Dark Crystal


Dark Crystal

Vue d’ensemble :

Un autre monde, un autre temps, à l'âge des miracles... Jen et Kira, seuls survivants de la race des Gelfings, partent à la recherche d'un éclat de cristal gigantesque, abîmé dans une commotion planétaire, qui donne force et puissance aux Mystiques, un peuple sage et pacifique. Ils doivent affronter les terribles et cruels Skekses qui tiennent ces derniers en esclavage.

Votes 580 (7,2/10)

Duree : 95 minutes

Date de sortie 23/03/1983

True

Budget : $15,000,000.00

Chiffre d’affaires : $40,577,001.00

Slogan : Une histoire de bien et de mal, d'innoncence et de corruption

Société de production :

  • Universal Pictures
  • Jim Henson Productions
  • Incorporated Television Company (ITC)
  • Henson Associates (HA)

Pays de production :

  • United Kingdom
  • United States of America

Genres :

  • Fantastique
  • Aventure
  • Familial
  • Animation

Remorque

Plus d’informations

Jen
Jim Henson
Jim Henson
Kira
Kathryn Mullen
Kathryn Mullen
Aughra, A Keeper Of Secrets / Chamberlain
Frank Oz
Frank Oz
Fizzgig, A Friendly Monster
Dave Goelz
Dave Goelz
Scientist
Steve Whitmire
Steve Whitmire
Ornamentalist
Brian Muehl
Brian Muehl
Jen (voice)
Stephen Garlick
Stephen Garlick
Kira (voice)
Lisa Maxwell
Lisa Maxwell
Aughra (voice)
Billie Whitelaw
Billie Whitelaw
Fizzgig (voice)
Percy Edwards
Percy Edwards
Chamberlain / Podling (voice)
Barry Dennen
Barry Dennen
General (voice)
Michael Kilgarriff
Michael Kilgarriff
High Priest / Dying Emperor (voice)
Jerry Nelson
Jerry Nelson
Gourmand (voice)
Thick Wilson
Thick Wilson
Historian (voice)
John Baddeley
John Baddeley
Slave Master (voice)
David Buck
David Buck
Treasurer (voice)
Charles Collingwood
Charles Collingwood
Urzah (voice)
Sean Barrett
Sean Barrett
Podling (voice)
Patrick Monckton
Patrick Monckton
Podling (voice)
Susan Westerby
Susan Westerby
Narrator / Urskeks (voice)
Joseph O'Conor
Joseph O'Conor
Additional Performer
Deep Roy
Deep Roy
Additional Performer
Kiran Shah
Kiran Shah
Jack Purvis
Jack Purvis
Producer
Gary Kurtz
Gary Kurtz
Stunts
Kiran Shah
Kiran Shah
Editor
Ralph Kemplen
Ralph Kemplen
Original Music Composer
Trevor Jones
Trevor Jones
Special Effects
James Acheson
James Acheson
Director
Frank Oz
Frank Oz
Set Decoration
Peter Young
Peter Young
Art Direction
Terry Ackland-Snow
Terry Ackland-Snow
Music Editor
Michael Clifford
Michael Clifford
Director of Photography
Oswald Morris
Oswald Morris
Supervising Art Director
Charles Bishop
Charles Bishop
Art Direction
Brian Ackland-Snow
Brian Ackland-Snow
Art Direction
Malcolm Stone
Malcolm Stone
Set Designer
Richard Holland
Richard Holland
Screenplay
David Odell
David Odell
Director
Jim Henson
Jim Henson
Producer
Jim Henson
Jim Henson
Story
Jim Henson
Jim Henson
Executive Producer
David Lazer
David Lazer
First Assistant Director
Dusty Symonds
Dusty Symonds
Costume Design
Brian Froud
Brian Froud
Production Design
Harry Lange
Harry Lange
Choreographer
Jean-Pierre Amiel
Jean-Pierre Amiel
Camera Operator
Derek V. Browne
Derek V. Browne
Music Editor
Dina Eaton
Dina Eaton
Sound Editor
Nicholas Stevenson
Nicholas Stevenson
Art Direction
John Marshall
John Marshall
Dialogue Editor
Brian Mann
Brian Mann
Wardrobe Supervisor
Betty Adamson
Betty Adamson
Production Coordinator
Bi Benton
Bi Benton
Draughtsman
Reg Bream
Reg Bream

Datapotomus

Some old things just don’t really hold up. I was hoping that this movie was going to be a lot better than it was. To myself, I thought it would be great as this was one of Jim Henson’s more notable films. However, the story didn’t really grip me all that much. That could be because today we have a ton of these movies. The one where the is the hero who must overcome an orphan story to become the hero that they are today. However today, that has been all, but played. There could be the argument that it wasn’t done at the time all that well, and that is why this movie is good. However, I’m not a fan of that argument. As older movies can still hold up even though they have the same overarching story as the movies in the genre that succeed them. This one, I didn’t feel like had any real differences except it was done with puppets. The fact that you have puppets in a movie should not be the selling point. The selling point should be that you can use those puppets to tell a better story. In summation. It wasn’t bad, but it wasn’t all that good. It was right in the middle of the road for a movie.

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