08-06

بودجه: $27,000,000.00

درآمد: $101,624,843.00

وب سایت: Link

تولید شرکت:

  • Columbia Pictures
  • Apatow Productions
  • Relativity Media
  • Sony Pictures

تولید کشور:

  • United States of America

نوعهای:

  • Action
  • Comedy
  • Crime

تریلر

اطلاعات بیشتر

Dale Denton
Seth Rogen
Seth Rogen
Saul Silver
James Franco
James Franco
Ted
Gary Cole
Gary Cole
Red
Danny McBride
Danny McBride
Carol
Rosie Perez
Rosie Perez
Budlofsky
Kevin Corrigan
Kevin Corrigan
Matheson
Craig Robinson
Craig Robinson
Angie Anderson
Amber Heard
Amber Heard
Mr. Edwards
Joe Lo Truglio
Joe Lo Truglio
Ack
Adam Crosby
Adam Crosby
Cheung
Dana Lee
Dana Lee
Carrie Longwood
Brian Scannell
Brian Scannell
Robert
Ed Begley Jr.
Ed Begley Jr.
Shannon
Nora Dunn
Nora Dunn
Clark
Arthur Napiontek
Arthur Napiontek
Police Liaison Officer
Cleo King
Cleo King
Private Miller
Bill Hader
Bill Hader
General Bratt
James Remar
James Remar
Ken
Ken Jeong
Ken Jeong
Bobby
Bobby Lee
Bobby Lee
Faye Belogus
Connie Sawyer
Connie Sawyer
Cop with Mole
David McDivitt
David McDivitt
Mrs. Mendelson
Mae LaBorde
Mae LaBorde
Walt
John Robert Tramutola
John Robert Tramutola
Blake
Andrew Heald
Andrew Heald
Sandra Danby
Jeannetta Arnette
Jeannetta Arnette
Scientist
Jonathan Spencer
Jonathan Spencer
Mark
Howard S. Lefstein
Howard S. Lefstein
Dr. Terrence
Robert Longstreet
Robert Longstreet
Old Woman
Kendall Carly Browne
Kendall Carly Browne
Guy in Car
Omar Leyva
Omar Leyva
Xerox Secretary
Sam Carson
Sam Carson
Walter - Accountant
Jack Kehler
Jack Kehler
Peter - Thug
Peter Lewis
Peter Lewis
Jared - Thug
Steve Bannos
Steve Bannos
Lance - Thug
Eddie Rouse
Eddie Rouse
Thug
Brian Scannell
Brian Scannell
Troy (uncredited)
Troy Gentile
Troy Gentile
Assassin (uncredited)
Jourdan Lee
Jourdan Lee
Original Music Composer
Graeme Revell
Graeme Revell
Casting
Billy Hopkins
Billy Hopkins
Casting
Kerry Barden
Kerry Barden
Editor
Craig Alpert
Craig Alpert
Foley Artist
Vincent Guisetti
Vincent Guisetti
Set Decoration
Bob Kensinger
Bob Kensinger
Supervising Sound Editor
George H. Anderson
George H. Anderson
Screenplay
Seth Rogen
Seth Rogen
Executive Producer
Seth Rogen
Seth Rogen
Story
Seth Rogen
Seth Rogen
Costume Design
John Dunn
John Dunn
Producer
Judd Apatow
Judd Apatow
Story
Judd Apatow
Judd Apatow
Producer
Shauna Robertson
Shauna Robertson
Production Design
Chris L. Spellman
Chris L. Spellman
Screenplay
Evan Goldberg
Evan Goldberg
Executive Producer
Evan Goldberg
Evan Goldberg
Story
Evan Goldberg
Evan Goldberg
Sound Re-Recording Mixer
David Giammarco
David Giammarco
Director
David Gordon Green
David Gordon Green
Director of Photography
Tim Orr
Tim Orr
Sound Re-Recording Mixer
Michael O'Farrell
Michael O'Farrell
Stunt Coordinator
Gary Hymes
Gary Hymes
Sound Effects Editor
Cindy Marty
Cindy Marty
Key Hair Stylist
Soo-Jin Yoon
Soo-Jin Yoon
Dialogue Editor
Michael Haight
Michael Haight
Casting
Suzanne Crowley
Suzanne Crowley
Music Editor
Jonathan Karp
Jonathan Karp
Music Supervisor
Jonathan Karp
Jonathan Karp
First Assistant Editor
Colin Patton
Colin Patton
Second Second Assistant Director
Peter Dress
Peter Dress
Dialogue Editor
James Matheny
James Matheny
Supervising ADR Editor
Larry Kemp
Larry Kemp
Foley Artist
Pamela Kahn
Pamela Kahn
Foley Mixer
Kyle Rochlin
Kyle Rochlin
Stunt Coordinator
Mike Smith
Mike Smith
Hair Department Head
Melissa Yonkey
Melissa Yonkey
ADR Mixer
Howard London
Howard London
Still Photographer
Darren Michaels
Darren Michaels
Script Supervisor
Ronit Ravich-Boss
Ronit Ravich-Boss
Production Sound Mixer
Christof Gebert
Christof Gebert
Production Coordinator
Tom Carson
Tom Carson
Foley Editor
Bruce Lacey
Bruce Lacey

David

When it comes to comedy, I'm like a patchwork. My favourite kind is the one I grew up with which is the Looney Tunes cartoons. I can watch them over and over again, and I will always laugh. I also love dark British humour, slapstick, and wait for it.... American. American humour (especially these days) gets derided, most often due to it being "dumbed down" so the collegiate set can understand it, often using toilet humour as its best punchline. I somewhat disagree, I say that the humour people use between themselves is what drives movies made by Judd Apatow & co. Take Pineapple Express for example, this movie seems on some level to be fairly realistic. I use that term very loosely, because of course many things that happen in this film, could, and should never happen. Anyhow, the comedy, the dialogue, the fight sequences, and other interactions between the characters are the reasons I think make it feel this way. The fight sequences aren't ones that I could say seem all that choreographed, of course there are "X" spots they need to hit, but for the most part I think it is done on the fly, or like much of the comedy, improvised. Pineapple Express follows the story of a process server Dale Denton (Rogen), & his pot dealer Saul Silver (Franco), as they avoid henchmen (Robinson & Corrigan) of Ted Jones (Cole), Marijuana kingpin of L.A. after Dale witnesses a murder Ted commits. With a corrupt cop on the take (Perez) also on the hunt, staying alive for the buyer & supplier turned stoner buddies becomes an adventure of friendship as well as appreciation of the relationships built by people in this lifestyle. The name Pineapple Express comes from the name of the variety of weed Saul introduces to Dale. I enjoy this movie because of the old fashioned approach taken to deliver the laughs and the story, and the characters feel very relatable to almost anyone on some level.

Kamurai

Decent watch, probably won't watch it again, but can recommend. I'll be upfront, while it's not really for me, I think most people will enjoy this movie, if for nothing else, then the idiot banter. Franco's a good actor, but sometimes he and Seth put too much of themselves in the movie, and it gets worse when they're together on screen. This basically looks like they just took what they do hanging out on a Friday sometimes and put it on screen in places, basically anytime the action dies down and they start to lean into the lull. The first story that gets interrupted by the main plot, could easily have it's own movie, romantic comedy or drama: an older man, legitimately and legally dating a high school girl has a LOT of situations to it, and has amazing potential. Once it gets interrupted by the "on the lamb" trope, I would have honestly thought it would disappear as it would in most movies, or at worst, she would show up looking for him or to get something from his place and get abducted. The re-return to the original story line is almost funny enough itself in concept, but in actuality I just end up waiting to get back to the movie, and they do things like that throughout the entire movie. It is conceivable when things are happening to the main characters that derail them, but when they're actively derailing themselves, then it just gets sad. You start to question things that you shouldn't, and it's not even because they're high, as they directly have a conversation about how the weed is really bad for them, given everything that is happening. I'm not a fan of drug humor, or abuse humor (usually), and everything that isn't that is so ridiculous that it's hard to like. There are good jokes woven in here, but a lot of this is "I wanted to make a movie with my buddy while we act like idiots", and as a fan of Kevin Smith, I respect that, but that should put you in the frame of mind that this isn't a top tier movie, and Kevin Smith writes better dialogue.

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