Rzeka Czerwona


Rzeka Czerwona

Przegląd:

Tom Dunson wraz z swym adoptowanym synem Matthew Garthem zbudowali imperium oparte na hodowli bydła. Prowadzą oni olbrzymie stado bydła z Texasu do siedziby kolei w Missouri, jednakże zaczynaj się kłócić, a wspomagają ich w tym dochodzące ich informacje. Matthew bierze część bydła i udaje się z nią do siedziby kolei w Kansas. Jednakże Tom poprzysięga mu zemstę ...

Głosów 199 (7,4/10)

Czas działania: 133 minut

Data wydania 1948-08-26

Budżet: $3,000,000.00

Dochody: $9,012,000.00

Produkcji firmy:

  • United Artists
  • Monterey Productions
  • Charles K. Feldman Group

Kraj produkcji:

  • United States of America

Gatunki:

  • Western
  • Akcja

Przyczepa

Dalsze informacje

Thomas Dunson
John Wayne
John Wayne
Matthew Garth
Montgomery Clift
Montgomery Clift
Tess Millay
Joanne Dru
Joanne Dru
'Groot' Nadine
Walter Brennan
Walter Brennan
Fen
Coleen Gray
Coleen Gray
Mr. Melville
Harry Carey
Harry Carey
Cherry Valance
John Ireland
John Ireland
Buster McGee
Noah Beery Jr.
Noah Beery Jr.
Dan Latimer
Harry Carey, Jr.
Harry Carey, Jr.
Quo
Chief Yowlachie
Chief Yowlachie
Teeler Yacey
Paul Fix
Paul Fix
Simms Reeves
Hank Worden
Hank Worden
Matt, as a boy
Mickey Kuhn
Mickey Kuhn
Walt Jergens
Ray Hyke
Ray Hyke
Old Leather
Hal Taliaferro
Hal Taliaferro
Dance Hall Girl in Wagon Train (uncredited)
Shelley Winters
Shelley Winters
Colonel (uncredited)
Lane Chandler
Lane Chandler
Mr. Meeker (uncredited)
Davison Clark
Davison Clark
Gambler (uncredited)
Harry Cording
Harry Cording
Dunston Rider (uncredited)
Richard Farnsworth
Richard Farnsworth
Fernandez (uncredited)
Paul Fierro
Paul Fierro
Rider with Melville (uncredited)
George Lloyd
George Lloyd
Colonel's Trail Boss (uncredited)
Pierce Lyden
Pierce Lyden
Train Engineer (uncredited)
Frank Meredith
Frank Meredith
Settler (uncredited) (uncredited)
John Merton
John Merton
Drover at Meeting (uncredited)
Jack Montgomery
Jack Montgomery
Bunk Kenneally (uncredited)
Ivan Parry
Ivan Parry
Gambler (uncredited)
Lee Phelps
Lee Phelps
Drover at Meeting (uncredited)
John Rice
John Rice
Sutter (uncredited)
William Self
William Self
Cowhand (uncredited)
Carl Sepulveda
Carl Sepulveda
Wagon Train Member (uncredited)
Ray Spiker
Ray Spiker
Naylor (uncredited)
Glenn Strange
Glenn Strange
Quitter (uncredited)
Tom Tyler
Tom Tyler
Laredo (uncredited)
Dan White
Dan White
Pete (uncredited)
Guy Wilkerson
Guy Wilkerson
Original Music Composer
Dimitri Tiomkin
Dimitri Tiomkin
Music Director
Dimitri Tiomkin
Dimitri Tiomkin
Director of Photography
Russell Harlan
Russell Harlan
Director
Howard Hawks
Howard Hawks
Producer
Howard Hawks
Howard Hawks
Presenter
Howard Hawks
Howard Hawks
Stunt Double
Richard Farnsworth
Richard Farnsworth
Production Manager
Norman A. Cook
Norman A. Cook
Executive Producer
Charles K. Feldman
Charles K. Feldman
Sound
Richard DeWeese
Richard DeWeese
Editor
Christian Nyby
Christian Nyby
Editor
Francis D. Lyon
Francis D. Lyon
Co-Director
Arthur Rosson
Arthur Rosson
Second Unit Director
Arthur Rosson
Arthur Rosson
Screenplay
Borden Chase
Borden Chase
Story
Borden Chase
Borden Chase
Screenplay
Charles Schnee
Charles Schnee
Editor
Jack Murray
Jack Murray
Assistant Makeup Artist
George Bau
George Bau
Makeup Artist
Lee Greenway
Lee Greenway
Production Manager
Walter Mayo
Walter Mayo
Sound Mixer
Frank Webster
Frank Webster
Makeup Department Head
Don L. Cash
Don L. Cash
Wardrobe Master
Wesley Jeffries
Wesley Jeffries
Orchestrator
Lucien Cailliet
Lucien Cailliet
Stand In
Sid Davis
Sid Davis
Special Effects
Allen Q. Thompson
Allen Q. Thompson
Accountant
Howard Alston
Howard Alston
Camera Operator
George T. Clemens
George T. Clemens
Cableman
Larry Gannon
Larry Gannon
Assistant Director
Joe Wonder
Joe Wonder
Additional Director of Photography
Ray Binger
Ray Binger
Assistant Director
William McGarry
William McGarry
Wardrobe Master
Adele Parmenter
Adele Parmenter
Orchestrator
Paul Marquardt
Paul Marquardt
Makeup Artist
Web Overlander
Web Overlander
Second Unit Director
Arthur Siteman
Arthur Siteman
Hairstylist
Dotha Hippe
Dotha Hippe
Special Effects
Donald Steward
Donald Steward
Art Direction
John Datu
John Datu
Key Hair Stylist
Anna Malin
Anna Malin
Second Assistant Director
Joseph C. Cavalier
Joseph C. Cavalier
Boom Operator
Earl Crain Jr.
Earl Crain Jr.
Makeup Artist
Frank La Rue
Frank La Rue
Assistant Editor
Stewart S. Frye
Stewart S. Frye
Assistant Hairstylist
Maudlee McDougall
Maudlee McDougall
Hair Department Head
Margaret Martin
Margaret Martin
Hairdresser
Margaret Martin
Margaret Martin
Props
Al Hersh
Al Hersh
Gaffer
Cleo Crabtree
Cleo Crabtree
Special Effects Technician
Thol Simonson
Thol Simonson
Casting
Dave Gunreth
Dave Gunreth
Hairstylist
Mary Freeman
Mary Freeman
Assistant Production Manager
M.W. Kennedy
M.W. Kennedy
Set Dresser
John F. Austin
John F. Austin
Props
Jack Colconda
Jack Colconda
Assistant Property Master
Lester Hallett
Lester Hallett
Standby Painter
Howard Harbough
Howard Harbough
Boom Operator
Jack Gard
Jack Gard
Cableman
Slim Houghton
Slim Houghton
Cableman
Cecil Shephard
Cecil Shephard
Sound Recordist
Kenneth C. Wesson
Kenneth C. Wesson
Stunt Double
Riley R. Waters
Riley R. Waters
Grip
Pete Bernard
Pete Bernard
Gaffer
Roy Black
Roy Black
Assistant Camera
Bert Eason
Bert Eason
Assistant Camera
Robert Rhea
Robert Rhea
Assistant Camera
Earl Stafford
Earl Stafford
Best Boy Electric
Palmer 'Pete' Swenson
Palmer 'Pete' Swenson
Camera Operator
John D. Weiler
John D. Weiler
Wardrobe Assistant
Chuck Arrice
Chuck Arrice
Wardrobe Assistant
Howard Child
Howard Child
Tailor
Saul Jick
Saul Jick
Wardrobe Assistant
Nevada Penn
Nevada Penn
Wardrobe Master
Fred Starns
Fred Starns
Wardrobe Master
John Zacha
John Zacha
Assistant Editor
Barbara Ford
Barbara Ford
Negative Cutter
Olive Hofmann
Olive Hofmann
Location Manager
Gus Schroeder
Gus Schroeder
Accountant
Betty Evans
Betty Evans
Production Secretary
Josephine Woods
Josephine Woods

John Chard

Bury those quitters! Tom Dunson is a self made cattle baron, he will do what ever it takes to protect the life he has made for himself. The constant fall in the value of livestock means that Tom, and his adopted son Matthew, must drive the gathered herd through the perilous Chisholm Trail, and then hope to get good value for the beef. With their assembled group of hands they head off North, but many problems will come their way, not least, a fallout due to Dunson's tyrannical ways, meaning there could well be mutiny on the range. Without a shadow of doubt, Red River is one of the greatest Westerns ever made, boasting incredible performances from the cast, directed with sumptuous skill by Howard Hawks and photographed as good as any film in the genre. Based on the novel The Chisholm Trail written by Borden Chase (also co writing duties for the film), Red River is a sweeping spectacle that doesn't have a frame that's wasted. Hawks (this his first Western) frames his wonderfully vivid characters in lush expansive landscapes, fleshing them out amongst the constant stream of drama and action. Though Chase would be annoyed at the changes Hawks made to the story, he surely would have marvelled at the finished product, with Harlan's photography in and around the Arizona's locales capturing a cowboys terrain expertly, while Dimitri Tiomkin's score stirs the blood and pumps the viewer with Cowboy adrenaline. If anyone doubts John Wayne as an actor of note then they need look no further than his performance here as Dunson. Tough and durable in essence the character is for sure, but Wayne manages to fuse those traits with a believable earthy determination that layers the character perfectly. With Wayne all the way, matching him stride for stride is Montgomery Clift as Matthew Garth, sensitive without being overly so, it's the perfect foil to Wayne's machismo barnstorming. Walter Brennan and John Ireland also shine bright in support, while a special mention has to go to a wonderful turn from Joanne Dru as Tess Millay, for Howard Hawks' CV shows a ream of strong female characters, and here Dru firmly puts herself in amongst the best of them - check out her first appearance alongside Clift, it's precious. Red River made a fortune upon its release, it was revered by the critics back then, and it's still being revered today. Rightly so, because it is quite simply magic cinema, a case where everything comes together perfectly, it's in short, a film that even none Western fans should be able to marvel at as entertainment. Or? at the very least give credit to the Tech accomplishments on offer. 10/10

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