Free Fire


Free Fire

ภาพรวม:

ภาพรวมไม่มีในภาษานี้

โหวต 635 (6.3/10)

รันไทม์: 90 นาที

วันออกข่าว 2017-03-31

งบประมาณ: $7,000,000.00

รายได้: $3,719,383.00

บริษัทผลิต:

  • Rook Films
  • Protagonist Pictures
  • Film4 Productions

ประเทศที่ผลิต:

  • United Kingdom

แนว:

  • บู๊
  • อาชญากรรม
  • ลึกลับ

รถพ่วง

ข้อมูลเพิ่มเติม

Justine
Brie Larson
Brie Larson
Vernon
Sharlto Copley
Sharlto Copley
Ord
Armie Hammer
Armie Hammer
Chris
Cillian Murphy
Cillian Murphy
Harry
Jack Reynor
Jack Reynor
Stevo
Sam Riley
Sam Riley
Frank
Michael Smiley
Michael Smiley
Gordon
Noah Taylor
Noah Taylor
Martin
Babou Ceesay
Babou Ceesay
Bernie
Enzo Cilenti
Enzo Cilenti
Howie
Patrick Bergin
Patrick Bergin
Leary
Tom Davis
Tom Davis
Jimmy
Mark Monero
Mark Monero
Telephone Sales (voice)
Sara Dee
Sara Dee
Executive Producer
Martin Scorsese
Martin Scorsese
Casting
Shaheen Baig
Shaheen Baig
Production Design
Paki Smith
Paki Smith
Set Decoration
Liz Griffiths
Liz Griffiths
Producer
Andrew Starke
Andrew Starke
Aerial Director of Photography
Karim Hussain
Karim Hussain
Costume Supervisor
Sian Evans
Sian Evans
Music
Geoff Barrow
Geoff Barrow
Director of Photography
Laurie Rose
Laurie Rose
Screenplay
Ben Wheatley
Ben Wheatley
Director
Ben Wheatley
Ben Wheatley
Editor
Ben Wheatley
Ben Wheatley
Screenplay
Amy Jump
Amy Jump
Editor
Amy Jump
Amy Jump
Production Sound Mixer
Rob Entwistle
Rob Entwistle
ADR & Dubbing
Mark Henry
Mark Henry
Art Direction
Paul Frost
Paul Frost
Key Costumer
Nicky Barron
Nicky Barron
Supervising Art Director
Nigel Pollock
Nigel Pollock
Foley
Simon Trundle
Simon Trundle
Music
Ben Salisbury
Ben Salisbury
Still Photographer
Kerry Brown
Kerry Brown
Key Costumer
Philip Goldsworthy
Philip Goldsworthy
Digital Intermediate
Rob Farris
Rob Farris
Wigmaker
Ray Marston
Ray Marston
Digital Intermediate
Patrick Malone
Patrick Malone
Sound Designer
Martin Pavey
Martin Pavey
Steadicam Operator
Alf Tramontin
Alf Tramontin
Hair Department Head
Peta Dunstall
Peta Dunstall
Makeup Artist
Sarah Nuth
Sarah Nuth
Property Master
Craig Price
Craig Price
Camera Operator
Nick Gillespie
Nick Gillespie
Armorer
Mark Shelley
Mark Shelley
Prosthetic Makeup Artist
Emma J. Slater
Emma J. Slater
Gaffer
Barry Conroy
Barry Conroy
Hair Designer
Emma Scott
Emma Scott
Makeup Designer
Emma Scott
Emma Scott
Special Effects Supervisor
Danny Hargreaves
Danny Hargreaves
Dialogue Editor
Nikki Ruck
Nikki Ruck
Script Supervisor
Anita Christy
Anita Christy
Armorer
Simon Edwards
Simon Edwards
Armorer
Phillip Stone
Phillip Stone
Steadicam Operator
John Hembrough
John Hembrough
Key Grip
Kevin Foy
Kevin Foy
Special Effects Coordinator
Jade Poole
Jade Poole
Special Effects Coordinator
James Smith
James Smith
VFX Supervisor
Murray Barber
Murray Barber
Visual Effects Producer
Natalie Reid
Natalie Reid
Makeup Artist
Jemma Carballo
Jemma Carballo
Health and Safety
Daniel Rogers
Daniel Rogers

Gimly

I'm a big fan of Ben Wheatley. And while it's debatable that _Free_ _Fire_ is his best film, it's certainly his most fun. _Final rating:★★★½ - I strongly recommend you make the time._

Reno

**The night of bullet business!** This is one of the surprise films of the year. A limited cast and a one day event film. Except the opening few minutes the remaining film was a crossfire event. It's about two groups caught up in a firing from each other from one mistake to another leading the confrontation. In an abandoned warehouse, with a big amount and the cases new weapons lying in the centre, there's no way in or the out. The only way is to fight them all. So the surviving game begins. Whoever wins at the end can take it all with him. A very nice concept. With a simple storyline a nice gang fight was drawn out. If you like gangster films, this should watch it. But what bothered me the most was the common logic. You know, they all entered the building after checked for if they are armed, though it can be believed they hid their weapon somewhere and proceeded in. That's not it, the ammos for their gun, they kept firing many rounds like in the army conflict or a video game. That's why it is average to me. Otherwise an unexpected awesome film. The casting was good, but the surprise was Brie Larson. To see the Oscar winner in such kind of small scale film. Also disappointed her role was very small. But there is still hope! All others were good. With their unique characters, nicely used to share the screen equally. The reason for the conflict is not well explained, so it is hard to say who's good and who's bad guys here. But behaviours and further development give out where the story is heading. The end was predictable, and also we can expect a sequel. If they have one in their mind, surely it would only get bigger. _6.5/10_

EmkEyen

One of those films that becomes difficult in giving a fair judgement. On one hand, it is very engaging when the action is on. On the other hand, there are questions that arise when it is not. The narrative is an uncomplicated stage play. The arcs come and go as expected and characters and plot details are re-/introduced accordingly. The characters have distinct roles and sides but little history more than what is immediately presented. The violence is grisly and more graphic than common in action movies but still glorified and not really a shocker in realism. It is still a suspense flick, so there is much crawling about after multiple gunshot wounds though there is the flesh wound in the arm that is a smart reverse take on seventies action movie tropes. The set and aesthetics are beautiful and so are the facial hairs. It is hard to not refer to Tarantino, but that is what you get when you do a retro gangster shoot out drama that drops pop cultural references. Thankfully it stays on a grounded level and does not try to be more clever than it is. Then again, there is not much development either but for the strenuous progressions of the positional wars of the battlefield. There are other details that I will not mention for the sake of spoilers that I find worth discussion, which are not necessarily good or bad but they are still there. In conclusion, I'd say it is a movie worth watching for the bullet ballet in itself. That is if you don't let the analysis get in the way.

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