End of Watch


End of Watch

Vue d’ensemble :

Chaque jour, Brian Taylor et Mike Zavala, jeunes officiers de police, patrouillent dans les rues les plus dangereuses de Los Angeles. À travers les images filmées sur le vif, on découvre leur quotidien sous un angle jamais vu. Du danger partagé qui forge la fraternité à la peur et aux montées d’adrénaline, c’est une fascinante plongée au cœur de leur vie et d’un quartier, une histoire puissante sur l’amitié, la famille, l’honneur et le courage.

Votes 2059 (7,3/10)

Duree : 108 minutes

Date de sortie 14/11/2012

True

Budget : $7,000,000.00

Chiffre d’affaires : $48,126,384.00

Site Internet : Link

Slogan : Chaque patrouille peut être la dernière.

Société de production :

  • 5150 Action
  • Emmett/Furla Films
  • Exclusive Media
  • Hedge Fund Film Partners
  • Crave Films
  • Knightsbridge Entertainment
  • Le Grisbi Productions

Pays de production :

  • United States of America

Genres :

  • Crime
  • Drame
  • Thriller

Remorque

Plus d’informations

Brian Taylor
Jake Gyllenhaal
Jake Gyllenhaal
Mike Zavala
Michael Peña
Michael Peña
Gabby Zavala
Natalie Martinez
Natalie Martinez
Janet Taylor
Anna Kendrick
Anna Kendrick
Van Hauser
David Harbour
David Harbour
Sarge
Frank Grillo
Frank Grillo
Officer Orozco
America Ferrera
America Ferrera
Officer Davis
Cody Horn
Cody Horn
Bonita
Shondrella Avery
Shondrella Avery
Homicide Detective 2
Hugh Daly
Hugh Daly
Officer Cho
Gene Hong
Gene Hong
Mr. Tre
Cle Shaheed Sloan
Cle Shaheed Sloan
Captain Reese
Jaime FitzSimons
Jaime FitzSimons
Man Friend
Everton Lawrence
Everton Lawrence
Too Tall
Zone
Zone
Peanut
Alvin Norman
Alvin Norman
Demon
Richard Cabral
Richard Cabral
Wicked
Diamonique
Diamonique
Big Evil
Maurice Compte
Maurice Compte
La La
Flakiss
Flakiss
Casper
Manny Jimenez Jr.
Manny Jimenez Jr.
Cindy
Nikki Nicholle Barreras
Nikki Nicholle Barreras
Sook
Kristy Wu
Kristy Wu
Sharice
Candace Smith
Candace Smith
Jazmine
Corina Calderon
Corina Calderon
Spooky
David Fernandez Jr.
David Fernandez Jr.
Williams
McKinley Freeman
McKinley Freeman
Ice Agent
Kevin Vance
Kevin Vance
Mexican Cowboy
David Castañeda
David Castañeda
Executive Producer
Jake Gyllenhaal
Jake Gyllenhaal
Editor
Dody Dorn
Dody Dorn
Casting
Mary Vernieu
Mary Vernieu
Executive Producer
Guy East
Guy East
Dolby Consultant
Andy Potvin
Andy Potvin
Screenplay
David Ayer
David Ayer
Director
David Ayer
David Ayer
Producer
David Ayer
David Ayer
Art Direction
Kevin Constant
Kevin Constant
Sound Designer
Roland N. Thai
Roland N. Thai
Executive Producer
Randall Emmett
Randall Emmett
Makeup Effects
Matthew W. Mungle
Matthew W. Mungle
Costume Design
Mary Claire Hannan
Mary Claire Hannan
Production Design
Devorah Herbert
Devorah Herbert
Original Music Composer
David Sardy
David Sardy
Set Decoration
Betty Berberian
Betty Berberian
Hairstylist
Waldo Sanchez
Waldo Sanchez
Makeup Effects
Clinton Wayne
Clinton Wayne
Choreographer
JoAnn Fregalette Jansen
JoAnn Fregalette Jansen
Executive Producer
Chrisann Verges
Chrisann Verges
Director of Photography
Roman Vasyanov
Roman Vasyanov
Stunt Coordinator
Mike Gunther
Mike Gunther
Musician
Kid Rock
Kid Rock
Foley
James Moriana
James Moriana
Foley
Jeffrey Wilhoit
Jeffrey Wilhoit
Executive Producer
Tobin Armbrust
Tobin Armbrust
Executive Producer
Remington Chase
Remington Chase
Sound Re-Recording Mixer
Joe Barnett
Joe Barnett
Casting
Lindsay Graham
Lindsay Graham
Foley
Gary A. Hecker
Gary A. Hecker
Producer
Matt Jackson
Matt Jackson
Producer
John Lesher
John Lesher
Executive Producer
Adam Kassan
Adam Kassan
Additional Music
Flakiss
Flakiss
Executive Producer
Stephen Martirosyan
Stephen Martirosyan
Special Effects Coordinator
Kevin Hannigan
Kevin Hannigan
Makeup Department Head
Tina Roesler Kerwin
Tina Roesler Kerwin
Construction Coordinator
Douglas Womack
Douglas Womack
Sound Re-Recording Mixer
Christian P. Minkler
Christian P. Minkler
Music Editor
Clint Bennett
Clint Bennett
Music Editor
Chris Newlin
Chris Newlin
Digital Intermediate
Amy Pawlowski
Amy Pawlowski
Camera Operator
Jake Avignone
Jake Avignone
Publicist
Alex L. Worman
Alex L. Worman
Property Master
Tommy Tomlinson
Tommy Tomlinson
Supervising Sound Editor
Michael D. Wilhoit
Michael D. Wilhoit
Still Photographer
Scott Garfield
Scott Garfield
Dialogue Editor
Kimberly Ellis
Kimberly Ellis
Music Editor
Steve Duncan
Steve Duncan
Hairstylist
Arturo Rojas
Arturo Rojas
Makeup Artist
Heather Mages
Heather Mages
Art Department Coordinator
Alex Hunter
Alex Hunter
Property Master
Michael Vines
Michael Vines
Visual Effects Producer
Phillip Hoffman
Phillip Hoffman
Visual Effects Supervisor
Adam Avitabile
Adam Avitabile
Camera Operator
Micky Froehlich
Micky Froehlich
Rigging Gaffer
Louie Ceredez
Louie Ceredez
Costume Supervisor
Robert Iannaccone
Robert Iannaccone
Set Costumer
Matt Chase
Matt Chase
Digital Intermediate
Robert E. Phillips
Robert E. Phillips
Digital Intermediate
Rosalie A. Staley
Rosalie A. Staley
First Assistant Editor
Halima K. Gilliam
Halima K. Gilliam
Location Manager
Earl West
Earl West
Unit Publicist
Amy Cohn
Amy Cohn
Studio Teachers
David Quierolo
David Quierolo
Music Supervisor
Season Kent
Season Kent
Music Supervisor
Gabe Hilfer
Gabe Hilfer

LastCaress1972

Officers Taylor (Jake Gyllenhaal) and Zavala (Michael Peña) are LA beat cops, partnered up a long time. We watch them in action via a number of set pieces, and see that they're cynical enough to interpret the rules as necessary but still by a long, long stretch good and decent cops that will risk their lives in carrying out their duties at a moment's notice. Zavala is already blissfully happily married with a baby on the way, Taylor has just met a sweet Irish gal and over the course of the film we see their relationship blossom and grow. These two men are like the closest of brothers. It's all good to see. One day, their dedication to the job causes them to stumble in over their pay grade into a much larger drug cartel and human trafficking operation than regular beat cops would usually encounter. Homeland Security agents appear, having apparently already been monitoring the situation, and warn our boys that they've bloodied the wrong noses, and they'd better lay low. I HATE a dumb actioner, and this ain't that. Well, it DOES contain all of the standard tropes and cliches (buddy cops, stumbling in over their heads into some drug cartel hoo-haa; the bad guys all being relentlessly bad 24/7, permanently scowling, growling and barking at one another, etc.), but done ever-so-well; reminiscent to me of how [REC] didn't contain anything new or fresh whatsoever, but did all of what it did very well indeed and it came across as fresh as a result. It's shot mostly cinéma vérité-style, utilising a plotline in which officer Taylor is shooting a documentary piece for a student course he's taking. However, it switches between between first and third-person narrative a la Modern Family, but when it switches to third-person it retains a very documentary-like feel, so it all feels quite seamless. It wilts a little just past the halfway mark but picks up enormously for the final third. Also, when it's violent (which isn't often), it's unexpectedly VERY violent. I'd give it an 8/10 and recommend that it's worth at least a look. And I'm not a fan of L.A. guns/bloods/crips/gangs/urban/drugs/cops films.

Gimly

A good duo at the forefront of this thing, but I don't especially care for the half-assed documentary schematic or, you know... cops. _Final rating:★★★ - I liked it. Would personally recommend you give it a _

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