Raw


Raw

Επισκόπηση:

Όλοι στην οικογένεια της Τζαστίν είναι κτηνίατροι, αλλά και χορτοφάγοι. Στα 16 της, είναι μια ευφυής και υποσχόμενη μαθήτρια. Όταν ξεκινάει τη σχολή κτηνιατρικής, εισβάλει σε έναν παρακμιακό, ανελέητο και επικίνδυνα ελκυστικό κόσμο. Κατά την πρώτη βδομάδα που πρέπει να λάβει μέρος σε ειδικές ιεροτελεστίες, απεγνωσμένα προσπαθώντας να ταιριάξει με το περιβάλλον, αψηφά τα ιδανικά της οικογένειας της τρώγοντας ωμό κρέας για πρώτη φορά. Η Τζαστίν σύντομα θα ζήσει τις τρομερές συνέπειες της πράξης της, όταν ο αληθινός της εαυτός βγαίνει στην επιφάνεια.

Ψήφοι 1630 (7,1/10)

Χρόνος εκτέλεσης: 99 λεπτά

Ημερομηνία έκδοσης 2016-11-11

Προϋπολογισμός: $3,500,000.00

Έσοδα: $4,100,000.00

Tagline: Έχετε όρεξη;

Εταιρία παραγωγής:

  • Ciclic - Région Centre
  • Angoa-Agicoa
  • MEDIA Programme of the European Union
  • Wild Bunch
  • Rouge international
  • Ciné+
  • Centre du Cinéma et de l'Audiovisuel de la Fédération Wallonie-Bruxelles
  • Le Tax Shelter du Gouvernement Fédéral de Belgique
  • BeTV
  • La Wallonie
  • Frakas Productions
  • Bruxelles Capitale
  • Casa Kafka Pictures Movie Tax Shelter Empowered by Belfius
  • Torino Film Lab
  • Centre National de la Cinématographie
  • Canal+
  • RTBF
  • Cofinova 12
  • ARTE
  • Petit Film
  • VOO

Χώρα παραγωγής:

  • Belgium
  • France

Είδη:

  • Δράμα
  • Τρόμου
  • Μυστηρίου

Ρυμουλκό

Περαιτέρω πληροφορίες

Justine
Garance Marillier
Garance Marillier
Alexia
Ella Rumpf
Ella Rumpf
Adrien
Rabah Nait Oufella
Rabah Nait Oufella
The Father
Laurent Lucas
Laurent Lucas
The Mother
Joana Preiss
Joana Preiss
Le routier
Bouli Lanners
Bouli Lanners
Professeur evaluations
Jean-Louis Sbille
Jean-Louis Sbille
L'Infirmiere
Marion Vernoux
Marion Vernoux
Chef du BDE
Thomas Mustin
Thomas Mustin
Bizut refectoire
Marouan Iddoub
Marouan Iddoub
Caissière réfectoire
Helena Coppejans
Helena Coppejans
Professeur amphithéâtre
Denis Mpunga
Denis Mpunga
Étudiant vidéo fête CHU morgue
Pierre Nisse
Pierre Nisse
Étudiante fête CHU
Alice D'Hauwe
Alice D'Hauwe
Étudiante fête CHU
Julianne Binard
Julianne Binard
Bizute peinture
Bérangère McNeese
Bérangère McNeese
Bizute réfectoire
Sophie Breyer
Sophie Breyer
Bizut couloir / Foot / Fin Coryphée
Virgil Leclaire
Virgil Leclaire
Vétéran cagoulé
Benjamin Boutboul
Benjamin Boutboul
Vétérane couloir
Anna Solomin
Anna Solomin
Barman fête CHU
Morgan Politi
Morgan Politi
Bizute amphithéâtre
Maïté Katinka Lonne
Maïté Katinka Lonne
Vétérane pistolet à eau
Amandine Hinnekens
Amandine Hinnekens
Professeur autopsie
Sibylle du Plessy
Sibylle du Plessy
Interne urgences
Alexis Julemont
Alexis Julemont
Professeur anesthésie cheval
Charlotte Sandersen
Charlotte Sandersen
Co-Producer
Julie Gayet
Julie Gayet
Original Music Composer
Jim Williams
Jim Williams
Costume Design
Elise Ancion
Elise Ancion
Script Supervisor
Bénédicte Kermadec
Bénédicte Kermadec
Key Makeup Artist
Laura Ozier
Laura Ozier
Director of Photography
Ruben Impens
Ruben Impens
Casting
Christophe Hermans
Christophe Hermans
First Assistant Director
Dimitri Linder
Dimitri Linder
Unit Production Manager
Aurore Benoit
Aurore Benoit
Screenplay
Julia Ducournau
Julia Ducournau
Director
Julia Ducournau
Julia Ducournau
Associate Producer
Antoun Sehnaoui
Antoun Sehnaoui
Co-Producer
Nadia Turincev
Nadia Turincev
Location Scout
Philippe Groff
Philippe Groff
Visual Effects Producer
Gaël Durant
Gaël Durant
Casting
Judith Chalier
Judith Chalier
Foley
Céline Bernard
Céline Bernard
Electrician
Thomas Bojan
Thomas Bojan
Editor
Jean-Christophe Bouzy
Jean-Christophe Bouzy
Producer
Jean des Forêts
Jean des Forêts
Associate Producer
Philippe Logie
Philippe Logie
Script Editor
Marie Amachoukeli-Barsacq
Marie Amachoukeli-Barsacq
Boom Operator
Nicolas Mas
Nicolas Mas
Production Design
Laurie Colson
Laurie Colson
Art Direction
Laurie Colson
Laurie Colson
Supervising Sound Editor
Séverin Favriau
Séverin Favriau
Assistant Art Director
Ingrid de Ribaucourt
Ingrid de Ribaucourt
Digital Compositor
Morgan Hardy
Morgan Hardy
Music Supervisor
Guillaume Baurez
Guillaume Baurez
Gaffer
Nicolas Lagae
Nicolas Lagae
Additional Camera
Hyun De Grande
Hyun De Grande
Key Grip
Hatuey Suarez
Hatuey Suarez
Visual Effects Supervisor
Philippe Frère
Philippe Frère
Stunts
Cecilia Ngo
Cecilia Ngo
Line Producer
Thomas Jaubert
Thomas Jaubert
Co-Producer
Jean-Yves Roubin
Jean-Yves Roubin
Co-Producer
Cassandre Warnauts
Cassandre Warnauts
Second Assistant Director
Maéva Buisse
Maéva Buisse
Makeup Artist
Karine Atalla
Karine Atalla
Electrician
Pieter de Ridder
Pieter de Ridder
Digital Intermediate
Arnout Deurinck
Arnout Deurinck
Digital Compositor
Marie Maulet
Marie Maulet
Digital Compositor
François Crèvecoeur
François Crèvecoeur
Digital Compositor
Barthélémy Beaux
Barthélémy Beaux
Makeup Artist
Marine Tesson
Marine Tesson
Property Master
Martin Moulron
Martin Moulron
Assistant Sound Editor
Olivier Voisin
Olivier Voisin

Screen-Space

"While filmmakers and audiences tend to gag at the thought of ‘the other C-word’ onscreen, writer/director Julia Ducournau and her fearless leading lady Garance Marillier launch themselves teeth first into their bloody and occasionally brilliant cannibal horror pic..." Read the full review here: http://screen-space.squarespace.com/reviews/2016/5/16/raw.html

Gimly

Sex, drugs and rock & roll. What more could you possibly ask for in your "Fucked-Up-Coming-Of-Age" movies... Cannibalism? No dramas. _Raw_ has got you sorted. _Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._

Reno

**An extreme desire for blood and flesh!** Totally unexpected. I had no idea what I'm about to watch. Because usually I do small research of films I watch before the click play. I did not know it was even a French film or a horror. But it was not actually a horror in a sense. Seeing the initial set up, I thought it would be about a freshman medical student. Then things turned out strangely. Like it was decades ago when I was young, I have felt uncomfortable for those intentional film. For this, it felt all real. As the contents, I disliked them. But the film succeeded if that's what it's intended to give to its audience. It lived up to what the title meant. But on the other hand, I thought it was making fun of vegetarians. You usually won't find many vegetarians in Europe, but this film's topic was bizarre. Because you know someone who has never consumed meat in his entire life, but then when he begins this new habit, it is like completely going out of control. It's not just one, but two from the same family. Something was very clear, that one not knowing the differences. Because they were never before used to it. Justine is all set to join her sister to practice to be a veterinarian. Coming from a pure vegetarian family, she has to go through some of college traditions. From the beginning itself, it did not go well for her. It affected her health and body. A drastic change in a short period of time, forcing her to uncontrollable desire. Then on one accidental situation, it turns even worst. Ultimately, a conflict between the sisters arise. It takes them to unexpected paths and finally how it all ends were revealed with many uneasy events. > -xX] An animal that has tasted human flesh isn't safe. [Xx- I have seen many films like this, but this one was a stand-alone from all of them. I'm not saying it is a masterpiece, but they have got all things right just as they wanted. Obviously this is for grownups, though not all of them can watch without feeling disgust. Some of article, reviews says, people left the cinema hall halfway through. A very challenging film to watch. You might think I'm exaggerating for a simple cinematic performance, but that's what I really experienced. Only when you give it a try, you might get it. A bit confusing as the story progressing. Like what kind of universe, it is set in. Because whatever happens around Justine, seems nobody caring. Where were the professors! So many doubts. It's just what it is. An imaginative perspective, what if kind of situation turned more uglier. But if you analyse it properly, the only issue was the cannibalism. Not that one showing a desire in consuming meat all of sudden. So, I appreciate the writing, direction and performances, but definitely it is not my cup of tea. Probably for most of you as well. So this is not for all, but selected viewers. Films can be anything, only we have to assert whether we liked it or not. The maker knew what they were doing, the kind of subject they have undertaken for their film. Often a film like this hits the screen, and makes some noise among the film critics and film goers. I don't know on what merit one should decide to watch it. Because it is not for entertainment, nor an art, nor a message film. But I still think it is worth a watch. Just be aware of what you are going to watch. _6/10_

rolanddoobie

I have wanted to see this movie for a while, and it did not disappoint. Beautifully shot. Not for the timid. My wife had a hard time with a couple of scenes. Granted, it is a bit of a "gross for gross sake", but I loved every minute of it.

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