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フェノミナ

概要:

スイス郊外にある不気味な雰囲気を漂わす寄宿舎を舞台に虫と交信する事のできる少女をめぐって起きる殺人事件を描いた、奇才アルジェントによるホラー・ムービー。

票 372 (6.8/10)

ランタイム: 116 分

発売日 1985-01-25

予算: $3,800,000.00

制作会社:

  • DACFILM Rome

生産の国:

  • Italy
  • Switzerland

ジャンル:

  • ホラー
  • スリラー

トレーラー

さらに詳しい情報

Jennifer Corvino
Jennifer Connelly
Jennifer Connelly
Frau Brückner
Daria Nicolodi
Daria Nicolodi
Vera Brandt
Fiore Argento
Fiore Argento
Sophie
Federica Mastroianni
Federica Mastroianni
Gisela Sulzer
Fiorenza Tessari
Fiorenza Tessari
Headmistress
Dalila Di Lazzaro
Dalila Di Lazzaro
Inspector Rudolf Geiger
Patrick Bauchau
Patrick Bauchau
Professor John McGregor
Donald Pleasence
Donald Pleasence
UBS Bank Teller
Alberto Cracco
Alberto Cracco
Karl, Sophie's Boyfriend
Kaspar Capparoni
Kaspar Capparoni
Morris Shapiro
Mario Donatone
Mario Donatone
EEG Doctor
Antonio Maimone
Antonio Maimone
Patau (Bruckner Son)
Davide Marotta
Davide Marotta
Mr. Sulzer
Fulvio Mingozzi
Fulvio Mingozzi
Nurse
Francesca Ottaviani
Francesca Ottaviani
Kurt, Geiger's Assistant
Michele Soavi
Michele Soavi
Real Estate Agent
Franco Trevisi
Franco Trevisi
Schoolgirl
Fausta Avelli
Fausta Avelli
Teacher
Franca Berdini
Franca Berdini
Schoolgirl
Marta Biuso
Marta Biuso
Schoolgirl
Marisa Simonetti
Marisa Simonetti
Schoolgirl
Geraldine Thomas
Geraldine Thomas
Special Effects
Danilo Bollettini
Danilo Bollettini
Screenplay
Franco Ferrini
Franco Ferrini
Story
Franco Ferrini
Franco Ferrini
Screenplay
Dario Argento
Dario Argento
Director
Dario Argento
Dario Argento
Producer
Dario Argento
Dario Argento
Story
Dario Argento
Dario Argento
Original Music Composer
Simon Boswell
Simon Boswell
Editor
Franco Fraticelli
Franco Fraticelli
First Assistant Director
Michele Soavi
Michele Soavi
Makeup Effects
Sergio Stivaletti
Sergio Stivaletti
Special Effects
Luigi Cozzi
Luigi Cozzi
Director of Photography
Romano Albani
Romano Albani
Production Design
Maurizio Garrone
Maurizio Garrone
Makeup Effects
Maurizio Garrone
Maurizio Garrone
Production Design
Nello Giorgetti
Nello Giorgetti
Production Design
Luciano Spadoni
Luciano Spadoni
Production Design
Umberto Turco
Umberto Turco
Costume Design
Giorgio Armani
Giorgio Armani
Makeup Artist
Pierantonio Mecacci
Pierantonio Mecacci
Executive Producer
Angelo Iacono
Angelo Iacono
Production Manager
Angelo Iacono
Angelo Iacono
Original Music Composer
Goblin
Goblin
Music Editor
Piero Bozza
Piero Bozza
Makeup Artist
Barbara Morosetti
Barbara Morosetti
Special Effects
Antonio Corridori
Antonio Corridori
Costume Design
Marina Malavasi
Marina Malavasi
Costume Design
Patrizia Massaia
Patrizia Massaia
Second Assistant Director
Bettina Graebe
Bettina Graebe
Hairstylist
Patrizia Corridoni
Patrizia Corridoni
Production Manager
Cesare Jacolucci
Cesare Jacolucci
Unit Manager
Marcel Just
Marcel Just

John Chard

Phenomena, doo-doo doo-doo-doo. Arriving at a Swiss Academy for girls, Jennifer Corvino (Jennifer Connelly) gets embroiled in the workings of a serial killer. Her friends the insects and Professor John McGregor (Donald Pleasence) are on hand to help if possible. Directed and co-written by horror legend Dario Argento, Phenomena is a mixed bag. Ignoring the butchered American version, which was titled Creepers, the full uncut version is still messy. Argento the director is doing good work here, which explains why the film has a sturdy reputation. His eye for striking imagery and horror scene staging is evident here for sure, but Argento the writer (along with Franco Ferrini) fails to string a decent enough narrative together. Pace is all over the place, the dialogue often boorish, while wasting Donald Pleasence is a crime against horror film making. Still, there’s enough good Argento at work here to keep Phenomena above average, even if it’s more for the eyes than the brain. 6/10

talisencrw

Both a great chance to see two acting icons (one, Donald Pleasence, at his prime, and the other, Jennifer Connelly, just starting out on her filmic journey) and one of the films on director Argento's great run of horror classics, this is worth purchasing the finest print and will award the horror aficionado many great times in rewatches. Cinephiles often called Argento 'the Italian Alfred Hitchcock', and this would be a great Exhibit A for their evidence. Essential for connoisseurs of the arcane.

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