The Great Wall


The Great Wall

Overview:

European mercenaries searching for black powder become embroiled in the defense of the Great Wall of China against a horde of monstrous creatures.

Votes 1381 (5.9/10)

Runtime: 103 minutes

Release Date 2016-12-16

Budget: $150,000,000.00

Revenue: $331,957,105.00

Website: Link

Tagline: 1700 years to build. 5500 miles long. What were they trying to keep out?

Production company:

  • Universal Pictures
  • Atlas Entertainment
  • Legendary Pictures
  • China Film Group
  • Le Vision Pictures
  • Legendary East
  • Kava Productions

Production country:

  • Australia
  • Canada
  • China
  • Hong Kong
  • United States of America

Genres:

  • Action
  • Adventure
  • Fantasy

Trailer

Further Information

William Garin
Matt Damon
Matt Damon
General Lin Mei
Jing Tian
Jing Tian
Ballard
Willem Dafoe
Willem Dafoe
Wang Junshi
Andy Lau
Andy Lau
Pero Tovar
Pedro Pascal
Pedro Pascal
General Shao
Zhang Hanyu
Zhang Hanyu
Peng Yong
Lu Han
Lu Han
Commander Chen
Lin Gengxin
Lin Gengxin
Commander Wu
Eddie Peng
Eddie Peng
Commander Deng
Huang Xuan
Huang Xuan
Shen
Ryan Zheng Kai
Ryan Zheng Kai
Imperial Officer
Cheney Chen
Cheney Chen
Bouchard
Pilou Asbæk
Pilou Asbæk
Najid
Numan Acar
Numan Acar
Lin Mae's 2nd Lieutenant Li Qing
Bing Liu
Bing Liu
Emperor
Karry Wang
Karry Wang
Rizzetti
Johnny Cicco
Johnny Cicco
Lieutenant Xiao Yu
Vicky Yu
Vicky Yu
Visual Effects Art Director
Lubo Hristov
Lubo Hristov
Director
Zhang Yimou
Zhang Yimou
Screenplay
Doug Miro
Doug Miro
Screenplay
Tony Gilroy
Tony Gilroy
Supervising Art Director
Helen Jarvis
Helen Jarvis
Story
Max Brooks
Max Brooks
Story
Marshall Herskovitz
Marshall Herskovitz
Story
Edward Zwick
Edward Zwick
Producer
Jon Jashni
Jon Jashni
Producer
Peter Loehr
Peter Loehr
Producer
Charles Roven
Charles Roven
Producer
Thomas Tull
Thomas Tull
Director of Photography
Stuart Dryburgh
Stuart Dryburgh
Editor
Mary Jo Markey
Mary Jo Markey
Editor
Craig Wood
Craig Wood
Casting
John Papsidera
John Papsidera
Casting
Victoria Thomas
Victoria Thomas
Production Design
John Myhre
John Myhre
Art Direction
Joe Celli
Joe Celli
Art Direction
Sherrie Dai
Sherrie Dai
Art Direction
Paul Gelinas
Paul Gelinas
Art Direction
Colin Gibson
Colin Gibson
Set Decoration
Gordon Sim
Gordon Sim
Costume Design
Mayes C. Rubeo
Mayes C. Rubeo
Assistant Art Director
Hana Sooyeon Kim
Hana Sooyeon Kim
Casting Associate
Deanna Brigidi
Deanna Brigidi
Armorer
Joe Dunckley
Joe Dunckley
Music Editor
Alex Levy
Alex Levy
Assistant Costume Designer
Chloe Aubry
Chloe Aubry
Assistant Costume Designer
Stacy Caballero
Stacy Caballero
Assistant Costume Designer
Koreen Heaver
Koreen Heaver
Assistant Costume Designer
Liz Krause
Liz Krause
Set Costumer
Daniela Castillero Ramos
Daniela Castillero Ramos
Camera Operator
Peter McCaffrey
Peter McCaffrey
Camera Operator
Saba Mazloum
Saba Mazloum
Camera Operator
William DiCenso
William DiCenso
Helicopter Camera
Dylan Goss
Dylan Goss
Steadicam Operator
Colin Hudson
Colin Hudson
Second Unit Cinematographer
Duane Manwiller
Duane Manwiller
Gaffer
Sean O'Neill
Sean O'Neill
Rigging Gaffer
Mark Jefferies
Mark Jefferies
Still Photographer
Jasin Boland
Jasin Boland
Rigging Grip
Oscar Gomez
Oscar Gomez
Animation Manager
Nikhil Deshmukh
Nikhil Deshmukh
Animation
Marc Aubry
Marc Aubry
Animation
Steve Cady
Steve Cady
Animation
Emmanuel Gatera
Emmanuel Gatera
Animation
Caroline Labrie
Caroline Labrie
Creature Design
Christian Scheurer
Christian Scheurer
VFX Editor
Tom Barrett
Tom Barrett
VFX Editor
Lei Zhang
Lei Zhang
Visual Effects Coordinator
Brianna Domont
Brianna Domont
Visual Effects Coordinator
Erika Gourvitz
Erika Gourvitz
Visual Effects Coordinator
Joanie Croteau
Joanie Croteau
Visual Effects Coordinator
Martine Losier
Martine Losier
Visual Effects Coordinator
Karina Mariano
Karina Mariano
Visual Effects Coordinator
Deborah Zadzora
Deborah Zadzora
Visual Effects Producer
Thomas Elder-Groebe
Thomas Elder-Groebe
Visual Effects Supervisor
Phil Brennan
Phil Brennan
Visual Effects Supervisor
Matt Hartle
Matt Hartle
Visual Effects Supervisor
Matt Russell
Matt Russell
Visual Effects Supervisor
Joseph Kasparian
Joseph Kasparian
Visual Effects Supervisor
Samir Hoon
Samir Hoon
Hair Department Head
Tracey Wells
Tracey Wells
Hairstylist
Maralyn Sherman
Maralyn Sherman
Hairstylist
Felicity Wright
Felicity Wright
Makeup Artist
Daniel Lawson Johnston
Daniel Lawson Johnston
Makeup Artist
Jana Carboni
Jana Carboni
Makeup Designer
Paul Engelen
Paul Engelen
First Assistant Editor
Simon Morgan
Simon Morgan
Dialogue Editor
Dmitri Makarov
Dmitri Makarov
Dialogue Editor
Jen Ralston
Jen Ralston
Sound Designer
Kyrsten Mate
Kyrsten Mate
Sound Effects Editor
Teresa Eckton
Teresa Eckton
Sound Effects Editor
Ryan J. Frias
Ryan J. Frias
Supervising Sound Editor
Gwendolyn Yates Whittle
Gwendolyn Yates Whittle
Screenplay
Carlo Bernard
Carlo Bernard
Original Music Composer
Ramin Djawadi
Ramin Djawadi
Executive Producer
Alex Gartner
Alex Gartner
Co-Producer
Eric Hedayat
Eric Hedayat
Co-Producer
Alex Hedlund
Alex Hedlund
Executive Producer
La Peikang
La Peikang
Executive Producer
Jillian Share
Jillian Share
Executive Producer
E. Bennett Walsh
E. Bennett Walsh
Executive Producer
Zhang Zhao
Zhang Zhao
Co-Producer
Zhang Wang
Zhang Wang
Unit Production Manager
Kwame Parker
Kwame Parker
Post Production Supervisor
Graham Stumpf
Graham Stumpf
Set Designer
Kris Bergthorson
Kris Bergthorson
Set Designer
Nicolas Vallet
Nicolas Vallet
Casting Assistant
Andrew Hadzopoulos
Andrew Hadzopoulos
Casting Assistant
Kim Winther
Kim Winther
Music Supervisor
Peter Afterman
Peter Afterman
Music Supervisor
Margaret Yen
Margaret Yen
Production Coordinator
Billy Bonifield
Billy Bonifield
Title Designer
Kyle Cooper
Kyle Cooper
Pilot
Alan D. Purwin
Alan D. Purwin
Title Designer
Nadia Tzuo
Nadia Tzuo
Production Coordinator
Rachel Weng
Rachel Weng

ColinJ

Entertaining nonsense. I went in expecting gorgeous junk and that's exactly what I got.

CraigJamesReview

Impressive in it's visual style as many Zhang Yimou films are. He has this fascination with weaponry and following it as it soars through the air. Also loved the color of the armor on the soldiers. The characters are pretty bland, really just doing things because the script requires them to do it. The monsters are also crappy looking CGI iguanas. Overall the whole thing just comes off silly. For a full review: Trying to create a channel based on interpreting, reviewing, and even giving you something to laugh about film. Hope you feel like giving my channel a chance. https://youtu.be/6yTGEw3Agzw

Per Gunnar Jonsson

This is a movie that made me soooo happy that I decided to jump and fork out some money (way too much actually, I’m on a bread and water diet now) for a nice OLED screen. This movie is a stunning visual adventure. The two main characters are described as mercenary warriors but the terms thieves and rascals are probably better suited. They do know how to fight though and they get plenty of opportunity to prove it in the menu. This is another one of those movies that live and die by the visuals. The plot is a basic enough adventure story with some additional twists, like mysterious meteorites and really really nasty monsters, thrown in. It is not bad but not exactly groundbreaking either. The same with the characters. They are perhaps not exactly flat but not really fantastic either. What makes the movie great is the action and the visuals. The story and the characters are just there to prop the visuals up and they are doing a perfectly adequate job of it. The movie starts off in a rather dry and deserted landscape. The first scenes are actually rather dark and somewhat blurry. Luckily we rather quickly arrive at The Great Wall and the colors explode onto the screen. The Chinese army in their shining colored armor is really visually impressive. It does not take very long for the action to start and apart from the usual arrow flinging, acrobatic stabbing and slashing the Chinese army starts to deploy their various contraptions for fighting the oncoming swarm of nasty creatures. I found all the things that they had cooked up quite fascinating and contributing nicely to the visuals and the fun. For example, bungee jumping into a hord of jumping and snapping monsters wanting to take a (huge) bit of you armed with a spear. Is that cool or what? Heck, I want to do that. Well, without the monsters of course … and the bungee part. Okay, I confess, I was just watching the girls. Did I mention that all the bungee jumpers where hot chicks? And if any of you go all feminist and gender crap on me for those remarks you can shove it somewhere. If you think the bungee jumping stuff sounds like I was watching a silly comedy then trust me, it makes sense … kind of … in the context of this movie at least. Then there are rotating knifes sticking out of slits in the wall, fireball throwing catapults, various applications of gunpowder (that was after all why the two scoundrels where there in the first place) etc. etc. All accompanied by various acrobatics by the different combattants. Each scene was both cool action and a great symphony of elegance and colors. The one part of the movie that I thought was a bit of a letdown was the parts where the emperor of China appeared. Why portray him as an arrogant, lazy thundering idiot? It is really not funny. The chain of events that he caused could really had been started in a more intelligent way without going down that overused and boring route. The movie works itself forward to a nice final, desperate, fight to defeat the monster queen and her hord of baddies. It is a nice fight, as visually stunning as the rest of the movie, filled with lots of stunts of all kinds. The huge hords of beasts climbing, jumping and moving in big patterns on command from the queen was really cool. For me this was one hour and forty minutes of much enjoyment.

Reno

**Decent visuals, but has no fresh vision.** I always thought what they call the great wall of China is the symbol of the Chinese scary-ism against the mighty Mongolians in the ancient time. So when I first saw this trailer, I shocked and then I said: what the heck. You can't just hide the truth and recreate whatever new thing you want. But That's how the China and Chinese evolved for thousands of years. Like it could be martial arts, rice, noodles or the dragon, all of them came from outside. Then when I saw the film, the first scene itself cleared my doubt. It states the film was based on the legend. I thought it was a good start after the misleading promos. So this is China's effort to make a product at home par with Hollywood. They had hired top technicians from the west, that's including Matt Damon. With this kind of attempt, they should have triumphed. Yeah, the graphics were good and then if you check it out the end credits, it was actually not a pure Chinese made product as what we see on the screen, which was 99 per cent Chinese cast. 'Kung Fu Yoga' is a fine example, what the made in China looks like. The director is known for traditional films, like mixing art, martial arts and culture, particularly the middle age. I like his films of the 00s, but this one was utterly commercial crap. When it comes to the ideas for the scenes, every segment and every frame reminded me some Hollywood's greatest graphic film from the recent decade. Particularly the monsters as the zombies from 'World War Z' and the Chinese soldiers totally replicates the Elves of Woodland Realm. That proves, the Chinese are masters of copying/duplicating. IT HAS A DECENT VISUAL, BUT NOT FRESH VISION. They should have handed it over entirely, except producing it for the better outcome. It is the early 11th century, at one of the sections of northern China wall, where a couple of white men caught by the Chinese army after they were chased by a group of bandits. They have come with an agenda, but there's something big is going on. First, they have to win the Chinese trust and so they succeed on that, but things changes as the weather of the place has changed. Besides, they have no choice than to cooperate with them, but then the differences divide the two men. Who takes what path and their fates are decided at the film's climax. > ❝They have trained all their lives for this war.❞ Many western actors, filmmakers had tried their luck in Chinese filmdom, but not all were succeeded. Tapping Chinese market is not that simple. There are too many complications like restriction in thematic and using content in the story. If that complies, then they must use Chinese cast and crew for some percentage. From all, the greatest surprise was, like Jimmy Kimmel said, why would Damon had given up the Oscar award winning role from his own production for this cheap flick from the east. I always appreciate the good films, no matter where it had come from. It all depends on the quality and the contents, but sometimes there is exemption if the production was under a limited, small cost. There's no such excuse for this film. Besides my issue was not the graphics, except borrowing the ideas from others, but it was the poor screenplay. You can clearly say that I'm not happy with this one. This is just another film that looks like a computer game as similar to the 'Resident Evil' film series. The west had given up on digital 3D, but China has a special obsession with that, and so am I. That is the reason those failed films, bet against the Dollars, which were strongly influenced by that technology, such as 'Age of Extinction', 'Warcraft' et cetera survived by earning Yuan. Like I mentioned, the director is not this kind of cheap filmmaker. But it clearly understandable that he wanted to give what the domestic audience wanted, a good digital 3D film. For that, it has to be full scale action-adventure, not filled with drama kind he's famous for. This film lacks character developments, as well as the story. You might enjoy it if you like actions. Even though, many of them are silly like acrobat women jumping down to just kill one-two monsters. On the other hand, they are the baits without followup strategic offense. Hence well planned suicide. Like that, they just wanted to give some actions without any logic behind. The common man like Chinese people (Common means Communism; definition) might be fooled, not the rest of the world. So this film is not everybody's suitable. It is a watchable film, but why? No worth at all. _3/10_

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