Gods and Generals


Gods and Generals

Vue d’ensemble :

Gods and generals a pour cadre la Guerre de Sécession et notamment les batailles de Bull Run, d'Antietam, de Fredericksburg et de Chancellorsville.

Votes 99 (6/10)

Duree : 214 minutes

Date de sortie 2003-02-21

Budget : $56,000,000.00

Chiffre d’affaires : $12,923,936.00

Société de production :

  • Warner Bros. Pictures
  • Turner Pictures
  • Antietam Filmworks

Pays de production :

  • United States of America

Genres :

  • Drame
  • Histoire
  • Guerre

Remorque

Plus d’informations

Lt. Gen. Thomas Stonewall Jackson
Stephen Lang
Stephen Lang
Lt. Col. Joshua Lawrence Chamberlain
Jeff Daniels
Jeff Daniels
Gen. Robert E. Lee
Robert Duvall
Robert Duvall
Sgt. Buster Kilrain
Kevin Conway
Kevin Conway
Sgt. Thomas Chamberlain
C. Thomas Howell
C. Thomas Howell
Capt. Alexander 'Sandie' Pendleton
Jeremy London
Jeremy London
Col. Adelbert Ames
Matt Letscher
Matt Letscher
Maj. Gen. Winfield Scott Hancock
Brian Mallon
Brian Mallon
Maj. Walter Taylor
Bo Brinkman
Bo Brinkman
Lt. Gen. James Longstreet
Bruce Boxleitner
Bruce Boxleitner
Maj. Gen. A. P. Hill
William Sanderson
William Sanderson
Maj. Gen. George Pickett
Billy Campbell
Billy Campbell
Brig. Gen. Marsena Patrick
Ryan Cutrona
Ryan Cutrona
Jane Beale
Mia Dillon
Mia Dillon
George Jenkins
Justin Dray
Justin Dray
John Janney
Robert Easton
Robert Easton
Jim Lewis
Frankie Faison
Frankie Faison
John Beale
Miles Fisher
Miles Fisher
Old Penn
John Castle
John Castle
Pvt. Dooley
Conn Horgan
Conn Horgan
Marion Sibert
Barry McEvoy
Barry McEvoy
Confederate General
Robert Byrd
Robert Byrd
Lucy Beale
Karen Goberman
Karen Goberman
Col. J. E. B. Stuart
Joseph Fuqua
Joseph Fuqua
Gen. John Bell Hood
Patrick Gorman
Patrick Gorman
Jane Corbin
Lydia Jordan
Lydia Jordan
Irish Brigade Officer
Ed Markey
Ed Markey
Col. Tazewell Patton
Ted Turner
Ted Turner
Executive Producer
Mace Neufeld
Mace Neufeld
Executive Producer
Robert Rehme
Robert Rehme
Casting
Joy Todd
Joy Todd
Foley
Catherine Harper
Catherine Harper
Art Direction
Gregory Bolton
Gregory Bolton
Assistant Art Director
Hugo Santiago
Hugo Santiago
Original Music Composer
Randy Edelman
Randy Edelman
Music Editor
Lisa Jaime
Lisa Jaime
Costume Design
Richard La Motte
Richard La Motte
Visual Effects Producer
Thomas G. Smith
Thomas G. Smith
Original Music Composer
John Frizzell
John Frizzell
Production Design
Michael Z. Hanan
Michael Z. Hanan
Set Designer
Geoff Hubbard
Geoff Hubbard
Director of Photography
Kees Van Oostrum
Kees Van Oostrum
Executive Producer
Robert Katz
Robert Katz
Screenplay
Ronald F. Maxwell
Ronald F. Maxwell
Director
Ronald F. Maxwell
Ronald F. Maxwell
Producer
Ronald F. Maxwell
Ronald F. Maxwell
Executive Producer
Moctesuma Esparza
Moctesuma Esparza
Second Unit Cinematographer
William Wages
William Wages
Camera Operator
Tom Weston
Tom Weston
Set Decoration
Casey Hallenbeck
Casey Hallenbeck
Set Costumer
Deborah Latham
Deborah Latham
Visual Effects Producer
Matt Hullum
Matt Hullum
Executive Producer
Ted Turner
Ted Turner
Editor
Corky Ehlers
Corky Ehlers
Stunt Coordinator
Chris Howell
Chris Howell
Novel
Jeff Shaara
Jeff Shaara
Hairstylist
Taylor Knight
Taylor Knight
Visual Effects Supervisor
Justin Paul Ritter
Justin Paul Ritter
Makeup Artist
Janeen Schreyer
Janeen Schreyer
Costume Design
Maurice Whitlock
Maurice Whitlock
Makeup Artist
Manlio Rocchetti
Manlio Rocchetti
Hairstylist
Manlio Rocchetti
Manlio Rocchetti
Property Master
Steve George
Steve George
Assistant Art Director
Daniel R. Jennings
Daniel R. Jennings
Sound Re-Recording Mixer
Gary Coppola
Gary Coppola
Sound Re-Recording Mixer
J. Stanley Johnston
J. Stanley Johnston
Set Costumer
K. Drew Fuller
K. Drew Fuller
Set Costumer
Toby Bronson
Toby Bronson
Construction Coordinator
Bill Iiams
Bill Iiams
Property Master
Kelly Farrah
Kelly Farrah
Set Designer
Patricia Klawonn
Patricia Klawonn
Set Designer
Jonathan Short
Jonathan Short
Set Designer
Stan Tropp
Stan Tropp
Art Department Coordinator
Cheree Welsh
Cheree Welsh
Scenic Artist
Silvija L. Moess
Silvija L. Moess
Sound Re-Recording Mixer
Pete Elia
Pete Elia
Sound Re-Recording Mixer
Melissa Sherwood Hofmann
Melissa Sherwood Hofmann
Supervising Sound Editor
Bob Newlan
Bob Newlan
Supervising Sound Editor
David Hankins
David Hankins
Boom Operator
Javier M. Hernández
Javier M. Hernández
Boom Operator
Stacey A. Washer
Stacey A. Washer
Special Effects Coordinator
Matt Vogel
Matt Vogel
Visual Effects Supervisor
Adam Howard
Adam Howard
Visual Effects Supervisor
Jon Townley
Jon Townley
Visual Effects Producer
Lorraine Rozon
Lorraine Rozon
Best Boy Electric
Stephen Crowley
Stephen Crowley
Still Photographer
Van Redin
Van Redin
Costume Supervisor
Catharine Fletcher Incaprera
Catharine Fletcher Incaprera
Rigging Gaffer
Jay Kemp
Jay Kemp
CGI Supervisor
Chris Ryan
Chris Ryan
Transportation Coordinator
Dan Romero
Dan Romero
Hairstylist
Vanessa Davis
Vanessa Davis
Makeup Artist
Patricia Androff
Patricia Androff
Makeup Effects
Joseph P. Hurt
Joseph P. Hurt
Gaffer
Brian Gunter
Brian Gunter
Set Costumer
Carl Curnutte III
Carl Curnutte III
Set Costumer
Robert DeGrazia
Robert DeGrazia
Location Manager
John Crowder
John Crowder
Location Manager
Tom Trigo
Tom Trigo
Unit Publicist
Vic Heutschy
Vic Heutschy

Mark Rushow

It is too afraid of reality to depict truths. Rather it hides behind a facade of being artistically 'old filmy' in styling; as too paint the whole in the romanticised vision (whitewash) held by those that love the idea of the Civil War. It was rather unbearable to say the least.

Wuchak

***Way better than "Gettysburg"*** Even though I love the Civil War I waited a full six and a half years before catching the prequel "Gods and Generals" (2003). Why? Because 1993's "Gettysburg" was so unimpressive. While "Gettysburg" has some worthwhile scenes it was merely okay on a whole, and sometimes downright tedious. How the filmmakers made the Civil War's biggest battle boring (generally speaking) is beyond me. Gods and Generals" is the prequel detailing the battles of First Bull Run, Fredericksburg and Chancellorsville, which are largely viewed through the lens of Stonewall Jackson (Stephan Lang) on the Confederate side and the Chamberlain brothers (Jeff Daniels and C. Thomas Howell) of Maine on the Union side. Also on hand is, of course, Robert E. Lee, played by Robert Duvall, who does a more engaging portrayal than Martin Sheen in "Gettysburg." The film starts off slow and builds momentum. By contrast, "Gettysburg" started off slower and never became engaging with the exception of Little Round Top and Pickett's Charge. Where "Gods and Generals" really pulled me in was the battle scenes of Fredericksburg and the aftermath. It showed how Civil War troops were required to march, shoot & reload in formation while rifles and friggin’ cannons are blasting their way. The Chamberlain brothers had to sleep on the battlefield that night. Imagine sleeping amongst all those dead bodies and dying, moaning soldiers! This was very well done. There are quite a few other great scenes, like the Yankee and Reb soldiers meeting in the middle of the river to exchange coffee for tobacco; the execution of three deserters; and the "perfect battle" for the Confederates at Chancellorsville where General Lee, with a much smaller force, takes the risk of dividing his army and executing a surprise attack. Unfortunately for the Confederates they won at a huge cost as General Jackson loses his "right arm" to friendly fire. The story ends on a slow, melancholy note. I was impressed with the battle in the town scene. The town looked so authentic. Watching the documentary afterward I learned how they accomplished this: they filmed it at Harpers Ferry, WV. Some have complained that the Southern viewpoint is shown in a more positive light than the Northern, but I disagree. While it seems more time is spent with Jackson & Lee's story, considerable time is certainly given to the North as well; the film does an excellent job of taking the middle road between the two positions. The film was shot on location in Virginia, Maryland and Harpers Ferry, WV and runs 3 hours and 39 minutes. The Director's Cut (which I haven't seen) runs a full hour longer and features the bloody battle of Antietam and a subplot with John Wilkes Booth. FINAL WORD: If you thought "Gettysburg" was boring don't let that prevent you from checking out "Gods and Generals." Yes, you have to be ready for a long movie and it does have some slow, dramatic parts but it builds momentum and it's one of best Civil War films in helping the viewer visualize the battles and many other aspects. WARNING: Believe it or not, the film shows overt depictions of Bible reading, citation and prayer!! It also dares to show Christianity and marriage (between a man and woman) in a positive light!! Oh my God!!! GRADE: B+/A-

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