Frantz


Frantz

بررسی اجمالی:

بررسی اجمالی در این زبان در دسترس است.

رای 479 (7/4/10)

زمان اجرا: 113 دقیقه

تاریخ انتشار 2016-09-07

درآمد: $7,478,354.00

تولید شرکت:

  • FOZ
  • Mars Distribution
  • Mandarin Cinéma
  • X Filme Creative Pool

تولید کشور:

  • France
  • Germany

نوعهای:

  • History
  • Drama
  • Romance

تریلر

اطلاعات بیشتر

Anna
Paula Beer
Paula Beer
Adrien Rivoire
Pierre Niney
Pierre Niney
Doctor Hoffmeister
Ernst Stötzner
Ernst Stötzner
Magda Hoffmeister
Marie Gruber
Marie Gruber
Kreutz
Johann von Bülow
Johann von Bülow
Frantz Hoffmeister
Anton von Lucke
Anton von Lucke
Adrien's Mother
Cyrielle Clair
Cyrielle Clair
Fanny
Alice de Lencquesaing
Alice de Lencquesaing
Hotel Receptionist
Axel Wandtke
Axel Wandtke
German Cemetery Caretaker
Rainer Egger
Rainer Egger
Shopkeeper selling the dress
Johannes Silberschneider
Johannes Silberschneider
Young Drunk
Merlin Rose
Merlin Rose
Adolf
Ralf Dittrich
Ralf Dittrich
Gustav
Michael Witte
Michael Witte
Man by Lake
Lutz Blochberger
Lutz Blochberger
Aunt Rivoire
Jeanne Ferron
Jeanne Ferron
Priest
Torsten Michaelis
Torsten Michaelis
Customs Officer
Nicolas Bonnefoy
Nicolas Bonnefoy
Taxi Driver
Étienne Ménard
Étienne Ménard
Hotel Manager
Claire Martin
Claire Martin
Concierge
Camille Grandville
Camille Grandville
Opera Cashier
Jean-Paul Dubois
Jean-Paul Dubois
Old Man at the Castle
Armand Faussat
Armand Faussat
Musician
Benoît Marin
Benoît Marin
Conductor
Richard Boudarham
Richard Boudarham
Doctor
Jean-Pol Brissart
Jean-Pol Brissart
Cemetery Caretaker at Passy
Zimsky
Zimsky
Servant to Mrs. Rivoire
Isabelle Mesbah
Isabelle Mesbah
Félicie
Véronique Boutroux
Véronique Boutroux
Abbot
Jean-Claude Bolle-Reddat
Jean-Claude Bolle-Reddat
Mayor
Louis-Charles Sirjacq
Louis-Charles Sirjacq
Mayor's Wife
Elizabeth Mazev
Elizabeth Mazev
Young Man in the Louvre
Eliott Margueron
Eliott Margueron
Injured Soldier
Laurent Borel
Laurent Borel
Producer
Stefan Arndt
Stefan Arndt
Casting
Simone Bär
Simone Bär
Screenplay
François Ozon
François Ozon
Director
François Ozon
François Ozon
Music
Philippe Rombi
Philippe Rombi
First Assistant Director
Mathieu Schiffman
Mathieu Schiffman
Director of Photography
Pascal Marti
Pascal Marti
Sound Re-Recording Mixer
Jean-Paul Hurier
Jean-Paul Hurier
Costume Design
Pascaline Chavanne
Pascaline Chavanne
Script Supervisor
Lydia Bigard
Lydia Bigard
Casting
Sarah Teper
Sarah Teper
Editor
Laure Gardette
Laure Gardette
Production Design
Michel Barthélémy
Michel Barthélémy
Producer
Uwe Schott
Uwe Schott
Set Decoration
Catherine Jarrier-Prieur
Catherine Jarrier-Prieur
Producer
Eric Altmayer
Eric Altmayer
Producer
Nicolas Altmayer
Nicolas Altmayer
Casting
Leila Fournier
Leila Fournier
Theatre Play
Maurice Rostand
Maurice Rostand
Music Editor
Cécile Coutelier
Cécile Coutelier
Costume Supervisor
Catherine Boisgontier
Catherine Boisgontier
Set Costumer
Theresa Anna Luther
Theresa Anna Luther
Steadicam Operator
Jan Rubens
Jan Rubens
Dialogue Editor
Katia Boutin
Katia Boutin
Visual Effects Editor
David Gourmaud
David Gourmaud
Visual Effects Producer
Ludivine Ducrocq
Ludivine Ducrocq
Special Effects Supervisor
Claudius Rauch
Claudius Rauch
Visual Effects Supervisor
Mikaël Tanguy
Mikaël Tanguy
Production Manager
Aude Cathelin
Aude Cathelin
Art Direction
Susanne Abel
Susanne Abel
ADR & Dubbing
André Zacher
André Zacher
Sound Editor
Benoît Gargonne
Benoît Gargonne
Assistant Art Director
Clément Colin
Clément Colin
Key Grip
Antonin Gendre
Antonin Gendre
Screenplay
Philippe Piazzo
Philippe Piazzo
Sound Engineer
Martin Boissau
Martin Boissau
Key Makeup Artist
Liliane Rametta
Liliane Rametta
Set Decoration
Maresa Burmester
Maresa Burmester
Art Department Coordinator
Marielle Kiessig
Marielle Kiessig
Assistant Art Director
Julia Roeske
Julia Roeske
Construction Coordinator
Remo Stecher
Remo Stecher
Property Master
Tanja Arlt
Tanja Arlt
Wardrobe Supervisor
Ursula Paredes Choto
Ursula Paredes Choto
Casting
Anaïs Duran
Anaïs Duran
Gaffer
Dirk Hilbert
Dirk Hilbert
Gaffer
Pierre Bonnet
Pierre Bonnet
Still Photographer
Jean-Claude Moireau
Jean-Claude Moireau
Dolly Grip
Jan Hagen
Jan Hagen
Key Grip
Hagen Raeder
Hagen Raeder
Visual Effects Coordinator
Céline Goriot
Céline Goriot
Boom Operator
Benoît Guérineau
Benoît Guérineau
Sound Recordist
Heine Florian
Heine Florian
Key Hair Stylist
Franck-Pascal Alquinet
Franck-Pascal Alquinet
First Assistant Editor
Carlos Pinto
Carlos Pinto

Reno

**What is the most painful, the war or the lies?** This is pleasantly a surprise film. I would say it is this year's the Oscar winning film 'Ida'. Frankly, there's nothing to compare between two. Not just both of them are modern black and white film, but they are quite similar in the portrayal of lead female characters. Just like 'Marie's Story', it was also inspired by another Hollywood film, 'Broken Lullaby'. I haven't seen that. Even not many people have seen it. One of the less known classic drama which I am going to give a try now. Coming back to the film, it was about the World War I that centres on a young woman who lost her fiancé. Nearly two hours drama, quite slowly narrated, but I never felt drag in storytelling or boring to follow it. From the director of 'In the House', yet another masterpiece. Yeah, it looked like that way for me. Only a very few characters and they all developed so well, almost till the end when a few more joined them. The title role was appeared for like only 4-5 minutes in the entire film. Well, that was the topic, a reason for this story to begin along with the WWI. Though the following storyline was built on a different platform. Like there is a saying 'to hide one lie, a thousand lies are needed', that's what this film was actually about. Living and keep on evolving in the endless process. It is a moral, a message film, but the mistake was committed by someone else that another person has to take the fall for it, even after he goes out of the picture. Really a touching story, but not a tearjerker. The journey of life is sometimes unexpected, particularly when it comes to romance that blooms when one needed it last at the circumstance he's at his life. > ❝What would the truth bring? More pain, more tears.❞ This is not a war film, just in case if you are expecting one. It was a subject under everything happen. So, there's only less than 5 minute clips of them in the film. Basically, those clips too were not required, but it's always nice to see them in pictures when a flashback come into play. It is a pure drama that sets in just after the end of the WWI. A young German woman is mourning for the death of her fiancé. She discovers a young French man who claims his close friend came to condole his demise. He meets the rest of the family and shares those happy days he spent with him in Paris before the war. During his stay, they all get along quite well, despite the people from society are against it/him. That was the first half of the film, developed slowly and steadily, but ended with a twist. The following half began on the new direction with lots of mysteries surrounding. Completely unpredictable, yet as a viewer, I had hundred of different thoughts about the upcoming developments. I was somewhat right on most of the occasion, but I was even happier about how it all went on its own style. Now the story entered the France. More twist and turns unfolded. The pace of the story looked the same, though lots of developments made it look advanced very fast. The World War II is the most dominated theme in the war films. When you see a film on WWI, you will come to realise its perspective, if the film was made with the right dose of everything, even if it was not based on the real event or the person. Fighting the war, carrying the wound, grieving for the lost ones, struggling to rebuild the life and the nation. This is definitely one of the best WWI related, I mean about the aftermath of the war films I've seen. The screenplay was magic. I would surely give an award for it. And then the beautiful photography. I don't know it was because of the black and white, but virtually you would be taken back to the 1919. Simple, yet a great camera angles that must be appreciated. Wonderful cast. Without those amazing performances, this film would have been nothing. Anna is the name you would remember for very long and the actress who played it. In a couple places, the screenplay turns semi colour, particularly when musics takes the front stage. Just in case if you are yet to watch, pay attention to that, because not everybody notices that. To me it looks like an Oscar product, but the release date confirms not eligible for the next Oscars. Different people have different opinion, but I think it is a must see. Those who struggle with slow paced narration, if they manage the opening half, then they would enjoy the remaining and love the overall film. Definitely a hidden gem, it just needs more audience, that's all. _8.5/10_

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