Les Filles du docteur March


Les Filles du docteur March

Vue d’ensemble :

Une nouvelle adaptation du classique de Louisa May Alcott, narrant l'histoire de quatre filles de la classe moyenne durant la Guerre de Sécession.

Votes 409 (8,2/10)

Duree : 135 minutes

Date de sortie 01/01/2020

True

Site Internet : Link

Société de production :

  • Sony Pictures
  • Columbia Pictures
  • Pascal Pictures
  • Regency Enterprises

Pays de production :

  • United States of America

Genres :

  • Drame
  • Romance

Remorque

Plus d’informations

Josephine "Jo" March
Saoirse Ronan
Saoirse Ronan
Amy March
Florence Pugh
Florence Pugh
Margaret "Meg" March
Emma Watson
Emma Watson
Margaret "Marmee" March
Laura Dern
Laura Dern
Elizabeth "Beth" March
Eliza Scanlen
Eliza Scanlen
Theodore "Laurie" Laurence
Timothée Chalamet
Timothée Chalamet
Aunt Josephine March
Meryl Streep
Meryl Streep
John Brooke
James Norton
James Norton
Friedrich Bhaer
Louis Garrel
Louis Garrel
Mr. March
Bob Odenkirk
Bob Odenkirk
Mr. Laurence
Chris Cooper
Chris Cooper
Annie Moffat
Abby Quinn
Abby Quinn
Sallie Gardiner Moffatt
Hadley Robinson
Hadley Robinson
Hannah
Jayne Houdyshell
Jayne Houdyshell
Aunt March
Meryl Streep
Meryl Streep
Mr. Dashwood
Tracy Letts
Tracy Letts
Friedrich's Friend
Mason Alban
Mason Alban
Friedrich's Friend
Emily Edström
Emily Edström
Mrs. Kirke
Maryann Plunkett
Maryann Plunkett
Concord Sales Clerk
Lonnie Farmer
Lonnie Farmer
Viola
Charlotte Kinder
Charlotte Kinder
Olivia
Ana Kayne
Ana Kayne
Jo's Beer Hall Dance Partner
Edgar Damatian
Edgar Damatian
Girl at Ballroom #1
Erin Rose
Erin Rose
Girl at Ballroom #2
Lizzie Short
Lizzie Short
Fred Vaughn
Dash Barber
Dash Barber
Laurence's Servant
Edward Fletcher
Edward Fletcher
Mrs. Hummel
Sasha Frolova
Sasha Frolova
Train Porter
David J. Curtis
David J. Curtis
School Girl #1
Harper Pilat
Harper Pilat
School Girl #2
Eowyn Young
Eowyn Young
School Girl #3
Lucy Austin
Lucy Austin
Mr. Davis
Bill Mootos
Bill Mootos
Josiah Workman
Lewis D. Wheeler
Lewis D. Wheeler
Evelyn Meriwether
Jen Nikolaisen
Jen Nikolaisen
Concord Play Pianist
Jonathon Acorn
Jonathon Acorn
Kate Vaughn
Lilly Englert
Lilly Englert
Friedrich's friend
Rafael Silva
Rafael Silva
Susan Robbins
J.M. Davis
J.M. Davis
Asa Melvin
Tom Kemp
Tom Kemp
Soldier With Telegram
Daniel O'Shea
Daniel O'Shea
Doctor
Anthony Estrella
Anthony Estrella
Mrs. Dashwood
Adrianne Krstansky
Adrianne Krstansky
Dashwood Girl
Sophia Gialloreto
Sophia Gialloreto
Dashwood Girl (as Lily Elizabeth Galvin)
Lily Gavin
Lily Gavin
Dashwood Girl
Finola Weller Baldet
Finola Weller Baldet
Beer Hall Dancer
Flannery Gregg
Flannery Gregg
Beer Hall Dancer
Tony Tucker
Tony Tucker
Beer Hall Dancer
Joanne Caidor
Joanne Caidor
Beer Hall Dancer
Rosario Guillen
Rosario Guillen
Executive Producer
Arnon Milchan
Arnon Milchan
Casting Director
Francine Maisler
Francine Maisler
Producer
Denise Di Novi
Denise Di Novi
Original Music Composer
Alexandre Desplat
Alexandre Desplat
Director of Photography
Yorick Le Saux
Yorick Le Saux
Production Design
Jess Gonchor
Jess Gonchor
Casting Director
Kathy Driscoll
Kathy Driscoll
Producer
Robin Swicord
Robin Swicord
Executive Producer
Adam Merims
Adam Merims
Costume Design
Jacqueline Durran
Jacqueline Durran
Screenplay
Greta Gerwig
Greta Gerwig
Director
Greta Gerwig
Greta Gerwig
Novel
Louisa May Alcott
Louisa May Alcott
Set Decoration
Claire Kaufman
Claire Kaufman
Art Direction
Chris Farmer
Chris Farmer
Art Direction
Sean Falkner
Sean Falkner
Producer
Amy Pascal
Amy Pascal
Art Direction
Bryan Felty
Bryan Felty
Editor
Nick Houy
Nick Houy
Executive Producer
Evelyn O’Neill
Evelyn O’Neill
Executive Producer
Rachel O’Connor
Rachel O’Connor

SWITCH.

I’m not discounting the new approached Greta has taken here. I personally think it’s great and, in 2019, definitely poignant but it also shows too much respect for only one on-screen woman. I can’t help but feel that, while serving one grand idea, Greta has caused a disservice to those other women in its wake. - Jess Fenton Read Jess' full article... https://www.maketheswitch.com.au/article/review-little-women-a-21st-century-remake-but-does-it-cause-more-harm-than-good

Luis_989

Opinions are opinions. Subjective or objective, but I find quite interesting the positive response Greta Gerwig's second feature film has received, considering the so self-complacent film she created. I personally believe that. Do not confuse that feeling with me saying this is a misdone film. There's talent in her direction but Gerwig instead of looking for a challenge having the doors as open as she has them at the moment, she sat in the conformism and made a film that feels totally built as a ''For Your Consideration '' And be afraid if she's not considered. I don't deny that Gerwig loves the novel, she shows it and certainly this version is her personal vision but despite the nice attempt, there's nothing new or fresh in her take. I have to admit and emphasize that at this point it's completely stupid and naive to ask for a radical change in a story which has already been told a lot of times in film, however, it also cannot help feeling like a cheap mean of exploiting the story considering our current times, where feminism is now a driving force in the industry. Like I said, she went for the safe bet. And yet despite Gerwig's attempt to increase that specific plot weight, she also avoids going to issues that wouldn't work for the story she was trying to tell, because although they're not girls with money, they have the privilege of being protected from the civil war. Jo is a young woman aware of herself and her mind, which in those times wasn't something positive but obviously the external world is not a concern for her, only her personal interests. And that's ok, we get to be that way, especially when we're young, but how do you try to make woke characters, if it's only in the things that suits them? That's where the pertinent questions should be asked about what it was decided to take in order to make this new version work according to the director's perspective. In the end, despite the production quality, Little Women is just a conventional and ordinary repetition of a literary classic that I personally think has already been too used. But the proposal works both to be loved and to be hated and that depends a lot on the mentality you carry with you when you go to see it. As always the rest depends on what you get from the film.

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