Jean Berkey
Carey Mulligan
Roland Turner
John Goodman
Johnny Five
Garrett Hedlund
Jim Berkey
Justin Timberlake
Bud Grossman
F. Murray Abraham
Lillian Gorfein
Robin Bartlett
Pappi Corsicato
Max Casella
Mel Novikoff
Jerry Grayson
Mitch Gorfein
Ethan Phillips
Marty Green
Alex Karpovsky
Arlen Gamble
Michael Rosner
Elevator Attendant
Jack O'Connell
Receptionist
Diane Findlay
Executive Music Producer
T Bone Burnett
Director of Photography
Bruno Delbonnel
Production Design
Jess Gonchor
Costume Design
Mary Zophres
Supervising Sound Editor
Skip Lievsay
Sound Re-Recording Mixer
Skip Lievsay
Set Decoration
Susan Bode
Costume Supervisor
Nancy Au
Executive Producer
Robert Graf
Production Sound Mixer
Peter F. Kurland
Script Supervisor
Thomas Johnston
Executive Producer
Olivier Courson
Executive Producer
Ron Halpern
Art Direction
Deborah Jensen
Stunt Coordinator
Jery Hewitt
Construction Coordinator
Joseph A. Alfieri Jr.
Sound Re-Recording Mixer
Greg Orloff
Compositors
Michael Queen
Still Photographer
Alison Cohen Rosa
Sound Effects Editor
Paul Urmson
Production Coordinator
Mark Hagerman
kineticandroid
At first, I strongly identified with Llewyn Davis' struggles — I think you'd be hard pressed to find a musician who doesn't — but by the film's end, I realize not only how many of those struggles are self-inflicted, I feel as if Llewyn is going to cycle through them many more times before things pick up or bottom out. Musically, Llewyn comes across as scrappy and soulful. He's just the person I'd want singing those sad, world-weary folk songs, at least compared to the cleaner- cut performers he meets throughout the film. And yet, that soul seems to come from tragedies (the suicide of his one-time musical partner) and anxieties (the relationships with family and former lovers) he's too stubborn or poor of spirit to work through properly. He keeps floating by thanks to some enablers. Couches are continually offered for him to sleep on, even after Llewyn insults their owners. A club owner still books him as a performer, even after he is forcibly removed from the club for heckling other performers. It's hard realizing you're in a vicious cycle while you're still inside of it, trying to keep your head above water. It's even harder when connecting with people is as difficult as it is for Llewyn. I feel like the Coen brothers understand that, take it seriously, and yet, from that, created something that made me laugh and engrossed me.
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