الولاية الأسيرة


الولاية الأسيرة

Vue d’ensemble :

تدور الأحداث بالمستقبل، حيث يتم احتلال حي (شيكاجو) قرابة عقد من الزمن مِن قِبَل قوى فضائية خارجية.. ويستعرض الفيلم حياة كلا جانبي الصراع؛ المتعاونين والمنشقين.

Votes 798 (5,6/10)

Duree : 110 minutes

Date de sortie 2019-03-15

Budget : $25,000,000.00

Chiffre d’affaires : $5,958,315.00

Société de production :

  • Amblin Entertainment
  • Participant
  • DreamWorks Pictures
  • Lightfuse & Gettaway

Pays de production :

  • United States of America

Genres :

  • خيال علمي

Remorque

Plus d’informations

William Mulligan
John Goodman
John Goodman
Gabriel Drummond
Ashton Sanders
Ashton Sanders
Rafe Drummond
Jonathan Majors
Jonathan Majors
Jane Doe
Vera Farmiga
Vera Farmiga
Police Chief Igoe
Kevin Dunn
Kevin Dunn
Kermode
Kevin J. O'Connor
Kevin J. O'Connor
Rittenhouse
Alan Ruck
Alan Ruck
Daniel
Ben Daniels
Ben Daniels
Ellison
James Ransone
James Ransone
Levitt
D. B. Sweeney
D. B. Sweeney
Jurgis
Machine Gun Kelly
Machine Gun Kelly
Rula
Madeline Brewer
Madeline Brewer
Anita
Caitlin Ewald
Caitlin Ewald
Evan Hayes
Lawrence Grimm
Lawrence Grimm
Eddie the Priest
Guy Van Swearingen
Guy Van Swearingen
Flores
Elena Marisa Flores
Elena Marisa Flores
Courier
Rene L. Moreno
Rene L. Moreno
Hacker
Yasen Peyankov
Yasen Peyankov
Barbosa
Ta'Rhonda Jones
Ta'Rhonda Jones
Kathy Mulligan
Shannon Cochran
Shannon Cochran
Flora
Patrese McClain
Patrese McClain
John
Chike Johnson
Chike Johnson
Jean Hayes
Megan Brooke Long
Megan Brooke Long
Posner
Chronicle Ganawah
Chronicle Ganawah
Theo
Alex Henderson
Alex Henderson
Teenager
Lucien Cambric
Lucien Cambric
Carrie
KiKi Layne
KiKi Layne
Medic
Avery Lee
Avery Lee
Crystal Billy
Bries Vannon
Bries Vannon
Aide
Jason Bradley
Jason Bradley
Interrogator
James Hatten
James Hatten
Lead Elroy
Christian Isely
Christian Isely
Legislator Translator
Laura Fisher
Laura Fisher
Neighbor
Steve Herson
Steve Herson
Mayor Ed Lee
Marc Grapey
Marc Grapey
Morgue Attendant
Eric C. Lynch
Eric C. Lynch
Nark
José Antonio García
José Antonio García
Pirate DJ
Kelly Cole
Kelly Cole
Prison Guard
Danny Goldring
Danny Goldring
Robert Watts
Michael Collins
Michael Collins
Security Guard
Julius Mercer
Julius Mercer
Soldier Field MC
David J. Height
David J. Height
Skinny Black Marketeer
Robert Forte Shannon III
Robert Forte Shannon III
Soldier Field Singer
Meghan Murphy
Meghan Murphy
Girl in Data Center
Wendy Weber
Wendy Weber
Surveillance Specialist
Mickey O'Sullivan
Mickey O'Sullivan
Surveillance Tech
Ronald L. Conner
Ronald L. Conner
Censor
Jane Baxter Miller
Jane Baxter Miller
Beat Cop
Matthew Lucki
Matthew Lucki
Embed Translator
Cyrus Alexander
Cyrus Alexander
Human Translator
Ilyssa Fradin
Ilyssa Fradin
Hysterical Woman
Linsey Page Morton
Linsey Page Morton
Circle Guy
Marcos Barnes
Marcos Barnes
Man with Microphone
John Brady
John Brady
Hunter Puppeteer
Gregory Nicotero
Gregory Nicotero
Young Gabriel
Zach Thomas
Zach Thomas
15-Year-Old Rafe
Collin Woldt
Collin Woldt
Fan (uncredited)
Brian Bowman
Brian Bowman
Lead Hunter (uncredited)
Carey Jones
Carey Jones
Fan (uncredited)
Lizzy Leigh
Lizzy Leigh
Elroy (uncredited)
Mino Mackic
Mino Mackic
Fan Girl (uncredited)
Jackie Saland
Jackie Saland
Prisoner (uncredited)
Giota Trakas
Giota Trakas
Legislator (uncredited)
Otis Winston
Otis Winston
Casting
Sheila Jaffe
Sheila Jaffe
Executive Producer
Jonathan King
Jonathan King
Producer
David Crockett
David Crockett
Production Design
Keith P. Cunningham
Keith P. Cunningham
Executive Producer
Jeff Skoll
Jeff Skoll
Sound Designer
Paul Hsu
Paul Hsu
Executive Producer
Adam Simon
Adam Simon
Executive Producer
Ron Schmidt
Ron Schmidt
Unit Production Manager
Ron Schmidt
Ron Schmidt
Screenplay
Rupert Wyatt
Rupert Wyatt
Director
Rupert Wyatt
Rupert Wyatt
Producer
Rupert Wyatt
Rupert Wyatt
Original Music Composer
Rob Simonsen
Rob Simonsen
First Assistant Director
Jonas Spaccarotelli
Jonas Spaccarotelli
Costume Design
Abby O'Sullivan
Abby O'Sullivan
Director of Photography
Alex Disenhof
Alex Disenhof
Editor
Andrew Groves
Andrew Groves
Art Direction
Chris Cleek
Chris Cleek
Screenplay
Erica Beeney
Erica Beeney
Music Supervisor
Mark Wike
Mark Wike
Co-Producer
Jeff Valeri
Jeff Valeri
Second Assistant Director
Jason Dusenske
Jason Dusenske

msbreviews

If you enjoy reading my Spoiler-Free reviews, please follow my blog :) As a huge fan of the sci-fi genre, especially when it involves alien invasions of some kind, movies like this always leave me excited. It doesn’t matter what the audience or critics have been saying (in fact, it never does) because it won’t affect my enthusiasm (in fact, nothing does). By knowing who the cast, director, writers, and producers are, I instantly know how high or low I need to set my expectations. Having this in mind, I was hoping that Captive State could be one of 2019’s surprises. It has an unusual concept that can provide a very unique story if it’s well-told, so the big question is: did they execute all of their ideas successfully? Unfortunately, no. Not even close. Honestly, the screenplay is so convoluted and messy that I felt “lost” several times. I admire the amount of work that they put into this because they actually did and it shows. The overall concept and its ramifications are all there, the story is indeed interesting. It’s just the way that it’s told that ruins the entire thing. However, the first sentence I heard after the film’s conclusion, came from someone who said: “here I was expecting massive action and …” If you go into your movie theater expecting a straightforward, action-heavy, alien-invasion-type flick and you leave disappointed, that’s on you! From the trailers to its marketing, there was never a message of “hey, this is pure action, humans vs. aliens!” It tried its best to give the world a different take on this “sub-genre”, let’s call it that. I mean, they had it all: a good cast with the always astonishing John Goodman (William Mulligan) as one of the protagonists, beautiful visual effects that elevated the set design, and the aliens actually have an intriguing physical shape. Sadly, there’s barely any aliens throughout the runtime. There’s hardly … anything. I don’t know what happened post-production, but it feels like they were pushed to deliver something different, so they cut all of the other scenes with extra-terrestrial stuff (I’m certain that they had more to show). The main issue here is that you can never have a 100% ambiguous story. Arrival is probably the best non-typical alien-invasion movie ever, not because it scarcely shows any aliens or action, but due to its twistful and thought-provoking script. Nevertheless, it still shows a lot! You don’t leave that film disappointed because you didn’t see the inside of a spaceship or an actual alien. You leave perplexed and with your mind blown. Captive State just leaves you confused and wishing for more. A lot more. There’s really not that much more to say on this review without getting into spoiler territory. Sadly, this is one of those movies that come out every year showing tremendous potential, an innovative and intriguing premise, but that in the end, it just isn’t able to succeed. It doesn’t structure its story and ideas in the most efficient way possible. Its execution is sloppy, filled with hollow characters, no real flow (it feels like it’s just a scene after another scene), too vague, and it profoundly hopes that you didn’t figure out a pretty obvious twist so they can shock you seconds away from the end. It’s not horrible, but it’s definitely frustrating and disappointing. John Goodman delivers a great performance as always, and the visual effects are striking, to say the least. The production quality is undeniable, they really worked hard to provide the audience with an environment that actually feels real. The first act is pretty good, but it’s downhill from there. Ashton Sanders shares the lead with Goodman, and he’s also pretty good, no doubt about it. However, and this sums up the film pretty well: if I have to check online what the name of the main character was (Gabriel Drummond), then something went terribly wrong. It’s not going to end up being one of the worst movies of the year, but so far, it’s the biggest letdown. Rating: C-

Gimly

Honestly don't really know what I just saw. It's like if _The Battle of Algiers_ had no nuance, or if _District 9_ you know... sucked. _Final rating:★★ - Had some things that appeal to me, but a poor finished product._

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