Wilcze echa


Wilcze echa

Przegląd:

Załoga Titane – supernowoczesnej łodzi podwodnej z napędem atomowym, wykonuje misję wojskową u wybrzeży Syrii. W pewnym momencie doskonale wyszkolony specjalista obsługi sonaru melduje niezidentyfikowany dźwięk dobiegający z morskich głębin. Chwilę później okręt zostaje zaatakowany, a dowódcom z trudem udaje się uratować załogę od pewnej śmierci.

Głosów 1032 (7,7/10)

Czas działania: 115 minut

Data wydania 2019-02-20

Produkcji firmy:

  • Pathé!
  • Les Productions du Trésor
  • Chi-Fou-Mi Productions
  • Les Productions Jouror

Kraj produkcji:

  • France

Gatunki:

  • Thriller
  • Akcja

Przyczepa

Dalsze informacje

Chanteraide
François Civil
François Civil
D'Orsi
Omar Sy
Omar Sy
Grandchamp
Reda Kateb
Reda Kateb
Alfost
Mathieu Kassovitz
Mathieu Kassovitz
Diana
Paula Beer
Paula Beer
Capitaine de vaisseau
Stefan Godin
Stefan Godin
Second SNLE-B2R
Alexis Michalik
Alexis Michalik
Commandant CIRA
Jean-Yves Berteloot
Jean-Yves Berteloot
Officer navigation SNLE
Damien Bonnard
Damien Bonnard
Veilleur sonar SNA
Pierre Cevaer
Pierre Cevaer
Codet SNA
Sébastien Libessart
Sébastien Libessart
Opérateur table SNA
Paul Granier
Paul Granier
Maître de central
Etienne Guillou-Kervern
Etienne Guillou-Kervern
L'Elaborateur
Guillaume Duhesme
Guillaume Duhesme
Pilote
Simon Thomas
Simon Thomas
McNelly
Nicolas Van Beveren
Nicolas Van Beveren
Elaboration SNLE
Sylvain Loreau
Sylvain Loreau
Opérateur Torpille SNA
Bastien Ughetto
Bastien Ughetto
Acteur
Brice Ormain
Brice Ormain
Maître de central SNLE
Sébastien Landry
Sébastien Landry
Casting
Pierre-Jacques Bénichou
Pierre-Jacques Bénichou
Sound Re-Recording Mixer
Juan Peralta
Juan Peralta
Editor
Saar Klein
Saar Klein
Sound Mixer
Nicolas Cantin
Nicolas Cantin
Sound
Nicolas Cantin
Nicolas Cantin
Sound Designer
Randy Thom
Randy Thom
Supervising Sound Editor
Randy Thom
Randy Thom
Stunt Coordinator
Philippe Guégan
Philippe Guégan
Producer
Jérôme Seydoux
Jérôme Seydoux
Director of Photography
Pierre Cottereau
Pierre Cottereau
Production Design
Benoît Barouh
Benoît Barouh
Costume Designer
Mimi Lempicka
Mimi Lempicka
Producer
Alain Attal
Alain Attal
Executive Producer
Alain Attal
Alain Attal
Special Effects Technician
Charles-Axel Vollard
Charles-Axel Vollard
Visual Effects Supervisor
Pierre Buffin
Pierre Buffin
Co-Costume Designer
Judy Shrewsbury
Judy Shrewsbury
Producer
Hugo Sélignac
Hugo Sélignac
Associate Producer
Hugo Sélignac
Hugo Sélignac
Extras Casting
Franck Jouard
Franck Jouard
Dialogue Editor
Olivier Goinard
Olivier Goinard
Underwater Camera
Jacques Ballard
Jacques Ballard
Sound Effects Editor
Frank E. Eulner
Frank E. Eulner
Sound Re-Recording Mixer
Vincent Cosson
Vincent Cosson
Camera Operator
Steven Desbrow
Steven Desbrow
Sound Effects Editor
Luke Dunn Gielmuda
Luke Dunn Gielmuda
Sound Effects Editor
Scott Guitteau
Scott Guitteau
Foley Artist
Andrea Gard
Andrea Gard
Foley Editor
E. Larry Oatfield
E. Larry Oatfield
Sound Re-Recording Mixer
Pete Horner
Pete Horner
Music Editor
Jonathon Stevens
Jonathon Stevens
Supervising Sound Editor
Leff Lefferts
Leff Lefferts
Art Direction
Christophe Couzon
Christophe Couzon
Script Supervisor
Olivia Bruynoghe
Olivia Bruynoghe
Visual Effects Supervisor
Geoffrey Niquet
Geoffrey Niquet
Costume Assistant
Anaïs Guglielmetti
Anaïs Guglielmetti
Costume Supervisor
Camille Janbon
Camille Janbon
Armorer
Marc Leroyer
Marc Leroyer
Special Effects Supervisor
Georges Demétrau
Georges Demétrau
Foley Mixer
Frank Rinella
Frank Rinella
Foley Artist
Ronni Brown
Ronni Brown
Supervising Armorer
Christophe Maratier
Christophe Maratier
Still Photographer
Julien Panié
Julien Panié
Key Makeup Artist
Nelly Robin
Nelly Robin
Extras Casting
Léa Coquin
Léa Coquin
Editor
Nassim Gordji Tehrani
Nassim Gordji Tehrani
Sound Editor
Juliette Heintz
Juliette Heintz
Sound
Thomas Desjonquères
Thomas Desjonquères
Foley Artist
Kimberly Patrick
Kimberly Patrick
Aerial Coordinator
Luc Poullain
Luc Poullain
Assistant Art Director
Julie Plumelle
Julie Plumelle
Foley Editor
Shaun Farley
Shaun Farley
Assistant Art Director
Clémence Janesky
Clémence Janesky
First Assistant Camera
Jean Legrand
Jean Legrand
Boom Operator
Damien Luquet
Damien Luquet
Music Supervisor
Elise Luguern
Elise Luguern
Russian Arm Operator
Bart de Haan
Bart de Haan
Stunt Coordinator
Pascal Guégan
Pascal Guégan
Visual Effects Producer
Julien Cimino
Julien Cimino
Visual Effects Producer
Philippe Lépine
Philippe Lépine
Visual Effects Coordinator
Christ Ohoueu
Christ Ohoueu
Co-Producer
Ardavan Safaee
Ardavan Safaee
Key Grip
Erwan Becquelin
Erwan Becquelin
Visual Effects Supervisor
Julien Mercier
Julien Mercier
Assistant Art Director
Katia Espiand
Katia Espiand
Director
Antonin Baudry
Antonin Baudry
Writer
Antonin Baudry
Antonin Baudry
Swing
Gaël Langlais
Gaël Langlais
Sound
Raphaël Mouterde
Raphaël Mouterde
Original Music Composer
tomandandy
tomandandy
Sound Effects Editor
Guillaume D'Ham
Guillaume D'Ham
Costume Assistant
Perrine Ritter
Perrine Ritter
Gaffer
Olivier Pilorget
Olivier Pilorget
Graphic Designer
Teddy Barouh
Teddy Barouh
Music Supervisor
Pierre-Marie Dru
Pierre-Marie Dru
First Assistant Director
Thierry Verrier
Thierry Verrier
Set Decoration
Muriel Chinal
Muriel Chinal
Makeup Artist
Fanny Fallourd
Fanny Fallourd
Assistant Art Director
Adrien Ernandez
Adrien Ernandez
Assistant Art Director
Simon Witte
Simon Witte
Best Boy Electric
Maxime Guibert
Maxime Guibert
Best Boy Grip
Joseph Emiélot
Joseph Emiélot
Camera Operator
Julien Bureau
Julien Bureau
First Assistant Camera
Olivier Leblanc
Olivier Leblanc
Second Assistant Camera
Louise Blum
Louise Blum
Third Assistant Camera
Sophie Patalano
Sophie Patalano
Costumer
Marta Rossi
Marta Rossi
Assistant Editor
Adrien Fonda
Adrien Fonda
Assistant Editor
Anaïs Manuelli
Anaïs Manuelli
Assistant Editor
Nicolas Pangos
Nicolas Pangos
First Assistant Editor
Léa Lagréou
Léa Lagréou
Visual Effects Producer
Justine Paynat-Sautivet
Justine Paynat-Sautivet
Special Effects Technician
Sara Helmlinger
Sara Helmlinger
Casting Associate
Erwan Dujardin
Erwan Dujardin
Extras Casting
Alexis Vesigot-Wahl
Alexis Vesigot-Wahl
Boom Operator
Baptiste Kleitz
Baptiste Kleitz
Dolby Consultant
Florent Denizot
Florent Denizot
Dolby Consultant
Dominique Schmit
Dominique Schmit
First Assistant Sound Editor
Chris Frazier
Chris Frazier
Construction Coordinator
Frédéric Martin
Frédéric Martin
Set Designer
Marine Gatellier
Marine Gatellier
Production Coordinator
Audrey Mery
Audrey Mery

Per Gunnar Jonsson

Me and my kids where shopping for other stuff at FNAC in Geneva, our go to store for not too advanced stuff in audio, video and computer gadgets, when we found this movie. I made a quick search on IMDb and it looked like it might, finally, be a good French made movie. Apart from Louis de Funès comedies that is, I really love most of those. Well, it turned out to be a huge disappointment. I guess I should have checked a bit more. For instance the fact that the oxygen wasting “critics” at Rotten SJW Tomatoes gave it a 100% rating should have been a red flag. Or maybe the ludicrous non-descriptive one liner description of the movie. I mean, it’s like buying a car from a dealer that says “It’s a cool car”. Well, in my gaming days I was a great fan of submarine simulators, especially WW2 ones, so I guess I got suckered. For starters, the premise of the movie itself, once you start watching that is, is nonsensical. One, I say ONE, missile is fired against French territory, it is assumed to be nuclear, no real evidence, and France decides to retaliate while said missile is still in flight. Seriously? That’s something that North Korea would do. Not a civilized country and despite the fact that France right now has the worst president in modern history I would still say France counts as a civilized country. The the movie starts with some “action” and here we are immediately shown that the writer is totally clueless as far as any form of military procedures, strategy or … well.. whatever. A nuclear submarine surfaces, the captain, the CAPTAIN, goes up in the conning tower and fires a hand held SAM on a chopper sent from a destroyer nearby. Oh, by the way, he forgot to remove the safety on the first try. The destroyer does absolutely nothing during this exchange. You’re fucking kidding me ??? Then the movie spends a shitload of time with the hero moping and moaning and being unfairly treated by the hierarchy. The film got really boring at this point. The one good part is that the superior officers, at the end, is actually the most competent characters in the movie. When the action finally starts again it’s … well the same crap as before. Utterly unbelievable and totally unrealistic. Even the dumbass president Macron would, hopefully, known that a nuclear strike cannot be called off just like that. And when it finally comes to blows, for some reason, the “enemy” submarine has all kinds of countermeasures while the “good guys” never launches any. As I wrote before, the writer is clueless. It’s just a incredibly bad movie. Full stop!

SWITCH.

There is a large section of the film set out of the water, but once back under the waves it moves more quickly, the story putting all its weight on Chanteraide's ears. If you're howling for a slice of Tom Clancy-esque military action cheese, you'll enjoy 'The Wolf's Call'. - Jake Watt Read Jake's full article... https://www.maketheswitch.com.au/article/review-the-wolfs-call-suspense-silliness-and-sonar-sweeps

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