بین ستاره‌ای


بین ستاره‌ای

بررسی اجمالی:

یک گروه از جستجو گران با استفاده از یک سیاه چاله که به تازگی کشف شده است توانستند محدودیت های انسان در سفر های فضایی را از بین ببرند و امکان سفر به مکان های دورتر را فراهم آورند …

رای 20822 (8/3/10)

زمان اجرا: 169 دقیقه

تاریخ انتشار 2014-11-05

بودجه: $165,000,000.00

درآمد: $675,120,017.00

وب سایت: Link

تولید شرکت:

  • Legendary Entertainment
  • Syncopy
  • Lynda Obst Productions

تولید کشور:

  • United Kingdom
  • United States of America

نوعهای:

  • Adventure
  • Drama
  • Science Fiction

تریلر

اطلاعات بیشتر

Joseph "Coop" Cooper
Matthew McConaughey
Matthew McConaughey
Murphy "Murph" Cooper
Jessica Chastain
Jessica Chastain
Dr. Amelia Brand
Anne Hathaway
Anne Hathaway
Professor John Brand
Michael Caine
Michael Caine
Tom Cooper
Casey Affleck
Casey Affleck
Young Murph Cooper
Mackenzie Foy
Mackenzie Foy
Young Tom Cooper
Timothée Chalamet
Timothée Chalamet
TARS (voice)
Bill Irwin
Bill Irwin
Dr. Mann
Matt Damon
Matt Damon
Old Murph Cooper
Ellen Burstyn
Ellen Burstyn
Donald
John Lithgow
John Lithgow
Dr. Doyle
Wes Bentley
Wes Bentley
Getty
Topher Grace
Topher Grace
Principal
David Oyelowo
David Oyelowo
Dr. Romilly
David Gyasi
David Gyasi
NASA Board Member
William Devane
William Devane
CASE (voice)
Josh Stewart
Josh Stewart
Ms. Kelly
Collette Wolfe
Collette Wolfe
Lois Cooper
Leah Cairns
Leah Cairns
Crew Chief
Russ Fega
Russ Fega
Nurse Practitioner
Lena Georgas
Lena Georgas
Doctor
Jeff Hephner
Jeff Hephner
Administrator
Elyes Gabel
Elyes Gabel
Nurse
Brooke Smith
Brooke Smith
Coop
Liam Dickinson
Liam Dickinson
Boots
Francis X. McCarthy
Francis X. McCarthy
Smith
Andrew Borba
Andrew Borba
Girl on Truck
Flora Nolan
Flora Nolan
NASA Employee (uncredited)
William Patrick Brown
William Patrick Brown
NASA Scientist (uncredited)
Cici Leah Campbell
Cici Leah Campbell
Scientist (uncredited)
Kristian Van der Heyden
Kristian Van der Heyden
NASA Inspector (uncredited)
Mark Casimir Dyniewicz
Mark Casimir Dyniewicz
Astronaut (uncredited)
Joseph Oliveira
Joseph Oliveira
Popcorn Seller (uncredited)
Ryan Irving
Ryan Irving
Construction Boss (uncredited)
Alexander Michael Helisek
Alexander Michael Helisek
NASA Scientist (uncredited)
Benjamin Hardy
Benjamin Hardy
Boy on Truck
Griffen Fraser
Griffen Fraser
Original Music Composer
Hans Zimmer
Hans Zimmer
Director
Christopher Nolan
Christopher Nolan
Producer
Christopher Nolan
Christopher Nolan
Writer
Christopher Nolan
Christopher Nolan
Writer
Jonathan Nolan
Jonathan Nolan
Producer
Emma Thomas
Emma Thomas
Casting
John Papsidera
John Papsidera
Producer
Lynda Obst
Lynda Obst
Editor
Lee Smith
Lee Smith
Special Effects Technician
Ryan Arndt
Ryan Arndt
Costume Design
Mary Zophres
Mary Zophres
Conductor
Richard Harvey
Richard Harvey
Set Designer
Robert Woodruff
Robert Woodruff
Art Direction
David F. Klassen
David F. Klassen
Production Design
Nathan Crowley
Nathan Crowley
Modeling
Gregory Jein
Gregory Jein
Production Manager
Casey Grant
Casey Grant
Special Effects
Gary Paller
Gary Paller
Art Direction
Gary Kosko
Gary Kosko
Set Designer
Sally Thornton
Sally Thornton
Executive Producer
Jake Myers
Jake Myers
Sculptor
Craig Abele
Craig Abele
Dialogue Editor
R.J. Kizer
R.J. Kizer
Executive Producer
Thomas Tull
Thomas Tull
Rigging Grip
Matt Almas
Matt Almas
Stunts
Steve DeCastro
Steve DeCastro
Set Costumer
Mary Hyde-Kerr
Mary Hyde-Kerr
Set Decoration
Gary Fettis
Gary Fettis
Orchestrator
Kevin Kaska
Kevin Kaska
Concept Artist
Steve Burg
Steve Burg
Director of Photography
Hoyte van Hoytema
Hoyte van Hoytema
Executive Producer
Jordan Goldberg
Jordan Goldberg
Set Designer
Paul Sonski
Paul Sonski
Unit Production Manager
Daniel M. Stillman
Daniel M. Stillman
First Assistant Editor
Laura Rindner
Laura Rindner
Sculptor
Todd Rex
Todd Rex
Post Production Assistant
Jeremy Gladen
Jeremy Gladen
Visual Effects Coordinator
Tyler Ott
Tyler Ott
Sound Re-Recording Mixer
Gary Rizzo
Gary Rizzo
Thanks
Ken Burns
Ken Burns
Set Production Assistant
Mitchell Kelly
Mitchell Kelly
Grip
Alex Kuchera
Alex Kuchera
Orchestrator
Bruce Fowler
Bruce Fowler
Assistant Editor
William Fletcher
William Fletcher
Supervising Art Director
Dean Wolcott
Dean Wolcott
Construction Foreman
Charlie Campbell
Charlie Campbell
Art Direction
Eric Sundahl
Eric Sundahl
Set Designer
Eric Sundahl
Eric Sundahl
Casting Associate
Deanna Brigidi
Deanna Brigidi
Art Direction
Eggert Ketilsson
Eggert Ketilsson
Stunts
Terry Jackson
Terry Jackson
Thanks
Dayton Duncan
Dayton Duncan
Dialogue Editor
Hugo Weng
Hugo Weng
Boom Operator
Michael Primmer
Michael Primmer
Stunt Coordinator
George Cottle
George Cottle
Second Assistant Director
Gary Hawes
Gary Hawes
Foley
John Roesch
John Roesch
Transportation Captain
Tyler Miller
Tyler Miller
Executive Producer
Kip Thorne
Kip Thorne
Stunts
Alicia Vela-Bailey
Alicia Vela-Bailey
Grip
Erik F. Hill
Erik F. Hill
Stunts
Michael Li
Michael Li
Stunts
Mark Norby
Mark Norby
Makeup Department Head
Luisa Abel
Luisa Abel
Still Photographer
Melinda Sue Gordon
Melinda Sue Gordon
Art Direction
Kendelle Elliott
Kendelle Elliott
Costume Supervisor
Lynda Foote
Lynda Foote
Art Direction
Josh Lusby
Josh Lusby
Stunts
Edward A. Duran
Edward A. Duran
Supervising Sound Editor
Richard King
Richard King
Sound Re-Recording Mixer
Gregg Landaker
Gregg Landaker
Location Manager
Mandi Dillin
Mandi Dillin
Sculptor
Cuitlahuac Morales Velazquez
Cuitlahuac Morales Velazquez
Special Effects Supervisor
Scott R. Fisher
Scott R. Fisher
Camera Operator
P. Scott Sakamoto
P. Scott Sakamoto
Transportation Coordinator
Denny Caira
Denny Caira
Set Designer
Noelle King
Noelle King
Digital Compositor
Luis Tinoco
Luis Tinoco
Sound Effects Editor
Michael W. Mitchell
Michael W. Mitchell
Sound Effects Editor
Ken J. Johnson
Ken J. Johnson
Special Effects Coordinator
James Paradis
James Paradis
Pilot
Craig Hosking
Craig Hosking
Executive Visual Effects Producer
Kimberly Nelson LoCascio
Kimberly Nelson LoCascio
Visual Effects Supervisor
Ian Hunter
Ian Hunter
Special Effects
Jeffrey Butterworth
Jeffrey Butterworth
Set Designer
Martha Johnston
Martha Johnston
Visual Effects Producer
David Sanger
David Sanger
Art Department Coordinator
Jenne Lee
Jenne Lee
Foley
Alyson Dee Moore
Alyson Dee Moore
Helicopter Camera
Hans Bjerno
Hans Bjerno
Set Designer
Ernie Avila
Ernie Avila
Set Designer
Andrew Birdzell
Andrew Birdzell
Production Supervisor
Michelle Brattson
Michelle Brattson
Sculptor
Dan Engle
Dan Engle
Musician
Frank Ricotti
Frank Ricotti
Stunts
Frank Torres
Frank Torres
Sculptor
Duncan Crawford
Duncan Crawford
Set Costumer
Sahar Halabi
Sahar Halabi
Visual Effects Producer
Kevin Elam
Kevin Elam
Music Editor
Alex Gibson
Alex Gibson
Lighting Technician
Dustin Gardner
Dustin Gardner
Makeup Artist
Jay Wejebe
Jay Wejebe
Visual Effects Producer
Ann Podlozny
Ann Podlozny
Rigging Gaffer
John R. Manocchia
John R. Manocchia
Assistant Editor
Jackson Yu
Jackson Yu
Production Accountant
Gene Strange
Gene Strange
Greensman
Christopher Morente
Christopher Morente
Hairstylist
Patricia DeHaney
Patricia DeHaney
Additional Sound Re-Recording Mixer
Michael Babcock
Michael Babcock
Sound Effects Editor
Jeff Sawyer
Jeff Sawyer
Visual Effects Editor
Steve Miller
Steve Miller
Visual Effects Supervisor
Paul J. Franklin
Paul J. Franklin
Visual Effects Supervisor
Andrew Lockley
Andrew Lockley
Camera Technician
Dane Bjerno
Dane Bjerno
Animation
Andrew McEvoy
Andrew McEvoy
First Assistant Editor
Eric A. Lewy
Eric A. Lewy
Music Editor
Ryan Rubin
Ryan Rubin
Hairstylist
Jose Zamora
Jose Zamora
Costume Supervisor
Heather Moore
Heather Moore
Construction Coordinator
Craig Henderson
Craig Henderson
Assistant Art Director
Lauren Abiouness
Lauren Abiouness
Construction Coordinator
Brian Walker
Brian Walker
Set Decoration
Paul Healy
Paul Healy
Set Costumer
Tom Cummins
Tom Cummins
Color Timer
Mato
Mato
VFX Artist
Pete Polyakov
Pete Polyakov
Rigging Gaffer
Sean Oxenbury
Sean Oxenbury
Assistant Editor
Donald Likovich
Donald Likovich
Makeup Artist
Pearl Louie
Pearl Louie
Dialect Coach
Rick Lipton
Rick Lipton
Art Department Coordinator
Joel Tobman
Joel Tobman
Assistant Art Director
Travis Witkowski
Travis Witkowski
Greensman
Nathan Davey
Nathan Davey
Greensman
Steven Hanks
Steven Hanks
Greensman
Darryl Stogre
Darryl Stogre
Leadman
Mark Weissenfluh
Mark Weissenfluh
Property Master
Ritchie Kremer
Ritchie Kremer
First Assistant Sound Editor
Andrew Bock
Andrew Bock
First Assistant Sound Editor
Linda Yeaney
Linda Yeaney
CG Supervisor
Dan Neal
Dan Neal
CG Supervisor
Eugénie von Tunzelmann
Eugénie von Tunzelmann
Sequence Supervisor
Fabio Zangla
Fabio Zangla
Sequence Supervisor
Seth Dubieniec
Seth Dubieniec
Animation
Evan Clover
Evan Clover
Animation
Trystan James
Trystan James
Visual Effects Editor
Tom Barrett
Tom Barrett
Animation
Lai Lok Chau
Lai Lok Chau
Animation
Dorian Knapp
Dorian Knapp
Animation
Gábor Kiss
Gábor Kiss
Visual Effects Editor
Crystal Hadcroft
Crystal Hadcroft
Line Producer
Graeme Puttock
Graeme Puttock
Visual Effects Producer
Graeme Puttock
Graeme Puttock
Line Producer
Jenny Basen
Jenny Basen
Visual Effects Producer
Jenny Basen
Jenny Basen
Line Producer
Harrison Goldstein
Harrison Goldstein
Visual Effects Producer
Harrison Goldstein
Harrison Goldstein
Gaffer
Harold Skinner
Harold Skinner
Gaffer
Martin Keough
Martin Keough
Set Costumer
Mark Avery
Mark Avery
Set Costumer
Leigh Bell
Leigh Bell
Set Costumer
Kelly Porter
Kelly Porter
Location Manager
Bruce L. Brownstein
Bruce L. Brownstein
Compositor
Kalle Peterson
Kalle Peterson
Casting
Dixie Webster
Dixie Webster
Second Second Assistant Director
Gregory J. Pawlik Jr.
Gregory J. Pawlik Jr.
Rigging Grip
Chris Duffy
Chris Duffy
First Assistant "A" Camera
Gregory Irwin
Gregory Irwin
Visual Effects Coordinator
Linda Barsotti
Linda Barsotti
First Assistant "B" Camera
Philip Shanahan
Philip Shanahan
Stunts
Dan Brown
Dan Brown
Rigging Grip
Bernie Hagadorn
Bernie Hagadorn
Stunts
Mark Fichera
Mark Fichera
Visual Effects Coordinator
Sze Jia Eng
Sze Jia Eng
Electrician
Paul Postal
Paul Postal
Assistant Editor
Paula Suhy
Paula Suhy
Rigging Grip
Jose F. Barrios
Jose F. Barrios
Special Effects Technician
Neil Garland
Neil Garland
Sound Mixer
Mark Weingarten
Mark Weingarten
First Assistant Camera
Doug Lavender
Doug Lavender
Key Hair Stylist
John Isaacs
John Isaacs
Coordinating Producer
Jill Christensen
Jill Christensen
Executive In Charge Of Production
Mark Scoon
Mark Scoon
Stunts
Aaron Toney
Aaron Toney
First Assistant Director
Nilo Otero
Nilo Otero
Stunts
Kevin Abercrombie
Kevin Abercrombie
Post Production Supervisor
David E. Hall
David E. Hall
Stunt Coordinator
Laura Lee Connery
Laura Lee Connery
Dolly Grip
George Santo Pietro
George Santo Pietro
Associate Editor
John Lee
John Lee
Production Office Assistant
Frank Reina
Frank Reina
Rigging Grip
Don Domino
Don Domino
Set Decoration
Helen Kozora
Helen Kozora
Conductor
Gavin Greenaway
Gavin Greenaway
Rotoscoping Artist
Matt Cameron
Matt Cameron
Key Rigging Grip
Oscar Gomez
Oscar Gomez
Key Grip
Herb Ault
Herb Ault
Scoring Mixer
Alan Meyerson
Alan Meyerson
Visual Effects Production Assistant
Tien Nguyen
Tien Nguyen
Video Assist Operator
Alex M. Cacciarelli
Alex M. Cacciarelli
Score Engineer
Leland Cox
Leland Cox
Orchestrator
Andrew Kinney
Andrew Kinney
Property Master
Ken Wills
Ken Wills
Scoring Mixer
Geoff Foster
Geoff Foster
Musician
David Arch
David Arch
Costumer
Laura Wong
Laura Wong
Unit Production Manager
Birna Paulina Einarsdóttir
Birna Paulina Einarsdóttir
Driver
Kevin Caira
Kevin Caira
Digital Compositor
Laide Agunbiade
Laide Agunbiade
Lead Painter
Mike Larrabee
Mike Larrabee
Pilot
David Paris
David Paris
Grip
Jeffrey A. Johnson
Jeffrey A. Johnson
Production Controller
Helen Medrano
Helen Medrano
Assistant Accountant
Linda Griffis
Linda Griffis
Set Medic
Kevin A. Canamar
Kevin A. Canamar
Orchestrator
Carl Rydlund
Carl Rydlund
Musician
Mark Berrow
Mark Berrow
Negative Cutter
Mo Henry
Mo Henry
Assistant Accountant
Anthea Strangis
Anthea Strangis
Grip
Robert Ikeda
Robert Ikeda
Driver
Bruce Toy
Bruce Toy
Dolly Grip
Peter Clemence
Peter Clemence
Costumer
Kimberly Lennox
Kimberly Lennox
Musician
Steve Mair
Steve Mair
Supervising Producer
Debbie Schwab
Debbie Schwab
Epk Camera Operator
Sean Ricigliano
Sean Ricigliano
Rigging Grip
Hugh McCallum
Hugh McCallum
Rotoscoping Artist
Sammy Wu
Sammy Wu
Key Grip
John Kuchera
John Kuchera
Dolly Grip
Tim Milligan
Tim Milligan
Still Photographer
Michelle Faye
Michelle Faye
Second Assistant "B" Camera
Dan Schroer
Dan Schroer
Post Production Assistant
Katrina Carrasco
Katrina Carrasco
Visual Effects Assistant Editor
Scott Wesley Ross
Scott Wesley Ross
Dolly Grip
Ryan Monro
Ryan Monro
Stunts
Sean Morrissey
Sean Morrissey
Stunts
Marie Fink
Marie Fink
Special Effects
Amanda Paller
Amanda Paller
Lighting Technician
Egill Antonsson
Egill Antonsson
Special Effects
Don Dolan
Don Dolan
Rigging Grip
Jeff Therieau
Jeff Therieau
Digital Compositor
Jaume Creus
Jaume Creus
Makeup Artist
Kentaro Yano
Kentaro Yano
Prosthetics
Kentaro Yano
Kentaro Yano
VFX Director of Photography
Tim Angulo
Tim Angulo
Third Assistant Director
Megan Shank
Megan Shank
Set Production Assistant
Scott Corban Sikma
Scott Corban Sikma
Set Medic
Mark Blaydes
Mark Blaydes
Set Production Assistant
Kate Hennessy
Kate Hennessy
Visual Effects Coordinator
Maximillian McNair MacEwan
Maximillian McNair MacEwan
Matchmove Supervisor
Simon Pynn
Simon Pynn
Grip
Nick Liampetchakul
Nick Liampetchakul
Electrician
Jerardo Gomez
Jerardo Gomez
Thanks
Kzar Torres
Kzar Torres
Negative Cutter
Jim Hall
Jim Hall
Visual Effects Coordinator
Katie Stetson
Katie Stetson
Pre-Visualization Supervisor
Faraz Hameed
Faraz Hameed
Visual Effects Coordinator
Mariluz Noto
Mariluz Noto
Visual Effects Coordinator
Monica Østbø Østgård
Monica Østbø Østgård
Visual Effects Technical Director
Junaid Syed
Junaid Syed
Color Assistant
Sam Horgan
Sam Horgan
Compositor
Camille Paleni
Camille Paleni
Musician
Rachel Bolt
Rachel Bolt
ADR Mixer
Thomas J. O'Connell
Thomas J. O'Connell
Musician
Nicholas Bucknall
Nicholas Bucknall
Musician
Anna Noakes
Anna Noakes
Musician
Boguslav Kostecki
Boguslav Kostecki
Musician
Tom Pigott Smith
Tom Pigott Smith
Musician
Mary Scully
Mary Scully
Costumer
Maureen O'Heron
Maureen O'Heron
Negative Cutter
Todd Baillere
Todd Baillere
Music Consultant
Czarina Russell
Czarina Russell
Visual Effects Coordinator
Gretel Ng
Gretel Ng
Digital Compositor
Nic Hodgkinson
Nic Hodgkinson
Visual Effects Production Manager
Allison Gardner
Allison Gardner
Score Engineer
Stephanie McNally
Stephanie McNally
Compositing Lead
Blake Winder
Blake Winder
Costumer
Leticia Sandoval
Leticia Sandoval
Assistant Property Master
Curtis Corbitt
Curtis Corbitt
Modeling
Adam Mull
Adam Mull
Key Costumer
Robin Borman-Wizan
Robin Borman-Wizan
Stunts
Jess King
Jess King
Art Direction
Agata Maliauka
Agata Maliauka
Lighting Technician
Amelia Doescher
Amelia Doescher
Second Assistant Director
Brandon Lambdin
Brandon Lambdin
VFX Artist
Carl Fairweather
Carl Fairweather
Matte Painter
Bret Lu
Bret Lu
Assistant Camera
Brian Mussetter
Brian Mussetter
Grip
Don Telles
Don Telles
Second Assistant "A" Camera
Tulio Duenas
Tulio Duenas
Visual Effects Coordinator
Timothy Trimmings
Timothy Trimmings
Stunts
Diz Sharpe
Diz Sharpe
Technical Advisor
Marsha Ivins
Marsha Ivins
Loader
Jonathan Clark
Jonathan Clark
Rotoscoping Artist
Abhishek Chaturvedi
Abhishek Chaturvedi
Grip
Chris Cotterman
Chris Cotterman
Rigging Grip
Jonathan Gomez
Jonathan Gomez
Matte Painter
Sullivan Richard
Sullivan Richard
Visual Effects Editor
Simon J. Williams
Simon J. Williams
Video Assist Operator
Mike Pickel
Mike Pickel
On Set Dresser
Tom Callinicos
Tom Callinicos
Grip
Donald Jones
Donald Jones
Digital Effects Supervisor
Jeffrey Jasper
Jeffrey Jasper
Rotoscoping Artist
Mary Mullan
Mary Mullan
Best Boy Grip
Shannon Deats
Shannon Deats
Transportation Coordinator
Grant McPhee
Grant McPhee
Score Engineer
Chuck Choi
Chuck Choi
Grip
Brandon Flohr
Brandon Flohr
Props
Brent Heyning
Brent Heyning
Coordinating Producer
Kim Goddard-Rains
Kim Goddard-Rains
Coordinating Producer
Inga Bjork Solnes
Inga Bjork Solnes
Stunts
Greg Harris
Greg Harris
Thanks
Michael Benton Adler
Michael Benton Adler
Thanks
Albert Nolasco
Albert Nolasco
Additional Production Assistant
Allissoon Lockhart
Allissoon Lockhart
Additional Second Assistant Director
Dillon Neaman
Dillon Neaman
Art Department Coordinator
Emily Kwong
Emily Kwong
Assistant Accountant
Jill Hahn
Jill Hahn
Assistant Accountant
Edward V. Pannozzo
Edward V. Pannozzo
Assistant Accountant
Lisa Kisner
Lisa Kisner
Assistant Accountant
Pamela DesVigne
Pamela DesVigne
Assistant Accountant
Brenda McClellan
Brenda McClellan
Assistant Accountant
Stefani Rockwell
Stefani Rockwell
Assistant Accountant
Vicki Platero
Vicki Platero
Assistant Location Manager
Justin Harrold
Justin Harrold
Assistant Location Manager
Lori Russell
Lori Russell
Assistant Location Manager
Michael Glaser
Michael Glaser
Assistant Location Manager
Jorge Luis Alvarezzo
Jorge Luis Alvarezzo
Assistant Location Manager
Silja Hauksdуttir
Silja Hauksdуttir
Assistant Production Coordinator
Marjorie Rudick
Marjorie Rudick
Assistant Property Master
Kelly Wills
Kelly Wills
Assistant Property Master
Olafur Jуnasson
Olafur Jуnasson
Executive Producer's Assistant
Evan Godfrey
Evan Godfrey
Camera Production Assistant
Kelly Mitchell
Kelly Mitchell
Carpenter
John Thellend
John Thellend
Catering
Keith Church
Keith Church
Catering
Erlingur Orn Karlsson
Erlingur Orn Karlsson
Catering
Gudmundur Kokkur
Gudmundur Kokkur
Concept Artist
Nathaniel West
Nathaniel West
Construction Foreman
Darrel D. Bricker
Darrel D. Bricker
Construction Foreman
Dawna Hammond
Dawna Hammond
Construction Foreman
Jim Bruder
Jim Bruder
Costumer
Jody Schoffner
Jody Schoffner
Costumer
Lauren Pratto
Lauren Pratto
Costumer
Sophia Coronado
Sophia Coronado
Costumer
Maria K.M. Sundeen
Maria K.M. Sundeen
Craft Service
Laura Bagano
Laura Bagano
Dolly Grip
Avar Johannsson
Avar Johannsson
Driver
Cammie Caira
Cammie Caira
Driver
Richard Maginnis
Richard Maginnis
Driver
C.J. Hannis
C.J. Hannis
Electrician
Andrew Thom
Andrew Thom
Electrician
Steven D. Castaneda
Steven D. Castaneda
Electrician
Thorir G. Agustsson
Thorir G. Agustsson
Loader
Adriene Wyse
Adriene Wyse
First Assistant Accountant
Jan Gillan
Jan Gillan
First Assistant Accountant
Nolan B. Medrano
Nolan B. Medrano
First Assistant Accountant
Jennifer Omoth
Jennifer Omoth
First Assistant Accountant
Lena Schmigalla
Lena Schmigalla
Graphic Designer
Phillis Lehmer
Phillis Lehmer
Grip
Erica Thurlow
Erica Thurlow
Grip
Hallgrimur Oddsson
Hallgrimur Oddsson
Grip
James Viera
James Viera
Grip
Justin Moran-Duquette
Justin Moran-Duquette
Grip
Sean Frohardt
Sean Frohardt
Grip
Wilson Weaver
Wilson Weaver
Grip
Helgi G. Thoroddsen
Helgi G. Thoroddsen
Hairstylist
Deborah Kliewer
Deborah Kliewer
Key Costumer
Linda Benavente-Notaro
Linda Benavente-Notaro
Key Costumer
Stacia Lang
Stacia Lang
Key Grip
Atli Thor
Atli Thor
Lead Painter
Raff Sarabia
Raff Sarabia
Lighting Technician
Francis Padilla
Francis Padilla
Lighting Technician
Ingvar Stefбnsson
Ingvar Stefбnsson
Lighting Technician
Joshua Whitford
Joshua Whitford
Lighting Technician
Landin Walsh
Landin Walsh
Lighting Technician
Stefan Wilking
Stefan Wilking
Lighting Technician
Vincent Varga
Vincent Varga
Line Producer
Árni Björn Helgason
Árni Björn Helgason
Location Manager
Keomanee Vilaythong
Keomanee Vilaythong
Location Manager
Fridrik Ásmundsson
Fridrik Ásmundsson
Makeup Artist
Tammy Fox
Tammy Fox
Modeling
Adam Gelbart
Adam Gelbart
Negative Cutter
Andrea Ficele
Andrea Ficele
On Set Dresser
Steven Kajorinne
Steven Kajorinne
Painter
Jeremy Turley
Jeremy Turley
Painter
Chauntel Swann
Chauntel Swann
Post Production Assistant
Bobbie Shay
Bobbie Shay
Production Accountant
Christian Feldhaus
Christian Feldhaus
Production Assistant
Alex Solano
Alex Solano
Production Assistant
Brandon Stewart
Brandon Stewart
Production Assistant
Chris Raby
Chris Raby
Production Assistant
Emily Hoang
Emily Hoang
Production Assistant
Ron Landry
Ron Landry
Production Assistant
Ashley MacMillan
Ashley MacMillan
Production Assistant
Mark Laws
Mark Laws
Production Assistant
Sarah Jane Trohimchuck
Sarah Jane Trohimchuck
Production Assistant
Stephen Kievit
Stephen Kievit
Production Assistant
Zach Clossin
Zach Clossin
Production Assistant
Finnur Karlsson
Finnur Karlsson
Production Assistant
Metusalem Bjornsson
Metusalem Bjornsson
Production Assistant
Heidrun T. Haralsdottir
Heidrun T. Haralsdottir
Production Assistant
Sigridur Sigga Marrow
Sigridur Sigga Marrow
Production Coordinator
Karla Torres
Karla Torres
Prop Maker
Sonny Nguyen
Sonny Nguyen
Second Assistant Accountant
Richard S. Wilson
Richard S. Wilson
Second Second Assistant Director
Valgeir Gunnlaugsson
Valgeir Gunnlaugsson
Security Coordinator
Edwin Amell
Edwin Amell
Set Dresser
Jack Crowells
Jack Crowells
Set Production Assistant
George Williams III
George Williams III
Set Production Assistant
Gianna Isabella
Gianna Isabella
Set Production Assistant
Hrefna Hagalin
Hrefna Hagalin
Set Production Assistant
Jana Maria Gudmundsdottir
Jana Maria Gudmundsdottir
Set Production Assistant
Lindsey Fredieu
Lindsey Fredieu
Set Production Assistant
Olivia McCallum
Olivia McCallum
Set Production Assistant
Spencer Taylor
Spencer Taylor
Set Production Assistant
Thorunn Gudlaugsdottir
Thorunn Gudlaugsdottir
Special Effects
Dom Smart
Dom Smart
Special Effects
Rodney Dolan
Rodney Dolan
Special Effects
Todd Bilawchuk
Todd Bilawchuk
Special Effects
Stewart DePass
Stewart DePass
Special Effects Assistant
Matthew J. Downey
Matthew J. Downey
Special Effects Technician
Arthur Clever
Arthur Clever
Special Effects Technician
Darren McCormick
Darren McCormick
Special Effects Technician
Francis J. Ayre Jr.
Francis J. Ayre Jr.
Special Effects Technician
Jуn Andri Guрmundsson
Jуn Andri Guрmundsson
Special Effects Technician
Mark Stanton
Mark Stanton
Special Effects Technician
Michael Rifkin
Michael Rifkin
Special Effects Technician
Robin Reilly
Robin Reilly
Special Effects Technician
Ronald Epstein
Ronald Epstein
Special Effects Technician
Scott Roark
Scott Roark
Special Effects Technician
Terry Hambleton
Terry Hambleton
Special Effects Technician
David Jonasson
David Jonasson
Special Effects Technician
Robert L. Slater
Robert L. Slater
Standby Painter
David B. Clark
David B. Clark
Third Assistant Director
Jason Z. Kemp
Jason Z. Kemp
Transportation Captain
Steinarr Logi Nesheim
Steinarr Logi Nesheim
Transportation Captain
Robert J. Morton
Robert J. Morton
Transportation Coordinator
Clyde R. Maliauka
Clyde R. Maliauka
Video Assist Operator
Matt Hillyer
Matt Hillyer
Additional Music
James Carlson
James Carlson
Score Engineer
Christian Wenger
Christian Wenger
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Benedict Cruft
Benedict Cruft
Musician
Andrew Pask
Andrew Pask
Musician
Yasmeen Al-Mazeedi
Yasmeen Al-Mazeedi
Musician
Wood Andy
Wood Andy
Musician
Roger Sayer
Roger Sayer
Musician
Chas Smith
Chas Smith
Musician
Ann Marie Simpson
Ann Marie Simpson
Music Score Producer
Chris Craker
Chris Craker
Score Engineer
Jacqueline Friedberg
Jacqueline Friedberg
Boom Operator
Murray Forward
Murray Forward
Animation Supervisor
David Lowry
David Lowry
Color Assistant
Benjamin Charles
Benjamin Charles
Color Assistant
Scott R. Anderson
Scott R. Anderson
Colorist
Colin P. Brown
Colin P. Brown
Compositing Supervisor
Julia Reinhard
Julia Reinhard
Compositor
Jon Chesson
Jon Chesson
Compositor
Thomas Banner
Thomas Banner
Data Wrangler
Joe Wehmeyer
Joe Wehmeyer
Digital Color Timer
Garry Maddison
Garry Maddison
Digital Compositor
Alessandro Zanforlin
Alessandro Zanforlin
Digital Compositor
Claudio Bassi
Claudio Bassi
Digital Compositor
Frank Petit
Frank Petit
Digital Compositor
Jim O'Hagan
Jim O'Hagan
Digital Compositor
Jonathan Bot
Jonathan Bot
Digital Compositor
Olivier Ryard
Olivier Ryard
Digital Compositor
Sebastian Schütt
Sebastian Schütt
Digital Compositor
Sinisa Radosavljevic
Sinisa Radosavljevic
Digital Compositor
Thomas R. Steiner
Thomas R. Steiner
Digital Compositor
Thomas Salama
Thomas Salama
Digital Compositor
Tom Whittington
Tom Whittington
Digital Compositor
Travis Porter
Travis Porter
Digital Compositor
Samual Dawes
Samual Dawes
Matchmove Supervisor
Chris Cooper
Chris Cooper
Production Coordinator
Katie Linahon
Katie Linahon
Visual Effects Coordinator
Leah Sargent
Leah Sargent
Rotoscoping Artist
Aaron Noordally
Aaron Noordally
Rotoscoping Artist
Andrea Chua
Andrea Chua
Rotoscoping Artist
Jerrod Tan
Jerrod Tan
Rotoscoping Artist
Kew Lin
Kew Lin
Rotoscoping Artist
Kross Wong
Kross Wong
Rotoscoping Artist
Michael Jeff Baldemoro
Michael Jeff Baldemoro
Rotoscoping Artist
Muhammad Hidayat Bin Isnin
Muhammad Hidayat Bin Isnin
Rotoscoping Artist
Nicolas Millot
Nicolas Millot
Rotoscoping Artist
Riccardo Mascia
Riccardo Mascia
Rotoscoping Artist
Ruiting Wang
Ruiting Wang
Rotoscoping Artist
Sim Chuan Xiong
Sim Chuan Xiong
Rotoscoping Artist
Wayne Chan
Wayne Chan
Senior Modeller
Brandon Seifert
Brandon Seifert
Senior Modeller
Chris Hawthorne
Chris Hawthorne
VFX Artist
Adam Broderick
Adam Broderick
VFX Artist
David Schott
David Schott
VFX Artist
Eliot Speed
Eliot Speed
VFX Artist
Jon Capleton
Jon Capleton
VFX Artist
Kenzo Tee
Kenzo Tee
VFX Artist
Leigh Russell
Leigh Russell
VFX Artist
Robin Aristorenas
Robin Aristorenas
Visual Effects
Joe DeWalt Brown
Joe DeWalt Brown
Visual Effects
Joseph A. Zaki
Joseph A. Zaki
Visual Effects
Will Lucas
Will Lucas
Visual Effects Camera
Jim Thibo
Jim Thibo
Visual Effects Coordinator
Kirsty Davies
Kirsty Davies
Visual Effects Coordinator
Monifa Andrew
Monifa Andrew
VFX Director of Photography
Mark H. Weingartner
Mark H. Weingartner
Executive Visual Effects Producer
Anne Putnam Kolbe
Anne Putnam Kolbe
Visual Effects Technical Director
Daniel Maund
Daniel Maund
Visual Effects Technical Director
David Moraton
David Moraton
Visual Effects Technical Director
Lee Tibbetts
Lee Tibbetts
Visual Effects Technical Director
Thomas J. Burton
Thomas J. Burton
Visual Effects Technical Director
Tosin Akinwoye
Tosin Akinwoye

Reno

Well, one off from two of this year's most expected movies alongside 'The Battle of Five Armies'. Like all the Chris Nolan fans, I was equally excited to see the movie on the opening day opening show. But I slightly disappointed that it was not a digital 3D film. I agree, this science-fiction was more dramatized than usual space travel stories does with an adventure-thriller. Almost a 3 hour long stretch movie did not waste much time to take us to the core of the story. Get prepared for this extremely rare voyage into the space with a logical explanation for everything you see on the screen. Well done research for the most matured and intelligent writing. All the credit must go to Nolan brothers. A good sign from Jonathan Nolan, who can make big in the entertainment industry in a future like his brother. As we know many had liked 'Inception', to me that was a simple multi-layered action movie, that's all. But the same stuffs that used in this film makes sense. In fact, you have to have a little knowledge over how the universe works, so then it will be easy to catch the scene and situations while watching the movie. Totally like a documentary style concept, but with the additional stuffs like characters and its emotions add flavor that gives a movie look. An educational movie, though it also can work for those who wants just entertainment. Only the slow movie pace would test their patience. It all begins like Shyamalan's 'Signs' movie with a family living surrounded by corn field. Then switches to 'The Astronaut Farmer' and going through 'Gravity', finally meets the 'Inception'. It was just a reference to call the movie setting that brings constant change for every half an hour. Like the opening scene and the end scene had over a 100 years difference. As I earlier said it was the story of a family alongside the future of humankind and decoding universal mysteries through travelling in space and time. This movie would a reasonable for those who thought '2001: A Space Odyssey' is a boring piece, Cleverly written cinematic piece especially for science geeks. I don't know how perfect the movie to the actual present astrophysics, but will justify for the common people's capacity of understanding with an encourageable amount of commercial elements in it to entertain as well. The first three quarters of the movie was well made. It puts me in a unblinkable position like a story was narrated by Brian Cox in a television series. Like I said, lots of astrophysics involved in it, but strangely human emotions were also exhibited equally that I never expected one from Nolan film. It was not an ordinary sentiment, but was strong enough to make a man cry for happy and sad situations in the movie. I liked science and emotion coming together. In fact, it saved the movie, otherwise it would have been a science documentary straight from NASA production through Nolan direction. There are many surprise elements in the movie and of course there is a twist at the end. We can call it a series of twists like the layers. Compared to last quarter of the movie to the rest, it completely detaches which opens broadly to the different directions. And that happens so fast rushing towards the other end. Which give an impression of the movie 'Inception'. In a perfect way to say the first 75% was 'The Tree of Life' and the remains are 'Inception'. ‘‘This world's a treasure, but it's been telling us to leave for a while now.’’ All the actors were so good. Matthew McConaughey steals the show as he dominates the majority of the screen space in the story presentation. There's no ruling out the fine performance executions from Anne Hathaway and the young star from the Twilight movie, Mackenzie Foy. The remaining cast was having less scope which were like the guest appearances that was widened a little broader, but was perfectly fitted for the story. Especially Matt Damon's was the crucial one. Remember the movie 'Contact', a lovely movie, which was ruined by its fictional ending. Something like that happened in this film as well. The story was initiated with a realistic approach with actual scientific contents as per the present understanding about the universe. But the end was let me down with the layered contents that kind of impossible to agree with it. As a cinematic theme it worked, yeah, a good solution for this wonderfully written story. We know that the time can't run backwards, so that's the trouble. Anyway, this movie defines in a new way, I mean scientifically the existence of ghost. It was not a horror movie, but I liked supernatural force that merged with this science fiction theme. That explains and gives vast ideas to expand our physics beyond something and somewhere yet to reach. Hats off to the director, because he was not thinking of making money here. His idea was to implement what the humans are understood so far about the cosmos. And he very nicely transformed those into the silver screen with the blend of human emotions. In my opinion, this will replace '2001: A Space Odyssey' for sometime till another one make this way. I could have not asked a better space travel drama than this, especially when I heard Nolan doing a science-fiction I believed he gonna rock it. He was so true to the science and the human feelings in this film. If you had seen enough movies before like this one, you can recall your memories like the Tom Hanks parts from 'Cloud Atlas'. But still independently stands strong and falls in a never seen before category. ‘‘Maybe we've spent too long trying to figure all this out with theory.’’ The end scene leaves a hint of a possible sequel. I would be happy if that happen in a near future, but definitely that would be a completely different cinema as per how this one ended. I know his fans want that to happen and so am I. The visuals were not that great, but simply very good. To see those in digital 3D would have given us a different experience, sadly Nolan was not in favor of that technology. Hoping this movie would get as many as the Oscars nod. Especially not getting into the best motion picture shortlist would be a shame. Like I said I'm no one fan, I just love watching everyone's every movie. I would have went to see it again if it was converted into digital 3D, since I'm modern tech geek when it comes to the films. It will become a talk of the week, perhaps month all over the world, so don't leave behind when your friends talk about it. What I gonna say is it is a must see asap if you are a movie fanatic like me otherwise Nolan movies does not need anyone's recommendation because his movies usually sell itself like the hot samosa.

decovision

People seem to think that if you enjoy a Christopher Nolan movie, you are a fanboy and the film couldn't really be that good. That is not true. He has never made a bad movie, Insomnia is probably his worst and it is still an excellent movie. Interstellar is up there in his top 3, with The Dark Knight being number 1 and Inception in number 2. I don't think he will ever make a better movie than The Dark Knight, it is without a doubt a masterpiece of cinema in my opinion. It can be enjoyed on so many levels. I remember seeing Interstellar in the movie theater and being on the edge of my seat the whole time. It was breathtaking but the end left me confused so i walked out disappointed. Since then i have watched it many times but it only took a second viewing to realize what a great ending it is and here is why. How many people discuss the end, was the wormhole open or closed for him to make it to Brand, what happens next, is there a sequel. I discuss this with people who hate the movie and the debate will still last a good 30 minutes if not more without getting heated. It is a wonderful story told through the eyes of a genius film maker who deserves more than he receives, an oscar would be nice start. I read hat his next movie is to be released in July 2017, I can't wait to find out everything about it like i have since he began. If you're unsure about Christopher Nolan, watch his career from the beginning starting with Doodlebug.

Andres Gomez

Another grandiloquent movie from Christoper Nolan. The cast is good, and McConaughey performs a role made for himself. The photography is very nice but the movie commits all the same mistakes than previous Nolan's movies. I think mistakes but it may be that they are the points Nolan fans enjoy the most ... * The story makes you believe it is a realy deeply thought plot but, in the end, it has so basic mistakes and stupidities that make it nonsensical. * There is a general ambience of every moment being epic; deep, solemn and smart dialogues but, at some point our highly trained engineer and pilot behaves really stupidly. * To keep the mentioned constant feeling of being in an epic moment, Nolan uses a thumping and insistent soundtrack. As it is not a moment, but a 3h movie, it is really tiresome. All in all, the movie is OK but you can only think this is a great movie if you are a real Nolan fan.

Asadullah Khan

"Man kind was born on earth, it was never meant to die here." IT has been two days since I watched it and I still can't get it out of my head. I can safely say that it has been a long LONG time since a movie had this much effect on me after watching it. And the only thing I can think of now is to somehow Re-Watch it again. This movie was surprisingly different from Christopher Nolan's recent works because they had been great cinematic entertainment pieces catered to a wider audience with a blockbuster approach, this certainly didn't felt like that and hence the polarizing response it got. It is an ambitious project that is not meant to merely entertain, walk into it knowing that. I'll say this though, If it works for you, you'll be in heaven. The premise of the movie is that Earth is no longer capable of supporting humans on it, we must find a new home to avoid extinction. This scenario is told from a very personal perspective and not from a Global scale like some sort of apocalyptic catastrophe disaster film. At the core of the movie is the Father-Daughter relationship. The movie takes its sweet time to develop it too. Mathew McConaughey, not surprisingly, gives an amazing performance as the main lead. He really carries the film, some scenes were very emotional due to his great performance. The rest of the cast does a great job as well, especially the Daughter played by Meckenzie Foy. The One character that I never expected to be great was the robot TARS. He also acted as the source of the humor in the movie, well executed, timely and grounded. Interstellar tackles a lot of themes, Survival, Humankind, Love, Time etc, out of which 'Time' had the biggest impact on me. With relativity being a big part in the film, the whole sequence about it just struck me very deeply and I found new respect for Time. I'm actually at a loss of words to describe it. Also, there is a lot science in it so it can be confusing for many and in Nolan's tradition, it also has twists and mind numbing ending, where the more you think about it, the more numbing it gets. The visuals of this movie are breathtaking. Great cinematography and CGI. The depiction of wormholes and blackholes and other space entities were the best I have ever seen. They just suck you into the movie. Along with that, you get to listen to one of Hans Zimmer's best scores. The score not only felt personal, going perfectly with the movie, but also different from his recent works. There were times where combination of epic photography and soundtrack made the scenes timeless, like I was completely sucked into it and didn't had a clue about my surroundings. I didn't want those scenes to end. Alas, the movie was not perfect. My biggest gripe with it is that the pacing and editing was off at times. Some scenes dragged on while others were cut far shorter. The beautiful views of space could have definitely benefited from a few seconds longer onscreen time. Also, I wished there was more space exploration in it. With all the remakes, rehashes, reboots and sequels we are getting in these times, it is great to see original gems like these. This movie is definitely one of this year's best, one of Nolan's best work and one of the best movie I have seen in recent years. 9.5/10

shaunfrombklyn

This was my most anticipated film of 2014, and I was not disappointed. The story was slightly difficult to follow on the first watch, but that was to be expected in a film dealing with complicated fields such as astrophysics and time dilation. Many didn't find its overall message - that love is the most powerful force in the universe which transcends space and time - to be very appealing, but I thought it was an interesting take on special relativity and how two people can be bound by a common feeling, even when they're in different parts of the universe at different times. I also thought the acting was believable, for the most part, and I didn't think anyone was miscast. I enjoyed the surprise appearance from a certain famous actor about halfway through. But what really blew me away were the visuals and the soundtrack. I believe it was Quentin Tarantino who once said movies and music go hand in hand; that a moving image complimented by the right piece of music can create art. Well, the visuals in this film, which took my breath away, and the score, which perfectly captured the 'feel' of the cosmos and all its wonder, proved him right. I think this was Hans Zimmer's best work yet, and although I'm not Christopher Nolan's biggest fan, I will continue to follow his work if he can pull off more movies like this. My only regret was not seeing this film in IMAX. 10/10

Per Gunnar Jonsson

That this movie, at the time of writing this, holds an 8.8 rating at IMDb is simply beyond my understanding. Needless to say I did not really like this movie. The story is not very good, the science is ludicrous and the visuals not all that impressive. Maybe the latter would be better in a big theater (I watched this on my home cinema system which has a relatively large screen by European standards) but I am not really sure about that either. Be warned that the rest of this review might contain a spoiler or two. The movie starts of with the usual “I told you so” wet dream of the green fanatics on a dying Earth so it is off to a depressing start right away. That is an overused concept today as far as I am concerned. Then they pour it on with a school official claiming that he Apollo missions and moon landings never happened. What the f…? If they wanted to depress the audience right from the start they succeeded, at least with this audience. The story proceeds with our heroes finding these gravity waves in the sand and by a huge stretch of imagination decrypts them to mean coordinates which leads them to the secret NASA base. Once there Cooper is told that he is their best choice of pilot for a “save the human race” mission through a wormhole. Yeah, right! This guy was former NASA. His whereabouts could hardly been unknown to them. If he was their best choice why would they entrust a mission to save the human race to someone else until he stumbled onto their door? Typical Hollywood nonsense! The movie is full of this kind of rubbish. Romilly wastes 23 years of his life doing pretty much nothing except deciding not to go into the sleep capsule. The supposedly highly trained and vetted professor that they do find turns out to be a psychopath as well as and idiot almost blowing up the ship when trying to proceed with a docking that all the systems tells him have not succeeded. Then they proceed to dock with the main ship and stop its spin as well as bring it out of orbit around a planet with the shuttles engines. That is one hell of a powerful shuttle not to mention the strength of the docking mechanism! This just goes on. When someone is not doing something illogical or stupid (or both) they sit around talking, philosophizing and dragging the movie forward at snails pace. 169 minutes is way too much for this movie. The movie ends up in one big time travel mess (okay they do not travel in time, just sends messages through time but still…) during a bunch of psychedelic scenes while traveling through the back hole. Science? Not so much. And what about this totally ludicrous massively illogical and inefficient robot design? The one good thing I can say about this movie is that the performance of most of the actors, especially Matthew McConaughey, are quite good. For the rest, not my cup of tea.

akashmahajan

Again hit produced by christopher nolan after batman. Storyline is great and also the science theory is perfectly showcased.

sybddlatfu

This might contain spoilers! --- Interstellar is my favorite movie. I'm really into space and everything about it, so this movie was my cup of tea. The soundtrack is the best of the movie. It points out flow of time, which is the most discussed issue in the movie. Special effects are breathtaking. Even with some small mistakes, it is pretty accurate and expectable. There is some visually pleasing cinematography too, including Saturn, the curvature of spacetime or majestic black hole, which is really satisfying. Some scenes are loud and thrilling, but some moments are so quiet, that you actually think, you are in space! The movie is long but gripping. The plot, although it's complicated, is told easily and understandably. But the end of the movie is difficult to understand, since it contains time loop and time travel at the same time, but if you listen carefully, you will get it. I watched the movie 7 times and I still enjoy it!

Matthew Brady

"Do not go gentle into that good night; Old age should burn and rave at close of day. Rage, rage against the dying of the light". The story is about a team of explorers undertakes the most important mission in human history; traveling beyond this galaxy to discover whether mankind has a future among the stars. Christopher Nolan once said that 2001: A Space Odyssey was his all time favorite film and how he wanted to do a small tribute to he's next film. And then comes a movie called "Interstellar" that will put a smile on Kubrick face if he was alive today, because Interstellar is one of the best movie of 2014 and the best movie experience I've had at the cinema. I saw this movie in IMAX and all through out this film I felt like I was in space floating around with Mconaughey and Anne Hathaway. I had that feeling that I was going deep into space just like are main character's, going deep into space just like the viewing auditions and me. The visual effect's in this movie are some of the most stunning, beautiful and Jaw dropping effect's I've seen since 2001: A Space Odyssey. The performances were brilliant, The cinematography was breathtaking and hard to look away. The directing by Christopher Nolan and let me get this out there, this man is a true director; he knows cinema and knows how to interested people into seeing he's films and I'm still shocked that he hasn't won an Oscar yet. Now most people or critics have said that last third of this movie ruined the movie for them, but I actually like the ending to the movie. It's new for Nolan because he always ends on a deep and cold note, but this movie didn't and I didn't mind it. My only nick pick with the movie is some of the character's in this movie wasn't all that interesting. Matthew McConaughey, Anne Hathaway and Jessica Chastain are the only character's that to me were interesting and I cared for them, but the rest of the character's I didn't really care for. Overall Interstellar is a mind-blowing movie with fantastic visual's, interesting story line and the movie will keep you interested till the end.

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