Noé


Noé

Vue d’ensemble :

Noé, un père de famille, reçoit un message de Dieu au cours d'un rêve : la Terre s'apprête à subir un déluge apocalyptique, car l'homme a corrompu le monde à force de violence et d'avidité. Il part alors avec sa femme et ses enfants sur le mont Ararat et entreprend la construction d'une arche monumentale pour mettre à l'abri toutes les espèces existantes de l'humanité, sauver les innocents et préserver la vie sur Terre. Il accomplit ainsi son destin hors du commun. Mais il se heurte à un seigneur de la guerre qui cherche à régner sur ce monde dévasté, et qui lance une armée entière contre lui...

Votes 4419 (5,6/10)

Duree : 139 minutes

Date de sortie 09/04/2014

True

Budget : $125,000,000.00

Chiffre d’affaires : $362,637,473.00

Slogan : La fin du monde… n’est que le commencement.

Société de production :

  • Disruption Entertainment
  • Paramount
  • Regency Enterprises
  • Protozoa Pictures

Pays de production :

  • United States of America

Genres :

  • Drame
  • Aventure

Remorque

Plus d’informations

Noah
Russell Crowe
Russell Crowe
Naameh
Jennifer Connelly
Jennifer Connelly
Ila
Emma Watson
Emma Watson
Ham
Logan Lerman
Logan Lerman
Methuselah
Anthony Hopkins
Anthony Hopkins
Tubal Cain
Ray Winstone
Ray Winstone
Og
Kevin Durand
Kevin Durand
Eve
Ariane Rinehart
Ariane Rinehart
Shem
Douglas Booth
Douglas Booth
Lamech
Marton Csokas
Marton Csokas
Young Noah
Dakota Goyo
Dakota Goyo
Poacher Leader
Barry Sloane
Barry Sloane
Sami
Sami Gayle
Sami Gayle
Magog (voice)
Mark Margolis
Mark Margolis
Samyaza (voice)
Nick Nolte
Nick Nolte
Na'el
Madison Davenport
Madison Davenport
Young Tubal Cain
Finn Wittrock
Finn Wittrock
Laughing Poacher
Arnoddur Magnus Danks
Arnoddur Magnus Danks
Young Shem
Gavin Casalegno
Gavin Casalegno
Rock (voice)
Jack Angel
Jack Angel
Casting
Suzanne Smith
Suzanne Smith
Producer
Arnon Milchan
Arnon Milchan
Casting
Mary Vernieu
Mary Vernieu
Production Design
Mark Friedberg
Mark Friedberg
Director of Photography
Matthew Libatique
Matthew Libatique
Costume Design
Michael Wilkinson
Michael Wilkinson
Original Music Composer
Clint Mansell
Clint Mansell
Director
Darren Aronofsky
Darren Aronofsky
Producer
Darren Aronofsky
Darren Aronofsky
Writer
Darren Aronofsky
Darren Aronofsky
Supervising Art Director
Dan Webster
Dan Webster
Executive Producer
Ari Handel
Ari Handel
Writer
Ari Handel
Ari Handel
Set Decoration
Debra Schutt
Debra Schutt
Editor
Andrew Weisblum
Andrew Weisblum
Executive Producer
Chris Brigham
Chris Brigham
Thanks
Satoshi Kon
Satoshi Kon
Dialect Coach
Jerome Butler
Jerome Butler
Transportation Captain
James Fanning
James Fanning
Producer
Mary Parent
Mary Parent
Stunt Coordinator
Douglas Crosby
Douglas Crosby
Electrician
Mark Oliver
Mark Oliver
Art Direction
Alex DiGerlando
Alex DiGerlando
Conceptual Design
Kyle Cooper
Kyle Cooper
Art Direction
Deborah Jensen
Deborah Jensen
Casting
Reg Poerscout-Edgerton
Reg Poerscout-Edgerton
Casting
Lindsay Graham
Lindsay Graham
Sound Effects Editor
Coll Anderson
Coll Anderson
Creature Design
Neville Page
Neville Page
Art Direction
Atli Geir Grétarsson
Atli Geir Grétarsson
Producer
Scott Franklin
Scott Franklin
Still Photographer
Niko Tavernise
Niko Tavernise
Costume Supervisor
Margrét Einarsdóttir
Margrét Einarsdóttir
Costume Supervisor
Donna Maloney
Donna Maloney
Casting
Kirsty McGregor
Kirsty McGregor
Assistant Art Director
Nikki Black
Nikki Black
Foley
Steve Baine
Steve Baine
Hair Department Head
Jerry Popolis
Jerry Popolis
Key Makeup Artist
Marjorie Durand
Marjorie Durand
Sound Re-Recording Mixer
Dominick Tavella
Dominick Tavella
Supervising Sound Editor
Craig Henighan
Craig Henighan
Color Timer
George Chavez
George Chavez
Art Direction
Aaron McBride
Aaron McBride
Set Decoration
Nicholas DiBlasio
Nicholas DiBlasio
Makeup Department Head
Judy Chin
Judy Chin
Assistant Art Director
Eric Lewis Beauzay
Eric Lewis Beauzay
Scenic Artist
Robert Barnett
Robert Barnett
Scenic Artist
Colin Brantley
Colin Brantley
Scenic Artist
Hannah Davis
Hannah Davis
Scenic Artist
Abe Costanza
Abe Costanza
Property Master
Sandy Hamilton
Sandy Hamilton
Sculptor
William Lance
William Lance
Scenic Artist
Kathryn C. McGinnis
Kathryn C. McGinnis
Assistant Art Director
Stephen Morahan
Stephen Morahan
Construction Coordinator
Nick Miller
Nick Miller
Assistant Art Director
Rachel Nemec
Rachel Nemec
Scenic Artist
Rebecca Perrenod
Rebecca Perrenod
Art Department Coordinator
Douglas Poland
Douglas Poland
Sound Re-Recording Mixer
Shayna Brown
Shayna Brown
Boom Operator
Anguibe Guindo
Anguibe Guindo
Dialogue Editor
Harrison Meyle
Harrison Meyle
Costume Supervisor
Nicole Greenbaum
Nicole Greenbaum
Set Costumer
Merav Elbaz Belschner
Merav Elbaz Belschner
Set Costumer
Trenton Dallas
Trenton Dallas
Set Costumer
Monika Darby
Monika Darby
Set Costumer
Gabriela Stanciu
Gabriela Stanciu
Music Editor
John Finklea
John Finklea
Transportation Co-Captain
Ragnar P. Pétursson
Ragnar P. Pétursson
Location Manager
Tyson Bidner
Tyson Bidner
Location Scout
Lori A. Balton
Lori A. Balton
Dialect Coach
Elizabeth Himelstein
Elizabeth Himelstein
Script Supervisor
Jessica Lichtner
Jessica Lichtner
Thanks
James P. Schramm
James P. Schramm
Camera Operator
Chris Moseley
Chris Moseley
Steadicam Operator
Stephen Consentino
Stephen Consentino
Underwater Director of Photography
Pete Romano
Pete Romano
Gaffer
John Velez
John Velez
Aerial Director of Photography
Steve Koster
Steve Koster
Key Hair Stylist
Christine Fennell
Christine Fennell
Second Unit Director of Photography
Lukasz Jogalla
Lukasz Jogalla
Camera Operator
Jonathan Beck
Jonathan Beck
Best Boy Electric
Ryan Rodriguez
Ryan Rodriguez
Other
Ugla Hauksdóttir
Ugla Hauksdóttir
Compositors
Brian N. Bentley
Brian N. Bentley
Visual Effects Editor
Kayla Franklin
Kayla Franklin
Software Engineer
Yan Zou
Yan Zou
Visual Effects Supervisor
Philippe Rebours
Philippe Rebours
Gaffer
Eric Boncher
Eric Boncher
Special Effects
David Greene
David Greene
Rigging Grip
James Boniece
James Boniece
Electrician
Kevin Karpinski
Kevin Karpinski
Key Rigging Grip
Craig Vaccaro
Craig Vaccaro
Lighting Technician
Dave Thurlow
Dave Thurlow
Key Grip
Lamont Crawford
Lamont Crawford
Rigging Grip
Michael A. McFadden
Michael A. McFadden
Best Boy Grip
Joseph Abbatecola
Joseph Abbatecola
Lighting Technician
Egill Antonsson
Egill Antonsson
VFX Artist
Ben O'Brien
Ben O'Brien
Animation
Mickael Coedel
Mickael Coedel
First Company Grip
Arnar Einarsson
Arnar Einarsson
Electrician
Jim Grout
Jim Grout
VFX Artist
John Walker
John Walker
Electrician
Daniel E. Joyce
Daniel E. Joyce
Libra Head Technician
Pierson Silver
Pierson Silver
Rigging Gaffer
Derek Murphy
Derek Murphy
Lighting Technician
Thorir G. Agustsson
Thorir G. Agustsson
Rigging Grip
Danny Nallan
Danny Nallan
Best Boy Electric
Christian May
Christian May
Lighting Technician
Sigurdur Mar Davidsson
Sigurdur Mar Davidsson
Best Boy Grip
Keith Marshall
Keith Marshall
Electrician
Gregory Michael Baney
Gregory Michael Baney
Electrician
Gabe Munitz-Alessio
Gabe Munitz-Alessio
Electrician
James Phelps
James Phelps
Electrician
Brad Printz
Brad Printz
Electrician
Andrew Sadtler
Andrew Sadtler
Electrician
M. Parker Shippey
M. Parker Shippey
Electrician
Bernice Autovino
Bernice Autovino
Key Grip
Eric Gearity
Eric Gearity
Lighting Programmer
Ísak Bjarnason
Ísak Bjarnason
Lighting Technician
Thomas Beczynski
Thomas Beczynski
Lighting Technician
Hrafn Garðarsson
Hrafn Garðarsson
Rigging Grip
Gerard Fiore
Gerard Fiore
Rigging Grip
Martin Jaksa
Martin Jaksa

Per Gunnar Jonsson

Let me make it clear from the beginning, I do not care if a movie like this is 100% true to the bible and I could not care less about the creationist fanatics moaning about how this and that movie is telling the wrong story or is distorting their religion. But this attempt to re-tell the story is just bad. The first half of the movie is not all bad. It is actually somewhat enjoyable. The dark scenery is sometimes depressing and beautiful at the same time. I did like the watchers. It added a bit of extra to the movie and the fight when Tubal-Cain tried to capture the ark was not bad at all. However, then it went downhill quickly with Noah going more and more nuts and Tubal-Cain, having survived, is subverting Noah’s son Ham. Not that Noah did not really bring that upon himself to some extent though. The parts where Noah want to kill his grandchildren and stops in the last minute is just Hollywood soap-opera bullshit. Also, do not get me started about the ridiculous scene where Anthony Hopkins goes berry hunting like some mental retard. Up until about half the movie I did not really understand all the very negative reviews but after having watched through the miserable last half I have to say that I do understand them more. I think the one-star ones are a bit harsh since the movie is often quite beautiful and the acting, despite the crappy script, is quite good, but the lousy script is just destroying the movie. Definitely a disappointment.

Grant English

This is a hard movie to watch and rate. The Good: The images of the flood coming from both above and below the earth were spectacular. The trauma that Noah deals with during the flood and post-flood is beautifully depicted. I loved the image of Noah realizing that the ‘sickness’ is in him as well as the others. The story-telling of creation to fall to the flood was beautifully done. I also liked the tension of Noah and the family on the ark as they wrestle with the possibility that the Creator has forgotten them. So with all that good, what ruins the movie? I do think a director/writer has an obligation to the source material. Subtract the religious aspect of this movie and imagine the outrage if someone changed the story of Harry Potter or Thor. (Oh wait…they are doing that.) Point is: if you have source material, use it. Go ahead and be creative when there are blanks to fill in but why have source material if you're not going to use it? The director did merge two ancient flood stories – the Bible and the Babylonian Enuma Elish. In the end – neither tradition gets a clear telling of their story. Other issues? The role of Methusala was a complete waste of the talented Anthony Hopkins. And I still have no idea as to why he was even in the film. The conclusion felt hollow and rushed. Noah at the beginning of the film leads an isolationist lifestyle focused on raising his children to be good stewards of the earth. How is this different at the end of the film? It's not. Their understanding of life, the Creator, the world isn't any different than the beginning. There really isn't a pay off to the story...at all. It's just an average film and I expected more with this cast.

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