3 Godfathers


3 Godfathers

Pregled:

Pregled je na voljo v tem jeziku.

Glasov 94 (6,6/10)

Čas predvajanja: 106 minut

Datum izdaje 1948-12-31

Proračun: $1,243,000.00

Prihodkov: $2,841,000.00

Produkcija:

  • Argosy Pictures
  • Metro-Goldwyn-Mayer

Država proizvodnje:

  • United States of America

Zvrsti:

  • Western

Priklopnika

Dodatne informacije

Robert Marmaduke Hightower
John Wayne
John Wayne
Pedro 'Pete' Roca Fuerte
Pedro Armendáriz
Pedro Armendáriz
William Kearney ('The Abilene Kid')
Harry Carey, Jr.
Harry Carey, Jr.
Perley 'Buck' Sweet
Ward Bond
Ward Bond
Mrs. Perley Sweet
Mae Marsh
Mae Marsh
The Mother
Mildred Natwick
Mildred Natwick
Miss Florie
Jane Darwell
Jane Darwell
Judge
Guy Kibbee
Guy Kibbee
Ruby Latham
Dorothy Ford
Dorothy Ford
Posse man #1
Ben Johnson
Ben Johnson
Oliver Latham
Charles Halton
Charles Halton
Deputy Curly
Hank Worden
Hank Worden
Luke
Jack Pennick
Jack Pennick
Deputy
Fred Libby
Fred Libby
Posse Man #2
Michael Dugan
Michael Dugan
Posse Man #3
Don Summers
Don Summers
Saloon Girl (uncredited)
Gertrude Astor
Gertrude Astor
Saloon Pianist (uncredited)
Richard Hageman
Richard Hageman
Townswoman (uncredited)
Nora Bush
Nora Bush
Townswoman (uncredited)
Eva Novak
Eva Novak
Townsman (uncredited)
Charles Soldani
Charles Soldani
Woman in Bar (uncredited)
Ruth Clifford
Ruth Clifford
Bartender (uncredited)
Jack Curtis
Jack Curtis
Bartender (uncredited)
Harry Tenbrook
Harry Tenbrook
Barfly (uncredited)
Tex Driscoll
Tex Driscoll
Barfly (uncredited)
Jack Kenny
Jack Kenny
Barfly (uncredited)
Jack Mower
Jack Mower
Drunk (uncredited)
Francis Ford
Francis Ford
Guard at Mojave Tanks (uncredited)
Cliff Lyons
Cliff Lyons
Robert William Pedro Hightower (the Baby) (uncredited)
Amelia Yelda
Amelia Yelda
Art Direction
James Basevi
James Basevi
Producer
Merian C. Cooper
Merian C. Cooper
Presenter
Merian C. Cooper
Merian C. Cooper
Director
John Ford
John Ford
Producer
John Ford
John Ford
Production Manager
Lowell J. Farrell
Lowell J. Farrell
Second Unit Cinematographer
Eddie Fitzgerald
Eddie Fitzgerald
Director of Photography
Winton C. Hoch
Winton C. Hoch
Set Decoration
Joseph Kish
Joseph Kish
Screenplay
Laurence Stallings
Laurence Stallings
Screenplay
Frank S. Nugent
Frank S. Nugent
Editor
Jack Murray
Jack Murray
Screenplay
Robert Nathan
Robert Nathan
Original Music Composer
Richard Hageman
Richard Hageman
Original Story
Peter B. Kyne
Peter B. Kyne
Makeup Artist
Don L. Cash
Don L. Cash
Conductor
Lucien Cailliet
Lucien Cailliet
Stunts
Cliff Lyons
Cliff Lyons
Second Unit Director of Photography
Charles P. Boyle
Charles P. Boyle
Assistant Director
Edward O'Fearna
Edward O'Fearna
Sound Effects
D. Pat Kelley
D. Pat Kelley
Assistant Director
Wingate Smith
Wingate Smith
Camera Operator
Harvey Gould
Harvey Gould
Wardrobe Supervisor
Ann Peck
Ann Peck
Special Effects
Jack Caffee
Jack Caffee
Sound
Joseph I. Kane
Joseph I. Kane
Hairstylist
Anna Malin
Anna Malin
Painter
Frank Wesselhoff
Frank Wesselhoff
Still Photographer
Alexander Kahle
Alexander Kahle
Property Master
Jack Colconda
Jack Colconda

John Chard

Sentimental and affecting piece from Ford. Having already made a version of the story in 1919 as Marked Men with Harry Carey, John Ford clearly had a kink for this delightful redemption parable. Opening with a touching tribute to his friend and mentor Carey, who had sadly passed away the previous year (and who also starred in the 1916 version of The Three Godfathers), it was also the first out and out Ford Western to be made in colour. The story tells of three outlaws - Robert Hightower (John Wayne), Pedro "Pete" Fuerte (Pedro Armendariz) and The Abilene Kid (Harry Carey Junior) - who after robbing a bank in the town of Welcome, are on the run from the law led posse. After hitting problems in a desert sandstorm, the men struggle on to Terrapin Tanks, where they happen across a woman in labour. Giving birth to her child, but sadly on her death bed, the woman begs the men to take care of her baby. They agree and embark on a perilous journey to get the child safely to "New Jerusalem"... It's an odd sort of Western, but in a good way. Backed up by the usual high standard of location work from Ford and the irrepressible Winton Hoch. And with customary staunch support work from Ward Bond as the Sheriff, 3 Godfathers is a must see in relation to the careers of John Ford and John Wayne. It has a mixed reputation from fans of the two Johns, which is understandable given the flighty nature of the picture, but one thing that is true about the piece is that once viewed, it's unlikely to be forgotten. 7/10

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