Hamilton


Hamilton

Vue d’ensemble :

Captation de la célèbre comédie musicale de Broadway récompensée par 11 Tony, Grammy et Olivier Awards, et par un prix Pulitzer. Hamilton raconte l'histoire d'Alexander Hamilton, l'un des Pères fondateurs de la nation américaine.

Votes 526 (8,5/10)

Duree : 160 minutes

Date de sortie 03/07/2020

True

Site Internet : Link

Société de production :

  • Walt Disney Pictures
  • The Public Theatre
  • RadicalMedia

Pays de production :

  • United States of America

Genres :

  • Histoire
  • Musique
  • Drame

Remorque

Plus d’informations

Alexander Hamilton
Lin-Manuel Miranda
Lin-Manuel Miranda
Aaron Burr
Leslie Odom Jr.
Leslie Odom Jr.
Angelica Schuyler
Renée Elise Goldsberry
Renée Elise Goldsberry
Eliza Hamilton
Phillipa Soo
Phillipa Soo
Marquis de Lafayette / Thomas Jefferson
Daveed Diggs
Daveed Diggs
George Washington
Christopher Jackson
Christopher Jackson
Peggy Schuyler / Maria Reynolds
Jasmine Cephas Jones
Jasmine Cephas Jones
Hercules Mulligan / James Madison
Okieriete Onaodowan
Okieriete Onaodowan
John Laurens / Philip Hamilton
Anthony Ramos
Anthony Ramos
King George III
Jonathan Groff
Jonathan Groff
Ensemble
Carleigh Bettiol
Carleigh Bettiol
Ensemble
Ariana DeBose
Ariana DeBose
Ensemble
Hope Easterbrook
Hope Easterbrook
Phillip Schuyler / James Reynolds / Doctor/ Ensemble
Sydney James Harcourt
Sydney James Harcourt
Ensemble
Sasha Hutchings
Sasha Hutchings
Samuel Seabury / Ensemble
Thayne Jasperson
Thayne Jasperson
Ensemble
Elizabeth Judd
Elizabeth Judd
Charles Lee / Ensemble
Jon Rua
Jon Rua
Ensemble
Austin Smith
Austin Smith
Ensemble
Seth Stewart
Seth Stewart
George Eacker / Ensemble
Ephraim Sykes
Ephraim Sykes
Director of Photography
Declan Quinn
Declan Quinn
Producer
Jeffrey Seller
Jeffrey Seller
Casting
Bernard Telsey
Bernard Telsey
Co-Executive Producer
Jon Kamen
Jon Kamen
Co-Executive Producer
Justin Wilkes
Justin Wilkes
Producer
Lin-Manuel Miranda
Lin-Manuel Miranda
Writer
Lin-Manuel Miranda
Lin-Manuel Miranda
Music
Lin-Manuel Miranda
Lin-Manuel Miranda
Co-Executive Producer
Dave Sirulnick
Dave Sirulnick
Music Arranger
Alex Lacamoire
Alex Lacamoire
Choreographer
Andy Blankenbuehler
Andy Blankenbuehler
Director
Thomas Kail
Thomas Kail
Producer
Thomas Kail
Thomas Kail
Executive Producer
Jill Furman
Jill Furman
Editor
Jonah Moran
Jonah Moran
Production Design
David Korins
David Korins
Costume Design
Paul Tazewell
Paul Tazewell
Novel
Ron Chernow
Ron Chernow
Executive Producer
Sander Jacobs
Sander Jacobs
Casting
Bethany Knox
Bethany Knox

sykobanana

A Disappointment This is a musical not made for people outside of the USA. I had to watch the thing again and wiki Hamilton to try to figure out who was who except for some of the bigger names. Going by the poster, this is was meant to be some attempted rise to fame of Harry Potter in Hollywood. The casting was varied, which is great generally, but not representative of history (noone looked like what they should have). Historical themes seemed to be swapped around and added in for convenience-sake. Some performances were good, Soo, Groff and Diggs, whilst others (MIranda - who was better in Mary Poppins Returns) just felt flat and tired. It felt like 6 or so cameras were placed and then just recorded. And the choreography was distracting at times, not complimentary. And character development - the only one who shows any is Soo's character. This might be a great musical, but it is not a great movie (despite what people are reviewing it as). It is hard to follow as a citizen of the world who does not know US political history details nor its players. Its cinematography, casting and set pieces felt lazy (this could have been turned into grand cinema). And it was overly long...people might expect this type of thing to go for hours on West End to get their money's worth, but 2hrs 40 is overkill in this medium. The hype behind this made me think this was brilliant. I was majorly disappointed.

Peter M

I suppose this movie was behind the eight ball from the very start in a way. On the one hand, there was such a tremendous hype for it as a play, it built the expectation of being blown away, and on the other hand, it being presented in its live theater version made it lose some of the visual impact of seeing it in person. We expect a greater production value on the screen. The story is great, and should be required viewing for children at a certain age. I confess, I wasn’t enthralled by it as a musical. I guess I am too used to musicals that have regular dialogue broken up by songs rather than continuous sung dialogue. If there had been dialogue surroundIng eight or ten lovely songs like Helpless, I would have given it top marks. It is still an impressive production. I feel I have to comment on the diverse cast. I am white and had no problem with the cast choices. I would have cried foul if they had presented an all white cast as some seem to think was required. I had an acquaintance complain, “What if they cast a white actor as Martin Luther King? And all I can do is flip it upside down. There are only a half-dozen people of color in our history books for every hundred Caucasians, and if it reaches the point where whites stop whining when people of color play those roles, I am convinced that people of color will be totally fine with whites playing the roles of people of color. But we aren’t there yet, are we?

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